{"title":"Wolfgang Amadeus Mozart","description":"","products":[{"product_id":"cello-sonatas-luca-giovannini-leonora-armellini","title":"CELLO SONATAS - Luca Giovannini Leonora Armellini","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eCELLO SONATAS \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"font-size: large; font-family: 'Arial Narrow', sans-serif;\"\u003e(CVLD327)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cspan data-mce-fragment=\"1\"\u003eLuca Giovanninitino, \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003ecello\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e- \u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eLeonora Armellini,\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cem\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e piano\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable in: HD Files, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eCello Sonata N.1 in E Minor Op. 38\u003cbr\u003e1 - Allegro non troppo  14:34\u003cbr\u003e2 - Allegretto quasi minuetto  5:50\u003cbr\u003e3 - Allegro  6:39\u003c\/p\u003e\n\u003cp\u003eCello Sonata N.2 in F Major, Op. 99\u003cbr\u003e4 - Allegro Vivace  9:06\u003cbr\u003e5 - Adagio affettuoso  6:37\u003cbr\u003e6 - Allegro appassionato  7:43\u003cbr\u003e7 - Allegro molto  4:50\u003c\/p\u003e\n\u003cp\u003etotal time:  55:24\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Johannes-Brahms-Cello-Sonatas\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLuca Giovannini, cello\u003cbr\u003eLeonora Armellini, piano\u003c\/p\u003e\n\u003cp\u003e24bit \/ 88.2kHz original recording made at Magister Recording Area, Preganziol, Italy, on July 12, 2020 - Leonora plays on Steinway \u0026amp; Sons D274 Concert Grandpiano, tuned and prepared by Silvano Zanta\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eProduction: VELUT LUNA\u003cbr\u003eExecutive producer: Marco Lincetto\u003cbr\u003eMusical producer and editing engineer: Michele Sartor\u003cbr\u003eRecording, mix and mastering: Marco Lincetto\u003cbr\u003eDesign and layout: L'Image\u003cbr\u003eText: Myriam Guglielmo\u003cbr\u003ePhoto: Marco Lincetto\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJohannes Brahms\u003c\/strong\u003e and the cellists of Sonatas Op. 38 and Op. 99: a photographic retrospective.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003eAmong the complex array of chamber music pieces in Brahms's catalogue, the two Sonatas for piano and cello (a designation that, by the composer's wish, emphasizes the equal nature of the instruments involved) are traditionally considered cornerstones of the repertoire dedicated to this formation. Their notoriety, due to successful reception and continuous performance that we still witness today, should not prevent the listener and interpreter from having an overview of the two Sonatas, which is often neglected in favor of a mere chronological and compositional comparison. Although twenty-four years elapsed between the writing of the first two movements of the Sonata in E minor Op. 38 and the publication of the Sonata in F major Op. 99, the interest in cello writing, fueled by the presence of key figures in the composer's circle, can be considered common to both periods.\u003cbr data-mce-fragment=\"1\"\u003eIn a photograph dated May 7, 1894, we find Brahms, on his sixty-first birthday, surrounded by friends and colleagues at the home of the von Miller zu Aichholz family (Gesellschaft der Musikfreunde archive, Vienna). Among the guests, besides Ignaz Brüll, Anton Door, Julius Epstein, Eusebius Mandyczewski, Gustav Walter, Eduard Hanslick, and Richard Mühlfeld, are the dedicatees of the two Sonatas for piano and cello: Josef Gänsbacher and Robert Hausmann. - \u003c\/span\u003e\u003cspan\u003eMyriam Guglielmo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003e\u003cem\u003eLuca Giovannini,\u003c\/em\u003e\u003c\/strong\u003e born in Rovigo in 2000, attended the \"Francesco Venezze\" Conservatory in Rovigo with M° L. Simoncini and graduated at 17 with honors and a special mention. He enriched his studies by attending the \"R. Romanini\" Academy in Brescia, where he studied with G. Sollima and later with G. Capuçon at the \"Classe d'excellence\" of the Louis Vuitton Foundation. From a very young age, Luca distinguished himself in numerous competitions, among the most prestigious being the first prize in 2018 at the J. Brahms competition in Pörtschach, Austria, becoming the first Italian to win it, in 2016 the third prize at the \"Schönefeld\" competition in China, and the National Arts Award 2020.\u003cbr data-mce-fragment=\"1\"\u003eHe has had the opportunity to play for the most illustrious names in the music world, such as G. Kremer, A. Schiff, N. Gutman, E. Dindo, M. Brunello, B. Canino, D. Rossi, and many others, gaining different perspectives and highly stimulating insights.\u003cbr data-mce-fragment=\"1\"\u003eHe has performed in numerous countries and important theaters such as the Suntory Hall in Tokyo, Carnegie Hall in NY, Musikverein in Vienna, the Berliner Philharmoniker, Sale Apollinee della Fenice, and the Sala Maffeiana in Verona. Luca is currently studying with F. Helmerson at the Kronberg Academy, Frankfurt. He plays an Ansaldo Poggi kindly granted by M° M. Brunello.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003e\u003cem\u003eLeonora Armellini \u003c\/em\u003e\u003c\/strong\u003e\u003c\/span\u003ewas a very young winner of the “Janina Nawrocka Prize” for “extraordinary musicality and beauty of sound” at the “F. Chopin” International Piano Competition in Warsaw (2010). This success was brilliantly confirmed in the 2021 edition, with a Fifth Prize making her the first Italian woman to reach the top of a competition considered the pinnacle of world pianism. Leonora Armellini (1992), daughter of artists, began studying piano at the age of four with Laura Palmieri and graduated at twelve with full marks, honors, and a special mention. In 2005, she unanimously won the XXII Premio Venezia, reserved for the best graduates of Italian Conservatories, and continued her training with Sergio Perticaroli at the Accademia di S. Cecilia in Rome, graduating at seventeen with honors, becoming the youngest graduate of the prestigious institution. She further perfected her skills with Lilya Zilberstein and Marian Mika, and graduated from the “Incontri col Maestro” Piano Academy in Imola with Boris Petrushansky (2018). Among the numerous awards and recognitions for her artistic and human qualities, Leonora received in 2013 from Zubin Mehta the “Galileo 2000 Pentagramma d’oro” award for her “great courage and musical talent.” in May 2013, the National Association of Music Critics decided to award the “XXXII Premio Abbiati,” “Premio Piero Farulli,” to the Trio formed by Leonora, Laura Marzadori, and Ludovico Armellini (Piano, Violin, and Cello). She regularly performs as a soloist and chamber musician for festivals and concert seasons in Italy and abroad (Carnegie Hall in New York, Mariinsky Theatre in Saint Petersburg, Salle Cortot in Paris, Warsaw Philharmonic, Teatro La Fenice in Venice, Martha Argerich Project in Lugano, and throughout Europe, China, South Korea, Japan, …), and has performed with numerous orchestras including the Warsaw Philharmonic, the Orchestra di Padova e del Veneto, I Solisti Veneti, the Orchestra Filarmonica di Torino, the Orchestra del Teatro La Fenice, the Orchestra dell’Arena di Verona, the Ukrainian National Orchestra, the Sinfonia Varsovia, the Symphony Orchestra of the Lodz Philharmonic (Poland)… Leonora is the protagonist of numerous recording projects; her most recent releases include the DVD “Piano Recital” published by ContempoArs containing, among others, Chopin’s Etudes op. 25, and a CD published by Brilliant Classics containing Poulenc’s Concerto for two pianos and orchestra, Britten’s Scottish Ballad, and Debussy’s Première Suite for piano four-hands in the formation of the Duo Pianistico di Padova (with pianist Mattia Ometto), Orchestra di Padova e del Veneto, and conductor Luigi Piovano. In the same formation, she also recorded the complete works for two pianos by Brahms for Da Vinci Classics. She has been invited by Italian and foreign radio and television for interviews and concerts, including the “Concerti del Quirinale” and an appearance as a guest at the Sanremo Festival 2013. Alongside Matteo Rampin, she co-wrote and published the popular music book “Mozart era un figo, Bach ancora di più” (Mozart was cool, Bach even cooler), published by SALANI (2014), now in its seventh edition and translated into Spanish. She is currently a Principal Piano teacher at the “A. Buzzolla” Conservatory in Adria (RO)\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993798779227,"sku":"CVLD327","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":46807346020699,"sku":"CVLD327","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_9e489968-4b8c-4ec0-8d3f-b8c84e5e2c26.jpg?v=1686058633"},{"product_id":"the-velut-luna-reference-vol-1","title":"The Velut Luna's Reference Vol. 1: Masterclone 24K GOLD CD","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eThe Velut Luna's Reference CD Vol.1 \u003c\/b\u003e(VLLP009) (CVLD393)\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large; color: #2b00ff;\"\u003e\u003ca style=\"color: #2b00ff;\" href=\"https:\/\/www.referencemusicstore.com\/product\/26406588\/the-velut-luna-s-reference-vinyl-limited-edition-2-lp-140-gr-\" target=\"_blank\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\"\u003eAvailable in: \u003cstrong\u003eMasterclone 24K GOLD CD\u003c\/strong\u003e and \u003cstrong\u003eHD File\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eindividually made one by one - Only 50 copies available on Gold 24K CD!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eI-86 Going North\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e5:42 \u003c\/span\u003e(Fabio Ranghiero \/ Lucia Minetti - Lucia Minetti)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eLucia Minetti \u0026amp; Fabio Ranghiero, Recorded at Magister Recording Area, Preganziol April 2022\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eAmarsi un po'\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e4:13 \u003c\/span\u003e(Battisti - Mogol)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eChiara Pastò \u0026amp; Enrico Santacatterina, Recorded at Parco Euganeo, Montegrotto Terme, August 2021\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFind Me\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e4:06 \u003c\/span\u003e(D. Nisi)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eBaraonna, Recorded by Andy \u0026amp; Claudio Bartolucci at Delta-Top Studio, Roma, August 2019\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eQuesta storia in testa\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e3:21 \u003c\/span\u003e(P.Fanton - M. Strano)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003ePaola Casula \u0026amp; Marco Strano, Recorded at Magister Recording Area, Preganziol, April 2008\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eWhen You Wish Upon A Star\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e2:32 \u003c\/span\u003e(Harline - Washington)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eRosella Caporale, Delio Caporale \u0026amp; Achille Succi, Recorded at Magister Recording Area, Preganziol, June 2006\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eBlack Dog Blues\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e4:33 \u003c\/span\u003e(traditional)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eNik Lee \u0026amp; The Jingle Fellas, Recorded at Magister Recording Area, Preganziol, April 2015\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eFunk Checking\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e3:31 \u003c\/span\u003e(E. Santacatterina)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eEnrico Santacatterina, Recorded by Enrico Santacatterina at E.S.P Studio, Mellaredo, October 2019\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eAsk The Trash Can\u003c\/b\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan\u003e \u003c\/span\u003e4:18 \u003c\/span\u003e(G. Marzorati)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eGuido Marzorati \u0026amp; The Blugos, Recorded by Andrea Valfrè at Magister Recording Area, Preganziol, April 2012\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eJust A Smile\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e4:13 \u003c\/span\u003e(E. Santacatterina - C. Pastò)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eChiara Pastò, Recorded at Magister Recording Area, Preganziol, June 2020\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eA Salty Dog\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e3:45 \u003c\/span\u003e(Procol Harum - Brooker - Reid)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003ePaola Casula, Recorded at Magister Recording Area, Preganziol, April 2008\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eBlues Elegante\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e5:05 \u003c\/span\u003e(K. Dorham)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eLorenzo De Luca, Marcello Abate, Martino De Franceschi \u0026amp; Marco Soldà, Recorded at Magister Recording Area, Preganziol, January 2021\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eCaravan\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e7:13 \u003c\/span\u003e(D. Ellington)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003eRoyal Big Band, Benny Lamonica\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003econductor, \u003c\/i\u003e\u003c\/span\u003eRecorded at Auditorium Comunale, Chiuppano, April 2003\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eBasin Street Blues\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e4:13 \u003c\/span\u003e(S. Williams)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eTiger Dixie Band, Recorded at Auditorium Comunale, Chiuppano, October 2000\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eLibertango\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e3:33 \u003c\/span\u003e(A. Piazzolla)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSimone Zanchini \u0026amp; Modern Saxophone Quartet, Recorded at Auditorium Comunale, Chiuppano, May 2000\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eDarth Vader Theme from Empire Strikes Back\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e2:10 \u003c\/span\u003e(J. Williams, arr. F. Castania)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eRaimondo Mazzon, Recorded at Auditorium Pollini, Padova, September 2019\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003ePas de deux from Nutcracker Suite\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e5:33 \u003c\/span\u003e(P.I. Tchaikovsky)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eKostandin Tashko, Recorded at Studio Zanta, Camponogara, December 2020\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eEstate, Allegro non molto from \"Le Quattro stagioni\", Op. VIII, n.2\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e5:44 \u003c\/span\u003e(A. Vivaldi)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003eStravinsky Chamber Orchestra, Marco Tezza\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ci\u003econductor\u003c\/i\u003e\u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e, Daniele Ruzza,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ci\u003esolo violin, \u003c\/i\u003e\u003c\/span\u003eRecorded at Chies di S. Francesco, Schio, May 1999\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eSinfonia in sol min, KV183, Allegro con brio\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e6:40 \u003c\/span\u003e(W.A. Mozart)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003eI Solisti dell'Olimpico, Giovanni Battista Rigon,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ci\u003econductor, \u003c\/i\u003e\u003c\/span\u003eRecorded at Teatro Olimpico, Vicenza, June 2004\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTotal Time: 1:20:19\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e - - -\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003eProducer:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cb\u003eMARCO LINCETTO \u003c\/b\u003efor\u003cb\u003e VELUT LUNA\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003eSound engineer:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cb\u003eMarco Lincetto\u003c\/b\u003e (unless otherwise stated)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003eGraphic designer:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cb\u003eL'Image\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003eCover photo:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cb\u003ePaolo Vettore\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan size=\"1\" style=\"font-size: xx-small;\"\u003e\u003ci\u003e\u003cb\u003e(1963)\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- - -\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe child in the cover image is me. At the age of two. It was 1963.\u003c\/p\u003e\n\u003cp\u003eAs far as I can remember, I have always loved listening to records. Certainly due to my family history, with my father who was a distinguished classical pianist and refined composer, and my mother an opera singer.\u003c\/p\u003e\n\u003cp\u003eBut certainly in those years of early childhood, the black \"saucepans\" that spun on the old family record player and from which my favorite fairy tales emerged, narrated by the great voices of great actors (I remember, for example, Nando Gazzolo and his \u003ci\u003e\u003cb\u003eLittle Red Riding Hood\u003c\/b\u003e\u003c\/i\u003e, and \u003ci\u003e\u003cb\u003eHansel and Grethel,\u003c\/b\u003e\u003c\/i\u003e and \u003ci\u003e\u003cb\u003eTom Thumb\u003c\/b\u003e\u003c\/i\u003e, whose records I literally wore out...), held a great fascination for me.\u003c\/p\u003e\n\u003cp\u003eAround eight or nine years old, the transition from fairy tales to The Beatles' 45s at the end of their career (Obladì, Obladà), or to the unusual and unknown sound of the Theremin used in Good Vibrations by the Beach Boys, was a completely natural progression.\u003c\/p\u003e\n\u003cp\u003eAnd when, at 13, I gradually began to discover Santana, Pink Floyd, Genesis, etc. etc. etc., combined with reading Suono and Stereoplay, it was equally natural to become infatuated with images of the large reel-to-reel recorders of the time, suitable for the then rare home studios.\u003c\/p\u003e\n\u003cp\u003eMy first love, so dreamed of and never owned, was the Tascam 80-8, an eight-track on half-inch tape. And the dream microphones were Sennheiser, the MD441s and MD421s... But the real dream was to \"build my own studio\"... something that would remain, for a long time, just a dream.\u003c\/p\u003e\n\u003cp\u003eWhen, at 19, I finally discovered the music of Jim Croce and understood that... \u003ci\u003e\u003cb\u003e\"It-Can-Be-Done!\"\u003c\/b\u003e\u003c\/i\u003e (\u003ci\u003ecit.\u003c\/i\u003e), that was the moment it became clear to me that sooner or later, I would do that job, I would \"\u003ci\u003e\u003cb\u003emake records.\u003c\/b\u003e\u003c\/i\u003e\"\u003c\/p\u003e\n\u003cp\u003eAnd the rest is history...\u003c\/p\u003e\n\u003cp\u003eMy culture, my tradition, my fundamental experiences, are ANALOGUE.\u003c\/p\u003e\n\u003cp\u003eEven though, right from the start of my professional career in 1992, I was a champion of quality digital, I never abandoned analogue and, above all, I never abandoned the \"analogue mindset.\"\u003c\/p\u003e\n\u003cp\u003eSo, this ninth vinyl I produced can only be, I hope, the first in a series of \"collections\" of the best of the many beautiful pieces of music I have produced over the last 30 years with my Velut Luna. And on the cover, you won't find the little word \"Volume 1,\" just to avoid bad luck. But if this format is successful, others will follow.\u003c\/p\u003e\n\u003cp\u003eIn the meantime, enjoy listening to these authentic, ideal \"children\" of mine.