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PINCHES AND SIGHS - Adriano Lincetto

PINCHES AND SIGHS - Adriano Lincetto

Velut Luna

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Adriano Lincetto (Padua, 1936 – 1996)

PINCHES AND SIGHES (CVLD104)

Available in: HD File, SACD

Suite for Paer, for String Orchestra (1980)
01 - Allegro con spirito, 1:26
02 - Adagio, 2:27
03 - Tempo di Valzer, 2:25
04 - Allegro molto, 2:08
 
Concerto for Flute and Strings (1979)
05 - Largo espressivo cantabile. Allegro moderato 5:08
06 - Lento, cantando con molta espressione 4:33
07 - Allegro vivacissimo 4:30
 
Elegy for Alphorn and Strings (1996)
08 - Adagio, ma non troppo lento. Allegro molto.
Poco meno cantando. Tempo I  12:55
 
Divertimento for Bassoon and Strings (1995)
09 - nocturne  3:16
10 - Dance  3:32
11 - Elegy  6:49
12 - Finale  2:52
 
Divertimento a due for Guitar and Piano (1981)
(transcription for guitar and strings by the Author)
13 - Prelude  4:17
14 - Dance  3:11
15 - Finale  4:00
 
Adagio and Allegro for Mandolin and Piano (1978)
(transcription for mandolin and strings by Claudio Mandonico)
16 - Adagio  2:08
17 - Allegro  3:50
 
TOTAL DURATION: 70:32
 


String Orchestra: I Solisti Filarmonici Italiani, conducted by Giovanni Guglielmo
Enzo Caroli, flute
Alessio Benedettelli, alphorn
Andrea Bressan, bassoon
Alessandro Bono, guitar
Ugo Orlandi, mandolin
 
Native multi-channel recording in DSD format, made in March 2003 in the Library Hall of the Carceri d'Este Abbey, Italy.
Schoeps microphones, Millennia Media HV-3B microphone preamplifiers and a SADiE DSD8 recording system were used.
Mixing and mastering were monitored using a DROMOS EGHEON multi-channel analogue preamplifier, AUDIA FLIGHT 100 x3 amplification and SPENDOR S-100 x5 loudspeakers
 
Executive producer and sound engineer: Marco Lincetto for Velut Luna
Graphics and Layout: L'Image

The music of Adriano Lincetto never aligned with the dictates of the dominant "musical currents" of the 20th century. Lincetto always composed following his own idea of beauty, melody and harmony. His music is tonal, and at times it does not fail to pay homage to those composers who, even unconsciously, were a source of inspiration, from Debussy and Ravel to Bartok and Stravinsky. It is absolute and timeless music, often created to satisfy the requests for "new music" from musician friends who then became its first interpreters, as in the case of this album Enzo Caroli and Alessio Benedettelli and the lifelong friend Giovanni Guglielmo. Music to be savored for its inherent beauty and without seeking any pseudo-cultural aftertaste, typical of power cliques linked more to political power than to Music understood in an absolute sense.
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