{"title":"Richard Wagner","description":"\u003cp data-end=\"244\" data-start=\"82\"\u003e\u003cstrong\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eRichard Wagner\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e (1813–1883) was one of the most influential German composers, conductors, and music theorists of the 19th century.\u003c\/p\u003e\n\u003cp data-end=\"449\" data-start=\"246\"\u003eHe was born on \u003cstrong data-end=\"314\" data-start=\"256\"\u003eMay 22, 1813, in \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eLeipzig\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e. From a young age, he showed an interest in music and theatre, studying composition and developing a very innovative personal style.\u003c\/p\u003e\n\u003ch3 data-end=\"474\" data-start=\"451\" data-section-id=\"1132bky\"\u003e\u003cstrong\u003eCareer and Works\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"657\" data-start=\"475\"\u003eWagner revolutionized opera by introducing the concept of \u003cstrong data-end=\"558\" data-start=\"537\"\u003e\"music drama\"\u003c\/strong\u003e, in which music, text, and stage design are closely integrated. Among his most famous works are:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"736\" data-start=\"660\"\u003e\n\u003cem data-end=\"699\" data-start=\"660\"\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eThe Ring of the Nibelung\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e (a cycle of four monumental operas)\u003c\/li\u003e\n\u003cli data-end=\"778\" data-start=\"739\"\u003e\u003cem data-end=\"778\" data-start=\"739\"\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eTristan und Isolde\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-end=\"820\" data-start=\"781\"\u003e\u003cem data-end=\"820\" data-start=\"781\"\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eDie Meistersinger von Nürnberg\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-end=\"862\" data-start=\"823\"\u003e\u003cem data-end=\"862\" data-start=\"823\"\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eParsifal\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"956\" data-start=\"864\"\u003eHe introduced the systematic use of \u003cstrong data-end=\"910\" data-start=\"897\"\u003eleitmotifs\u003c\/strong\u003e, musical themes associated with characters or ideas.\u003c\/p\u003e\n\u003ch3 data-end=\"981\" data-start=\"958\" data-section-id=\"10nwjtm\"\u003e\u003cstrong\u003eLife and Context\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1188\" data-start=\"982\"\u003eHis life was turbulent: he participated in the 1848 revolutions and lived in exile for several years. He later found support in King \u003cstrong data-end=\"1160\" data-start=\"1119\"\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eLudwig II of Bavaria\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e, who financed his works.\u003c\/p\u003e\n\u003cp data-end=\"1337\" data-start=\"1190\"\u003eWagner had the Bayreuth Theatre, the \u003cstrong data-end=\"1279\" data-start=\"1238\"\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eBayreuth Festspielhaus\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e, built specifically to stage his operas.\u003c\/p\u003e\n\u003ch3 data-end=\"1351\" data-start=\"1339\" data-section-id=\"108773s\"\u003e\u003cstrong\u003eDeath\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1421\" data-start=\"1352\"\u003eHe died on \u003cstrong data-end=\"1420\" data-start=\"1360\"\u003eFebruary 13, 1883, in \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eVenice\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e.\u003c\/p\u003e\n\u003chr data-end=\"1426\" data-start=\"1423\"\u003e\n\u003ch3 data-end=\"1444\" data-start=\"1428\" data-section-id=\"17zomum\"\u003e\u003cstrong\u003eIn Summary\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"1656\" data-start=\"1445\"\u003eWagner is considered a key figure in Romantic music: he profoundly transformed opera, influencing generations of subsequent composers and leaving a lasting imprint on the history of music.\u003c\/p\u003e","products":[{"product_id":"l-elmo-di-lohengrin-mario-panizzardi","title":"LOHENGRIN'S HELMET - Mario Panizzardi","description":"\u003cp\u003e \u003cstrong\u003eLOHENGRIN'S HELMET\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e MARIO PANIZZARDI Wagner in Italy (1852–1883)\u003cbr\u003e Documents and testimonies\u003c\/p\u003e\n\n\u003cp\u003e edited by Cecilia Brentano\u003c\/p\u003e\n\n\u003cp\u003e with a note by Guido Salvetti and translations by Lorenzo Bianconi\u003c\/p\u003e\n\n\u003cp\u003e Mario Panizzardi's name appears in the works of many scholars of Wagner's life and works. A journalist, Panizzardi dedicated numerous articles to the Maestro and wrote a biography of him in Italian. His\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWagner in Italy\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eIt is divided into two parts: the first dedicated to biographical notes and the second to the \"pages of musical history\". \u003cbr\u003eIn this work, we have chosen to republish the first of two studies by Panizzardi, dated 1914 and dedicated to biographical information, drawn not only from the Maestro's autobiography, Mein Leben (1813–1864), but also from the numerous testimonies the author gathers from individuals who, at different times and in different situations, interacted with Wagner during his stays in Italy. What emerges are not only the most famous manifestations of his artistry, but also aspects of his private life in his relationships with family and friends, which the Maestro was not averse to encountering in pastry chefs and gondoliers, scrupulously avoiding pianists. At times, a sweetness emerges that is not usually associated with the Maestro, while his rigorous approach is evident in the writings he dedicated to his fellow Italian composers. \u003cbr\u003eThis volume aims to introduce the reader to Wagner's experience in Italy through a series of complementary perspectives: from pure biography to testimonies, from letters to writings, from reviews to a collection of complete performances of his operas. A subject so complex that thousands of pages would not be enough to fully cover it, but here it finds a timely balance for those wishing to explore, through stories and sources, the life of a man who, despite over a hundred years having passed since his death, still manages to divide the public between Wagnerians and anti-Wagnerians.\u003c\/p\u003e\n\n\u003ch6 style=\"text-align: left;\"\u003e \u003cem\u003eErrata corrige: We would like to bring to the readers' attention an error in the \"Reviews\" section of the appendix. The 18th century was indicated instead of the 19th century in the dates of the fiftieth anniversary of the opera's performance under the title. These dates are correct in the specific list.\u003c\/em\u003e\n\u003c\/h6\u003e","brand":"Manzoni Editore","offers":[{"title":"Default Title","offer_id":47554284880219,"sku":"LME005","price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/elmo-di-lohengrin-sito.jpg?v=1705085747"},{"product_id":"leinsdorf-conducts-mahler-wagner","title":"LEINSDORF CONDUCTS MAHLER \u0026amp; WAGNER","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eLEINSDORF CONDUCTS MAHLER \u0026amp; WAGNER\u003c\/strong\u003e ( \u003cspan data-mce-fragment=\"1\"\u003eWS 121.414\u003c\/span\u003e )\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/LEINSDORF-CONDUCTS-MAHLER-WAGNER\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eGustav Mahler\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(1860-1911)\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eSymphony No. 3 in D Minor\u003c\/em\u003e\u003cbr\u003e rec.: Boston, October 1966\u003c\/p\u003e\n\n\u003cp\u003e Shirley Verrett, Mezzo-Soprano\u003cbr\u003e New England Conservatory Chorus\u003cbr\u003e Lorna Cooke de Varon, chorus master\u003cbr\u003e Boston Boychoir directed by John Oliver\u003cbr\u003e Boston Symphony Orchestra\u003cbr\u003e Erich Leinsdorf\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eRichard Wagner\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(1813-1883)\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eGötterdämmerung\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(Orchestral selection)\u003cbr\u003e rec.: Boston, January 8, 1965\u003c\/p\u003e\n\n\u003cp\u003e Boston Symphony Orchestra\u003cbr\u003e Erich Leinsdorf\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47875552870747,"sku":"WS 121.414","price":19.