\u003c\/p\u003e\n\u003cp\u003eA heartfelt thank you to all the musicians who have contributed to making Velut Luna great in its first 30 years.\u003c\/p\u003e\n\u003cp align=\"right\"\u003e\u003ci\u003eMarco Lincetto\u003c\/i\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"HD FILE 88.2kHz · 24bit","offer_id":46949907628379,"sku":"CVLD393","price":36.0,"currency_code":"EUR","in_stock":true},{"title":"Masterclone 24K GOLD CD","offer_id":50577453842779,"sku":"CVLD393MC","price":69.0,"currency_code":"EUR","in_stock":false},{"title":"LP 33 rpm (2 LPs)","offer_id":50762588684635,"sku":"VLLP009","price":69.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/VELUTLUNACVLD393-cover.jpg?v=1747240137"},{"product_id":"w-a-mozart-b-britten-i-solisti-dellolimpico","title":"W.A. MOZART B. BRITTEN - The Soloists of the Olimpico","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eI Solisti dell'Olimpico - Mozart, Britten\u003c\/strong\u003e (CVLD090)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMozart: Adagio and Fugue, K. 546\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1- Adagio and Fugue in C Minor, K. 546\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBritten: Simple Symphony, Op. 4\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2- \u003c\/span\u003eI. Boisterous Bourrée. Allegro ritmico\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e3- II. Playful Pizzicato. Presto possibile\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e4- \u003cspan data-mce-fragment=\"1\"\u003eIII. Sentimental Sarabande. Poco lento e pesante\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e5- \u003cspan data-mce-fragment=\"1\"\u003eIV. Frolicsome Finale. Prestissimo con fuoco\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano Concerto No. 12, K. 414\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6-\u003cstrong\u003e \u003c\/strong\u003e\u003cspan class=\"track__item track__item--name  text-overflow\"\u003eI. Allegro\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"track__item track__item--name  text-overflow\"\u003e7- \u003c\/span\u003eII. Andante\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e8- III. Rondeau. Allegretto\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e(Live Recording) - tot. time: 55:16\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/I-Solisti-dell-Olimpico-Mozart-Britten\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eG.B. Rigon, conductor and GrandPiano, \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTommaso Luison, first violin, \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGiampiero Zanocco, violin - first part\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFloriano Bolzonella, viola - first part\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGiancarlo Trimboli, cello - first part\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNicola Malagugini, double bass - first part\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e24Bit \/ 96 kHz Digital Recording. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLive at Teatro Olimpico, Vicenza (Italy) June, 2003\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eProduction: VELUT LUNA\u003cbr\u003eExecutive Producer: Marco Lincetto\u003cbr\u003eBalance, recording, mix and mastering engineer: Marco Lincetto\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50034411340123,"sku":"CVLD090CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 96kHz · 24bit","offer_id":46950686490971,"sku":"CVLD090","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_3d7afff3-20b1-4922-b8c9-2985ae3834dc.jpg?v=1689780117"},{"product_id":"mozart-quartetti-con-il-flauto-e-loboe-mozart","title":"MOZART QUARTETS WITH FLUTE AND OBOE - Mozart","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eMOZART QUARTETS WITH FLUTE AND OBOE \u003c\/strong\u003e(CVLD143)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cstrong\u003eAuthor\u003c\/strong\u003e: \u003cspan id=\"autore\"\u003eW.A. MOZART\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePerformer\u003c\/strong\u003e: \u003cspan id=\"esecutore\"\u003eE. CAROLI, L. CAROLI, G. GUGLIELMO, M. SGUOTTI, G. PEGORARO\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e01 - Flute Quartet in D Major, K. 285: I. Allegro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 - Flute Quartet in D Major, K. 285: II. Adagio\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 - Flute Quartet in D Major, K. 285: III. Rondeau\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 - Flute Quartet in G Major, K. 285a: I. Andante\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 - Flute Quartet in G Major, K. 285a: II. Tempo di minuetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 - Flute Quartet in C Major, K. 285b: I. Allegro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 - Flute Quartet in C Major, K. 285b: II. Tema con variazioni. Andantino\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 - Flute Quartet in A Major, K. 298: I. Tema con variazioni. Andante\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 - Flute Quartet in A Major, K. 298: II. Minuetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 - Flute Quartet in A Major, K. 298: III. Rondeau. Allegretto grazioso\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 - Oboe Quartet in F Major, K. 370: I. Allegro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 - Oboe Quartet in F Major, K. 370: II. Adagio\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13 - Oboe Quartet in F Major, K. 370: III. Rondeau\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/Mozart-Quartetti-con-flauto-e-oboe\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan\u003eOriginal compositions by W. A. Mozart. 24\/88.2 kHz digital recording made live in studio at Chiesa dei SS. Filippo e Giacomo, Vicenza (Italy) on May 2006 Enzo Caroli, flute; Livio Caroli,oboe; Giovanni Guglielmo,violin; Michele Sguotti, viola; Giordano Pegoraro, cello.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTwo internationally acclaimed soloists, the brothers Enzo and Livio Caroli, on flute and oboe respectively, pay tribute to Mozart by presenting the complete quartets for flute and oboe with string trio. They are joined in the work by the great violinist Gianni Guglielmo and the talented Michele Sguotti on viola and Giordano Pegoraro on cello. The performance is distinguished by its great brilliance and authority, proposing itself as a new discographic reference for this repertoire. The recording, of particular merit, was made by Marco Lincetto in an ancient church in the historic center of Vicenza, characterized by a soft and warm acoustic, particularly suitable for the repertoire.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e \u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50027919606107,"sku":"CVLD143CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 44.1kHz · 16bit","offer_id":47497153380699,"sku":"CVLD143","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_a1c8a7a1-d7c1-49f4-bccb-efe9c7a32d0e.jpg?v=1703928978"},{"product_id":"memorie-di-un-artista-altri-scritti-charles-gounod","title":"Memoirs of an Artist \u0026amp; Other Writings - Charles Gounod","description":"\u003cp\u003e \u003cstrong\u003eMEMOIRS OF AN ARTIST \u0026amp; OTHER WRITINGS\u003c\/strong\u003e\u003c\/p\u003e\n\n \u003cp\u003eTwo hundred years after his birth, Charles Gounod continues to speak to us not only through the immortal melodies of his operas, but also through his writings, not all of which are known or published in Italy. While his incomplete autobiography, Mémoires d'un artiste, was known in a translation dating back to 1935, his other essays have never been translated or published in Italy. This book, which can be considered a true tribute to the French composer on the bicentenary of his birth, has collected and translated, along with his\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eMemoirs of an Artist\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand the \u003cem\u003eAutobiographie de Charles Gounod et de la routine en matière d'art\u003c\/em\u003e , nearly all of the articles he published, which reveal his ideas on aesthetic matters, as well as his musical tastes, starting with Mozart's beloved Don Giovanni, which, for the French composer, was a true revelation. In these pages, one can find, in addition to anecdotes about his own life, opinions on contemporary composers such as Wagner, on English music criticism, on the public, and on the systems of English music publishing compared with those of France.\u003c\/p\u003e\n\n \u003cp\u003eP. 504\u003c\/p\u003e\n\n\u003cp\u003e Riccardo Viagrande, who graduated in Piano from the Francesco Cilea Conservatory in Reggio Calabria and in Composition from the Arcangelo Corelli Conservatory in Messina, where he also earned Master's Degrees in Composition and Wind Conducting with top marks and honors, is the author of numerous musicological essays, both highly regarded internationally, and a substantial body of musical compositions for orchestra and chamber ensemble, many of which have been published. He graduated in Modern Literature with top marks and honors and earned a PhD in Italian Studies from the University of Catania. He has collaborated with the Fondazione Orchestra Sinfonica Siciliana in Palermo and the Teatro Lirico in Cagliari, writing program notes, and with the magazine Gbopera. A secondary school literature teacher, he recently earned a degree in European Languages ​​and Cultures, also with top marks and honors.\u003c\/p\u003e\n\n\u003cdiv id=\"gtx-trans\" style=\"position: absolute; left: 280px; top: -18.4062px;\"\u003e\n\n\u003cdiv class=\"gtx-trans-icon\"\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Manzoni Editore","offers":[{"title":"Default Title","offer_id":47554271150427,"sku":"LME004","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/copertina-gounod-702x1030.jpg?v=1705085384"},{"product_id":"siprutini-cello-sonatas-op-vi-vii","title":"SIPRUTINI: CELLO SONATAS OP. VI \u0026 VII","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eSIPRUTINI: CELLO SONATAS OP. VI \u0026amp; VII \u003c\/strong\u003e(\u003cspan data-mce-fragment=\"1\"\u003eLDV14108\u003c\/span\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEMANUEL SIPRUTINI (Netherlands c. 1730 – London c. 1790)\u003c\/p\u003e\n\u003cp\u003eSIX SOLOS FOR A VIOLONCELLO WITH BASS Op. VI (London, about 1763\/64)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSonata I in C Major\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSonata II in F Major\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSonata III in D Major\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSonata IV in F Major\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSonata V in A Major\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSonata VI in D minor\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWorld première recording\u003c\/p\u003e\n\u003cp\u003eSIX SOLOS FOR A VIOLONCELLO WITH BASS Op. VII (London, about 1774\/75)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSonata I in D Major\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSonata II in F Major\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSonata III in A Major\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSonata IV in G Major\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSonata V in C Major\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSonata VI in B-flat Major\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWorld première recording as Duo\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/Siprutini-Cello-Sonatas-Opp6-7\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eClaudio Ronco – Emanuela Vozza\u003cbr\u003eOn original instruments\u003c\/p\u003e\n\u003cp\u003e2 CD\u003c\/p\u003e\n\u003cp\u003eTogether with the previous recording of works III and V, this publication completes Emanuel Siprutini's cello sonata output. Born into a Jewish family, possibly in the Netherlands, and arriving in England after the \"Jewish Naturalization Act\" established in 1753 by King George II of England, he settled in London as a wine merchant, concert performer, and cello teacher. Among his students was John Crosdill, the most famous English cellist of the eighteenth century. Leopold Mozart met Siprutini in 1764, during his stay in England with his prodigious young son. Struck by his talent as a cellist, he tried to convince him to convert to Catholicism, but Emanuel calmly remained Jewish. Between 1756 and 1775, he published four books of sonatas for the cello which the Mozarts certainly owned, as traces and fragments of ideas can be found in Wolfgang's most beautiful works.\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47718284099931,"sku":"LDV14108","price":21.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/14108-cover-sito.jpg?v=1708625243"},{"product_id":"the-velut-lunas-reference-vinyl-vol-2","title":"The Velut Luna's Reference Vinyl Vol. 2","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eThe Velut Luna's Reference Vinyl Vol. 2\u003c\/b\u003e (CVLD370)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cem\u003eAvailable in: HD File, LP\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cspan\u003eSIDE A - 8:03 PM\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eA1\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eShort \u0026amp; Shorter 6:37(Roberto Magris)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eBig Band Ritmo Sinfonica Città di Verona, Marco Pasetto, conductor\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eRecorded at Teatro Marinelli, Castelnuovo del Garda, September 2008\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eA2\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eNubian Dream 5:57\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(A. Sharara)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eNew Project Jazz Orchestra, Renzo Vigagni, conductor\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eRecorded at Teatro Rosmini, Rovereto, December 1999\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eA3\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eWinter 7:31 (Oscar Del Barba)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eOscar Del Barba Ensemble, feat, Mauro Negri, clarinet\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eRecorded at Auditorium Pollini, Padua, April 2000\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eSIDE B - 6:02 PM\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eB1\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eRadames 3:03\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(Coslow, Age, Cremona)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eThe Metronomes, feat. Michele Giacomazzi, guitar\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eRecorded at Papillons Studio, Padua, January 2000\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eB2\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eThe Pink Panther Theme 6:50\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(Henry Mancini)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eMassimo Salvagnini Quartet\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eRecorded at Condulmer Recording Studio, Zerman, August 2002\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eB3\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eAmor em paz 5:30\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(Antonio Carlos Jobim)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eMassimo Salvagnini Quartet, featuring Patrizia Laquidara\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eRecorded at Magister Recording Area, Preganziol, November 2006\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eB4\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eI'm On My Way 2:33\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(Traditional)\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eCheryl Porter, Guido Torelli \u0026amp; Leonardo Di Angilla\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eRecorded at Public Auditorium, Chiuppano, October 2001\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eSIDE C - 6:15 PM\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eC1\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eSpring Portena 7:49\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(Astor Piazzolla)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eStravinsky Chamber Orchestra, Marco Tezza, piano solo \u0026amp; conductor\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eRecorded at the Church of San Francesco, Schio, April 1999\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eC2\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eVals venezolano \/ Contradanza 3:13\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(Paquito D'Rivera)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eAlessandro Carbonare, clarinet \u0026amp; Andrea Dindo, piano\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eRecorded at the Church of San Francesco, Schio, August 2002\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eC3\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eLunas de cielo griz 2:42\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(Alejandro Martinez)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eAlejandro Martinez \u0026amp; Nina Ves\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eRecorded at Studio A, Padua, June 2015\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eC4\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eEl pueblo unido jamas serà vencido 4:36\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(Sergio Ortega, Quilapayún)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eYolanda Diaz \u0026amp; Matteo Nahum\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eRecorded at MLH, Naquera (Spain), September 2023\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan\u003eSIDE D - 7:33 PM\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eD1\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eConcerto in A Major K622\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003efor Clarinet and Orchestra: Allegro 11:42\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(Wolfgang Amadeus Mozart)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eOrchestra of Padua and Veneto, Zsolt Hamar, conductor, Luca Lucchetta, clarinet\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eRecorded at Teatro Verdi, Padua, October 2006\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eD2\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eGianò's Dreams:\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eThe Accordion and the Child 7:50\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(Adriano Lincetto)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eOrchestra of Padua and Veneto, Fabio Framba, conductor\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eRecorded at Auditorium Pollini, September 2009\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eAll recordings made in Italy, except for C4 made in Spain.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eA heartfelt thanks to all the musicians who have helped make Velut Luna great in its first 30 years.\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(Marco Lincetto)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eSound engineer: Marco Lincetto unless otherwise indicated\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eGraphic design: L'Image \/ Photo taken by: Paolo Vettore (1963)\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003e- - -\u003c\/strong\u003e\u003c\/p\u003e\n\n \u003cp\u003eThe child in the cover photo is me. At the age of two. It was 1963.\u003cbr\u003e For as long as I can remember, I've always loved listening to records. Certainly because of my family history, with my father being an illustrious classical pianist and refined composer, and my mother an opera singer.\u003cbr\u003e But certainly in those years of early childhood I was greatly fascinated by those big black pans that spun on the old family record player and from which emerged my favorite fairy tales, narrated by the great voices of great actors (I remember, for example, Nando Gazzolo and his Little Red Riding Hood, and Hansel and Grethel, and Tom Thumb, whose records I literally wore out...).