E TERETUPPETE ... N'ATA VOTA ! - CAPORALE, TODESCO V. , TODESCO S.

E TERETUPPETE ... N'ATA VOTA ! ( CVLD267 )

Author : AAVV
Performer : Rosella Caporale (voice), Stefania Todesco (piano), Valentina Todesco (cello)

Tracks

La danza (G. Rossini, F. Caporale) 3:42
‘Sto core mio (O. Di Lasso) 2:22
Canto delle lavandaie del Vomero (Anonymous from XIII sec.) 3:15
Funiculì Funiculà (G. Turco, L. Denza) 3:15
Fenesta Vascia (Anonymous from XVI sec.) 4:08
Ninna Nanna d’argiento (A. Caporale, F. Caporale) 3:05
La tarantella (F.Florimo, A. De Lauzieres) 3:25
‘Na jurnata ‘e sole (S. Todesco) 4:16
I te vurria vasà (V. Russo, E. Di Capua) 4:26
Luna Saracena (F. Caporale) 4:20
Era de Maggio (M.Costa, S.Di Giacomo) 5:26
Dicitencelle vuie (R. Falvo, E. Fusco) 5:35
Lo Guarracino (Anonymous from XVIII sec.) 5:48
Total Time: 53:08

Rosella Caporale, voice
Stefania Todesco, piano
Valentina Todesco, cello

24bit / 88.2kHz original live-in-studio recording made at Villa Todesco, Villa del Conte, Italy, on June 20th, 21st, 2015

Notes
This musical project was born in 2014 and is dedicated to the valorization of a selection of the most significant pieces of the great repertoire of Neapolitan Song, from famous melodies such as I te vurria vasà, Era de Maggio, La Tarantella of Rossini, up to the most ancient pieces, such as the Song of the Washerwomen of Vomero (1200), 'Sto core mio (1300), Fenesta Vascia (1500), Lo Guarracino (1700) which constitute the basis of the tradition.
The passionate musical research of the trio composed of Rosella Caporale, Stefania and Valentina Todesco successfully tries to recover Neapolitan Music, between Poetry and History, at the very moment in which popular expression acquires the meaning of the highest Culture.
An ideal "red line" unites the dawn of the Italian vocal tradition up to universal expressions of natural singing, all underlined by extraordinary new arrangements, specially created by Stefania Todesco, which see the piano and the cello as co-protagonists of the songs together with the voice of Rosella Caporale.
The very high quality recording was made with the live-in-studio technique in high digital resolution, in order to preserve, on the one hand, every hidden nuance, and on the other to guarantee all the pathos and spontaneity that only a live recording with no editing cuts can offer.