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/414-cover-sito.jpg?v=1711073053"},{"product_id":"symphonical-wagner-knappertsbush","title":"SYMPHONICAL WAGNER – KNAPPERTSBUSH","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eSYMPHONICAL WAGNER – KNAPPERTSBUSH\u003c\/strong\u003e ( \u003cspan data-mce-fragment=\"1\"\u003eWS 121.411\u003c\/span\u003e )\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e Richard Wagner (1813-1883)\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eDer fliegende Holländer\u003c\/em\u003e , Overture\u003c\/p\u003e\n\n\u003cp\u003e Wiener Philharmoniker (V 1953)\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eTannhäuser\u003c\/em\u003e , Overture\u003c\/p\u003e\n\n\u003cp\u003e Munich Philharmonic Orchestra (XI 1962)\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eLohengrin\u003c\/em\u003e , Prelude to Act One\u003c\/p\u003e\n\n\u003cp\u003e Munich Philharmonic Orchestra (XI 1962)\u003cbr\u003e Tristan und Isolde, Prelude and Liebestod\u003c\/p\u003e\n\n\u003cp\u003e Wiener Philharmoniker (Birgit Nilsson) (IX 1959)\u003cbr\u003e Die Meistersinger, Prelude to Act One\u003c\/p\u003e\n\n\u003cp\u003e NDR Symphony Orchestra (III 1963)\u003cbr\u003e \u003cem\u003eDie Walküre\u003c\/em\u003e , The ride of the Walkyries\u003c\/p\u003e\n\n\u003cp\u003e Wiener Philharmoniker (V 1953)\u003cbr\u003e Wotan's farewell and Magic fire music\u003c\/p\u003e\n\n\u003cp\u003e Wiener Philharmoniker (George London) (VI 1958)\u003cbr\u003e Götterdämmerung, Siegfried's Rhine Journey\u003c\/p\u003e\n\n\u003cp\u003e Wiener Philharmoniker (VI 1956)\u003cbr\u003e Siegfried funeral procession\u003c\/p\u003e\n\n\u003cp\u003e Wiener Philharmoniker (VI 1956)\u003cbr\u003e Closing scene\u003c\/p\u003e\n\n\u003cp\u003e NDR Symphony Orchestra (Christa Ludwig) (III 1963) \u003cbr\u003eParsifal, Prelude to Act One\u003c\/p\u003e\n\n\u003cp\u003e Munich Philharmonic Orchestra (XI 1962)\u003cbr\u003e Closing Scene\u003c\/p\u003e\n\n\u003cp\u003e Bayreuth Orchestra (Wolfgang Windgassen) (VIII 1951)\u003cbr\u003e Hans Knappertsbusch, conductor\u003c\/p\u003e\n\n\u003cp\u003e MONO - STEREO ADD\u003c\/p\u003e\n\n\u003cp\u003e 2CD\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47875568468315,"sku":"WS 121.411","price":19.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/411-cover-sito.jpg?v=1711073485"},{"product_id":"bjoerling-the-stockholm-atlanta-concerts","title":"BJOERLING: THE STOCKHOLM \u0026amp; ATLANTA CONCERTS","description":"\u003cp\u003e \u003cstrong\u003eBJOERLING: THE STOCKHOLM \u0026amp; ATLANTA CONCERTS\u003c\/strong\u003e (URN 22.382) (1 CD)\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eWAGNER\u003c\/strong\u003e :\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eLohangrin\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eDONIZETTI\u003c\/strong\u003e :\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eThe Elixir of Love\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eMASCAGNI\u003c\/strong\u003e :\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eRustic Chivalry\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eHANDEL\u003c\/strong\u003e \u003cem\u003e: Xerxes\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eBIZET\u003c\/strong\u003e \u003cem\u003e: Carmen\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eGIORDANO\u003c\/strong\u003e \u003cem\u003e: Fedora, Andrea Chenier\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003ePUCCINI\u003c\/strong\u003e \u003cem\u003e: La boheme, Turandot\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; 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border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/Decline-FallOfTheWesternMusic\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003e1949-1961\u003c\/em\u003e\u003c\/p\u003e\n\n \u003cp class=\"p1\"\u003eThe rift between public appreciation and musical production became irreparable in the 1920s, when the rise of atonal and twelve-tone music definitively alienated the general public from Western classical music. Symptoms of this decline, however, were already evident in some compositions appearing in the mid-19th century. This anthology, despite all the limitations of this genre, seeks to highlight the process through which it all came about, and follows the common thread of the great cycles of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLieder\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eand Cantatas for female voice and orchestra, a genre to which, from Wagner to Schoenberg, especially Austro-German composers have dedicated themselves. The last two pieces ( \u003ci\u003eVier letzte Lieder\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eby Strauss and\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eErwartung\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eSchoenberg's) are exemplary of a cultural destiny to which European art was destined: in the first case, with continuity, there would have been survival; in the second, collapse. 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STRAUSS\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eAn der schoenen blauen Donau\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003ePONCHIELLI\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eThe Dance of the Hours\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eDEBUSSY\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eThe sea\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eSIBELIUS\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eFinland\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/The-Columbia-Golden-Years-The-Favourites\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eHERBERT VON KARAJAN\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e Philarmonia Orchestra, 1952\/1957\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47996444082523,"sku":"URN 22.322","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/THE-FAVORITIES-322-COVER.jpg?v=1712327489"},{"product_id":"leibowitz-conducts","title":"LEIBOWITZ CONDUCTS","description":"\u003cp\u003e\u003cstrong\u003eLEIBOWITZ CONDUCTS\u003c\/strong\u003e (CP 131.500)\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\"\u003e(4 CDs)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eBACH\u003c\/strong\u003e :\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePassacaglia \u0026amp; Fugue BWV 582\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1960)\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eBEETHOVEN\u003c\/strong\u003e :\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e12 German Dances\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1956)\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eROSSINI\u003c\/strong\u003e : Overtures:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWilliam Tell – Semiramis – The Thieving Magpie – The Italian Woman in Algiers\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1955)\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eWAGNER\u003c\/strong\u003e :\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDie Meistersinger\u003c\/em\u003e , Prelude Act I (1962)\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eJ. STRAUSS JR\u003c\/strong\u003e :\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDie Fledermaus\u003c\/em\u003e , overture (1961)\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eSAINT-SAËNS\u003c\/strong\u003e :\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDanse macabre\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1960) – \u003cem\u003eIntroduction et Rondo capriccioso\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1962)\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eBIZET\u003c\/strong\u003e :\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSymphony in C Major\u003c\/em\u003e (1954)\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eMUSSORSKY\u003c\/strong\u003e : Pictures at an exhibition – A night on the bald mountain (1962)\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eWALDTEUFEL\u003c\/strong\u003e : Les patineurs (1961)\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eCHABRIER\u003c\/strong\u003e : Spain (1960)\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eFROM\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFAIL\u003c\/strong\u003e :\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRitual Dance of Fire\u003c\/em\u003e (1961)\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eRAVEL\u003c\/strong\u003e :\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBolero, La Valse\u003c\/em\u003e (1960)\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eROSSINI-RESPIGHI\u003c\/strong\u003e :\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Fantastique Boutique\u003c\/em\u003e (1958)\u003c\/p\u003e\n\n\u003cp\u003e New Symphony Orchestra London – Royal Phihlarmoni Orchestra\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eRené Leibowitz\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/Conductors-Profiles-Rene-Leibowitz\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp class=\"p1\"\u003eRené Leibowitz (1913-1972) is remembered today primarily as an important French conductor of Polish origin. Beyond this, Leibowitz was above all a composer (with a catalogue of around 90 compositions) and a highly respected musicologist, author of a fundamental History of Opera and the first philological revision of Beethoven's Symphonies (whose recording we recently published, Urania WS 121. 278). This box collects the few recordings Leibowitz made between 1954 and 1962, and in any case it is the only document that testifies to the art of this important conductor, whose discography, unfortunately, is reduced to a few significant audio testimonies.\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47996445262171,"sku":"CP 131.500","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/279-500-COVER.jpg?v=1712327525"},{"product_id":"traume-the-golden-songs","title":"TRÄUME, THE GOLDEN SONGS","description":"\u003cp\u003e TRÄUME, THE GOLDEN SONGS (1 CD)\u003c\/p\u003e\n\n\u003cp\u003e Franz Schubert: \u003cem\u003eDie Forelle – An die Nachtigall – Ständchen – Wanderers Nachtlied I – An die Laute\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Robert Schumann: \u003cem\u003eDu Ring an meinem Finger – Frühlingsnacht\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Frédéric Chopin: \u003cem\u003ePierścień – Poseł – Moja Pieszczotka\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Gabriel Fauré: \u003cem\u003eAprès un rêve – Clair de lune\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Richard Wagner: \u003cem\u003eTräume – Gretchen am Spinnrade\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Johannes Brahms: \u003cem\u003eVon ewiger Liebe – Die Mainacht – Mädchenlied – Wiegenlied\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Giacomo Puccini: \u003cem\u003eGolden Dream\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Manuel de Falla:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNana – Seguidilla – El Paño moruno\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Maurice Ravel: \u003cem\u003eChanson Espagnole\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Gioachino Rossini: \u003cem\u003eSpanish Song\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e VALENTINA PENNINO, SOPRANO\u003c\/p\u003e\n\n\u003cp\u003e ANNIBALE REBAUDENGO, PIANO\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47996454306139,"sku":"MLD 15035","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/15035-cover.jpg?v=1712327737"},{"product_id":"wagner-das-rheingold-krauss","title":"WAGNER: DAS RHEINGOLD - KRAUSS","description":"\u003cp\u003e RM 11,906 (2 CDs)\u003c\/p\u003e\n\n\u003cp\u003e WAGNER\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/Wagner-Das-Rheingold\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eTHE RHEINGOLD\u003c\/strong\u003e\u003c\/p\u003e\n\n \u003cp\u003eHANS HOTTER – HERMANN UHDE – GERHARD STOLZE – GUSTAV NEIDLINGEN – LUDWIG WEBER\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eCLEMENS KRAUSS\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e Recorded Live – Bayreuuth, 1953 – Orchester der Bayreuther Festspiele\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47996459483483,"sku":"RM 11.906","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/11.906-COVER.jpg?v=1712327807"},{"product_id":"richard-wagner-operatic-excerpts-leopold-stokowski","title":"Richard Wagner: Operatic Excerpts - Leopold Stokowski","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\" data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eRichard Wagner:\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e \u003cspan style=\"color: #202122;\" color=\"#202122\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\" data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOperatic Excerpts (CBH172)\u003c\/span\u003e\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \n\u003cspan style=\"color: #000000;\" color=\"#000000\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\" data-mce-fragment=\"1\"\u003e1. Ride the Walkyries (Act III from Die Walkuere)\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"color: #000000;\" color=\"#000000\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e(5'48)\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"color: #000000;\" color=\"#000000\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eMartina Arroyo, Carlotta Ordassay, Doris Yarick,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"color: #000000;\" color=\"#000000\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\" data-mce-fragment=\"1\"\u003esopranos\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"font-size: medium;\" size=\"3\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eBetty Allen, Doris Okerson, Regina Sarfaty, Shirley Verrett,\u003c\/b\u003e\u003c\/span\u003e \u003cspan style=\"color: #000000;\" color=\"#000000\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\" data-mce-fragment=\"1\"\u003econtraltos\u003c\/span\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \n\u003cspan style=\"color: #000000;\" color=\"#000000\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\" data-mce-fragment=\"1\"\u003e2. Entrance of the Goods into Valhalla (Closing scene from Rheingold)\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"color: #000000;\" color=\"#000000\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e(8'03)\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"font-size: medium;\" size=\"3\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eMartina Arroyo, Carlotta Ordassay,\u003c\/b\u003e\u003c\/span\u003e \u003cspan style=\"color: #000000;\" color=\"#000000\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\" data-mce-fragment=\"1\"\u003esopranos\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"color: #000000;\" color=\"#000000\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e; Louse Parker,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"color: #000000;\" color=\"#000000\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\" data-mce-fragment=\"1\"\u003emezzo soprano\u003c\/span\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \n\u003cspan style=\"color: #000000;\" color=\"#000000\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\" data-mce-fragment=\"1\"\u003e3. Tannhauser, Overture and Venusberg Music (Paris version)\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"color: #000000;\" color=\"#000000\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e(25'05)\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003cspan size=\"3\" style=\"font-size: medium;\" data-mce-fragment=\"1\"\u003eSymphony of the Air York\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003cspan style=\"font-size: medium;\" size=\"3\" data-mce-fragment=\"1\"\u003eConductor:\u003c\/span\u003e \u003cspan style=\"font-size: medium;\" size=\"3\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eLeopold Stokowski\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003cspan style=\"font-size: medium;\" size=\"3\" data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eChorus directed by\u003c\/i\u003e\u003c\/span\u003e \u003cspan style=\"font-size: medium;\" size=\"3\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eMargaret Hillis\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e Recordings: \u003cspan style=\"color: #0000ff;\" color=\"#0000ff\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNew York, Manhattan Center, December 28, 1960; April 20 \u0026amp; 21, 1\u003c\/span\u003e\u003c\/span\u003e \u003cspan color=\"#000000\" style=\"color: #000000;\"\u003e961\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003ci data-mce-fragment=\"1\"\u003eProducers: Richard Mohr and Peter Delheim\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003cspan style=\"font-size: medium;\" size=\"3\" data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eSound Engineers: Antony Salvatore, Robert Leyton, Rovert Auger\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cspan color=\"#000000\" style=\"color: #000000;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\" data-mce-fragment=\"1\"\u003e4. Die Walkuere (Closing scene) Magic Fire Music (Act III)\u003c\/span\u003e\u003c\/span\u003e \u003cspan color=\"#000000\" style=\"color: #000000;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e(07'11)\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\" data-mce-fragment=\"1\"\u003eRoyal Philharmonic Orchestra\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003cspan style=\"font-size: medium;\" size=\"3\" data-mce-fragment=\"1\"\u003eConductor:\u003c\/span\u003e \u003cspan style=\"font-size: medium;\" size=\"3\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eLeopold Stokowski\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e Recording: \u003cspan style=\"color: #0000ff;\" color=\"#0000ff\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLondon, October 1973\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cspan color=\"#000000\" style=\"color: #000000;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\" data-mce-fragment=\"1\"\u003e5. Tristan und Isolde, Prelude to Act I\u003c\/span\u003e\u003c\/span\u003e \u003cspan color=\"#000000\" style=\"color: #000000;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e(10'04)\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \n\u003cspan color=\"#000000\" style=\"color: #000000;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\" data-mce-fragment=\"1\"\u003e6. Tristan und Isolde, Liebestod\u003c\/span\u003e\u003c\/span\u003e \u003cspan color=\"#000000\" style=\"color: #000000;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e(06'45)\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e \n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003col start=\"5\" data-mce-fragment=\"1\"\u003e\u003c\/ol\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003cspan style=\"font-size: medium;\" size=\"3\" data-mce-fragment=\"1\"\u003eRoyal Philharmonic Orchestra\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003cspan style=\"font-size: medium;\" size=\"3\" data-mce-fragment=\"1\"\u003eConductor:\u003c\/span\u003e \u003cspan style=\"font-size: medium;\" size=\"3\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eLeopold Stokows\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e Recording: \u003cspan style=\"color: #0000ff;\" color=\"#0000ff\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLondon, October 1973\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \n\u003cspan color=\"#000000\" style=\"color: #000000;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\" data-mce-fragment=\"1\"\u003e7. Goetterdaemmerug, Funeral march\u003c\/span\u003e\u003c\/span\u003e \u003cspan color=\"#000000\" style=\"color: #000000;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e(08'12)\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e \n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003col start=\"7\" data-mce-fragment=\"1\"\u003e\u003c\/ol\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003cspan style=\"font-size: medium;\" size=\"3\" data-mce-fragment=\"1\"\u003eLondon Symphony Orchestra\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003cspan style=\"font-size: medium;\" size=\"3\" data-mce-fragment=\"1\"\u003eConductor:\u003c\/span\u003e \u003cspan style=\"font-size: medium;\" size=\"3\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eLeopold Stokows\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e Recording: \u003cspan style=\"color: #0000ff;\" color=\"#0000ff\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLondon, November 1974\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"44.1kHz · 16bit","offer_id":48538106659163,"sku":"cbh-172-44","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"96kHz · 24bit","offer_id":48538106724699,"sku":"cbh-172-96","price":15.0,"currency_code":"EUR","in_stock":true},{"title":"192kHz · 24bit","offer_id":48538106921307,"sku":"cbh-172-192","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"DSD · 64","offer_id":48538106954075,"sku":"cbh-172-64","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"DSD · 128","offer_id":48538106986843,"sku":"cbh-172-128","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/172cover.png?v=1718893748"},{"product_id":"antologia-del-centenario-pollini","title":"CENTENARY ANTHOLOGY - POLLINI","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eCENTENARY ANTHOLOGY\u003c\/b\u003e ( \u003cspan\u003eCVLD247\u003c\/span\u003e )\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cspan\u003e\u003cstrong\u003eAuthor\u003c\/strong\u003e :\u003c\/span\u003e \u003cspan id=\"autore\"\u003eCESARE POLLINI\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003ePerformer\u003c\/strong\u003e :\u003c\/span\u003e \u003cspan id=\"esecutore\"\u003eCONSERVATORY ORCHESTRA\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003e1 - Scherzo in F major (1880), for orchestra\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e2 - Nocturne in D major (1882), for orchestra\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eOrestes Radish (1871-1938)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e3 - Elegy “on the death of Cesare Pollini” (Andante) for strings\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003e4 : 8 - Suite op. 3 in E major for violin, cello and piano\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eAllegro non troppo \/ Largo espressivo \/ Tempo di Minuet \/ Mesto (In the manner of a Romance) \/ Presto\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003e9 : 11 - Three album sheets (1903)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eWaiting (Presto) \/ Melancholy (Andante sostenuto quasi adagio) \/ First snow (Andante con moto)\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan\u003e12 - Nocturne (Mesto), No. 2 from Six Album Sheets (1878)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e13 - Presto scherzoso No. 5 from Six album sheets (1878)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e14 - Funeral March (Adagio Maestoso) in B flat minor (1874)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e15 - Romance (Quasi adagio)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003e16 : 19 - Sonata in F minor (1874\/1899)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eAllegro passione \/ Sostenuto \/ Intermezzo \/ Finale (Energetic\/Very agitated)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eINTERPRETERS\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003eOrchestra of the Conservatory “Cesare Pollini” (tracks 1\/2)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eGiuliano Medeossi director (tracks 1\/2)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eOrchestra of Padua and Veneto (tracks 3)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003ePietro Billi director (tracks 3)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eAndrea Vio violin (tracks 4-8)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eAngelo Zanin cello (tracks 4-8)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eAldo Orvieto piano (tracks 4-8)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eMaura Mazzonetto piano (tracks 9-14)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eGiovanni Tirindelli piano (tracks 15-19)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eTechnical notes\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan\u003eCesare Pollini, son of the Paduan nobleman Luigi de' Pollini, was born on 13 July 1858. He began studying piano at a very young age under the guidance of his mother Luigia dei conti de' Cassis-Faraone. In 1878, Count Pietro Suman sent some of Pollini's compositions - until then practically self-taught - to Antonio Bazzini, an illustrious composer, violinist and professor at the Milan Conservatory, who welcomed him into his class in 1880 and of whom he soon became one of the favorite students. Two years later, Pollini returned to Padua to take over the direction of the Musical Institute, founded there on 29 June 1879. On 5 December 1886, Pollini undertook a long concert tour in Germany with the violinist Antonio Freschi, also a student of Bazzini. On 2 January the duo made their debut in Munich, receiving very favorable reviews, in particular from the 'Berliner Tagblatt?. Among the pieces performed was the Suite op. 3 dedicated to Richard Strauss, who was present at the performance. The tour continued to Frankfurt, Stuttgart, Berlin, Vienna. In 1889 he was invited by the Queen to the Royal Villa of Monza to hold a concert in honor of Emperor Wilhelm II and in 1892 King Umberto I named him a knight of SS. Maurizio and Lazzaro, personally presenting him with the insignia in Monza. On January 26, 1912, Cesare Pollini died suddenly at the age of 54. The news of his death was spread by newspapers throughout Italy. The Padua institute decided to give itself a new name in memory of its director.\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan\u003eThe half century between the annexation to the Kingdom of Italy and the First World War is a time of decadent retreat, a historical moment in which the post-unification disappointment is intertwined with the climate of despair over the awareness of Italy's cultural backwardness compared to the world beyond the Alps. For Padua too, it is a very intense and contradictory period of material and cultural reorganization, of proud quartering on traditional positions, but also of bold openings and a slow path of rapprochement with contemporary Europe. A significant presence in cultural life between the end of the nineteenth century and the beginning of the twentieth century, Cesare Pollini - in the words of Arrigo Boito - \"occupied among the most select art lovers a special degree of eminence and nobility\". In the many experiences acquired in his intense activity as a concert performer, composer and musicologist, Pollini had cultivated an extraordinary wealth of stimuli that he made available to the cultural life of Padua with admirable generosity. Thanks to his friendship with illustrious figures from the Italian and German musical world (the aforementioned Richard Strauss and Antonio Bazzini, but also Giuseppe Martucci, Giovanni Sgambati, Oscar Chilesotti and many others), he was passionately committed to promoting European musical culture in the Paduan area, renewing concert choices and refining the public's musical taste. Worthy of note in this regard was his commitment as organizer of the \"musical mornings\" at Palazzo Selvatico Estense, concert cycles whose programs were aimed at presenting the German romantic repertoire, until then practically unknown in Italy and considered unbearably boring by the public: \"The concert program aroused the most serious mistrust due to the absolute exclusion of vocal pieces and the predominance of classical authors, whose names gave the shivers to the great majority of amateurs and made them foresee that terrible tedium that in similar circumstances always falls, like a nightmare, on the heads of these amateurs.\" Padua shared with the major centers of the Peninsula the tension between musical habits crushed by the theater and by the consumption of the salon and the pedagogical will of an elite to bring local culture and taste closer to European models. Significant in this regard is the drafting of the Terminologia musicale tedesco-italiana that Pollini will publish in 1894 by the F.lli Bocca of Turin. Numerous were also the commemorative concerts organized by the maestro in the context of the artistic program of the Paduan Institute: for the seventh anniversary of the death of Richard Wagner (1890), in commemoration of Gioachino Rossini and Giuseppe Tartini (1892), of Anton Rubinstein (1895), of Antonio Bazzini (1897), of Johannes Brahms (1898), of Giuseppe Verdi (1901), of Edvard Grieg (1908).\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cul\u003e\u003c\/ul\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50010292650331,"sku":"CVLD247CD","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/60d97356e39ee1f505565e67.jpg?v=1738681047"},{"product_id":"renata-tebaldi-the-alternative-repertoire-1956-1969","title":"RENATA TEBALDI: THE ALTERNATIVE REPERTOIRE 1956–1969","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003e\u003cstrong\u003e\u003cspan\u003eRENATA TEBALDI: THE ALTERNATIVE REPERTOIRE 1956-1969\u003c\/span\u003e\u003c\/strong\u003e ( \u003cspan\u003eWS 121.425\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eComposer\u003c\/strong\u003e : Jules Massenet, Wolfgang Amadeus Mozart, Gioachino Rossini, Giuseppe Verdi, Richard Wagner\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eTraces\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e 01 - Xerxes: Leaves hold... Shadow never was\u003cbr\u003e 02 - Alceste: Infernal Deity\u003cbr\u003e 03 - The Marriage of Figaro: And Susanna Doesn't Come... Where Are the Good Times?\u003cbr\u003e 04 - The Marriage of Figaro: Porgi, amor\u003cbr\u003e 05 - William Tell: They're finally moving away!... Dark Forest\u003cbr\u003e 06 - Norma: Seditious rumors... Chaste diva!...Ah! Beauty returns to me\u003cbr\u003e 07 - The Sleepwalker: Oh! If only once... Ah, I didn't think I'd see you.