{"title":"Minneapolis Symphony Orchestra","description":null,"products":[{"product_id":"dorati-conducts-tchaikovsky-orchestral-works","title":"Antal Doráti: Tchaikovsky — Orchestral Works","description":"\u003cp\u003e\u003cstrong\u003ePyotr Ilyich Tchaikovsky — Orchestral Works (CS509)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAntal Doráti conducts a selection of Tchaikovsky’s major orchestral works with the Minneapolis Symphony Orchestra and the London Symphony Orchestra. The programme includes \u003cem\u003eFrancesca da Rimini\u003c\/em\u003e, \u003cem\u003eMarche slave\u003c\/em\u003e, two dances from \u003cem\u003eEugene Onegin\u003c\/em\u003e, the \u003cem\u003eRomeo and Juliet\u003c\/em\u003e overture-fantasy and the \u003cem\u003e1812 Overture\u003c\/em\u003e. Doráti’s discography documents his Tchaikovsky work with both orchestras; the Mercury issue of the \u003cem\u003e1812 Overture\u003c\/em\u003e with Minneapolis is documented in 1959.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConductor\u003c\/strong\u003e\u003cbr\u003eAntal Doráti\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestras\u003c\/strong\u003e\u003cbr\u003eMinneapolis Symphony Orchestra\u003cbr\u003eLondon Symphony Orchestra\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003cbr\u003e01 — Francesca da Rimini, Op. 32, TH 46\u003cbr\u003e02 — Marche slave, Op. 31, TH 45\u003cbr\u003e03 — Eugene Onegin, Op. 24, TH 5: Waltz\u003cbr\u003e04 — Eugene Onegin, Op. 24, TH 5: Polonaise\u003cbr\u003e05 — Romeo and Juliet, TH 42: Overture\u003cbr\u003e06 — 1812 Overture, Op. 49, TH 49\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAvailable format\u003c\/strong\u003e\u003cbr\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat are DSD and DXD?\u003c\/strong\u003e\u003cbr\u003eDSD (Direct Stream Digital) is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at about 2.8 MHz, DSD128 at about 5.6 MHz and DSD256 at about 11.2 MHz. Playback requires a compatible DAC or player. DXD (Digital eXtreme Definition) is a very high-resolution PCM format operating at 352.8kHz in the Capsa standard and requires compatible playback equipment.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"\/en\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51001492373851,"sku":"CS509-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/copertinacbh_58c1e94c-1e89-4967-a03b-362dfa53513d.png?v=1752848339"},{"product_id":"great-recordings-1","title":"Doráti: Brahms — The Four Symphonies","description":"\u003cp\u003e\u003cstrong\u003eAntal Doráti\u003c\/strong\u003e conducts the \u003cstrong\u003efour symphonies of Johannes Brahms\u003c\/strong\u003e in a historic cycle bringing together the \u003cstrong\u003eLondon Symphony Orchestra\u003c\/strong\u003e and the \u003cstrong\u003eMinneapolis Symphony Orchestra\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eBrahms’s symphonic cycle\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eSymphony No. 1\u003c\/strong\u003e with the London Symphony Orchestra is documented at \u003cstrong\u003eWatford Town Hall on 18 June 1959\u003c\/strong\u003e; \u003cstrong\u003eSymphony No. 2\u003c\/strong\u003e with the Minneapolis Symphony Orchestra at \u003cstrong\u003eNorthrop Auditorium on 12 December 1957\u003c\/strong\u003e. Symphonies No. 3 and No. 4 were recorded again at Watford during Mercury’s July 1963 sessions: \u003cstrong\u003e13–16 July\u003c\/strong\u003e for the Third and \u003cstrong\u003e11–13 July\u003c\/strong\u003e for the Fourth.\u003c\/p\u003e\u003cp\u003eThe cycle follows Doráti across Brahms’s complete symphonic arc, from the monumental tension of the First to the formal and contrapuntal synthesis of the Fourth.\u003c\/p\u003e\u003ch2\u003eOriginal label and first releases\u003c\/h2\u003e\u003cp\u003eThe cycle originated in the \u003cstrong\u003eMercury Living Presence\u003c\/strong\u003e catalogue. For Symphony No. 1, the London Symphony discography documents \u003cstrong\u003eHarold Lawrence\u003c\/strong\u003e as producer and \u003cstrong\u003eC. Robert Fine\u003c\/strong\u003e as engineer; the recording was released in the United States in \u003cstrong\u003eDecember 1960\u003c\/strong\u003e as \u003cstrong\u003eMercury SR 90268\u003c\/strong\u003e. Symphonies Nos. 3 and 4, recorded at Watford in 1963 with the same producer and engineer, reached Mercury LP in \u003cstrong\u003eNovember 1968\u003c\/strong\u003e as \u003cstrong\u003eSR 90502\u003c\/strong\u003e and \u003cstrong\u003eSR 90503\u003c\/strong\u003e. The Second belongs to the earlier American phase, recorded in 1957.