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Velut Luna

The Velut Luna's Reference Vinyl Vol. 2

The Velut Luna's Reference Vinyl Vol. 2

Music genre: Crossover, Rock progressivo, Progressiva, Folk, CANZONE D'AUTORE, Pop, JAZZ, Blues, Elettronico, Classica, and Latino

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The Velut Luna's Reference Vinyl Vol. 2 (CVLD370)

Available in: HD File, LP

SIDE A - 8:03 PM
A1
Short & Shorter 6:37(Roberto Magris)
Big Band Ritmo Sinfonica Città di Verona, Marco Pasetto, conductor
Recorded at Teatro Marinelli, Castelnuovo del Garda, September 2008

A2
Nubian Dream 5:57
(A. Sharara)
New Project Jazz Orchestra, Renzo Vigagni, conductor
Recorded at Teatro Rosmini, Rovereto, December 1999

A3
Winter 7:31 (Oscar Del Barba)
Oscar Del Barba Ensemble, feat, Mauro Negri, clarinet
Recorded at Auditorium Pollini, Padua, April 2000

SIDE B - 6:02 PM
B1
Radames 3:03
(Coslow, Age, Cremona)
The Metronomes, feat. Michele Giacomazzi, guitar
Recorded at Papillons Studio, Padua, January 2000

B2
The Pink Panther Theme 6:50
(Henry Mancini)
Massimo Salvagnini Quartet
Recorded at Condulmer Recording Studio, Zerman, August 2002

B3
Amor em paz 5:30
(Antonio Carlos Jobim)
Massimo Salvagnini Quartet, featuring Patrizia Laquidara
Recorded at Magister Recording Area, Preganziol, November 2006

B4
I'm On My Way 2:33
(Traditional)
Cheryl Porter, Guido Torelli & Leonardo Di Angilla
Recorded at Public Auditorium, Chiuppano, October 2001

SIDE C - 6:15 PM
C1
Spring Portena 7:49
(Astor Piazzolla)
Stravinsky Chamber Orchestra, Marco Tezza, piano solo & conductor
Recorded at the Church of San Francesco, Schio, April 1999

C2
Vals venezolano / Contradanza 3:13
(Paquito D'Rivera)
Alessandro Carbonare, clarinet & Andrea Dindo, piano
Recorded at the Church of San Francesco, Schio, August 2002

C3
Lunas de cielo griz 2:42
(Alejandro Martinez)
Alejandro Martinez & Nina Ves
Recorded at Studio A, Padua, June 2015

C4
El pueblo unido jamas serà vencido 4:36
(Sergio Ortega, Quilapayún)
Yolanda Diaz & Matteo Nahum
Recorded at MLH, Naquera (Spain), September 2023

SIDE D - 7:33 PM
D1
Concerto in A Major K622
for Clarinet and Orchestra: Allegro 11:42
(Wolfgang Amadeus Mozart)
Orchestra of Padua and Veneto, Zsolt Hamar, conductor, Luca Lucchetta, clarinet
Recorded at Teatro Verdi, Padua, October 2006

D2
Gianò's Dreams:
The Accordion and the Child 7:50
(Adriano Lincetto)
Orchestra of Padua and Veneto, Fabio Framba, conductor
Recorded at Auditorium Pollini, September 2009

All recordings made in Italy, except for C4 made in Spain.

A heartfelt thanks to all the musicians who have helped make Velut Luna great in its first 30 years.
(Marco Lincetto)

Sound engineer: Marco Lincetto unless otherwise indicated
Graphic design: L'Image / Photo taken by: Paolo Vettore (1963)

- - -

The child in the cover photo is me. At the age of two. It was 1963.
For as long as I can remember, I've always loved listening to records. Certainly because of my family history, with my father being an illustrious classical pianist and refined composer, and my mother an opera singer.
But certainly in those years of early childhood I was greatly fascinated by those big black pans that spun on the old family record player and from which emerged my favorite fairy tales, narrated by the great voices of great actors (I remember, for example, Nando Gazzolo and his Little Red Riding Hood, and Hansel and Grethel, and Tom Thumb, whose records I literally wore out...).
Around the age of eight or nine, the transition from fairy tales to the Beatles' 45s at the end of their career (Obladì, Obladà), or to that unusual and unknown sound of the Theremin used in Good Vibrations by the Beach Boys, was a completely natural occurrence.
And when at 13 I gradually began to discover Santana, Pink Floyd, Genesis, etc.etc.etc., combined with reading Suono and Stereoplay, it was equally natural to become infatuated with the images of the large reel-to-reel tape recorders of the time, suitable for the then rare home studios.
My first love, much dreamed of but never owned, was the Tascam 80-8, eight tracks on half-inch tape. And my dream microphones were Sennheisers, MD441s, and MD421s... But the real dream was to "build my own studio"... which would remain just a dream for a long time. When I finally, at 19, discovered Jim Croce's music and understood that... "It-Can-Be-Done!" (quote), it was the moment when it became clear to me that sooner or later, I would do that job, I would "make records."
And the rest is history...

My culture, my tradition, my fundamental experiences are ANALOGUE. Although I was a champion of quality digital right from the start of my professional career in 1992, I have never abandoned analog, and above all, I have never abandoned the "analog mindset."
Here comes this second volume of my most beloved, most significant recordings of over thirty years of production activity with VELUT LUNA. As in volume 1, each side of the four that make up this double vinyl is thematic and dedicated to the great Big Bands, which move between jazz and ethnic crossover (Side A), jazz in club format, from the Italian swing of The Metronomes, to the gospel of Cheryl Porter (Side B), South American and Latin music, very important to me and the cornerstone of my deepest feelings (Side C), and finally the great
classical music, here translated into the wonderful Clarinet Concerto by Mozart and the final movement from the Symphonic Suite “I Sogni di Gianò” by my father Adriano Lincetto.

...And see you at the third and final volume of this “summa” of mine, scheduled for publication in February 2025, on the occasion of the 30th anniversary of the birth of VELUT LUNA.

Marco Lincetto

AVAILABLE IN DOUBLE LP 180GR FORMAT

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