\u003cbr\u003e 08 - The Puritans: O give me back my hope... Here comes his sweet voice... Come, my delight\u003cbr\u003e 09 - Nabucco: Well, I invented you... I too opened up one day... I already ascend the golden throne\u003cbr\u003e 10 - Joan of Arc: Oh well it suits... Always at dawn\u003cbr\u003e 11 - Don Carlo O fatal don\u003cbr\u003e 12 - Tannhäuser: Hail, O Love's Chosen Enclosure\u003cbr\u003e 13 - Tannhäuser: Oh! Holy Virgin, please! Listen to me.\u003cbr\u003e 14 - Lohengrin: Alone in my early years\u003cbr\u003e 15 - Tristan und Isolde: Sweet and calm\u003cbr\u003e 16 - Faust: There was a king\u003cbr\u003e 17 - Carmen: She's coming!... Love is a strange bird\u003cbr\u003e 18 - Samson and Delilah: Samson!... Love! protect my children\u003cbr\u003e 19 - Samson and Delila: Well!... My heart opens for you\u003cbr\u003e 20 - Manon. Well!... Goodbye, our little table...\u003cbr\u003e 21 - Manon: Alas!... Yours is not the hand\u003cbr\u003e 22 - Eugene Onegin: Akh, noch minula\u003c\/p\u003e\n\u003cp\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/RENATA-TEBALDI-THE-ALTERNATIVE-REPERTOIRE-1956-1969-Remastered-2025\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e \u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e Arias and Scenes from:\u003cbr\u003e HÄNDEL: XERXES\u003cbr\u003e GLUCK: ALCESTE\u003cbr\u003e MOZART: THE MARRIAGE OF FIGARO\u003cbr\u003e ROSSINI: WIGLIELMO TELL\u003cbr\u003e BELLINI: NORMA, THE SLEEPWALKER, THE PURITANS\u003cbr\u003e VERDI: NABUCCO, JOAN OF ARC\u003cbr\u003e WAGNER: TANNHäUSER, LOHENGRIN, TRISTAN UND ISOLDE\u003cbr\u003e GOUNOD: FAUST\u003cbr\u003e BIZET: CARMEN\u003cbr\u003e MASSENET: MANON\u003cbr\u003e TCHAIKOVSKY: EUGENE ONEGIN\u003c\/p\u003e\n\u003cp\u003e Various Orchestras conducted by\u003cbr\u003e ALBERTO EREDE, FAUSTO CLEVA, OLIVIERO\u003cbr\u003e DE FABRITIIS, RICHARD BONYNGE\u003cbr\u003e ANTON GUADAGNO, GEORG SOLTI\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"CD","offer_id":50965052359003,"sku":"WS 121.425","price":19.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/121.425-cover-sito.jpg?v=1752223030"},{"product_id":"cluytens-conducts-wagner-mussorgsky-ravel","title":"Cluytens conducts Wagner, Mussorgsky, Ravel","description":"\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003ci\u003e\u003cb\u003eCluytens conducts Wagner, Mussorgsky, Ravel (\u003cspan\u003eCBH515\u003c\/span\u003e)\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e: Richard Wagner, Modest Mussorgsk, Maurice Ravel\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConductor \u003c\/strong\u003e:  Claudio Arrau\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestra \u003c\/strong\u003e: Orchestre duThéâtre National de I'Opéra de Paris\u003cem\u003e - \u003c\/em\u003eORF Orchestra* - Orchestre de la Société des Concerts du Conservatoire***\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD 1\u003c\/strong\u003e\u003cbr\u003e01 - Die Meistersinger von Nürnberg, Prelude *\u003cbr\u003e02 - Tannhäuser, Overture *\u003cbr\u003e03 - Der fliegende Holländer, Overture *\u003cbr\u003e04 - Lohengrin, Prelude to Act I *\u003cbr\u003e05 - Lohengrin, Prelude to Act III *\u003cbr\u003e06 - Siegfried, Forest Murmurs *\u003cbr\u003e07 - Goetterdaemmerung, Siegfried's Rhine Journey *\u003cbr\u003e08 - Goetterdaemmerung, Siegfried's Funeral March *\u003cbr\u003e09 - Siefried Idyll, Siefried Idyll *\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eCD 2\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e01 - Pictures at an exhibition, Promenade **\u003cbr\u003e02 - Pictures at an exhibition, Gnomus **\u003cbr\u003e03 - Pictures at an exhibition, Il vecchio castello **\u003cbr\u003e04 - Pictures at an exhibition, Tuileries **\u003cbr\u003e05 - Pictures at an exhibition, Bydlo **\u003cbr\u003e06 - Pictures at an exhibition, Ballet of the Unhatched Chicks **\u003cbr\u003e07 - Pictures at an exhibition, Samuel Goldenberg und \"Schmuÿle **\u003cbr\u003e08 - Pictures at an exhibition, Limoges\", le marché **\u003cbr\u003e09 - Pictures at an exhibition, Catacombæ (Sepulcrum romanum) **\u003cbr\u003e10 - Pictures at an exhibition, Con mortuis in lingua mortua **\u003cbr\u003e11 - Pictures at an exhibition, Baba Yaga **\u003cbr\u003e12 - Pictures at an exhibition, The great gate of Kiev **\u003cbr\u003e13 - Daphnis et Cloé, Suite No. 2 ***\u003cbr\u003e14 - Ma Mère l'Oye, Prélude ***\u003cbr\u003e15 - Ma Mère l'Oye, Danse du rouet et scène ***\u003cbr\u003e16 - Ma Mère l'Oye, Pavane de la Belle au Bois dormant ***\u003cbr\u003e17 - Ma Mère l'Oye, Les entretiens de la Belle et de la Bete ***\u003cbr\u003e18 - Ma Mère l'Oye, Petit Poucet ***\u003cbr\u003e19 - Ma Mère l'Oye, Laideronette, Impératrice des pagodes ***\u003cbr\u003e20 - Ma Mère l'Oye, Le Jardin féerique ***\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm; line-height: normal;\" class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/cbhmusic.lnk.to\/Cluytens-conducts-Wagner-Mussorgsky-Ravel\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"markdown markdown-main-panel stronger enable-updated-hr-color\" id=\"model-response-message-contentr_0fb41b2cc824992a\" dir=\"ltr\"\u003e\n\u003cp\u003eThis album offers a fascinating and rich journey through three giants of orchestral music, combining grandiose German Romanticism with French Impressionism.\u003c\/p\u003e\n\u003cp\u003eThe first disc is entirely dedicated to Richard Wagner, presenting a selection of celebrated preludes and symphonic pieces from his most famous operas. The second disc, on the other hand, celebrates Maurice Ravel's orchestration, with his renowned interpretation of Mussorgsky's \"Pictures at an Exhibition,\" alongside his own visionary compositions \"Daphnis et Chloé\" and \"Ma Mère l'Oye.\"\u003c\/p\u003e\n\u003cp\u003eA dynamic and richly contrasted collection that demonstrates the power and beauty of instrumental music.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD 1 - CD FILE 44.1kHz • 16bit","offer_id":51011885793627,"sku":"CBH515-1","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"CD 2 - CD FILE 44.1kHz • 16bit","offer_id":51011898409307,"sku":"CBH515-2","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/covercbh_297c3281-1301-4695-9332-e4708bcb5564.png?v=1753041120"},{"product_id":"bernstein-conducts-wagner-die-walkure-act-i","title":"Bernstein conducts Wagner: Die Walküre (Act I)","description":"\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003ci\u003e\u003cb\u003eBernstein conducts Wagner: Die Walküre (Act I) ( \u003cspan\u003eCBH529\u003c\/span\u003e )\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eComposer\u003c\/strong\u003e : Richard Wagner\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eConductor\u003c\/strong\u003e : Leonard Bernstein\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eOrchestra\u003c\/strong\u003e : New York Philharmonic\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eTraces\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e 01 - Die Walkure (Act One) 67:07\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eEileen Farrell\u003c\/strong\u003e – soprano\u003cbr\u003e \u003cstrong\u003eJames King\u003c\/strong\u003e – tenor\u003c\/p\u003e\n\u003cp\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/cbhmusic.lnk.to\/Bernstein-conducts-Wagner-Die-Walkure-Act-I\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e \u003cstrong\u003eNotes\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e Under Leonard Bernstein's baton, the New York Philharmonic revives the first act of Die Walküre with dramatic and epic fervor. Eileen Farrell, as Sieglinde, offers luminous high notes and expressive intensity, while James King, as Siegmund, brings heroic warmth. A powerful performance that blends orchestral power and vocal prowess.