Frequency Of Humanity - MARTIAN NOISE

Frequency Of Humanity (CVLD369)

MARTIAN NOISE: Gabriele & Niccolò Lucchin

Available in: HD File, Gold CD

1. Prelude 2:01
2. Infra 3:50
3. Boring Afternoon 4:10
4. Omniarch 5:21
5. Hanging Garden 3:18
6. Apnea 4:51
7. Weird Flavour 3:07
8. Walk On 4:30
9. Broken Flower 6:47
Tot. time: 38:00
All compositions by Gabriele & Niccolò Lucchin

MARTIAN NOISE
Gabriele Lucchin plays Steinway & Sons D274 Concert Grand Piano,
Hammond C3 Organ, Fender Rhodes MKI, Prophet 600 Keyboard,
Akay AX-80, Oberheim Matrix 1000, Vermone Per4mer
Niccolò Lucchin plays Drums
Daniele Lucchin, special guest, plays electric bass on tracks 6, 7, 8

- 88.2kHz/24bit original recording and full analog mix made at Magister
Recording Area, Preganziol, Italy on October, 2023
- Full analog mastering made at Velut Luna Studio, Naquera, Valencia,
Spain, on November 2023
- The final digital HD 88.2/24 wave file was recorded from analog
master using Prism Sound Dream AD2 ADC state-of-the art ADC converter

Production: MARCO LINCETTO, Spain
Executive producer: Marco Lincetto
Musical producer: Andrea Valfrè
Recording and mix engineer: Andrea Valfrè
Mastering engineer: Marco Lincetto
Design and layout: L’Image

Manufacture and commercial distribution: referencemusicstore.com, Italy
Many thanks to: our family, in particular our father Gianmatteo Lucchin
for having followed and supported us, managing the tuning part of the
drums perfecting the instrument during the studio recordings; our uncle
Daniele Lucchin for playing in tracks 6, 7 and 8 building solid bass
lines on which it was a pleasure to play.

MARTIAN NOISE are two brothers, Gabriele Lucchin, 19 years old, and Niccolò Lucchin, 17 years old. And they are also the Black Swan of the Italian music world today.

Two very young virtuosos of their respective instruments, profound and refined connoisseurs of the epic of early great Prog, that of the 70s, born and raised between Great Britain and Italy. For them, and thanks to their family tradition, Emerson Lake & Palmer, Yes, Genesis, Rick Wakeman, Pink Floyd, Alan Parsons Project, etc. are the daily bread with which they grew up and were formed, acquiring an encyclopedic and profound culture of that sound world, thus defining their own original aesthetic of Music.

It was therefore inevitable to arrive at this FREQUENCY (of Humanity), which far from representing a sad derivative clone of the Masters' works, reinterprets their stylistic features, with calligraphic respect, yet offering truly new and for our days absolutely innovative, fresh and regenerating Music, in a stagnant ocean of banality, of vulgarly preachy non-music.

And they also take on the responsibility of proposing an entire album without vocals, without singing, without those "words" that today seem to be the only reason for attraction for too broad an audience, which has given up the evocative pleasure of pure Music to the nth degree. Well, MARTIAN NOISE are here to rekindle attention!

From a technical point of view, the inevitable choice was to use ONLY analog instruments directly from the 70s and 80s for their performances; just as most of the recording, mixing and mastering workflow was carried out in the analog domain. No computers, no samplers, no software was used during the executive phase. And the title of the album, and the cover image, in some way want to indicate this path, where Humanity, Humanism, surpasses and defeats the dystopian technocratic technicalism of our days. A glimpse of vital light in the night of circuits and bits.