\u003cbr\u003e Around the age of eight or nine, the transition from fairy tales to the Beatles' 45s at the end of their career (Obladì, Obladà), or to that unusual and unknown sound of the Theremin used in Good Vibrations by the Beach Boys, was a completely natural occurrence. \u003cbr\u003eAnd when at 13 I gradually began to discover Santana, Pink Floyd, Genesis, etc.etc.etc., combined with reading Suono and Stereoplay, it was equally natural to become infatuated with the images of the large reel-to-reel tape recorders of the time, suitable for the then rare home studios.\u003cbr\u003e My first love, much dreamed of but never owned, was the Tascam 80-8, eight tracks on half-inch tape. And my dream microphones were Sennheisers, MD441s, and MD421s... But the real dream was to \"build my own studio\"... which would remain just a dream for a long time. When I finally, at 19, discovered Jim Croce's music and understood that... \"It-Can-Be-Done!\" (quote), it was the moment when it became clear to me that sooner or later, I would do that job, I would \"make records.\"\u003cbr\u003e And the rest is history...\u003cbr\u003e \u003cbr\u003eMy culture, my tradition, my fundamental experiences are ANALOGUE. Although I was a champion of quality digital right from the start of my professional career in 1992, I have never abandoned analog, and above all, I have never abandoned the \"analog mindset.\"\u003cbr\u003e Here comes this second volume of my most beloved, most significant recordings of over thirty years of production activity with VELUT LUNA. As in volume 1, each side of the four that make up this double vinyl is thematic and dedicated to the great Big Bands, which move between jazz and ethnic crossover (Side A), jazz in club format, from the Italian swing of The Metronomes, to the gospel of Cheryl Porter (Side B), South American and Latin music, very important to me and the cornerstone of my deepest feelings (Side C), and finally the great \u003cbr\u003eclassical music, here translated into the wonderful Clarinet Concerto by Mozart and the final movement from the Symphonic Suite “I Sogni di Gianò” by my father Adriano Lincetto.\u003cbr\u003e\u003cbr\u003e ...And see you at the third and final volume of this “summa” of mine, scheduled for publication in February 2025, on the occasion of the 30th anniversary of the birth of VELUT LUNA.\u003c\/p\u003e\n\n\u003cp\u003e Marco Lincetto\u003c\/p\u003e\n\n\u003cp\u003e \u003ca href=\"https:\/\/www.referencemusicstore.com\/product\/29952519\/the-velut-luna-s-reference-vinyl-vol-2\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan style=\"font-size: large; 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border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/Mozart-String-Quartets\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e PRODUCT DESCRIPTION\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp class=\"p1\"\u003eThe Amadeus Quartet, along with the Quartetto Italiano, was the most famous chamber music group in Europe during the second half of the twentieth century. Mozart, Beethoven, and Schubert received some of the most prestigious performances of their works from this quartet. This 2-CD Urania set features the most significant quartets from Mozart's repertoire, recorded by the Amadeus Quartet between 1951 and 1955. These are true milestones in the history of chamber music performance.\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47996447457627,"sku":"WS 121.120","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/120-cover.jpg?v=1712327587"},{"product_id":"pour-connaisseurs-et-amateurs","title":"FOR CONNOISSEURS ET AMATEURS","description":"\u003cp\u003e \u003cstrong\u003eFOR CONNOISSEURS ET AMATEURS\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e 1-2 Leopold Kozeluch –\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDuo in F Majo\u003c\/em\u003e r *\u003cbr\u003e 3-5 Ignaz Joseph Pleyel –\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSonata in G Minor\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e*\u003cbr\u003e 6-8 Ernst Wilhelm Wolf –\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSonata in C Major\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e*\u003cbr\u003e 9-10 Johann Christian Bach –\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSonata in A Major\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e**\u003cbr\u003e 11 – Ferdinand Ries –\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eIntroduction \u0026amp; Polonaise\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e*** \u003cbr\u003e12-13 Friedrich Wieck –\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eGeschwind Walzer – Polonaise\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e***\u003cbr\u003e 14-15 Carl Czerny –\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eIntroduction \u0026amp; Allegro agitato, Op. 264 – Rondeau militaire on Mozart Figaro's theme, Op. 461\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e***\u003c\/p\u003e\n\n\u003cp\u003e * on harpsichord **on fortepiano *** on piano\u003c\/p\u003e\n\n\u003cp\u003e 1 CD\u003cbr\u003e ANGELA LAZZARONI – CHIARA NICORA\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/Pour-connaisseurs-et-amateurs\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47996447785307,"sku":"LDV 14043","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/14043-cover-sito.jpg?v=1712327600"},{"product_id":"schale-5-harpsichord-sonatas","title":"SCHALE: 5 HARPSICHORD SONATAS","description":"\u003cp\u003e \u003cstrong\u003eSCHALE: 5 HARPSICHORD SONATAS\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e from Opus 1,2 \u0026amp; 3\u003c\/p\u003e\n\n\u003cp\u003e Sonata in A minor No. 6, Op. 3\u003c\/p\u003e\n\n\u003cp\u003e Sonata in G Major No. 4, Op. 2\u003c\/p\u003e\n\n\u003cp\u003e Sonata in D Major No. 3, Op. 1\u003c\/p\u003e\n\n\u003cp\u003e Sonata in C Major No. 5, Op. 1\u003c\/p\u003e\n\n\u003cp\u003e Sonata in D minor No. 6, Op. 2\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/Schale-Harpsichord-Sonatas\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e First world recording\u003c\/p\u003e\n\n\u003cp\u003e LUIGI CHIARIZIA\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003eA cellist, organist, and composer, Schale belongs to the historical period when a new approach to composing for harpsichord was emerging, using compositional styles that would characterize Classicism. His keyboard sonatas represent the link that led to the true classical sonata of Haydn and Mozart.\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47996449161563,"sku":"LDV 14048","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/14048-covernaxos.jpg?v=1712327652"},{"product_id":"schuricht-conducts-mozart-and-beethoven","title":"SCHURICHT CONDUCTS MOZART AND BEETHOVEN","description":"\u003cp\u003e URN 22.211 (1 CD)\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eMOZART\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eConcerto No. 9 in E Flat Major, KV. 271\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eBEETHOVEN\u003c\/strong\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cem\u003eSymphony No. 3 in E Flat Major, Op. 55 “Eroica”\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eClara Haskil\u003c\/strong\u003e , piano\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eCARL SCHURICHT\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e Stuckard Radio Symphony Orchestra, 1952\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47996451914075,"sku":"URN 22.211","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/SCHURICHT-211-COVER.jpg?v=1712327671"},{"product_id":"violin-concertos-tibor-varga","title":"VIOLIN CONCERTS - TIBOR VARGA","description":"\u003cp\u003e VIOLIN CONCERTOS – TIBOR VARGA\u003c\/p\u003e\n\n\u003cp\u003e LV BEETHOVEN:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eViolin Concerto, Op. 61\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e M. BRUCH:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eViolin Concerto No. 1, Op. 26\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e WA MOZART:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eViolin Concerto No. 1, KV 207\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e PI TCHAIKOVSKY:\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eViolin Concerto, Op. 35\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Recorded 1953-1966\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eTIBOR VARGA\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003e2 CD\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/Beethoven-Bruch-Mozart-Tchaikovsky-Violin-Concertos\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47996459254107,"sku":"WS 121.363","price":19.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/363-cover-per-sito.jpg?v=1712327802"},{"product_id":"wanhal-sonata-for-clarinet-and-fortepiano","title":"WANHAL: SONATA FOR CLARINET AND FORTEPIANO","description":"\u003cp\u003e LDV 14004 (1 CD)\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eJOHANN BAPTIST WANHAL\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eSONATA FOR CLARINET AND FORTEPIANO\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eSonata in C Major\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eSonata in B-Flat Major\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eSonata in E-Flat Major\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eTheme and Variations°\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eQuid Ultra inquire°\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e *First World Recordings\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eLUIGI MAGISTELLI\u003c\/strong\u003e , clarinet – \u003cstrong\u003eCHIARA NICORA,\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003efortepiano – \u003cstrong\u003eMARGHERITA TOMASI\u003c\/strong\u003e , soprano\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/Vanhal-Clarinet-Sonatas\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003ePRODUCT DESCRIPTION\u003c\/strong\u003e\u003c\/p\u003e\n\n \u003cp class=\"p1\"\u003eJ. B. Wanhal (original name in Czech Jan Krtitel Vanhal) belonged to that long line of composers and performers\u003cspan class=\"Apple-converted-space\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eBohemians of a certain caliber who distinguished themselves in the Viennese milieu in the second half of the eighteenth century. He wrote as many as 700 compositions, including at least 73 symphonies, 100 quartets, 95 sacred music compositions, and a large number of chamber works using various wind instruments, including the clarinet, the youngest representative of the wind family, which was evolving organologically to become one of the preferred instruments in the chamber and solo compositions of the great classical composers. Wanhal was in contact with Mozart and Haydn and undoubtedly absorbed their stylistic influence. Wanhal wrote several trio compositions for clarinet, bassoon, and bass (or two clarinets and bass), recorded by the undersigned.\u003cspan class=\"Apple-converted-space\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e(for the Czech label Arta) 6 Trios with violin, clarinet and bass, two Quartets for clarinet and strings and a Concerto for clarinet in C and orchestra. The three Sonatas for clarinet and fortepiano (or for harpsichord and clarinet or violin, viola and even cello, as appears in the title page of the first printed editions of these compositions) are to be counted among the first classical sonatas composed for clarinet and fortepiano (harpsichord or piano). Wanhal's sonatas were conceived with the typical classical formal structure in three movements, with elements of transition between the late Baroque and Classical styles. The Sonata in C major requires\u003cspan class=\"Apple-converted-space\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003ethe use of the clarinet in C and was published by the Viennese publishing house Sauer in 1800. Modern editions have operated the transport\u003cspan class=\"Apple-converted-space\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003ein B flat for a greater accessibility of the composition itself, but in this way the incisive, brilliant and joyful character that distinguishes it is partially lacking. In this CD the clarinet in C is used to preserve and respect the composer's original idea. The clarinet was therefore a rather congenial instrument for Wanhal. The Theme with Variations is not, in truth, a composition that can be ascribed with certainty to Wanhal. The non-autograph manuscript bearing the name of this composer is found in the library of the \"O. Vecchi\" Music Institute in Modena. The writing is typically classical with a simple and disenchanted theme varied with a coda of a decisive and brilliant character. Some rhythmic and thematic figurations can, however, be\u003cspan class=\"Apple-converted-space\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003etraced back to the style of Wanhal. The Aria “Quid ultra inquire” for soprano with obbligato clarinet and orchestra (here reduced with piano accompaniment by Nico Bertelli who was the first to publish it) recorded on this CD for the first time, reflects a frequent practice that originated in the classical age but which also developed consistently in\u003cspan class=\"Apple-converted-space\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003ethe romantic one of combining the clarinet, which has always been defined as one of the wind instruments with the timbre-expressive characteristics closest to the human voice.\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47996459614555,"sku":"LDV 14004","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/14004-cover.jpg?v=1712327813"},{"product_id":"e-siprutini-cello-sonatas-op-iii-op-v","title":"E. SIPRUTINI: CELLO SONATAS, OP. III \u0026amp; Op. V","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eE. SIPRUTINI: CELLO SONATAS, OP. III \u0026amp; Op. V\u003c\/span\u003e\u003c\/strong\u003e (LDV 14094)\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eEMANUEL SIPRUTINI\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(Emmanuel Shiprut)\u003c\/p\u003e\n\n\u003cp\u003e (Netherlands 1730 – London 1790)\u003c\/p\u003e\n\n\u003cp\u003e SIX SOLOS FOR a CELLO WITH BASS Op. III (London, 1764)\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eSonata I in D minor\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eSonata II in F Major\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eSonata III in G Major\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eSonata IV in A minor\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eSonata V in D Major\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eSonata VI in C Major\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e SIX SOLOS FOR a CELLO WITH BASS Op. V (London, about 1765)\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eSonata I in C Major\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eSonata II in A Major\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eSonata III in G Major\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eSonata IV in D Major\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eSonata V in F Major\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eSonata VI in G Major\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e CLAUDIO RONCO – EMANUELA VOZZA\u003cbr\u003e On original instruments\u003c\/p\u003e\n\n\u003cp\u003e 2 CD\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/Siprutini-Cello-Sonatas-Opp3-5\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003eWe know nothing about Emanuel Siprutini's birth and education, except that the Italianization of his Hebrew name, Shiprut, would seem to indicate his affiliation with the Italian school of cello playing, highly fashionable at the time. Around 1750, there are records of his concerts in Holland, where he was also active as a wine merchant, and around 1755, he settled in London as a concert pianist and cello teacher. Leopold Mozart met him in 1764 during his trip to England and, impressed by his musical talent, attempted to convince him to convert to Christianity, but was unsuccessful. He left behind seven books of cello sonatas, which the Mozarts certainly owned, as one might suspect from finding traces and fragments of them in Wolfgang Amadeus's most famous works.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e ENGLISH VERSION\u003c\/p\u003e\n\n \u003cp\u003eOf the birth and studies of Emanuel Siprutini we know nothing, except that the Italianization of his Hebrew name, Shiprut, would seem to indicate, if anything, the belonging to an Italian school and style, if only for con-venience (Italian cellists were the most appreciated). Around 1750 there are records of his concerts in Holland, where he was also active as a wine merchant, and a few years later he settled in London as a concert performer and cello teacher. Leopold Mozart met him in 1764 while visiting England, and struck by his talent tried to convince him to convert to Christianity. Emanuel refused and remained serenely Jewish, cellist and wine trader. He left seven books of sonatas for the cello, which the Mozarts certainly possessed, as is to be believed, finding traces and shreds of ideas in the works of Wolfgang.\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"CD","offer_id":47997198270811,"sku":"LDV 14094","price":19.