\u003cbr\u003e\n\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51029673902427,"sku":"CBH529","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/covercbh_bd8da173-3b57-40f3-8efe-801a976d46b2.png?v=1753266493"},{"product_id":"bernstein-conducts-wagner-gotterdammerung-selection","title":"Bernstein conducts Wagner: Gotterdammerung (Selection)","description":"\u003cp\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003ci\u003e\u003cb\u003eBernstein conducts Wagner: Gotterdammerung ( \u003cspan\u003eCBH530\u003c\/span\u003e )\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eComposer\u003c\/strong\u003e : Richard Wagner\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eConductor\u003c\/strong\u003e : Leonard Bernstein\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eOrchestra\u003c\/strong\u003e : New York Philharmonic Orchestra\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eTraces\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e 01 - Die Götterdämmerung (Selection), Dawn and Duet Siegfried-Brünnhilde\u003cbr\u003e 02 - Die Götterdämmerung (Selection), Siegfried's Rhine Journey\u003cbr\u003e 03 - Die Götterdämmerung (Selection), Closing Scene from Act One\u003cbr\u003e 04 - Die Götterdämmerung (Selection), Siegfried's Narrative and Death\u003cbr\u003e 05 - Die Götterdämmerung (Selection), Funeral Music\u003cbr\u003e 06 - Die Götterdämmerung (Selection), Brünnhilde's Immolation\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eEileen Farrell\u003c\/strong\u003e – soprano\u003cbr data-end=\"27\" data-start=\"24\"\u003e \u003cstrong\u003eJess Thomas\u003c\/strong\u003e – tenor\u003c\/p\u003e\n\u003cp\u003e \u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/cbhmusic.lnk.to\/Bernstein-conducts-Wagner-Gotterdammerung-Selection\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e \u003cstrong\u003eNotes\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e The selections from Götterdämmerung presented here construct an atmosphere of dramatic twilight, in which the fate of the gods is played out amid echoes of power and melancholy. The New York Philharmonic, led by Leonard Bernstein, blends horns and strings in a sonic texture that alternates epic thunder and crepuscular sighs. Eileen Farrell and Jess Thomas embody, respectively, the feminine nuances of yearning and the masculine vigor of tragedy, weaving vocal lines of extraordinary intensity. Bernstein chisels the passages with touches of suspension and furious outbursts, creating an operatic fresco that unites heroic impetus and poignant beauty in a single, compelling vision.\u003cbr\u003e\n\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51029781479771,"sku":"CBH530","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/covercbh_19da8d60-4537-494f-9a15-a2f4c85287fc.png?v=1753268478"},{"product_id":"karajan-conducts-beethoven-symphony-no-9","title":"Karajan Conducts Beethoven: Symphony No. 9","description":"\u003cp\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003ci\u003e\u003cb\u003eKarajan Conducts Beethoven: Symphony No. 9 ( \u003cspan\u003eCBH534\u003c\/span\u003e )\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eComposer\u003c\/strong\u003e : Ludwig van Beethoven\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eConductor\u003c\/strong\u003e : Herbert von Karajan\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eOrchestra\u003c\/strong\u003e : Berliner Philharmoniker\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eTraces\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e 01 - Symphony No. 9 in D Major Op. 125, Allegro ma non troppo\u003cbr\u003e 02 - Symphony No. 9 in D Major Op. 125, Molto vivace - Presto\u003cbr\u003e 03 - Symphony No. 9 in D Major Op. 125, Adagio molto e cantabile\u003cbr\u003e 04 - Symphony No. 9 in D Major Op. 125, Presto - Allegro assai\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003e\u003cstrong\u003eGundula Janowitz\u003c\/strong\u003e – soprano\u003c\/em\u003e\u003cbr data-end=\"143\" data-start=\"140\"\u003e \u003cem\u003e\u003cstrong\u003eSieglinde Wagner\u003c\/strong\u003e – contralto\u003c\/em\u003e\u003cbr data-is-only-node=\"\" data-end=\"174\" data-start=\"171\"\u003e \u003cem\u003e\u003cstrong\u003eLuigi Alva\u003c\/strong\u003e – tenor\u003c\/em\u003e\u003cbr data-end=\"196\" data-start=\"193\"\u003e \u003cem\u003e\u003cstrong\u003eOtto Wiener\u003c\/strong\u003e – bass-baritone\u003c\/em\u003e\u003cbr data-end=\"227\" data-start=\"224\"\u003e \u003cem\u003e\u003cstrong\u003eChor der St. Hedwigs-Kathedrale\u003c\/strong\u003e – choir\u003c\/em\u003e\u003cbr data-end=\"268\" data-start=\"265\"\u003e \u003cem\u003e\u003cstrong\u003eRIAS Chamber Choir\u003c\/strong\u003e – choir\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/cbhmusic.lnk.to\/Karajan-Conducts-Beethoven-Symphony-No-9\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e \u003cstrong\u003eNotes\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e This interpretation of Beethoven's Ninth Symphony, conducted by Herbert von Karajan, represents a pinnacle of intensity and clarity. With the powerful support of the Berlin Philharmonic and the choral excellence of the RIAS Chamber Choir and the Choir of St. Hedwigs Cathedral, the work acquires majesty and emotional depth. The solo voices of Janowitz, Wagner, Alva, and Vienna intertwine with poise, bringing out the universal power of the \"Ode to Joy.\" Karajan conducts the entire performance with elegance and control, enhancing the lyricism and impetus of the score. An essential listen to understand Beethoven's greatness and the interpretive prowess of the German school of the second half of the twentieth century.\u003cbr\u003e\n\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51033486852443,"sku":"CBH534","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/covercbh_18801267-1b65-4110-abae-0797c274b406.png?v=1753347156"},{"product_id":"mahler-wagner-orchestral-works","title":"Mahler \u0026amp; Wagner: Orchestral Works","description":"\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003ci\u003e\u003cb\u003eMahler \u0026amp; Wagner: Orchestral Works ( \u003cspan\u003eCBH541\u003c\/span\u003e )\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eComposer\u003c\/strong\u003e : Gustav Mahler, Richard Wagner\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eConductor\u003c\/strong\u003e : Georg Solti\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eOrchestra\u003c\/strong\u003e : London Symphony Orchestra, Wiener Philharmoniker\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eTraces\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eCD 1\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e 01 - Symphony No. 1 in D Major \"Titan\", I. Langsam. Schleppend\u003cbr\u003e 02 - Symphony No. 1 in D Major \"Titan\", II. Kräftig bewegt, doch nicht zu schnell\u003cbr\u003e 03 - Symphony No. 1 in D Major \"Titan\", III. Feierlich und gemessen\u003cbr\u003e 04 - Symphony No. 1 in D Major \"Titan\", IV. Stürmisch bewegt - Energisch\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003eGustav Mahler, London Symphony Orchestra\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e 05 - Tannhäuser, Overture\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003eRichard Wagner, Vienna Philharmonic\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eCD 2\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e 01 - Symphony No. 2 in C Minor \"Resurrection\", I. Allegro maestoso\u003cbr\u003e 02 - Symphony No. 2 in C Minor \"Resurrection\", II. Andante moderate\u003cbr\u003e 03 - Symphony No. 2 in C Minor \"Resurrection\", III. Joke\u003cbr\u003e 04 - Symphony No. 2 in C Minor \"Resurrection\", IV. “Urlich.” Sehr feierlich\u003cbr\u003e 