METABOLE' - Saverio Tasca, Francesco Erle

METABOLE' ( CVLD032 )

Saverio Tasca, Francesco Erle, Schola S.Rocco

Tracks

1. Warm Up, 3'32" Schola S.Rocco, Saverio Tasca

2. O Gloriosa Virginum, 3'58" Liber Usualis Schola S.Rocco, Saverio Tasca

3. Primo Tempore, 6'15" Anonymous Czech 14th century /Anonymous C 14, Czech Schola S.Rocco, Carlo Timillero tenor/tenor, Luigi Marasca bass clarinet/bass clarinet, Saverio Tasca

4. Sys Willekomen Heirre Kerst, 3'17" Anonymous German 14th century /Anonymous C 14, German Schola S.Rocco, Marta Bolcati and Oreste Palmiero flutes, Saverio Tasca

5. Amo Christum, 4'47" Antiphonary Worcester Codex 13th century / from Worcester Antiphoner C 13 Schola S.Rocco, Carlo Timillero tenor/tenor, Marta Bolcati and Oreste Palmiero Flutes/flutes, Luigi Marasca bass clarinet/bass clarinet, Saverio Tasca

6. O Lord, Teach Me Thy Way, 6'53" Thomas Tallis (1505-1585) Giovanna Damian, Saverio Tasca

7. Quand Je Bois Du Vin Clairet, 3'48" published by Attaignant c.1530 /published by Attaignant circa 1530 Schola S.Rocco, Saverio Tasca

8. De Spineto Nata Rosa, 8'31" anonymous English 14th century / Anonymous C 14, English Giorgio Erle tenor/tenor, Giovanna Damian soprano, Luigi Marasca bass and Bb clarinets/flat and bass clarinet, Saverio Tasca

9. O Lord Give Thy Holy Spirit, 4'19" Thomas Tallis (1505-1585) Schola S. Rocco, Saverio Tasca

10. Conditor Alme Siderum, 5'13" Guillaume Dufay (1400-1474) Schola S.Rocco, Saverio Tasca

11. Victimae Paschali Laudes, 4'31" Liber Usualis Schola S.Rocco, Saverio Tasca

12. Warm Out, 3'34" Schola S. Rocco, Saverio Tasca

Total time 58'43

Notes

Original compositions from 13rd and 14th Century, with jazz improvisation Schola S.Rocco, vocal ensemble / Saverio Tasca, marimba / Luigi Marasca, clarinet / Giovanna Damian, soprano 24Bit / 96 kHz Digital Recording. Live in studio at St. Rocco Church (Vicenza, Italy). June, 1999

Starting from some very famous themes from the vocal repertoire of the late Middle Ages and the European Renaissance, this work resumes and expands the inspiration of artists who previously played ancient music and jazz side by side. However, when listening it manifests itself differently, with new inventions made of interpretation and improvisation together, as in the original revisitation of "Quand je bois du vin clairet".