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/14094-cover-sito.jpg?v=1712339174"},{"product_id":"papier-mache-federica-artuso","title":"Papier-Mâché - Federica Artuso","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003ePapier-Maché \u003c\/b\u003e(CVLD365)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eAvailable in: \u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eLP Top Clear Vinyl+ HD FILE\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eCD Gold\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eHD File\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eMaría Luisa Anido (1907- 1996)\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e01 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eAire norteño\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e1:23\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e02 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eEl misachico\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e3:45\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e03 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMinueto del “Don Juan” de Mozart\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e2:24\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e04 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eCanción del Yucatán\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e1:50\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e05 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eBoceto Indígena\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e4:10\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eAbel Fleury (1903-1958)\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003ealso published as “Melodia popular argentina” by María Luisa Anido\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e06 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMilonguea del Ayer\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e2:30\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eManuel Ponce (1882-1948)\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTres canciones populares mexicanas\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e07 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eLa Pajarera\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e1:13\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e08 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePor ti mi corazón\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e3:18\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e09 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eLa Valentina\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e1:52\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eEnrique Granados (1867-1916)\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003etranscr. M. Llobet\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e10 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eDanza española n.5, Andaluza\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e5:23\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eMiguel Llobet (1878-1938)\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e11 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eEl Testament de n’\u003c\/b\u003e\u003cspan style=\"font-family: Times Roman, serif;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cb\u003eAmèlia\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e2:03\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e12 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eCanço de lladre\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e1:57\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eFrancisco\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eTárrega\u003c\/i\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e(1852-1909)\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e13 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMaría\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eGavota\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e1:39\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e14 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eAlborada Caixa de Música\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e2:31\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e15 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eAdelita Mazurka\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e1:39\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eJulián\u003c\/i\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003eArcas (1832- 1882)\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e16 -\u003c\/span\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eSoleà\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e5:42\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e17 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eBolero\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e2:16\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eJuan Parga (1843 - 1899)\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e18 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMi lira, op.8 n.1\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e4:30\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e19 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eGuajira, op.5 n.2\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e4:50\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eCarlos Garcia Tolsa (1858-1905)\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e20 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eAl fin solos\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e4:07\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTotal time:\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e59:13\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Papier-Mache\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan\u003ePapier-Mâché guitars made by Fabio Zontini (2023) inspired by Torres FE14 (1862\u003c\/span\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eStrings\u003c\/strong\u003e\u003cbr\u003eFor the recording of “Al fin solos” and “Adelita” were used: Rayon basses \/ 2nd and 3rd gut strings \/ 1st nylgut string. For the recording of the rest of the repertoire were used: Gut strings for trebles \/ Rayon for basses\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cb\u003e - - - - - - - - - - - - - - - - - \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Helvetica Neue', serif; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eA MYSTERIOUS STORY\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"rtl\" align=\"right\"\u003e\u003cspan style=\"color: #000000;\"\u003e“\u003cspan style=\"font-family: Helvetica Neue, serif;\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eDon Antonio, you must not take the secret of your guitars to your grave…”\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"rtl\" align=\"right\"\u003e\u003cspan style=\"color: #000000;\"\u003e“…\u003cspan style=\"font-family: Helvetica Neue, serif;\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eit is impossible for me to pass it on to posterity”\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp align=\"justify\"\u003e\u003cspan style=\"font-family: 'Helvetica Neue', serif; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eTorres' Papier-Mâché was \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003ea unique case\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e in the history of lutherie, not only for guitars: Antonio de Torres (1817-1892), now considered the Stradivari of the six strings, was the first and, as far as is known, the only one to build a Papier-Mâché instrument in 1862. This guitar, paradoxically, despite its apparent humility, produces a fascinating, mysterious and unique sound world. Since \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003ethe original\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e, preserved at the Museum of Music in Barcelona, \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eis no longer able to express its voice\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e, the album aims to rediscover and revive the peculiar timbral and sonic characteristics of this interesting instrument through the use of two inspired copies.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cspan style=\"font-family: 'Helvetica Neue', serif; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eThe \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eluthier Fabio Zontini\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e has taken up the challenge launched by Torres and has been building Papier-Mâché copies for almost twenty years. The two instruments used by Federica Artuso for the recording were made between April and September 2023 and both weigh (incredibly) just 995 grams. They also have natural gut strings. Zontini has thus created a kind of connection with the great Torres, capturing a kind of experiment-prototype by the Andalusian luthier, and successfully trying to spread it to the present day.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cspan style=\"font-family: 'Helvetica Neue', serif; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eThe Papier-Mâché is a kind of \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eliving contradiction\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e precisely because of the contrast between the humble material it is made of and the artistically surprising sonic result. And inspired by this contrast, an emblematic program of that paradox that embodies the identity of the guitar was recorded, always \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003epoised between the humble soul\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e, authentic and popular on one hand, \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eand the Olympus of classical music\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e on the other. The music recorded here is all by \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eguitarist-composers\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e who \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003elived during the time of the cardboard guitar\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e or who had dealings with Torres' instruments. These guitarists are part of that performing tradition and sonic poetics of which the Papier-Mâché is an emblem. Some of the pieces, although written by non-guitarist composers, are part of that repertoire with which the six strings are most identified.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cspan style=\"font-family: 'Helvetica Neue', serif; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eArcas and Parga*\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e attempted to elevate the guitar to a classical instrument, without managing to completely emancipate themselves from flamenco reminiscences. Their style perfectly suits the \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003earchaic essentiality\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e of the Papier-Mâché's sound, and their music, though strongly rooted in popular language, gradually leads us to the bourgeois and salon style of \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eGarcia Tolsa*\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e and \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eTarrega\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e, pupils of Arcas. Their music is no longer just for those with flamenco blood in their veins or for those who consider opera the only classical music. It is music that appeals to intellectuals, and if it allows for dancing, it does so on the condition that it is a salon dance. From the musicians' point of view, unlike his predecessors, Tarrega manages to package expressive impulses into totally complete forms.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cspan style=\"font-family: 'Helvetica Neue', serif; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eMiguel Llobet\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e, a pupil of Tarrega, is known as a composer mainly for his guitar version of the \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eCanciones populares catalanas\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e. The part of the program concerning him also features a repertoire of which he is not the author, but which faithfully represents him and where all the innovations brought by his creative flair, which bring out what is most characteristic of the guitar, are evident.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cspan style=\"font-family: 'Helvetica Neue', serif; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eMaria Luisa Anido\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e was a pupil of Llobet, as well as his partner in a guitar duo. The Argentine musician was among the last guitarists in the 1950s to use gut strings - by then difficult to find - and, among other things, \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eowned Tarrega's Torres\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e (1864, FE17). Anido is the emblem of the guitar's image as a watershed between the world of folk music and that of classical music, a dichotomy that will probably never be fully resolved. This is demonstrated by her irresistible transcriptions of great classics such as Bach, Mozart, Tchaikovsky, and her South American pieces, pulsating with indigenous energy.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"color: rgb(0, 0, 0);\"\u003e\n\u003cp align=\"justify\"\u003e\u003cspan style=\"font-family: Helvetica Neue, serif;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #984806;\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eParga and Garcia Tolsa's pieces are not included in the vinyl version.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.referencemusicstore.com\/post\/papier-mache.html\" target=\"_blank\"\u003eRead more on our blog\u003c\/a\u003e\u003c\/u\u003e\u003cbr\u003e\u003cstrong\u003eALSO AVAILABLE IN: \u003ca href=\"https:\/\/www.referencemusicstore.com\/product\/32077056\/papier-mache-lp-180gr-su-top-clear-vinyl-\" target=\"_blank\"\u003e\u003cspan\u003e180gr LP on Top Clear Vinyl\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e- \u003ca href=\"https:\/\/www.referencemusicstore.com\/product\/32077093\/papier-mache-lp-180gr-su-top-clear-vinyl-gold-cd-file-hd-\" target=\"_blank\"\u003e\u003cspan\u003eBUNDLE\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n88.2kHz \/ 24bit digital recording made at Magister Recording Area, Pereganziol (Italy) on January 5, 6, 7, 8, 2024 Analog Mix and Mastering made at MLS Studio, Naquera (Spain), on April, 5, 6, 2024\u003cbr\u003e\u003cbr\u003eProduction: Marco Lincetto, Federica Artuso, Fabio Zontini\u003cbr\u003eExecutive Producer: Marco Lincetto\u003cbr\u003eRecording, mix and mastering engineer: Marco Lincetto\u003cbr\u003eMusical producer on stage: Andrea Bissoli\u003cbr\u003eEditing: Federica Artuso\u003cbr\u003eCover photo: Diego Ferrini, Vicenza\u003cbr\u003eEnglish translation by Maria Michela Camerlengo\u003cbr\u003eDesign: L’Image\u003c\/div\u003e","brand":"Velut Luna","offers":[{"title":"LP 33rpm","offer_id":49971329597787,"sku":"CVLD365LP","price":49.0,"currency_code":"EUR","in_stock":true},{"title":"GOLD CD","offer_id":49971296665947,"sku":"CVLD365GOLDCD","price":21.9,"currency_code":"EUR","in_stock":false},{"title":"HD FILE 88.2kHz · 24bit","offer_id":48427947098459,"sku":"CVLD365","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/VELUTLUNACVLD365B-cover.jpg?v=1748505599"},{"product_id":"dsd-hi-res-audio-sampler-vol-2","title":"DSD \u0026 Hi-Res AUDIO SAMPLER VOL.2","description":"\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003eDSD \u0026amp; Hi-Res AUDIO SAMPLER VOL.2\u003c\/b\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e1. \u003cstrong\u003eFinal\u003c\/strong\u003e (09'32) WAV192\/24\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH190 - Béla Bartók: Concerto For Orchestra)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e2. \u003cstrong\u003eKräftig, bewegt, doch nicht zu schnell\u003c\/strong\u003e (07'55) DSD128\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH191 - Gustav Mahler: Symphony no. 1 in D major)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e3. \u003cstrong\u003eConfutatis\u003c\/strong\u003e (03'03) DSD64\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH193 - Wolfgang Amadeus Mozart: Requiem KV 626)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e4. \u003cstrong\u003eSummer - Presto\u003c\/strong\u003e (2'49) WAV96\/24\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH200 - Antonio Vivaldi: The Four Seasons Op. 8)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e5. \u003cstrong\u003eVivaldi: Concertoin A Minir.,RV 523\u003c\/strong\u003e (12'40) WAV192\/24\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH201 - Baroque Festival)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e6. \u003cstrong\u003eFortuna, Imperatrix Mundi\u003c\/strong\u003e (03'54) DSD128\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH202 - Carl Orff - Carmine Burana)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e7. \u003cstrong\u003eStürmisch Bewegt. Mit größter Vehemenz\u003c\/strong\u003e (13'04) WAV44.1\/16\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH211 - Gustav Mahler: Symphony no. 5 in C Sharp Minor)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e8. \u003cstrong\u003eThe Year 1812, Op. 49\u003c\/strong\u003e (15'30) WAV44.1\/16\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH226 - Pyotr Ilijc Tchaikovsky: Capriccio italien, Marche slave, Romeo and Juliet, The Year 1812)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003eTotal Time: 01:08:29\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e*VARIOUS SAMPLING FREQUENCIES\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"GRooVE back magazine","offers":[{"title":"VARIOUS SAMPLING FREQUENCIES","offer_id":48538023362907,"sku":"CBHSAMPLER24","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/dsdsampler2.png?v=1772820861"},{"product_id":"maria-callas-the-rai-concerts-oliviero-de-frabitiis-alfredo-simonetto-orchestra-sinfonica-della-rai","title":"Maria Callas The RAI Concerts - Oliviero De Frabitiis - Alfredo Simonetto RAI Symphony Orchestra","description":"\u003ch2\u003e \u003cstrong\u003eMARIA CALLAS: The RAI Concerts (CBH203)\u003c\/strong\u003e\n\u003c\/h2\u003e\n\n\u003cp\u003e\u003cbr\u003e Verdi: Macbeth\u003cbr data-mce-fragment=\"1\"\u003e 1. “Come! Hurry!” \u003cstrong\u003e(06'05)\u003c\/strong\u003e *\u003cbr data-mce-fragment=\"1\"\u003e Verdi: Nabucco\u003cbr data-mce-fragment=\"1\"\u003e 2. “I too opened one day” \u003cstrong\u003e(08'14)\u003c\/strong\u003e *\u003cbr data-mce-fragment=\"1\"\u003e Donizetti: Lucia di Lammermoor\u003cbr data-mce-fragment=\"1\"\u003e 3. “The Sweet Sound” \u003cstrong\u003e(12'23)\u003c\/strong\u003e *\u003cbr data-mce-fragment=\"1\"\u003e Delibes: Lakmè\u003cbr data-mce-fragment=\"1\"\u003e 4. “Where is the brown Indian” \u003cstrong\u003e(07'41)\u003c\/strong\u003e *\u003cbr data-mce-fragment=\"1\"\u003e Mozart: The Abduction from the Seraglio\u003cbr data-mce-fragment=\"1\"\u003e 5. “All the Tortures” \u003cstrong\u003e(08'40)\u003c\/strong\u003e **\u003cbr data-mce-fragment=\"1\"\u003e Meyerbeer: Dinorah\u003cbr data-mce-fragment=\"1\"\u003e 6. “Light Shadow” \u003cstrong\u003e(06'49)\u003c\/strong\u003e **\u003cbr data-mce-fragment=\"1\"\u003e Charpentier: Louise\u003cbr data-mce-fragment=\"1\"\u003e 7. “After the day” \u003cstrong\u003e(06'03)\u003c\/strong\u003e **\u003cbr data-mce-fragment=\"1\"\u003e Gluck: Armida\u003cbr data-mce-fragment=\"1\"\u003e 8. “D'amor al dolce imperio” \u003cstrong\u003e(06'43)\u003c\/strong\u003e **\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e RAI Rome Symphony Orchestra\u003cbr\u003e Oliviero De Frabitiis, conductor*\u003c\/p\u003e\n\n\u003cp\u003e \u003cbr\u003eRAI Milan Symphony Orchestra\u003cbr\u003e Alfredo Simonetto, conductor**\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e Recorded live in Rome and Turin in 1952-1954\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"44.1kHz · 16bit","offer_id":48538052854107,"sku":"cbh-203-44","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"96kHz · 24bit","offer_id":48538052886875,"sku":"cbh-203-96","price":15.0,"currency_code":"EUR","in_stock":true},{"title":"192kHz · 24bit","offer_id":48538052919643,"sku":"cbh-203-192","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"DSD · 64","offer_id":48538052952411,"sku":"cbh-203-64","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"DSD · 128","offer_id":48538052985179,"sku":"cbh-203-128","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/203cover.jpg?v=1718893501"},{"product_id":"mozart-requiem-kv-626-hermann-scherchen-wiener-philharmoniker","title":"Mozart Requiem KV 626 - Hermann Scherchen Wiener Philharmoniker","description":"\u003ch3\u003e \u003ci data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eWolfgang Amadeus Mozart: Requiem KV 626 (CBH193)\u003c\/b\u003e\u003c\/i\u003e\n\u003c\/h3\u003e\n\n\u003cp\u003e 1. Requiem \u003cb style=\"color: #000000; font-size: 1.0em;\" data-mce-fragment=\"1\"\u003e(06'59)\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cul\u003e\u003c\/ul\u003e\n\n\u003cp\u003e 2. Kyrie \u003cb style=\"color: #000000; font-size: 1.0em;\" data-mce-fragment=\"1\"\u003e(03'11)\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cul\u003e\u003c\/ul\u003e\n\n\u003cp\u003e 3. Day of Wrath \u003cb style=\"color: #000000; font-size: 1.0em;\" data-mce-fragment=\"1\"\u003e(01'43)\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cul\u003e\u003c\/ul\u003e\n\n \u003cp\u003e4. Tuba mirum \u003cb style=\"color: #000000; font-size: 1.0em;\" data-mce-fragment=\"1\"\u003e(05'11)\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cul\u003e\u003c\/ul\u003e\n\n\u003cp\u003e 5. Rex tremendae \u003cb style=\"color: #000000; font-size: 1.0em;\" data-mce-fragment=\"1\"\u003e(01'53)\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cul\u003e\u003c\/ul\u003e\n\n\u003cp\u003e 6. Record \u003cb style=\"color: #000000; font-size: 1.0em;\" data-mce-fragment=\"1\"\u003e(07'23)\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cul\u003e\u003c\/ul\u003e\n\n\u003cp\u003e 7. Confutatis \u003cb style=\"color: #000000; font-size: 1.0em;\" data-mce-fragment=\"1\"\u003e(03'03)\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cul\u003e\u003c\/ul\u003e\n\n\u003cp\u003e 8. Lacrymosa \u003cb style=\"color: #000000; font-size: 