05 - Symphony No. 2 in C Minor \"Resurrection\", V. Im Tempo des Scherzos\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003eGustav Mahler, Heather Harper (soprano), Helen Watts (contralto), London Symphony Orchestra and Chorus\u003c\/em\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe data-darkreader-inline-border-left=\"\" data-darkreader-inline-border-bottom=\"\" data-darkreader-inline-border-right=\"\" data-darkreader-inline-border-top=\"\" style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/cbhmusic.lnk.to\/Mahler-Wagner-Orchestral-Works\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\n \u003cstrong\u003eNotes\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n\u003cp\u003eA monumental journey through life, death, and redemption unfolds in this double CD, uniting Wagnerian ecstasy with Mahler's symphonic vision. Georg Solti's fiery conducting leads the London Symphony Orchestra and the Vienna Philharmonic in an intense and vibrant performance. It opens with \" \u003cem\u003eTitan\u003c\/em\u003e ,\" Mahler's First Symphony: youthful, sarcastic, and grandiose. Then comes Wagner's \u003cem\u003eTannhäuser Overture\u003c\/em\u003e , rich in celestial and earthly tensions. The second disc is a spiritual experience: \" \u003cem\u003eResurrection\u003c\/em\u003e ,\" a colossal symphony that concludes with a choral explosion of hope. An album that shakes, uplifts, and leaves you breathless.\u003c\/p\u003e\n\n\u003cstrong\u003e\u003c\/strong\u003e\n\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD 1 - CD FILE 44.1kHz • 16bit","offer_id":51051588419931,"sku":"CBH541-1","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"CD 2 - CD FILE 44.1kHz • 16bit","offer_id":51051588452699,"sku":"CBH541-2","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/covercbh_12d587f6-55e8-4879-9270-e3c8bdebc7c3.png?v=1753549729"},{"product_id":"mahler-wagner-orchestral-works-live","title":"Mahler \u0026amp; Wagner: Orchestral Works (Live)","description":"\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003ci\u003e\u003cb\u003eMahler \u0026amp; Wagner: Orchestral Works (Live) ( \u003cspan\u003eCBH556\u003c\/span\u003e )\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eComposer\u003c\/strong\u003e : Gustav Mahler, Richard Wagner\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eConductor\u003c\/strong\u003e : Bruno Walter\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eOrchestra\u003c\/strong\u003e : RAI Rome Symphony Orchestra, New York Philharmonic Orchestra\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eTraces\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e 01 - Symphony No. 4 in G Major: I. Bedächtig, nicht eilen (Live)\u003cbr\u003e 02 - Symphony No. 4 in G Major: II. In gemächlicher Bewegung, ohne Hast (Live)\u003cbr\u003e 03 - Symphony No. 4 in G Major: III. Ruhevoll, Poco Adagio (Live)\u003cbr\u003e \u003cem\u003eGustav Mahler, Bruno Walter, RAI Rome Symphony Orchestra\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e 04 - Symphony No. 4 in G Major: IV. Wir geniessen die Himmlischen Freuden. Sehr behaglich (Live)\u003cbr\u003e \u003cem\u003eGustav Mahler, Bruno Walter, RAI Rome Symphony Orchestra, Carla Slehan (soprano)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e 05 - Götterdämmerung, WWV 86D: Immolation Scene (Live)\u003cbr\u003e \u003cem\u003eRichard Wagner, Bruno Walter, New York Philharmonic, Kirsten Flagstad (soprano)\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe data-darkreader-inline-border-left=\"\" data-darkreader-inline-border-bottom=\"\" data-darkreader-inline-border-right=\"\" data-darkreader-inline-border-top=\"\" width=\"100%\" src=\"https:\/\/cbhmusic.lnk.to\/Mahler-Wagner-Orchestral-Works-Live\" height=\"370\" border=\"0\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\n \u003cstrong\u003eNotes\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n\u003cp\u003eThis album features two milestones of the late Romantic repertoire performed by renowned conductor Bruno Walter. Gustav Mahler's \u003cem\u003eSymphony No. 4\u003c\/em\u003e , recorded live with the RAI Rome Symphony Orchestra, stands out for its orchestral clarity and the presence of soprano Carla Slehan in the final movement. The closing \"Immolation Scene\" from Richard Wagner's \u003cem\u003eGötterdämmerung\u003c\/em\u003e features the powerful voice of Kirsten Flagstad, accompanied by the New York Philharmonic. Walter's interpretation blends expressive clarity and emotional depth, capturing the intensity and beauty of two seminal masterpieces of early twentieth-century symphonic-vocal music.\u003c\/p\u003e\n\n\u003cstrong\u003e\u003c\/strong\u003e\n\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51072734789979,"sku":"CBH556","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/covercbh_1e3bc84d-8c47-4e83-8e58-2d222c0503ab.png?v=1753909577"},{"product_id":"bruckner-symphony-no-3-in-d-minor-wab-103-wagner-1877-version-live","title":"Bruckner: Symphony No. 3 in D Minor, WAB 103 \"Wagner\" (1877 Version) [Live]","description":"\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003ci\u003e\u003cb\u003eBruckner: Symphony No. 3 in D Minor, WAB 103 \"Wagner\" (1877 Version) [Live] ( \u003cspan\u003eCBH567\u003c\/span\u003e )\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eComposer\u003c\/strong\u003e : Anton Bruckner\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eConductor\u003c\/strong\u003e : Georg Szell\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eOrchestra\u003c\/strong\u003e : Wiener Philharmoniker\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eTraces\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e 01 - Symphony No. 3 in D Minor, WAB 103 \"Wagner\" (1877 Version): I. Gemäßigt, more bewegt, mysterious [Live]\u003cbr\u003e 02 - Symphony No. 3 in D Minor, WAB 103 \"Wagner\" (1877 Version): II. Slowly. Bewegt, quasi Andante [Live]\u003cbr\u003e 03 - Symphony No. 3 in D Minor, WAB 103 \"Wagner\" (1877 Version): III. Joke. Ziemlich schnell [Live]\u003cbr\u003e 04 - Symphony No. 3 in D Minor, WAB 103 \"Wagner\" (1877 Version): IV. Final. Allegro [Live] \u003c\/p\u003e\n\u003cp\u003e\u003ciframe data-darkreader-inline-border-left=\"\" data-darkreader-inline-border-bottom=\"\" data-darkreader-inline-border-right=\"\" data-darkreader-inline-border-top=\"\" width=\"100%\" src=\"https:\/\/cbhmusic.lnk.to\/bruckner-symphony-no-3-in-d-minor-wab-103-wagner-1877-version-live\" height=\"370\" border=\"0\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\n \u003cstrong\u003eNotes\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n\u003cp\u003eIn this live recording, Georg Szell leads the Vienna Philharmonic in a powerful performance of Anton Bruckner's Symphony No. 3 in D minor, in the 1877 version dedicated to Richard Wagner. The work is distinguished by its mysterious atmosphere, the solemnity of the Adagio, and the compelling energy of the Scherzo and Finale. Szell offers a rigorous and sculpted reading that enhances the symphony's monumental structure and highlights its drama and emotional intensity. The Vienna Philharmonic renders Bruckner's writing with precision and depth, making this concert a landmark for enthusiasts of the great late-Romantic repertoire.\u003cbr\u003e\u003c\/p\u003e\n\n\u003cstrong\u003e\u003c\/strong\u003e\n\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51136274923867,"sku":"CBH567","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/covercbh_1af369c6-c440-4f70-9c0d-3e993e463d1e.png?v=1754578606"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/collections\/RichardWagner.jpg?v=1774029314","url":"https:\/\/referencemusicstore.myshopify.com\/en\/collections\/richard-wagner.oembed","provider":"Reference Music Store","version":"1.0","type":"link"}