CROSSING - Caterina Bergo Paola Donato

CROSSING  (CVLD129)

Available in: HD File, CD

01. Turodo Nacto
02. Sonata for two harps Allegro con spirito
03. Sonata for two harps Adagio espressivo
04. Sonata for two harps Allegro scorrevole
05. Project for a starry night
06. Aries
07. Pisces
08. Nia m'è restà, Blues
09. Birdy
10. New Age Clouds
11. Gavotte in rondo for two harps
12. Impromptu
13. Here, There and Everywhere

Total time: 1:02:05

Production: VELUT LUNA

Executive Producer: Marco Lincetto

Artistic Producer: Caterina Bergo

Recording, Mix & mastering: Marco Lincetto & Matteo Costa

Editing: Matteo Costa

Cover Photo: Marco Lincetto

Layout & Design: L'Image

CLASSICAL Caterina Bergo, harp, Paola Donato harp. High Definition digital recording 24bit / 96KHz. at Magister Studio, Preganziol, Italy, in November 2005.

The harp is undoubtedly one of the most fascinating and magical classical instruments, capable of evoking truly special atmospheres and situations full of strong and unforgettable emotions. Caterina Bergo perfectly embodies the icon of a great interpreter of this instrument: very young, but already with great musical experience, beautiful and elegant, she manages during her concerts to communicate the emotion of Music like few other performers. And for her debut album, Velut Luna wanted to organize a kind of unique musical event, which today very few other record labels in the world have the strength and credibility to be able to achieve. In essence, Marco Lincetto contacted some of the most representative Italian composers of the moment and asked them to write some musical pieces specifically for Caterina and her debut album! Here then are personalities such as Nicola Campogrande, Emilio Galante, Oscar Del Barba, Sergio Cossu, Fabrizio Castania, and also Adriano Lincetto, Ferrero and Tutino with pieces not specifically written for this album, but in world premiere recording. This is new music that can hardly be labeled under a precise genre: in fact, it stands as a perfect synthesis of the classical tradition (Campogrande and Castania), but also of the more modern spirit of rock and blues (Galante), without disdaining the stylistic features of jazz and more refined pop (Del Barba and Cossu). Finally, it is very important to emphasize how in any case we are dealing with an enjoyable, sprightly musical program that immediately appeals to anyone lucky enough to listen to it. And what about the recording? Made within the magical walls of the great Magister Studio, it is perhaps able to present for the first time a truly complete, rich, even symphonic harp sound: mastered with VLHD technique by Marco Lincetto and Matteo Costa.