1.0em;\" data-mce-fragment=\"1\"\u003e(02'54)\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cul\u003e\u003c\/ul\u003e\n\n\u003cp\u003e 9. Domine Jesu \u003cb style=\"color: #000000; font-size: 1.0em;\" data-mce-fragment=\"1\"\u003e(04'54)\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cul\u003e\u003c\/ul\u003e\n\n\u003cp\u003e 10. Hostias \u003cb style=\"color: #000000; font-size: 1.0em;\" data-mce-fragment=\"1\"\u003e(04'11)\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cul\u003e\u003c\/ul\u003e\n\n\u003cp\u003e 11. Sanctus \u003cb style=\"color: #000000; font-size: 1.0em;\" data-mce-fragment=\"1\"\u003e(0'26)\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cul\u003e\u003c\/ul\u003e\n\n\u003cp\u003e 12. Benedictus \u003cb style=\"color: #000000; font-size: 1.0em;\" data-mce-fragment=\"1\"\u003e(07'54)\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cul\u003e\u003c\/ul\u003e\n\n\u003cp\u003e 13. Agnus Dei \u003cb style=\"color: #000000; font-size: 1.0em;\" data-mce-fragment=\"1\"\u003e(04'28)\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cul\u003e\u003c\/ul\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cstrong\u003eSena Jurinac\u003c\/strong\u003e , \u003cspan data-mce-fragment=\"1\"\u003eSoprano Vocals\u003c\/span\u003e\u003cbr\u003e \u003cstrong\u003eLucretia West\u003c\/strong\u003e , \u003cspan data-mce-fragment=\"1\"\u003eAlto Vocals\u003c\/span\u003e\u003cbr\u003e \u003cstrong\u003eHans Loeffler\u003c\/strong\u003e , \u003cspan data-mce-fragment=\"1\"\u003eTenor Vocals\u003c\/span\u003e\u003cbr\u003e \u003cstrong\u003eFrederick Guthrie\u003c\/strong\u003e , \u003cspan data-mce-fragment=\"1\"\u003eBass Vocals\u003c\/span\u003e as\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003eVienna Academy Chamber Choir\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003eChorus Master – \u003cstrong\u003eGünther Theuring\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003eVienna Philharmonic\u003c\/span\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003eConductor: \u003cstrong\u003eHermann Scherchen\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003ci\u003eRecording: Vienna, June 13-15,1958\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003ci\u003eProducer: Harold Lawrence\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003ci style=\"font-size: medium;\"\u003eSound Engineer: Robert Fine\u003c\/i\u003e \u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cdiv id=\"gtx-trans\" style=\"position: absolute; left: -3px; top: 27.6667px;\"\u003e\n\n\u003cdiv class=\"gtx-trans-icon\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"44.1kHz · 16bit","offer_id":48538063307099,"sku":"cbh-193-44","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"96kHz · 24bit","offer_id":48538063339867,"sku":"cbh-193-96","price":15.0,"currency_code":"EUR","in_stock":true},{"title":"192kHz · 24bit","offer_id":48538063372635,"sku":"cbh-193-192","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"DSD · 64","offer_id":48538063405403,"sku":"cbh-193-64","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"DSD · 128","offer_id":48538063438171,"sku":"cbh-193-128","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/193cover_95f271c9-5087-461f-b082-f62f6e944aca.png?v=1718893570"},{"product_id":"notte-di-natale-trio-armonie-capricciose","title":"CHRISTMAS EVE - CAPRICCIOUS HARMONIES TRIO","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eCHRISTMAS NIGHT \u003c\/strong\u003e(\u003cspan\u003eCVLD064\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003eAuthor\u003c\/strong\u003e:  \u003cspan id=\"autore\"\u003eMENDELSSOHN, GAUNTLETT, GHIGNOTTI, KIRKPATRICK, PIERPONT, MARENA, MOZART, GRUBER, BRAHMS, LANDRONI, BERLIN\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003ePerformer\u003c\/strong\u003e: TRIO ARMONIE CAPRICCIOSE\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eAvailable in: File HD, CD\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e01 - The first Nowell\u003cbr\u003e02 - Hark! The herald angels sing\u003cbr\u003e03 - O Tannenbaum\u003cbr\u003e04 - Once, in royal David's city\u003cbr\u003e05 - We wish you a merry Christmas\u003cbr\u003e06 - Notte di Natale\u003cbr\u003e07 - Away in a manger\u003cbr\u003e08 - Jingle Bells!\u003cbr\u003e09 - Deck in the hall\u003cbr\u003e10 - La Madonna e il Bambin Gesù\u003cbr\u003e11 - La Sacra Famiglia\u003cbr\u003e12 - Natale\u003cbr\u003e13 - Wiegenlied\u003cbr\u003e14 - Stille nacht\u003cbr\u003e15 - Les angres dans nos compagnes\u003cbr\u003e16 - While shepherds watched their flocks\u003cbr\u003e17 - Intorno al fanciullin Gesù\u003cbr\u003e18 - Ninna nanna\u003cbr\u003e19 - Adeste, fideles\u003cbr\u003e20 - Dolcezza\u003cbr\u003e21 - White Christmas\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Maria-Cleof-Miotti\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCLASSICAL: original compositions by F. Mendelssohn, Henry J. Gauntlett, G.A. Ghignotti, William J. Kirkpatrick, J. Pierpont, Andrea Marena, W. A. Mozart, F. X. Gruber, Johannes Brahms, Gianni Landroni, Irving Berlin. Trio Armonie Capricciose: Maria Cleofe Miotti, mandolin \/ Gianni Landroni, guitar \/ Laura Manzoni, vocal 24Bit \/ 96 kHz Digital Recording. Live in studio at Pieve di Borgo Capanne, Granaglione (Bologna, Italy) July, 2002\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eJingle Bells, Stille Nacht, Adeste Fideles, White Christmas, O Tannenbaum are just some of the songs included in this CD which offers classic Christmas themes performed with extraordinary effectiveness by an original Trio for guitar, mandolin and voice.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50034935431515,"sku":"CVLD064CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 96kHz · 24bit","offer_id":49748376682843,"sku":"CVLD064","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/064-cover.jpg?v=1734913340"},{"product_id":"the-early-years-chopin-mozart-armellini","title":"THE EARLY YEARS: CHOPIN, MOZART - ARMELLINI","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e \u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eTHE EARLY YEARS\u003c\/strong\u003e (CVLD \u003cspan\u003e156\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"western\" lang=\"en-US\"\u003e \u003cspan\u003e\u003cstrong\u003eComposers\u003c\/strong\u003e : Chopin, Mozart\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003ePerformer\u003c\/strong\u003e : Leonora Armellini\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"western\" lang=\"en-US\"\u003e \u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eTraces\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eFRYDERYK CHOPIN\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003eConcerto No. 2 in F minor, for piano and orchestra, op. 21\u003c\/em\u003e\u003cbr\u003e 01 - Majestic, 1:44 PM\u003cbr\u003e 02 - Larghetto, 8:46\u003cbr\u003e 03 - Allegro vivace, 9:35\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eGrande Polonaise brilliant, preceded by an Andante spienato, op.22\u003c\/em\u003e\u003cbr\u003e 04 - Calm, Simple, Very Happy, Less Moved, 2:49 PM\u003cbr\u003e \u003cem\u003eOrchestra of Padua and Veneto, Anton Nanut, conductor\u003c\/em\u003e\u003cbr\u003e Live recording made at Auditorium Pollini, Padua, January, 2007\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eWOALFGANG AMADEUS MOZART\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003eConcerto No. 27 in B flat major, for piano and orchestra, KV 595\u003c\/em\u003e\u003cbr\u003e 05 - Allegro, 13:28\u003cbr\u003e 06 - Larghetto, 8:05\u003cbr\u003e 07 - Rondo, Allegro, 8:59\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003e“Alpe Adria” Youth Philharmonic Orchestra, Luigi Pistore, conductor\u003c\/em\u003e\u003cbr\u003e Live recording made at Auditorium della Cultura Friulana, Gorizia, December 2008\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eTotal Time: 77:28\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/LeonoraArmellini\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e 24bit \/ 88.2kHz original \u003cstrong\u003eaudiophile recordings\u003c\/strong\u003e\u003cbr\u003e Sound Engineer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e Remix and Remastered by \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e from original Multi Tracks HD files at \u003cstrong\u003eVelut Studios\u003c\/strong\u003e on August, 28th, 2016\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993716760923,"sku":"CVLD156CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":49801116189019,"sku":"CVLD156","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/156-cover.jpg?v=1735738123"},{"product_id":"choral-fireworks-schola-s-rocco-archicembalo-ensemble-francesco-erle","title":"CHORAL FIREWORKS - SCHOLA S. ROCCO, ARCHICEMBALO ENSEMBLE, FRANCESCO ERLE","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eCHORAL FIREWORKS \u003c\/strong\u003e(\u003cspan\u003eCVLD206\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003eAuthor\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eBACH, HANDEL, MOZART, MENDELSSOHN BARTHOLDY\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003ePerformer\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eSCHOLA S. ROCCO, ARCHICEMBALO ENSEMBLE CONDUCTOR FRANCESCO ERLE\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e01 - JS Bach - Cantata BWV 36\u003cbr\u003e02 - JS Bach - Cantata BWV 61\u003cbr\u003e03 - JS Bach - Cantata BWV 62\u003cbr\u003e04 - JS Bach - Cantata BWV 147a\u003cbr\u003e05 - JS Bach - ibidem, Chorus-JesusBleibet meineFreunde\u003cbr\u003e06 - JS Bach - Cantata BWV 186a\u003cbr\u003e07 - JS Bach - ibidem, Chorus-Ob sich's aliess', alswolt er nicht\u003cbr\u003e08 - JS Bach - Cantata BWV 70a\u003cbr\u003e09 - GF Haendel - from Messiah Hw56-And The Glory Of The God Shall Be Revealed\u003cbr\u003e10 - GF Haendel - from Messiah Hw56-And He Shall Purify The Sons Of Levi\u003cbr\u003e11 - WA Mozart - Misericordias Domini, Kv 222\u003cbr\u003e12 - F Mendelssohn Bartholdy - Te Deum laudamus\u003cbr\u003e13 - F Mendelssohn Bartholdy - Tibi omnes Angeli\u003cbr\u003e14 - F Mendelssohn Bartholdy - Tibi Cherubim\u003cbr\u003e15 - F Mendelssohn Bartholdy - Per singulos dies\u003cbr\u003e16 - F Mendelssohn Bartholdy - Fiat misericordia tua\u003cbr\u003e17 - GF Haendel - from Messiah-Halleluja\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/ChoralFireworks\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCLASSICAL. Original compositions by J. S. Bach, G. F. Handel, W. A. Mozart, F. Mendelssohn Bartholdy.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSchola S. Rocco, Orchestra Barocca Archicembalo Ensemble conductor Francesco Erle.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e24 bit\/88.2 kHz recording made at Basilica di S. Felice Vicenza on December 19, 2009\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWe gladly leave the presentation of this spectacular live album for choir and large orchestra to Maestro Francesco Erle. The concert was recorded live for the Centenary Concerts of the Società del Quartetto di Vicenza at the Basilica di S.Felice on December 19, 2009.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"The truth is that we decided to record this concert with Marco Lincetto at the very last minute: we couldn't resist trying to capture the last in a very successful series of concerts (in Verona at S.Eufemia on the 14th, in Trento at S.Francesco Saverio on the 15th, in Innsbruck at the Cathedral on the 16th and in Bolzano at the Cathedral on December 17th, 2009) which had turned into a succession of evenings with a highly energetic performance atmosphere and that symbiotic empathy which so rarely develops between conductor, orchestra and choir. The previous summer, I had proposed a courageous program to Giorgio Meneghini, which represented the latest version of a simple but virtuous idea, the concerts that began many years earlier at the Scuola Grande di San Rocco in Venice, and which the title \"Choral Fireworks\" summarized as a particular musicological act of faith: the writing of the greatest composers in laying down the strong colors of large choirs with orchestra was at the same time sufficient, on the one hand, to create programmatic unity and scientific interest, and on the other, an occasion for great enjoyment for an audience that found itself facing what, from the performers' point of view, was a sparkling marathon of virtuosity and very strong expressions. As can be seen from the list of pieces, in every respect I wanted to respect the liturgical property of the texts, and to crown the effort, I had also undertaken a personal, if one wants, even risky, endeavor: to prepare a scientifically correct orchestral version of the parts of the Te Deum most suitable for the concert, which the very young Mendelssohn had left written only for double choir and an incomplete basso continuo. The evening recorded on the album, having overcome the difficulties of heavy snowfall, turned out to be a photograph that we would only have bravely hoped to capture, warm in its colors, full of life and truth of phrases and sound, as only a truly live album can give. The decision to print the CD therefore came last, with the surprised and then convinced listening of this sound album by the artists, the organizers, and the record company. We now hope that the album, in addition to bringing you our warmest wishes, will meet with your approval, just as it met with great enthusiasm from the public in the churches and in newspaper reviews.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50010837221723,"sku":"CVLD206CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":49820770435419,"sku":"CVLD206","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/206-cover.jpg?v=1736002623"},{"product_id":"mozart-gabler-fattschek-heyse-kohler-mareggini-burani-gli-archi-italiani","title":"MOZART, Gabler, Fattschek, Heyse, Köhler - Mareggini, Burani, Gli Archi Italiani","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cstrong\u003eMOZART, Gabler, Fattschek, Heyse, Köhler - Mareggini, Burani, Gli Archi Italiani \u003c\/strong\u003e(\u003cspan\u003eCVLD211\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003ePerformer\u003c\/strong\u003e: Giovanni Mareggini, Davide Burani, Gli Archi Italiani\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eProduction: Velut Luna | Executive producer: Marco Lincetto |\u003cbr\u003eArtistic direction: Anna Pasetti | Recording \u0026amp; Mastering engineer: Marco Lincetto |\u003cbr\u003eEditing engineer: Michele Sartor | Design: l’image | Photo: Benito Vanicelli |\u003cbr\u003eEnglish text: Guido Mariani | Marketing: Francesco Pesavento |\u003cbr\u003eSales Manager: Moreno Danieli \u0026amp; Patrizia Pagiaro |\u003cbr\u003ePress Agent: Emanuela Dalla Valle | World Wide Contacts: Cristiana Dalla Valle\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e01 - Mozart - KV299 - Allegro\u003cbr\u003e02 - Mozart - KV299 - Andantino\u003cbr\u003e03 - Mozart - KV299 - Allegro\u003cbr\u003e04 - Gabler - Andante con var op34\u003cbr\u003e05 - Fattschek - Sonatina op3 - Allegro\u003cbr\u003e06 - Fattschek - Sonatina op3 - Adagio\u003cbr\u003e07 - Fattschek - Sonatina op3 - Allegretto con var\u003cbr\u003e08 - Heyse - Sonata op4 - Allegro moderato\u003cbr\u003e09 - Heyse - Sonata op4 - Tempo di minuetto\u003cbr\u003e10 - Heyse - Sonata op4 - Presto\u003cbr\u003e11 - Kohler - Sonata op59 - Allegro con spirito\u003cbr\u003e12 - Kohler - Sonata op59 - Romanza, Andantino\u003cbr\u003e13 - Kohler - Sonata op59 - Andante con var\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/Davide-Burani-Giovanni-Mareggini-Plays-Mozart-Gabler-Fattschek-Heyse-kohler\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMozart: 24bit\/88kHz digital recording made at Chiesa della Madonna dell’Uliveto\u003cbr\u003e- Montericco di Albinea (Reggio Emilia) on January 4, 2011\u003cbr\u003eGabler\/Fattschek\/Heyse\/Köhler: 24 bit\/88kHz digital recording made at\u003cbr\u003eMagisterAreaStudios, Preganziol on March 29, 2011\u003cbr\u003eDavide Burani plays a Salvi harp, DIANA model.\u003cbr\u003e\u003cbr\u003eWolfgang Amadeus Mozart (Salzburg, 1756-Vienna, 1791) composed his Concerto for Flute, Harp and Orchestra K299 during his second stay in Paris in 1778, commissioned by Adrien-Louis de Bounières, Duke of Guines. Very close to Queen Marie Antoinette, Guines was French ambassador to London for several years, but was forced to return to Paris after a major financial scandal in which he was involved due to his secretary (the title of duke was granted to him as compensation, thanks to the queen's intercession). Composed in three movements (Allegro, Andantino and Allegro), the Concerto is characterized by a wealth of thematic elements. The first movement, in C major, opens with a joyful arpeggio\u003cbr\u003ein full orchestra on the fundamental chord, followed by a broken scale that quickly leads to the exposition of strings and oboes. The second theme (still in the tonic key) is introduced by two long notes from the horns and presents a gallant character that elegantly contrasts with the martial and joyful character of the first theme. The entry of the two solo instruments is preceded by a series of fast triplets\u003cbr\u003efrom the strings that recall the beginning of the \"Jupiter\" Symphony K551 (from 1788, exactly ten years after this Concerto). Flute and harp then reprise the first theme, re-elaborating and enriching it with continuous dialogue, until reaching the classical modulation to the dominant key. Here the flute is entrusted with a cantabile and lyrical phrase, while the harp has the task of accompanying, in a truly chamber music dimension; then follows a virtuosic passage by the harp that leads to the reprise of the second theme in G major, which is in turn re-elaborated. A new cantabile motif from the flute in A minor, followed by the re-proposition of the first theme by the harp, marks the beginning of the most evocative (and perhaps most \"French\") part of the first movement, with a moment of very intense dialogue between the two instruments. The reprise of the two main themes, the cadenza of the soloists and a brief coda conclude the movement. The Andantino (in F major) is perhaps the most famous movement of the entire Concerto. Composed in bipartite form, with a streamlined orchestration for strings alone, this movement shines with melodic richness and the flute's expansive cantability, accompanied by the delicate arpeggios and virtuosity of the harp. The concluding Allegro is\u003cbr\u003econstructed in sonata-rondo form. The initial exposition begins with a \"piano\" from the strings alone, followed by the oboes, which is soon contrasted by a sudden and very dynamic \"forte\" from the strings, with repeated notes and fast figurations. The chiaroscuro contrast between \"piano\" and \"forte\" constitutes one of the most important elements of this movement, contributing decisively to its vivacity. Here too, the entry of the soloists marks a thematic re-elaboration in a dialogue form, with the flute once again standing out for the cantability of the phrases entrusted to it, balancing the more decidedly virtuosic musical writing of the harp. It is interesting how Mozart here alternates newly conceived melodic phrases with previously proposed motifs, creating in the listener the impression of being faced with a true Rondo. The twenty-two-year-old Wolfgang arrived in France at the beginning of March 1778, accompanied by his mother, hoping to gain the queen's protection, known for welcoming artists and musicians from all over Europe to her court. However, Marie Antoinette was at that time dealing with her first pregnancy and, despite the support of the Duke of Guines, she never received him. He was nevertheless offered the position of organist at Versailles, which he refused, despite his father's advice who considered it a secure job and a good way to stay in contact with the court and access the queen's entourage.