LENTOGODENDO - NINA & VILLA EL SALVADOR

LENTOGODENDO  ( CVLD187 )

Author : D. SOTO CHERO, M. CATINACCIO, P. COSCO, A. SAORIN, I. FOSSATI, C. MALGIOGLIO, A. SCANO
Performer : NINA & VILLA EL SALVADOR

Notes

POP: original compositions by A. Saorin, D. Soto Chero, M. Catinaccio, P. Cosco, C. Malgioglio, GP Felisatti, I. Fossati, P. Vorace, A. Scano.
Nina Ves voice; DB Soto Chero classic guitar, tiple, acoustic guitar; P. Cosco bass & double bass; M. Catinaccio percussions & drum. Special guests: V. Titti Castrini accordion; G. Gobbo voice; JC Rivera Cadenas chromatic bagpipe; P. Vorace acting voice; A. Martinez chorus.
24bit/88.2kHz digital recording was made at Martinez Studio A, Padua, on January 2009.

“Villa el Salvador” is a young town on the Peruvian coast of the Pacific Ocean, where David Soto Chero spent the first ten years of his life; the group was born with this name in the summer of 2004, also composed of Pasquale Cosco and Marco Catinaccio, which since then has moved mainly in Latin-Jazz; it is only after meeting Nina that a new path is undertaken in Italian song and in the composition of his own songs, without forgetting, of course, Spanish, David's mother tongue.
Here then flow without interruption ten songs of sure catch, very catchy. They are mainly original songs, with lyrics in Italian, but above all in Spanish: they go from “Che guardano te” to “Vinho amargo”, to the title track “Lentogodendo”, a very fresh samba sung in vocal duet by Nina and Giorgio Gobbo; and then again “Avenida meeks”, “Llevame al rio”, “Si supieras”, Samba etè”. There are also two gems, two covers of very famous songs such as “Ancora, ancora, ancora”, performed with a very marked South American rhythm and the beautiful “L'orologio americano” by Ivano Fossati.
Precious guests of this project: Alejandro Martinez on backing vocals, Vincenzo Titti Castrini on the accordion, Juan Carlos Rivera Cadenas “Pelao” on the pan flute.
The recording and artistic production of this album were made by Alejandro Martinez in his Studio A in Padua and was mixed and mastered by Marco Lincetto, with Martinez himself. All of this, obviously, in high digital resolution 24/88.2