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BirdBox Records

Livia Mazzanti | Scarlatti at Scarlatti

Livia Mazzanti | Scarlatti at Scarlatti

Music genre: Classico and Classica

Regular price $51.00 USD
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Livia Mazzanti - Scarlatti at Scarlatti's

Available in: LP 33rpm GATEFOLD 180 gr. AAA Pure Analog

Tracklist

  • A1. E major, K. 380
  • A2. B minor, K. 377
  • A3. B minor, K 27
  • A4. D major, K33
  • B1. C major ("Pastorale"), K 513
  • B2. F minor, K 481
  • B3. C major ("The Hunt"), K 159
  • B4. F minor, K. 466

    IMPORTANT NOTICE: The estimated shipping date has been rescheduled. Due to reasons beyond our control and related to the delicate vinyl production process, scheduled shipments will be delayed until further notice. The care and craftsmanship of the process require patience: the wait for authentic analog sound will be rewarded with the highest quality. We will communicate the new date as soon as possible.

    The Definitive Analog Edition
    • Format: 180g Vinyl, 33 rpm, Gatefold.
    • Audio Processing: AAA (Fully Analog Process) – Recording on original master tape in studio quality.
    • Booklet: Includes a 16-page booklet.

    Listen to the preview now

    Our goal was to convey with the utmost clarity the colorful and complex interpretation that makes this music its interpreter, as well as to convey the authentic sonic impact of the Tamburini organ in the Sala Scarlatti in Naples, with its more than 4,000 pipes. We hope this intent reaches your ears, transporting you to that authentic moment. This album is a bold journey into the heart of Domenico Scarlatti's music, reinterpreted in a modern key. The multifaceted organist Livia Mazzanti departs from a purely philological approach to "transmute" the Sonatas, intended for the harpsichord, through the powerful and versatile voice of the instrument designed in the 1980s by Jean Guillou for the Naples Conservatory. In an act of profound admiration and interpretative freedom, Mazzanti explores Scarlatti's most intimate and most grandiose nuances, creating a dialogue between two keyboard virtuosos, equally stateless and experimental. The imperfections of the instrument, now awaiting restoration, give the sound a poetic and fascinating character, making the recording a unique testimony to this extraordinary equidistance between past and future, between Neapolitan soul and French genius.

    Credits

    • Produced by: Lorenzo Vella | BIRD BOX RECORDS
    • Recording Engineer: Matteo Spinazzè Savaris, Lorenzo Vella
    • Mastering Engineer: Lorenzo Vella
    • Musical Supervisor: Peter Dimpflmeier
    • Artwork & Design: Lorenzo Vella - Nightingale Studios
    • Graphic Designer: Alessandro Bruno

    Characteristics

    This recording was masterfully mixed in real time on an EMT A400 console and tied directly to an Ampex ATR-102 ½-inch tape recorder.

    Album recorded on October 26, 2024, in the Scarlatti Hall of the San Pietro a Majella Conservatory of Music in Naples. Mastering took place in May 2025 at Nightingale Studios in Palombara Sabina (Rome).

    Gear used

    • ANALOG CONSOLE

    EMT-FRANZ MM40 A400 Multioutput Mixsystem 16ch. (recording)

    MCI JH636 (mastering)

    • MICROPHONES

    Decca Tree: Line Audio Design Omni1

    Binaural mode: Neumann KU100

    Close-proximity mics: Neumann U47fet

    Spot mic: Line Audio design CM4

    • Reel to Reel Tape Machine

    Ampex ATR-102 2-track ½-inch (recording-mastering)

    Studer A80 2-track ¼-inch (master tape duplication)

    Telefunken M15 2-track ¼-inch (master tape check)

    Studer A807 2-track ¼-inch (master tape check)

    Sony MCI JH-110 2-track ¼-inch (master tape check)

    Sony APR-5003V 2-track ¼-inch (master tape check)

    • MASTERING OUTBOARDS

    Ampex 350 (1955) - Two Matched Units

    • MONITORS

    Tannoy SRM 15X Super Red Monitor

    B&W 802 III series

    B&W CDM1 Special Edition

    Neumann KH 120 A

    • MONITOR POWER AMPS

    BGW 750 E (4x)

    BGW 250 D

    • HEADPHONES/AMPLIFIERS

    Audeze LCD-2C

    Hifiman Sundara

    Sennheiser HD600

    Audio-gd NFB-1AMP Class A

    • CABLES/FINE TUNING

    Audio Mass - E-Spikes

    VYDA Laboratories - signal cable - speaker cable

    Eurocables - Star Quad microphone cable

    Mogami cables Platinum Studio microphone cable

    Van Den Hul - D-102 mk III signal cable

    Schumann Resonator Audio 2C by Claudio Checchi

    Organ specifications

    • Specification of the Tamburini Organ
    • Builder: Tamburini (on a project by Jean Guillou)
    • Year: 1983
    • Restorations/Modifications: Restoration by Zanin, 2000s
    • Stops: 49
    • Pipes: approximately 4,000
    • Action: mixed (mechanical for manuals and pedals, electric for stops)
    • Console: attached, in the front wall of the case
    • Keyboards: 4 manuals, 61 notes (C1-C6)
    • Pedalboard: concave-radial, 32 notes (C1-G3)
    • Placement: a single, floor-standing unit against the rear wall

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    Gatefold Vinyl. Limited to 300 Numbered Copies. 180g Audiophile Pressing. AAA Fully Analog Process, embellished with an elegant large format 16 page booklet.

    Experience an unprecedented sonic journey with this recording, meticulously sourced from the ½-inch Ampex ATR102 master .

    Reading from a Telefunken M21, Audio Research VT60 tube crossover amplifier, driven by a Neumann SAL74B preamplifier and RIAA encoder. The final power stage for crossover is an Audio Research VT60 tube power amplifier.
    Lacquering on: lathe Neumann VMS70 equipped with Ortofon DSS821 cutting heads.

    Purely analog audio processing, for an authentically analog vinyl release.

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