\u003cbr\u003eThose were the years of the harp's greatest splendor in France, which had already become the favorite instrument of the French aristocracy since the 1760s. Meanwhile, important musical pages had already been dedicated to the transverse flute, but these two instruments had rarely met until then. The enlightened commission of the Duke of Guines, an amateur flutist who loved to play with his harpist daughter (who also took composition lessons from Mozart), gave a decisive impulse to the birth of the repertoire for flute and harp which, from then on, progressively began to be enriched with works by French, Italian, but especially German authors.\u003cbr\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":51801980043611,"sku":null,"price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":49823204802907,"sku":"CVLD211","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/211-cover.jpg?v=1736032870"},{"product_id":"flute-cello-piano-trios-fortepiano-trio","title":"FLUTE, CELLO \u0026amp; PIANO TRIOS - FortePiano Trio","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cstrong\u003eFLUTE, CELLO \u0026amp; PIANO TRIOS \u003c\/strong\u003e(\u003cspan\u003eCVLD242\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eMendelssohn, Weber, Martinu\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003ePerformer\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eFortePiano Trio ( Leonora Armellini, Ludovico Armellini, Tommaso Benciolini)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003eFELIX MENDELSSOHN BARTHOLDY\u003cbr\u003eTrio in D minor, Op.49\u003cbr\u003e01 - Molto Allegro Agitato\u003cbr\u003e02 - Andante con moto, Tranquillo\u003cbr\u003e03 - Scherzo, Leggiero e vivace\u003cbr\u003e04 - Finale, Allegro assai appassionato\u003cbr\u003e\u003cbr\u003eCARL MARIA VON WEBER\u003cbr\u003eTrio in G minor, Op.63\u003cbr\u003e05 - Allegro moderato\u003cbr\u003e06 - Scherzo, Allegro vivace\u003cbr\u003e07 - Andante espressivo\u003cbr\u003e08 - Finale, Allegro\u003cbr\u003e\u003cbr\u003eBOHUSLAV MARTINU\u003cbr\u003eTrio for flute, cello and piano\u003cbr\u003e09 - Poco allegretto\u003cbr\u003e10 - Adagio\u003cbr\u003e11 - Andante, Allegro scherzando\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Flute-Cello-and-Piano-Trios\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e  \n  Leonora Armellini, piano\u003cbr\u003eTommaso Benciolini, flute\u003cbr\u003eLudovico Armellini, cello\u003cbr\u003e\u003cbr\u003e24bit\/88.2kHz original live-in-studio recording, Preganziol, April 14th, 2013\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFortePiano Trio\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eComposed of Tommaso Benciolini on flute and the twins Ludovico and Leonora Armellini on cello and piano respectively, the FortePiano Trio was born from the desire to bring together the diverse and eclectic personalities of three friends in a common musical project with the aim of spreading and expanding the repertoire for this unusual formation. All graduated with honors at a very young age and winners of national and international competitions, they perfected their skills with great masters including Lilya Zilberstein, Pierre-Yves Artaud, Mario Caroli and Giovanni Sollima at some of Europe's most prestigious musical institutions such as the Accademia Nazionale di Santa Cecilia in Rome, the Hochschule für Musik und Theater in Hamburg, the Scuola Universitaria di Musica della Svizzera Italiana in Lugano, and the Ecole Normale de Musique in Paris.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn 2012, the FortePiano Trio began an intense concert activity that leads them to perform regularly in the main Italian cities.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe young ensemble is also committed to commissioning and disseminating new music, and is the dedicatee of the \"Trio in due movimenti\" by composer Simone Tonin and the \"Merry Gentlemen Variations, Trio Fantasia on a Christmas Carol\" by composer and conductor Andrea Battistoni, receiving critical and public acclaim at every performance. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"He is the master-trio of the present [...] a masterpiece that will still delight grandchildren and great-grandchildren after many years.\" This is how Robert Schumann presented Felix Mendelssohn's Trio in D minor Op. 49 for violin, cello, and piano in 1840, just published by Breitkopf \u0026 Härtel. A happy creation by the \"Mozart of the 20th century – Schumann continues – the clearest musician who first clearly saw and reconciled the contradictions of the era.\" The English publisher J.J. Ever was also ready to bet on the popularity the work would achieve, with its serene discursiveness to which the elegant embellishments of the piano part added brilliant effects. Ever asked Mendelssohn for an arrangement of the Trio, specifically of the second and third movements, with the flute in place of the violin, to be published as Andante and Rondo (from Op. 49). The author ultimately decided to transcribe the entire work for piano, flute, and cello, not limiting himself to a simple transposition of the violin part. In adapting the original violin part for the flute, Mendelssohn took into account the different sonic peculiarities of the wind instrument and introduced some significant variations (octave transpositions, modifications of rhythmic figurations, and minor adjustments) which constitute a veritable rethinking of the part in function of the altered sonic balance between the three instruments.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn a nineteenth century that largely did not seem to particularly love wind instruments, at least among its major musical protagonists, Carl Maria von Weber instead showed a particular predilection for some of them; clarinet, horn, and bassoon above all, for their evocative sonorities so suitable for representing the \"supernatural nature\" that serves as the backdrop to his romantic melodramas (Weber also dedicated several concertos to the three instruments). The flute also finds its place in several of the composer's chamber pieces, the most notable of which is the Trio in G minor Op. 63 for flute, cello, and piano, composed between 1818 and 1819.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe agreeably conversational character of the work is evident from the composure of its formal structure in four movements, all adhering to classical models, and in their overall expressive balance. Without sacrificing some more intense romantic color in the outer movements, the Trio maintains a range of \"affections\" whose measure of reference is given by the carefree dance character of the brief \"Scherzo\" and the gentle lieder-like melody of the \"Andante espressivo\" bearing the title Schäfers Klage (The Shepherd's Lament).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAlready an unruly and rebellious child prodigy, as well as a talented violinist, the American-naturalized Bohemian Bohuslav Martinu was an artistically free spirit, attentive to the various directions of twentieth-century musical and cultural avant-gardes, which he frequented assiduously during his long stay in Paris (1928-1940), from where he would move to the United States and remain until 1953. In his output, Martinu gives space to the moods of Czech folklore, especially in the rhythmic component which is always strongly highlighted in his works, marked by a general climate of serenity and eclectic pleasure in making music, also evident in the Trio in F major for flute, cello, and piano (1944). The dispassionate and ironic, yet not provocative, aspect of his creativity can be identified in the motor vitality, in his very personal interpretation of tonal syntax, and in the sometimes capricious changeability of expressive moods; stylistic peculiarities that in the Trio find their disciplining element in the classicist formalism of the structures to which the composer deliberately adheres to indulge his underlying lyrical and nostalgic vein, particularly evident in the pensive central \"Adagio.\" The first movement, \"Poco Allegretto,\" and the finale \"Allegretto scherzando\" (connected to the central tempo by a cadenza, \"Andante,\" for solo flute) share a dry linearity of writing in which the rhythmic sprightliness and the close dialogue between the three instruments, always in perfect balance with each other, are fully evident.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMarco Materassi \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMusical Producer: Leopoldo Armellini\u003cbr\u003eRecording, mix and mastering engineer: Marco Lincetto\u003cbr\u003eEditing: Mattia Zanatta\u003cbr\u003eCover photo by Marco Lincetto\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50002827280731,"sku":"CVLD242CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":49881407324507,"sku":"CVLD242","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/242-cover.jpg?v=1736726347"},{"product_id":"sette-passi-verso-il-cielo-manuzzi-tagliani","title":"SEVEN STEPS TOWARDS HEAVEN - MANUZZI, TAGLIANI","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eSEVEN STEPS TO THE SKY \u003c\/strong\u003e(\u003cspan\u003eCVLD260\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003eAuthor\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eRoberto Manuzzi\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003ePerformer\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eRoberto Manuzzi (Sax), Paola Tagliani ( Piano)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eAvailable in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Tempus Fugit (Time Runs) 4:35\u003cbr\u003e2. Herr Sebastian \u0026amp; Mr Bill 2:52\u003cbr\u003e3. Anna di Via Croce Bianca (A.nne Of White Cross Street) 4:20\u003cbr\u003e4. L’ultimo treno (The Last Train) 3:44\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLe favole della volpe (Fables Of The Fox)\u003c\/span\u003e\u003cbr\u003e5. La volpe che non aveva mai veduto un leone (The Fox Who Never Saw A Lion Before) 1:42\u003cbr\u003e6. La volpe e la maschera (The Fox And The Mask) 3:02\u003cbr\u003e7. Zeus e la volpe (Zeus And The Fox) 1:26\u003cbr\u003e8. L’amore degli insorti (Love Of The Insurgents) 4:36\u003cbr\u003e9. La danza (The Dance) 2:40\u003cbr\u003e10. Sette passi verso il cielo (Seven Steps To The Sky) 2:54\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Sette-passi-verso-il-cielo\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e88.2kHz\/24bit original recording made live-in-studio at Magister Area Studios, Preganziol, Italy on July 23rd, 2014\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduction: Velut Luna\u003c\/strong\u003e\u003cbr\u003eMusical producer and artistic direction: Marco Lincetto and Roberto Manuzzi\u003cbr\u003eRecording, mix and mastering engineer: Marco Lincetto\u003cbr\u003eFront cover: “Inargentami” by Sonia Maria Luce Possentini (oil on canvas, 100 x 100 cm, property of the painter)\u003cbr\u003eInside photos: Marco Lincetto\u003cbr\u003eDesign: L’Image\u003cbr\u003eMarketing and Sales Manager: Patrizia Pagiaro\u003cbr\u003eTranslation: Thomas Marshall\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"...It's not classical, it's not jazz...\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThis phrase is a sort of mantra that I find myself repeating since I started the cultural adventure of Velut Luna about 20 years ago, when I try to describe many of my record productions.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRoberto Manuzzi's music not only fully embraces this \"mantra\", but, if possible, further highlights those peculiar characteristics of today's great music that I love and look for in the artists I decide to produce.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThese are pieces that breathe contemporaneity fully: that is, they naturally draw from the thousand, and no longer a thousand, sources of inspiration that have filled the staves for centuries of music before us.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRoberto Manuzzi's \"musical paintings\" also have a characteristic that makes them naturally lovable, namely their descriptive power and emotional charge. Wisely, the composer from Ferrara does not forgo melody, but knows how to support it with harmonies that are never trivial, yet not ostentatiously academic either.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHe makes lightness his strength, just as only an impressionistic sketch by Monet can.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWalking towards the sky, Manuzzi's saxophones accompany the listener on a calm journey, which begins at sunset and continues into the night: a journey permeated with a rich vitality, expressive and cultivated, but above all never cloyingly afflicted by pedantic vanity or, worse, by ingratiating banality.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRoberto Manuzzi\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA versatile musician, saxophonist, and composer, he was born in Rome and has long resided in Ferrara. He is the author of soundtracks for theater and cinema, a teacher and experimenter of various contemporary musical languages. He has released several CDs under his own name with various record labels and many others as an arranger and performer. From 1979 to 1990, he continuously collaborated with the Friulian percussionist Andrea Centazzo as a soloist and arranger, working with musicians such as Paolo Fresu, Enrico Rava, Gianluigi Trovesi, Radu Malfatti, Albert Mangelsdorff, and participating in some of the most important jazz festivals in Italy and abroad. He is the didactic coordinator of jazz courses and a teacher of jazz ensemble music at the \"G. Frescobaldi\" Conservatory in Ferrara. From 1986 to 2013, he was the saxophonist and multi-instrumentalist of the group of the famous singer-songwriter Francesco Guccini, participating in all his tours and the creation of his discographic works. His compositions are published by EUFONIA and WICKY MUSIC publishing houses.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePaola Tagliani\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA pianist with great expressive and technical skills, she was born in Ferrara where she resides and where she attended the local Conservatory, graduating in piano with top honors under the guidance of Professor Rina Cellini. Subsequently, at the same institute, she obtained, again with top honors, a two-year second-level degree in Musical Disciplines (piano).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA teacher and educator, she performs in concerts both in chamber ensembles and in orchestral formations. She has collaborated on television productions and the sound design of multimedia events. She has performed solo and in duo with Rina Cellini music by Mozart, Beethoven, Schumann, Brahms at the Teatro Comunale di Ferrara in various concert seasons. With the \"Orchestra Città di Ferrara\", she has also performed concerts K413, K414, K415 by W. A. Mozart and the concerto in G major by Haydn (with the cadenza written by Nino Rota).\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50002743918939,"sku":"CVLD260CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":49909249769819,"sku":"CVLD260","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/260-cover.jpg?v=1737068257"},{"product_id":"khoreia-volt-potenza-duo","title":"KHOREIA - VOLT \u0026amp; POWER DUO","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cstrong\u003eKHOREIA \u003c\/strong\u003e(\u003cspan\u003eCVLD276\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eAAVV\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003ePerformer\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eVOLT \u0026amp; POTENZA DUO\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eAvailable in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003eJohann Christoph Friedrich Bach (1732-1795) [11:53]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSonata for 4 Hands in A major\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e01 - I. Allegro con spirito [07:45]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 - II. Rondo: Allegretto [04:08]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePianoforte Steinway \u0026amp; Sons D274\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRobert. Schumann (1810-1856) [27:44]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBall-Scenen, Op. 109 (1851)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 - I. Préambule [01:32]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 - II. Polonaise [03:04]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 - III. Walzer [02:10]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 - IV. Ungarisch [02:24]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 - V. Française [02:06]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 - VI. Mazurka [04:32]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 - VII. Ecossaise [02:38]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 - VIII. Walzer [04:21]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 - IX. Promenade [04:57]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePianoforte Steinway \u0026amp; Sons D274\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePhilip Martin (b. 1947) [09:28]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 - Electric Prisms (2015), CD commission\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePianoforte Yamaha CFIII S\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEdvard Grieg (1843-1907) [09:09]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHolberg Suite, Op. 40 (''From Holberg's Time\") (1884)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFour-hand piano arrangement by Theodor Kirchner (1823-1903)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13 – No. 4: Air [04:42]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e14 – No. 5: Rigaudon [04:43]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePianoforte Yamaha CFIII S\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Khoreia\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cbr\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“Khoreia”, the Greek term for “dance”, fully expresses the meaning of our project, which is the need to enhance the fascinating and varied universe of the four-hand piano repertoire by listening to lesser-known pieces that encapsulate hidden and unexplored qualities.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWe would like to offer a journey through history: from Johann Christoph Friedrich Bach's (1732-1795) \"Sonata in A Major\", a musical pearl of the emerging sensitive style, to the unreleased piece \"Electric Prisms\" composed by the Irish Philip Martin who, inspired by the works of painter Sonia Delaunay (1885-1979), offered unique scenarios capable of revealing the multiple contemporary emotions of early twentieth-century Paris.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWe also decided to include the passionate and intimate spirit of Robert Schumann (1810-1856) with the collection of musical miniatures titled \"Ball-Scenen op.109\", a duo composition that represents the more impulsive yet reflective character of his compositional style.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFinally, to add intensity and movement to this selection, as in the most engaging dances, we proposed two of the five movements from Edvard Grieg's (1843-1907) famous \"Holberg Suite\", transcribed for four-hand piano by the German composer Theodor Kirchner (1823-1903).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMay “Khoreia” transport you into a sublime dance, where from the most varied melodies and sonorities, you can grasp the beauty and musical complexity of an art with a thousand nuances.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe recording was made in high-resolution digital 24bit\/88.2kHz at Studio Zanta in Camponogara, Italy, alternating between two splendid pianos, a Steinway \u0026amp; Sons D274 Concert Grand and a Yamaha CFIII S Concert Grand.