{"product_id":"marco-fornaciari-violino","title":"FORNACIARI (Violin) | Fornaciari","description":"\u003ch1 class=\"h1 namne_details\" itemprop=\"name\"\u003eFORNACIARI\u003c\/h1\u003e\n\u003ch2\u003e\u003cspan\u003eViolin\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv class=\"product-price h5\" itemprop=\"offers\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/Offer\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eAvailable in: DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003eTrack list:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan\u003eGIUSEPPE TARTINI (1692-1770)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eSonata No. 13 in B minor\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAndante\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAllegro assai\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eGiga: allegro affettuoso\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e(Ed. ZANIBON); 7‘20“\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan\u003eFRANZ SCHUBERT (1797-1828)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eSix Ländlers D374 for solo violin\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"en-us\"\u003e\u003cspan\u003e\u003c\/span\u003e(Ed. HENLE); 2’40”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"en-us\"\u003eKAROL JOSEF LIPINSKY (1790-1861)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"en-us\"\u003eCapriccio Op. 29 No. 3\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"en-us\"\u003e\u003cspan\u003e\u003c\/span\u003e(Ed. POLSKIE WYDAWNICTWO MUZYCZNE); 2’50”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan\u003eFRITZ KREISLER (1875-1962)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eRecitative and Scherzo-Caprice Op. 6\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e(Ed. SCHOTT); 4’\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan\u003eBRUNO BETTINELLI (1913, living)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eMonologue for solo violin\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e(Ed. CURCI); 6’50”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan\u003eBÈLA BARTÒK (1881-1945)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSonata for solo violin\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eTempo di ciaccona\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFuga\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMelodia\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePresto\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e\u003cspan lang=\"en-us\"\u003e(Ed. BOOSEY and HAWKES); 24’30”\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"104\" width=\"378\" src=\"https:\/\/widget.qobuz.com\/album\/ardu2z87rcyvc?zone=IT-it\"\u003e\n      \u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv id=\"product-description-short-760\" class=\"product-description-short\" itemprop=\"description\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSTEREO\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eINSTRUMENT:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eVettori Violin 1981\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eRECORDING PLACE:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eLivorno, San Ranieri Chapel, October 10\/14, ‘83\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eRECORDING:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eStudio R.G.C. Livorno\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePRODUCTION DIRECTOR:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eGiulio Cesare Ricci\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSOUND ENGINEER:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eGiulio Cesare Ricci\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eMARCO FORNACIARI violin\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eA few words to justify the program presented in this edition will not be superfluous. At first glance, especially to the European public, it might appear eclectic, if not incoherent, or in any case chosen with outdated concert criteria. Now, without forgetting that editions of this kind are frequent, especially in the USA and USSR, which is certainly not insignificant, it must be said that when it comes to highlighting the qualities and characteristics of a modern instrument like the violin made by Carlo Vettori in 1981, it is natural to lean towards representative music, both in chronological terms and in terms of compositional school. This is how Marco Fornaciari chose to attempt a repertoire that ranges from the early 18th century to the present day.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eGIUSEPPE TARTINI (1692-1770), from Istria, violinist, sound theorist, and harmony scholar, reveals in his \"Sonata No. 13 in B minor\" (taken from a group of 24, of which the autograph is preserved in Padua) the stylistically simple breadth, projected towards a barely hinted virtuosity, of the pure and elegant 18th-century expressive lines.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe Six Ländlers for solo violin D 374 by FRANZ SCHUBERT (1797-1828), composed in February 1816, are a small, almost unknown gem by the Viennese master, and present the tones and cadences of the Waltz (which derives from the ländler, a popular rural dance) purified, however, of the symphonic refinements to which the Strausses, among others, have accustomed us.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eScarcely known, KAROL JOZEF LIPINSKI (1790-1861), a Polish violinist, eclectic composer, and orchestra conductor. A rival of Paganini, with whom he did not fare badly in a concert competition, he composed no less than 4 collections of Capriccios, in the Italian style. From Op. 29, \"Capriccio\" No. 3 is performed, a dazzling cascade of notes in the purest virtuosic style of the early last century.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe \"Recitative and Scherzo-Capriccio\" Op. 6 by FRITZ KREISLER (1875-1962), on the other hand, is a brilliant example of how the late-Viennese melodic tradition continues in our\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ecentury; the great celebrity of this work makes it superfluous to dwell on it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eOf significant interest is the \"Monologue for solo violin\" by BRUNO BETTINELLI (1913, living), a master who taught more than one generation of musicians from the composition chair of the \"G. Verdi\" Conservatory in Milan. Not tied to schemes or schools, not influenced by fads, Bettinelli demonstrates how it is possible to compose, today, music enjoyable even by the wider public, provided that the ties with Italian cantabile are not broken.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eWith the \"Sonata for solo violin\" dedicated to Y. Menuhin, composed in the classical four-movement structure of the sonata da chiesa, one of the most difficult pieces in all violin literature, both in terms of musical writing and technique, BÉLA BARTOK (1881-1945) contributed decisively to pushing the limits of human possibilities in concert performance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMARCO FORNACIARI (1953), who graduated from the \"L. Cherubini\" in Florence, obtained his Konzertdiplom in Geneva, under the guidance of Maestro Corrado Romano, receiving the \"premier prix avec distinction\". He has performed concerts all over the world, both as a soloist and as first violin of the \"Solisti Veneti\". The instrument used for the performance was built in 1981 by CARLO VETTORI, a Florentine luthier who, in his now thirty years of activity (he began working at a very young age in the workshop of his father Dario, also an esteemed luthier), has achieved numerous successes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv id=\"content-wrapper\" class=\"col-xs-12\"\u003e\n\u003csection id=\"main\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/Product\"\u003e\u003cfooter class=\"page-footer\"\u003e\u003c\/footer\u003e\u003c\/section\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fonè","offers":[{"title":"DSD 64","offer_id":52831152177499,"sku":"DSD8301","price":21.0,"currency_code":"USD","in_stock":true},{"title":"WAV 88.2kHz · 24bit","offer_id":52831152210267,"sku":"HD8301","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/SR8301sleeve_9f34ab20-5971-412e-9547-1fdc510341fe.jpg?v=1776447750","url":"https:\/\/referencemusicstore.myshopify.com\/en\/products\/marco-fornaciari-violino","provider":"Reference Music Store","version":"1.0","type":"link"}