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eVolt \u0026amp; Potenza Duo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Volt \u0026amp; Potenza duo has performed, since its inception in 2014, at important musical centres in Europe, including St. Martin-in-the-Fields and St. James Picadilly in England. The duo was also chosen to participate in the Powderham Castle New Generation Artists Scheme in Exeter. For more information, visit www.voltandpotenzaduo.com\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOda Voltersvik\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOda Voltersvik has been described by renowned conductor Marios Papadopoulos as \"a pianist of great sensitivity and beautiful sound\" and by pianist Gabriele Baldocci as \"a musician with wonderful control of the instrument and an innate sense of music\". The Norwegian artist obtained a Master's Degree in Performance from the Royal College of Music in London in 2014 under the guidance of professors Andrea Ball and Niel Immelman, and a Postgraduate Artist Diploma with Distinction from Trinity Laban Conservatoire of Music and Dance in 2015 under the guidance of Gabriele Baldocci. She attended masterclasses held by internationally renowned teachers such as Menahem Pressler, Gary Graffmann, Christina Ortiz, Marios Papadopoulos and Vladimir Krainev during the prestigious piano festival organized by the Oxford Philharmonic Orchestra. In Norway, she participated in masterclasses held by Leif Ove Andsnes, Håvard Gimse, Ihle Hadland and Jiri Hlinka. Oda has performed in Norway at the Norwegian National Broadcasting, at the opening of Edvard Grieg's Jubilee in 2007, and as a soloist and chamber musician for the Bergen Chamber Music Society and the Grieg in Bergen Series. She has also performed at the Leipzig Town Hall, the 1st International Folk Music Festival in Beijing, the Amaryllis Fleming Hall, the Regent Hall, the Marlow Recital Society, the residence of the Norwegian ambassador in London, and the Jacqueline du Pré Concert Hall in Oxford. During the summers of 2014 and 2015, she was appointed \"Artist in residence\" at Troldhaugen (E. Grieg's residence). She played with the Sinfonietta of Athens in 2010 and the Norwegian–Polish Youth Orchestra in Poland and Bergen in 2014. Oda was a finalist in the Trinity Laban Soloist's Competition 2016. She is the founder of the Volt Ensemble, a chamber music group composed of talented musicians from Scandinavia.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGiulio Potenza\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eConsidered by Martha Argerich \"a pianist of great talent and expressive beauty\", and by Pascal Rogè \"a pianist of brilliant technique and refined musicality\", Giulio Potenza was born in Palermo in 1990. He obtained his piano diploma with highest honours from the \"A. Scontrino\" conservatory in Trapani under the guidance of Walter Roccaro. He furthered his studies with Bruno Canino in Milan and at the Trinity Laban Conservatoire of Music and Dance in London with Gabriele Baldocci and Mikhail Kazakevich, where he obtained his Postgraduate and Postgraduate Artist diplomas with distinction, supported by the \"Alfred Kitchen\" and \"Jacqueline Williams\" scholarships. He took part in lessons, masterclasses and meetings held by important teachers including: Andrzej Jasiński, Deniz Gelenbe, Franco Scala, Martino Tirimo, Barry Snyder, Andrey Gavrilov and Irene Inzerillo.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHe has performed at important festivals including the Martha Argerich Project in Lugano, the Grieg in Bergen Festival in Bergen, the Hammamett Piano Festival in Hammamett, and the Schubert Festival in London. He has also given concerts in prestigious musical centres such as the Steinway Hall in London, St. Martin-in-the-Fields, St. John's Smith Square, Blackheath Hall in England, the Auditorium S. Stefano in Florence and the Auditorium Rai in Palermo in Italy, the Atelier Marcell Hastir in Brussels in Belgium, and the Teatro Sociale in Bellinzona in Switzerland. He has collaborated as a soloist with numerous orchestras including the Florence Symphonietta conducted by Piero Bellugi, the University London Symphony Orchestra conducted by Daniel Capp, and the North Beds Chamber Orchestra conducted by Jan Kaznowski.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHe was the winner of the prestigious \"Hannah Brooke Prize\", an award for his concert career achievements during his studies at the Trinity Laban Conservatory in London. He has also won numerous piano competitions including: the \"Premio Seiler\" International Piano Competition, the \"A.GI.MUS\" competition in Rome, and received a special mention at the \"Jacques Samuel Piano Competition\" in London. He was also chosen by the prestigious Concordia Foundation in London to take part in the Young Artist Programme.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHis performances have been broadcast by BBC Radio 3, Radio Swiss Classic, Radio Mozart Italia and RAI.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGiulio has been invited to give masterclasses in Tunisia, England and Italy.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHe is currently a piano professor at the Windsor Piano Academy in Windsor and artistic director of the Windsor International Piano Competition.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHe also holds a degree in History from the University of Palermo with highest honours.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993757327707,"sku":"CVLD276CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":49914219987291,"sku":"CVLD276","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/276-cover.jpg?v=1737158949"},{"product_id":"w-a-mozart-wind-concerts-lucchetta-folena-voltan","title":"WA MOZART, WIND CONCERTS - Lucchetta, Folena, Voltan","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e \u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eWA MOZART, WIND CONCERTS\u003c\/strong\u003e ( \u003cspan\u003eCVLD292\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"western\" lang=\"en-US\"\u003e \u003cspan\u003e\u003cstrong\u003eAuthor\u003c\/strong\u003e :\u003c\/span\u003e \u003cspan id=\"autore\"\u003eWA Mozart\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003e\u003cstrong\u003ePerformers\u003c\/strong\u003e :\u003c\/span\u003e \u003cspan id=\"esecutore\"\u003eLuca Lucchetta (clarinet), Mario Folena (flute), Aligi Voltan (bassoon)\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"western\" lang=\"en-US\"\u003e \u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp class=\"western\" lang=\"en-US\"\u003e \u003cstrong\u003eTraces\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003col\u003e\u003c\/ol\u003e\n\n\u003cp\u003e Concert in A Major K 622 for Clarinet and Orchestra\u003c\/p\u003e\n\n\u003col\u003e\n\n\u003cli\u003e Allegro (11:42)\u003c\/li\u003e\n\n\u003cli\u003e Adagio (6:48)\u003c\/li\u003e\n\n\u003cli\u003e Rondo (Allegro) (8:39)\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Performer: Luca Lucchetta, clarinet\u003c\/li\u003e\n\n\u003cli\u003e Orchestra: Orchestra of Padua and the Veneto\u003c\/li\u003e\n\n\u003cli\u003e Director: Zsolt Hamar\u003c\/li\u003e\n\n\u003cli\u003e Live recording: Teatro Verdi, Padua, October 4, 2006\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e Concert No. 2 in D Major K 314 for Flute and Orchestra\u003cbr\u003e 4. Allegro aperto (7:04)\u003cbr\u003e 5. Andante ma non troppo (6:22)\u003cbr\u003e 6. Allegro (5:45)\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Performer: Mario Folena, flute\u003c\/li\u003e\n\n\u003cli\u003e Orchestra: Orchestra of Padua and the Veneto\u003c\/li\u003e\n\n\u003cli\u003e Director: Zsolt Hamar\u003c\/li\u003e\n\n\u003cli\u003e Live recording: Teatro Verdi, Padua, October 4, 2006\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e Concert in B-Flat Major K 191 for Bassoon and Orchestra\u003cbr\u003e 7. Allegro (6:37)\u003cbr\u003e 8. Andante ma adagio (6:00)\u003cbr\u003e 9. Rondo (Minuet Time) (4:47)\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Performer: Aligi Voltan, bassoon\u003c\/li\u003e\n\n\u003cli\u003e Orchestra: The Olimpico Soloists\u003c\/li\u003e\n\n \u003cli\u003eDirector: Giovanni Battista Rigon\u003c\/li\u003e\n\n\u003cli\u003e Live recording: Teatro Olimpico, Vicenza, June 12, 2004\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e Total Time: 63:48\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Wolfgang-Amadeus-Mozart-Wind-Concerts\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e Production\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Production: Velut Luna\u003c\/li\u003e\n\n\u003cli\u003e Executive Producer: Marco Lincetto\u003c\/li\u003e\n\n\u003cli\u003e Recording, mixing and mastering: Marco Lincetto\u003c\/li\u003e\n\n\u003cli\u003e Photo: Marco Lincetto\u003c\/li\u003e\n\n\u003cli\u003e Layout and design: L'Image\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e \u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e Three of Mozart's most famous and beloved Aria Concertos, performed by three esteemed Italian soloists with two of Italy's leading chamber orchestras. A true audiophile recording made using only two stereo microphones, directed to a live, on-stage HD digital stereo master.\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50000724918619,"sku":"CVLD292CD","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"HD FILE 88.2kHz · 24bit","offer_id":49918087463259,"sku":"CVLD292","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_2824f6f3-c50c-49fd-b8b2-60462f297541.jpg?v=1737235463"},{"product_id":"audiophile-musical-journey","title":"AUDIOPHILE MUSICAL JOURNEY","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cstrong\u003eAUDIOPHILE MUSICAL JOURNEY\u003c\/strong\u003e ( \u003cspan\u003eCVLD306\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cspan\u003e\u003cstrong\u003eAuthor\u003c\/strong\u003e :\u003c\/span\u003e \u003cspan id=\"autore\"\u003eAAVV\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003ePerformer\u003c\/strong\u003e :\u003c\/span\u003e \u003cspan id=\"esecutore\"\u003eVARI\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cstrong\u003eTraces\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e Benjamin Britten\u003cbr\u003e Simple Symphony op.4\u003cbr\u003e 01 - Boisterous Bouree, 3:10\u003cbr\u003e 02 - Playful Pizzicato, 3:11\u003cbr\u003e The Olimpico Soloists, Giovanni Battista Rigon, conductor\u003cbr\u003e Live recording at Teatro Olimpico, Vicenza, June 7, 2003\u003cbr\u003e from VELUT LUNA CVLD090 - ITW310409002 -03\u003c\/p\u003e\n\n\u003cp\u003e Felix Mendelssohn-Bartholdy\u003cbr\u003e 03 - Midnight's Summer Dream, Op.21, Overture, final, 3:15\u003cbr\u003e Orchestra of Padua and Veneto, Zsolt Hamar, conductor\u003cbr\u003e Live recording at Auditorum Pollini, Padua, April 19th, 2007 \u003cbr\u003eVELUT LUNA never published before - ITW311799901\u003c\/p\u003e\n\n\u003cp\u003e Wolfgang Amadeus Mozart\u003cbr\u003e Concert in A Major K622 for Clarinet and Orchestra\u003cbr\u003e 04 - Allegro [fragment], 4:08\u003cbr\u003e Luca Lucchetta, clarinet, Orchestra of Padua and Veneto, Zsolt Hamar, conductor\u003cbr\u003e Live recording at Teatro Verdi, Padua, October 4th, 2004\u003cbr\u003e from VELUT LUNA CVLD292 - ITW311729201\u003c\/p\u003e\n\n\u003cp\u003e 05 - Era de' Maggio (M.Costa - S.Di Giacomo) 5:30\u003cbr\u003e Rosella Caporale, voice\u003cbr\u003e C.Pollini Orchestra of the Conservatory of Padua, Giuliano Medeossi, conductor\u003cbr\u003e Studio recording at Auditorium Pollini, Padua, May 2015\u003cbr\u003e from VELUT LUNA CVLD265 - ITW311526508\u003c\/p\u003e\n\n\u003cp\u003e Franz Schubert\u003cbr\u003e 06 - Sonata in A major D959: Andantino, 8:05\u003cbr\u003e Chiara Bertoglio, grandpiano\u003cbr\u003e Live-in-studio recording at Spazio d'Arte, San Giacomo, November 29, 2014\u003cbr\u003e from VELUT LUNA CVLD090 - ITW311526407\u003c\/p\u003e\n\n\u003cp\u003e 07 - Albori (S.Tasca) 5:44\u003cbr\u003e Saverio Tasca \u0026amp; AlterArco\u003cbr\u003e Studio recording at MagisterArea Studios, Preganziol, July 2015\u003cbr\u003e from VELUT LUNA CVLD269 - ITW311526901\u003c\/p\u003e\n\n\u003cp\u003e 08 - At The Jazz Band Ball (L.Shields) 3:38\u003cbr\u003e Storyville Jazz Band \u003cbr\u003eStudio recording at MagisterArea Studios, Preganziol, July 26, 2006\u003cbr\u003e from VELUT LUNA CVLD145 - ITW310614501\u003c\/p\u003e\n\n\u003cp\u003e 09 - Vertigo (M.Salvagnini) 4:34\u003cbr\u003e Massimo Salvagnini Quartet\u003cbr\u003e Studio recording at MagisterArea Studios, Preganziol, November 11, 2006\u003cbr\u003e from VELUT LUNA CVLD153 - ITW310715305\u003c\/p\u003e\n\n\u003cp\u003e 10 - Birdland (J.Zawinul) 5:19\u003cbr\u003e Art Percussion Ensemble, Massimo Pastore conductor\u003cbr\u003e Studio recording at Auditorium Pollini, Padua, October 2010\u003cbr\u003e from VELUT LUNA CVLD196 - ITW311119604\u003c\/p\u003e\n\n\u003cp\u003e 11 - Toni Nokia (DBSoto Chero) 6:31\u003cbr\u003e David Beltran Soto Chero Ensemble\u003cbr\u003e Studio recording at MagisterArea Studios, Preganziol, March 19, 2013\u003cbr\u003e from VELUT LUNA CVLD239 - ITW311323908\u003c\/p\u003e\n\n\u003cp\u003e 12 - Tears (M.Strano - P.Casula) 5:17\u003cbr\u003e Paola Casula\u003cbr\u003e Studio recording at MagisterArea Studios, Preganziol, March 16, 2006\u003cbr\u003e from VELUT LUNA CVLD139 - ITW310613910\u003c\/p\u003e\n\n\u003cp\u003e 13 - So in love (C.Porter) 4:06\u003cbr\u003e Lucia Minetti, Pietro Ballestrero \u0026amp; Stefano Profeta\u003cbr\u003e Live-in-studio recording at MagisterArea Studios, Preganziol, September 23, 2017\u003cbr\u003e from VELUT LUNA CVLD294 - ITW311729404\u003c\/p\u003e\n\n \u003cp\u003e14 - Contigo en la distancia (Cesar Portillo de la Luz) 3:57\u003cbr\u003e Alejandro Martinez and Nina and Villa El Salvador\u003cbr\u003e Studio recording at Studio A, Padua, June 2015\u003cbr\u003e from VELUT LUNA CVLD266 - ITW311526601\u003c\/p\u003e\n\n\u003cp\u003e 15 - You'll See, You'll See (L.Tenco) 4:36\u003cbr\u003e Ninni Arini\u003cbr\u003e Studio recording at Cantina Martinez, Marsala, January 27th, 2017\u003cbr\u003e from VELUT LUNA CVLD286 - ITW311728604\u003c\/p\u003e\n\n\u003cp\u003e 16 - Nia, nia, nia \/ Rodrigo Martines (Anonymous XVI sec.) 4:34\u003cbr\u003e Terra d'Otranto Ensemble\u003cbr\u003e Studio recording at Masseria Torcito, Lecce, October 3, 2003\u003cbr\u003e from VELUT LUNA CVLD099 - ITW311799902\u003c\/p\u003e\n\n\u003cp\u003e 17 - Reso (DBSoto Chero) 3:08\u003cbr\u003e David Beltran Soto Chero Ensemble\u003cbr\u003e Studio recording at MagisterArea Studios, Preganziol, March 19, 2013\u003cbr\u003e from VELUT LUNA CVLD239 - ITW311323913\u003cbr\u003e Total time: 78:55\u003c\/p\u003e\n\n\u003ch3\u003e NOTE:\u003c\/h3\u003e\n\n\u003cp\u003e The aim of this album is to let you appreciate music of exceptional interest, played by musicians of the highest calibre, recorded according to criteria of absolute excellence.\u003c\/p\u003e\n\n \u003cp\u003eThanks to these following notes, we want to enable you to understand how this record should sound correctly and therefore offer you a tool to evaluate how your playback system behaves in relation to how it should behave...\u003cbr\u003e This does not mean a priori that, if your system produces a sound different from that indicated in this guide, it sounds \"bad\": it means, precisely, and only, that it produces a sound different from that indicated by the person who made the recording.\u003cbr\u003e If you like the sound your system produces, even if it differs from what is indicated here, you are under no obligation to change anything.\u003cbr\u003e This disc is just a \"litmus test\" designed to provide you with some additional information, which you can decide whether or not to use, and which will allow you to decide whether to continue listening to your system as is or make some small or even substantial changes. \u003cbr\u003eWe don't offer any hard and fast rules... We just offer additional guidance beyond what you'd typically find on other records.\u003c\/p\u003e\n\n\u003cp\u003e The listening system used to compile this guide is the same monitor system used in production and is composed of the following devices, inserted in the environment shown in the stylised plan published alongside:\u003cbr\u003e CD Player + DAC: NORTH STAR DESIGN, 192 Mechanics + SUPREMO DAC\u003cbr\u003e Preamplifier: NORMA SC-2\u003cbr\u003e L + R multi-amplified speakers: GENELEC 1037C\u003cbr\u003e Subwoofer: GENELEC 7070\u003cbr\u003e Mechanics --\u0026gt; DAC: WHITE GOLD I2S\u003cbr\u003e DAC --\u0026gt; Preamplifier --\u0026gt; Speakers: VELUT LUNA WIRE, balanced and built to our specifications\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"HD FILE 88.2kHz · 24bit","offer_id":49923124658523,"sku":"CVLD306","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"CD","offer_id":49995392450907,"sku":"CVLD306CD","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_d664fb59-e487-4c9d-a58c-c42d66b4203d.jpg?v=1737330742"},{"product_id":"mozart-piano-sonatas-ferrati","title":"MOZART PIANO SONATAS - FERRATI","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e \u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eMOZART PIANO SONATAS\u003c\/strong\u003e ( \u003cspan\u003eCVLD232\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"western\" lang=\"en-US\"\u003e \u003cspan\u003e\u003cstrong\u003eAuthor\u003c\/strong\u003e :\u003c\/span\u003e \u003cspan id=\"autore\"\u003eWA MOZART\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003ePerformer\u003c\/strong\u003e :\u003c\/span\u003e \u003cspan id=\"esecutore\"\u003eMASSIMILIANO FERRATI\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e Classical. Original compositions by WA Mozart. Massimiliano Ferrati piano.\u003cbr\u003e 24bit\/48 kHz original live-in-studio recorded, in Villa S. Fermo, Lonigo, Italy, on May 2010.\u003cbr\u003e \u003cbr\u003eIn the rich panorama of Mozart's sonata production, the three Sonatas performed on this CD, although consecutive in date of composition, stand out for their originality and differ in aspects of content, structure and timbric invention. Composed in 1778 in Paris, the Sonata K. 310 is often associated by biographers with the difficult period following the death of his mother. Written in a minor key, rarer in Mozart, it is the emblem of that profound and entirely personal drama caused both by the emotional void of a loss and by the discomfort due to a lack of artistic affirmation in the Parisian environment. The use of ostinato rhythmic elements, combined with strong dissonances, leads to a dramatic culmination in the development of the first and second movements, already highlighting a characteristic of the Romantic sonata form. The third movement, in Rondo form, also insists on a theme whose melodic line, agitated and breathless, tends to close in on itself, without finding peace. The only oasis is the central section in A major, where a simple and evocative melody almost seems to take us back to a happy childhood, a motif perhaps linked to the memory of the mother. \u003cbr\u003eThe Sonata K. 330, completed in 1783, differs in character and positivity from the sonata in A minor and is today among the most frequently performed Mozart sonatas in concert programs. Easy from a mechanical-executive point of view, but far from simple in its aesthetic representation, it is a true rare pearl that requires from the performer great naturalness in phrasing and the ability to reach rare moments of intimate depth, which never fail to surprise the listener, suggesting a gaze towards infinity, as in the central section in F minor of the Andante Cantabile. From the sunny nature of the first movement to the humorous and mocking tone of the third movement (both in sonata form), K. 330 ends with an unexpected final question underlined by a very brief pause on the sixth degree, almost a moment of unexpected and serious doubt which however, after a moment's pause, proudly dissolves all appearances and brings us back to the carefree character and now full of irrepressible joy with the three final chords. \u003cbr\u003eThe Sonata K. 331, contemporary with K330, is a rare case of a Sonata that has no movement in sonata form, an element that allows the composer greater formal freedom. K. 331 opens with a theme (“Andante Grazioso”) and 6 variations. The theme suggests the idea of ​​a lullaby, thanks to its lulling movement, which undergoes inevitable transformations in the variations and allows Mozart to play extensively on the invention of timbre and colour: the use of tied octaves present in the third variation in a minor mode, in the fourth variation the crossing of the hands highlights the dialogue of timbre between the bass and the highest voice of the melody managed by the left hand, while a central design entrusted to the right hand acts as a glue. Mozart indicates only two changes in tempo: the Adagio in the fifth variation and the Allegro in the sixth. All this without ever falling into fragmentation but instead offering the interpreter the possibility of creating a single large movement of vast proportions, but still compact. The second movement is smooth, if it were not for the change of form (Menuetto and Trio): the tonality remains the same. We find, in the Trio, the crossing between the two hands, almost to underline an elegant alternation on the stage of two characters: one female and one male. The third movement “Allegretto. Alla Turca” is certainly one of the most popular pieces in the piano repertoire. In the form of a Rondo, in the key of A minor, it offers a continuous alternation between the minor and major modes, a central section in F sharp minor, and a final Coda also in the key of A major, almost to crown a structured path without interruption, like a great arch of a single breath from the first to the last note of the composition. There is no lack of timbral inventions to simulate the use of percussion in the march, which, in Mozart's time, with an adequately equipped instrument, could actually be activated thanks to an additional pedal. \u003cbr\u003eThe Adagio in B minor K. 540 (Vienna, 1788) is one of the most profound and spiritual works of the Salzburg composer. Mozart uses the sonata form and an enigmatic language, touching on very distant tonalities, sharp dynamic contrasts, use of sforzati, dissonances and chromatic progressions. A sense of existential instability is felt throughout the composition and only in the final coda in B major can we find serenity and the much sought-after final answer to the great questions of life.\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50002986107227,"sku":"CVLD232CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILES","offer_id":50003019858267,"sku":"CVLD232","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/60d97377e39ee12405565e88.jpg?v=1738581067"},{"product_id":"orchestra-filarmonica-giovanile-alpe-adria","title":"\"Alpe Adria\" Youth Philharmonic Orchestra","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eYOUTH PHILHARMONIC ORCHESTRA \u003c\/strong\u003e(\u003cspan\u003eCVLD182\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eG. ROSSINI, W. A. MOZART, L. V. BEETHOVEN, PUGNANI - KREISLER\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003ePerformer\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eYOUTH PHILHARMONIC ORCHESTRA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eAvailable in: CD, CD File\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e01 - Sinfonia al Conventello\u003cbr\u003e02 - Piano Concerto No. 27 in B-Flat Major, K. 595: I. Allegro\u003cbr\u003e03 - Piano Concerto No. 27 in B-Flat Major, K. 595: II. Larghetto\u003cbr\u003e04 - Piano Concerto No. 27 in B-Flat Major, K. 595: III. Rondo Allegro\u003cbr\u003e05 - Romance for Violin and Orchestra No. 2 in F Major, Op. 50\u003cbr\u003e06 - Prelude and Allegro for Violin and Orchestra in the Style of Pugnani\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/Alpe-Adria-Philharmonic-Youth-Orchestra\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eClassical. Original compositions by: G. Rossini, W. A. Mozart, L. V. Beethoven, Pugnani- Kreisler.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOrchestra Filarmonica Giovanile “Alpe Adria” conductor Luigi Pistore, Leonora Armellini piano solo, Davide Alogna violino solo. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe “Alpe Adria” Youth Philharmonic Orchestra, founded in Gorizia by Maestro Luigi Pistore, is composed of young musicians aged between 15 and 25 from all over Europe. Within the orchestra, different schools, musical traditions and interpretations coexist, and the universal language of music \"spoken\" by the young musicians becomes a privileged vehicle for knowledge, unity and friendship among peoples. Since its foundation and during the various musical workshops held in Gorizia, more than 250 orchestral musicians and young soloists, winners of prestigious international competitions, have participated.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThis CD was recorded entirely live on December 7, 2008 at the Auditorium of Gorizia, at the end of the 2008 Workshop.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe program opens with a classic Rossini Symphony \"written at Conventello\".\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe second piece allows us to appreciate for the second time on record the brightest piano talent of at least the last 10 years, Leonora Armellini, in her interpretation of Mozart's Concerto No. 27, KV595 for piano and orchestra.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe album closes with another young and talented violin soloist, Davide Alogna, who presents the famous Romance in F Major by Ludwig van Beethoven and the Prelude and Allegro in the style of Pugnani, written by the great virtuoso Fritz Kreisler.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe recording, personally curated by Marco Lincetto, was made as usual in 24bit\/88.2kHz digital standard.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50015542968667,"sku":"CVLD182CD","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"CD FILE 44.1kHz • 16bit","offer_id":50948711514459,"sku":"CVLD182","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/60d972ad5fb8e0539c7e6e35.jpg?v=1738750308"},{"product_id":"bassoon-concertos-canuti-symphonica-toscanini-solo-players-santi","title":"BASSOON CONCERTOS - CANUTI, SYMPHONICA TOSCANINI SOLO PLAYERS, SANTI","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cstrong\u003eBASSOON CONCERTOS\u003c\/strong\u003e ( \u003cspan\u003eCVLD151\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cspan id=\"esecutore\"\u003e\u003cspan\u003e\u003cstrong\u003eAuthor\u003c\/strong\u003e :\u003c\/span\u003e \u003cspan id=\"autore\"\u003eMOZART, VANHAL, KOZELUH\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003ePerformer\u003c\/strong\u003e :\u003c\/span\u003e STEFANO CANUTI, SYMPHONICA TOSCANINI SOLO PLAYERS, CHIARA SANTII\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cem\u003eAvailable in: CD, CD File\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cstrong\u003eTraces\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cspan\u003e01 - Concerto for Bassoon and Orchestra in B-Flat Major, K 191: I. Allegro\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e02 - Concerto for Bassoon and Orchestra in B-Flat Major, K 191: II. Going but slowly\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e03 - Concerto for Bassoon and Orchestra in B-Flat Major, K. 191: III. Rondo minuet tempo\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e04 - Concerto for Two Bassoons and Orchestra in F Major: I. Allegro moderato\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003e05 - Concerto for Two Bassoons and Orchestra in F Major: II. Andante grazioso\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e06 - Concerto for Two Bassoons and Orchestra in F Major: III. Cheerful\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e07 - Concerto for Bassoon and Orchestra in C Major: I. Allegro\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e08 - Concerto for Bassoon and Orchestra in C Major: II. Large\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e09 - Concerto for Bassoon and Orchestra in C Major: III. Very cheerful\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/Bassoon-Concertos\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eCLASSICAL: original compositions by WA Mozart, JB Vanhal, JA Kozeluh. Symphonica Toscanini Solo Players, bass soloists: Stefano Canuti, Chiara Santi.\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e24bit\/88.2 Digital recording made at Teatro G. Verdi, Busseto Italy November 2-4 2006.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003eBASSOON CONCERTOS is a CD dedicated to the famous concertos for bassoon and orchestra by Mozart and Vanhal. Recorded in high-resolution digital format in the splendid setting of the Teatro di Busseto (Verdi's famous theater), it features world-class performers such as Stefano Canuti on bassoon soloist and the Soloists of the Toscanini Symphony Orchestra, composing the small chamber orchestra.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50017314996571,"sku":"CVLD151CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"CD FILE 44.1kHz • 16bit","offer_id":50943879479643,"sku":"CVLD151","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/60d97276e39ee12b06565e54.jpg?v=1738771108"},{"product_id":"le-plaisir-du-chant-marin-boischio","title":"Le Plaisir Du Chant - Marin, Boischio","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e \u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eLe Plaisir Du Chant\u003c\/strong\u003e ( \u003cspan\u003eCVLD157\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"western\" lang=\"en-US\"\u003e \u003cspan\u003e\u003cstrong\u003eAuthor\u003c\/strong\u003e :\u003c\/span\u003e \u003cspan id=\"autore\"\u003eFauré G., Handel GF, Mozart WA, Purcell H.\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003ePerformer\u003c\/strong\u003e :\u003c\/span\u003e \u003cspan id=\"esecutore\"\u003eDiletta Rizzo Marin, Alberto Boischio\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"western\" lang=\"en-US\"\u003e \u003cem\u003eAvailable in: CD, CD File\u003c\/em\u003e\u003c\/p\u003e\n\n \u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eTraces\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp class=\"western\" lang=\"en-US\"\u003e \u003cspan\u003e01 - The Fairy-Queen, Z. 629, Act II, Scene 7: \"Come, All Ye Songsters of the Sky\" - Arranged for Voice and Piano\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e02 - Orpheus Britannicus, Z. 583: No. 2, Music for a While\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e03 - Pausanius, Z. 585: No. 1, Sweeter Than Roses\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e04 - Joshua, HWV 64, Act III, Scene 3: \"Oh! had I Jubal's lyre, or Miriam's tuneful voice\" - Arranged for Voice and Piano\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e05 - Lieder und Gesänge, K. 152: No. 8, Laughing calm\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e06 - Ariette, \"Oiseaux si tous les ans\", K. 307\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e07 - Ariette, \"Dans un bois solitaire\", K. 308\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e08 - Les chansons de Miarka: No. 10, La pluie\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e09 - 5 Mélodies, Op. 58: No. 1, Mandolines\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e10 - In prayer\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e11 - 4 Songs, Op. 39: No. 4, Les roses d'Ispahan\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e12 - Collection of tunes: No. 7, El tra-la-la and elpuntaado\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e13 - Collection of tunes: No. 3, The painful pain\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003e14 - 12 Tonadillas in old style: No. 3, El major discreet\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e15 - La Canción del Olvido, Cuadro Primero: Canción del Olvido. \"Marinela, Marinela\"\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Le-plaisir-du-chant\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e CLASSICAL: original composition by H. Purcell, GF Haendel, WA Mozart, A. Georges, G. Faurè, E. Granados, J. Serrano. Diletta Rizzo Manin soprano, Alberto Boischio piano. Recording was made at Magister Studio, Preganziol, Italy on April, 2007. Recorded strictly live in studio direct-to-stereo master, using the latest standard in digital technology based upon PRISM SOUND DREAM AD 2, 24bit\/88.2kHz Ad Converter.\u003c\/p\u003e\n\n \u003cp\u003eThis recording marks the debut recital of the young soprano Diletta Rizzo Marin. Following her recent success at the Santander Festival, with her captivating and expressive voice, described by Enrique Franco, the leading music critic of the Spanish newspaper \"El Pais,\" Diletta returns to perform this recital accompanied by pianist Alberto Boischio. The chosen repertoire ranges from Purcell's 17th-century works to one of the most popular zarzuelas of the 20th century, showcasing the freshness of her timbre, her musical and technical preparation, her stylistic versatility, and her intense expressiveness in singing in four different languages.\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50021233230171,"sku":"CVLD157CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"CD FILE 44.1kHz • 16bit","offer_id":50946217869659,"sku":"CVLD157","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/60d972655fb8e094997e6e36.jpg?v=1738831873"},{"product_id":"j-chr-bach-w-a-mozart-j-turina-serova-faes-krasnoyarsk-chamber-orchestra","title":"J. CHR. BACH, WA MOZART, J. 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14.7188C16.6094 14.7188 16.5205 14.6758 16.4541 14.6406C16.3457 14.5859 16.2568 14.4512 16.3418 14.2852C16.3691 14.2324 16.501 14.1016 16.5322 14.0781C16.8838 13.877 17.29 13.9434 17.666 14.0938C18.0146 14.2363 18.2773 14.498 18.6562 14.8672C19.0439 15.3145 19.1133 15.4395 19.334 15.7734C19.5078 16.0371 19.667 16.3066 19.7754 16.6152C19.8408 16.8066 19.7559 16.9648 19.5273 17.0625Z\" id=\"path\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003c\/div\u003e\n\u003cdiv class=\"ds-markdown ds-markdown--block\"\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e01 - Concerto for Viola and Strings in C Minor: I. Allegro maestoso\u003cbr\u003e02 - Concerto for Viola and Strings in C Minor: II. Adagio espressivo\u003cbr\u003e03 - Concerto for Viola and Strings in C Minor: III. Allegro molto\u003cbr\u003e04 - Concerto No. 14 for Piano and Strings in E-Flat Major, K. 449: I. Allegro vivace\u003cbr\u003e05 - Concerto No. 14 for Piano and Strings in E-Flat Major, K. 449: II. Andantino\u003cbr\u003e06 - Concerto No. 14 for Piano and Strings in E-Flat Major, K. 449: III. Allegro ma non troppo\u003cbr\u003e07 - Scène andalouse for Viola, Piano and Strings, Op. 7: No. 1, Crépuscule du soir\u003cbr\u003e08 - Scène andalouse for Viola, Piano and Strings, Op. 7: No. 2, A la fenêtre\u003cbr\u003e09 - Serenata No. 13, K. 525 \"Eine kleine Nachtmusik\": I. Allegro\u003cbr\u003e10 - Serenata No. 13, K. 525 \"Eine kleine Nachtmusik\": II. Romanze. Andante\u003cbr\u003e11 - Serenata No. 13, K. 525 \"Eine kleine Nachtmusik\": III. Minuetto. Allegretto\u003cbr\u003e12 - Serenata No. 13, K. 525 \"Eine kleine Nachtmusik\": IV. Rondo. Allegro\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Krasnoyarsk-Chamber-Orchestra-Play-Johann-Christian-Bach-Wolfgang-Amadeus-Mozart-Joaquin-Turina\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCLASSICAL: Live recording at Philarmonic Hall - Krasnoyarsk, Russia, on June 17th, 2004\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAnna Serova: Viola, Filippo Faes: Piano \/ Conductor\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis CD is not entirely dedicated to the viola which, however, as a solo instrument dominates, like the piano, and above all determines the program, only apparently anthological and without connections. It begins with the viola with Johann Christian Bach's Concerto in C minor for viola and string orchestra, to continue \"logically\" with Mozart, who was a friend and admirer of the youngest son of the Cantor and assimilated some of his stylistic traits. The genius of Salzburg is not on the program with works dedicated to the viola, but with one of his Piano Concertos and with a very famous piece, the Little Night Music. In between, between one Mozart and another, a colorful piece from the historical twentieth century, with the viola still in the spotlight: Joaquin Turina's Andalusian Scenes, a suite conceived in an era when the Cinderella of string instruments, thanks also to Hindemith and Bartok, had already become a true Princess.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50032233546075,"sku":"CVLD099CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"CD FILE 44.1kHz • 16bit","offer_id":50634241343835,"sku":"CVLD099","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/60d97204e39ee15405565e66.jpg?v=1738964981"},{"product_id":"le-nozze-di-figaro-wolfgang-amadeus-mozart","title":"THE MARRIAGE OF FIGARO - WOLFGANG AMADEUS MOZART","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eTHE MARRIAGE OF FIGARO\u003c\/strong\u003e (\u003cspan\u003eDVLD001\u003c\/span\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eAuthor\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eWOLFGANG AMADEUS MOZART\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003ePerformer\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eGiovanni Battista Rigon (conductor), Lorenzo Regazzo (stage director)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eDuration\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"durata\"\u003eDVD1 92:07\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable in: DVD and HD File\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eMusic by WOLFGANG AMADEUS MOZART (1756-1791)\u003cbr\u003eLibretto by LORENZO DA PONTE (1749-1838)\u003c\/p\u003e\n\u003cp\u003eRecorded live at Teatro Olimpico, Vicenza, 6\/2016\u003c\/p\u003e\n\u003cp\u003eRegion: 0\u003cbr\u003eVideo system: PAL 16:9\u003cbr\u003eAudio: PCM linear - Stereo 24bit\/48kHz\u003c\/p\u003e\n\u003cp\u003e“Uno dei piu grandi capolavori musicali di tutti i tempi nel più antico e spettacolare teatro del mondo: Figaro e il Conte di Almaviva interagiscono mirabilmente con le magniloquenti statue del Teatro Olimpico in un gioco affascinante che fonde insieme tradizione e modernità.”\u003c\/p\u003e\n\u003cp\u003e“One of the greatest musical masterpieces of all time in the most ancient and spectacular theater in the world: Figaro and the Count of Almaviva interact admirably with the magniloquent statues of the Teatro Olimpico in a fascinating game that blends tradition and modernity”\u003c\/p\u003e\n\u003cp\u003eIl Conte di Almaviva: Marco Bussi \u003cbr\u003eLa Contessa: Patrizia Biccirè\u003cbr\u003eSusanna: Carolina Lippo \u003cbr\u003eFigaro: Daniele Caputo \u003cbr\u003eCherubino: Margherita Rotondi \u003cbr\u003eMarcellina: Giovanna Donadini\u003cbr\u003eBartolo: Antonio De Gobbi \u003cbr\u003eAntonio: Claudio Zancopè \u003cbr\u003eBasilio: Filippo Pina Castiglioni\u003cbr\u003eCurzio: Elvis Fanton \u003cbr\u003eBarbarina: Francesca Cholevas\u003c\/p\u003e\n\u003cp\u003eChoir I polifonici vicentini\u003cbr\u003echoir master: Periluigi Comparin\u003cbr\u003eharpsichord master: Stefano Gibellato\u003cbr\u003eOrchestra di Padova e del Veneto\u003cbr\u003econductor and director: Giovanni Battista Rigon \u003c\/p\u003e\n\u003cp\u003eset elements Carla Conti Guglia\u003cbr\u003ecostumes Riccardo Longo\u003cbr\u003elighting design Claudio Cervelli \u003cbr\u003edirector Lorenzo Regazzo\u003c\/p\u003e\n\u003cp\u003evideo GC Records \u003cbr\u003eaudio Matteo Costa\u003cbr\u003ephotographs Luigi De Frenza\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"DVD (2 discs)","offer_id":50050066907483,"sku":"DVLD001","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/60d973f1e39ee19507565e49.jpg?v=1739379226"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/collections\/Wolfgang-amadeus-mozart_1.jpg?v=1772894912","url":"https:\/\/referencemusicstore.myshopify.com\/en\/collections\/wolfgang-amadeus-mozart.oembed?page=3","provider":"Reference Music Store","version":"1.0","type":"link"}