\u003c\/p\u003e\u003ch2\u003eCapsa Symphōnĭa digital edition\u003c\/h2\u003e\u003cp\u003eThe edition is divided into two downloads: \u003cstrong\u003eCD 1\u003c\/strong\u003e contains Symphonies No. 1 and No. 3; \u003cstrong\u003eCD 2\u003c\/strong\u003e contains Symphonies No. 2 and No. 4. Both are available as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracks\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eCD 1\u003c\/strong\u003e\u003cbr\u003e01 — Symphony No. 1 in C Minor, Op. 68: I. Un poco sostenuto — Allegro\u003cbr\u003e02 — II. Andante sostenuto\u003cbr\u003e03 — III. Un poco allegretto e grazioso\u003cbr\u003e04 — IV. Adagio — Allegro non troppo, ma con brio\u003cbr\u003e05 — Symphony No. 3 in F Major, Op. 90: I. Allegro con brio\u003cbr\u003e06 — II. Andante\u003cbr\u003e07 — III. Poco allegretto\u003cbr\u003e08 — IV. Allegro\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCD 2\u003c\/strong\u003e\u003cbr\u003e01 — Symphony No. 2 in D Major, Op. 73: I. Allegro non troppo\u003cbr\u003e02 — II. Adagio non troppo\u003cbr\u003e03 — III. Allegretto grazioso (quasi Andantino)\u003cbr\u003e04 — IV. Allegro con spirito\u003cbr\u003e05 — Symphony No. 4 in E Minor, Op. 98: I. Allegro non troppo\u003cbr\u003e06 — II. Andante moderato\u003cbr\u003e07 — III. Allegro giocoso\u003cbr\u003e08 — IV. Allegro energico e passionato\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Johannes Brahms\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Antal Doráti\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e London Symphony Orchestra — Symphonies No. 1, No. 3 and No. 4\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e Minneapolis Symphony Orchestra — Symphony No. 2\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e File PCM 44.1kHz • 16bit — CD Resolution\u003cbr\u003e\u003cstrong\u003eCode:\u003c\/strong\u003e CS621\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/en\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e, and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version offered here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Originally developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD 1 - CD FILE 44.1kHz • 16bit","offer_id":51195544600923,"sku":"CS621-44-1","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"CD 2 - CD FILE 44.1kHz • 16bit","offer_id":51195554431323,"sku":"CS621-44-2","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/dorati-brahms-quattro-sinfonie-capsa-symphonia-CS621-cover.png?v=1788252309"},{"product_id":"great-recordings-3","title":"Doráti: Beethoven — Symphony No. 3 “Eroica”, Wellington’s Victory \u0026 Egmont","description":"\u003cp\u003e\u003cstrong\u003eAntal Doráti\u003c\/strong\u003e conducts three Beethoven works with three ensembles: \u003cstrong\u003eSymphony No. 3 “Eroica”\u003c\/strong\u003e with the \u003cstrong\u003eRoyal Philharmonic Orchestra\u003c\/strong\u003e, \u003cstrong\u003eWellington’s Victory\u003c\/strong\u003e with the \u003cstrong\u003eLondon Symphony Orchestra\u003c\/strong\u003e, and the \u003cstrong\u003eEgmont Overture\u003c\/strong\u003e with the \u003cstrong\u003eMinneapolis Symphony Orchestra\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eCapsa Symphōnĭa digital edition\u003c\/h2\u003e\u003cp\u003eAvailable as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Antal Doráti\u003cbr\u003e\u003cstrong\u003eCode:\u003c\/strong\u003e CS623\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/en\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e, and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version offered here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Originally developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51195599323483,"sku":"CS623-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/dorati-beethoven-eroica-wellington-egmont-capsa-symphonia-CS623-cover.png?v=1788252309"},{"product_id":"great-recordings-4","title":"Doráti: Tchaikovsky — Symphony No. 1 “Winter Daydreams” \u0026 Capriccio Italien","description":"\u003cp\u003e\u003cstrong\u003eAntal Doráti\u003c\/strong\u003e conducts Tchaikovsky’s \u003cstrong\u003eSymphony No. 1 in G minor, Op. 13 “Winter Daydreams”\u003c\/strong\u003e with the \u003cstrong\u003eLondon Symphony Orchestra\u003c\/strong\u003e and \u003cstrong\u003eCapriccio Italien, Op. 45\u003c\/strong\u003e with the \u003cstrong\u003eMinneapolis Symphony Orchestra\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eRecording and original label\u003c\/h2\u003e\u003cp\u003eSymphony No. 1 is documented at \u003cstrong\u003eWatford Town Hall on 27 July 1965\u003c\/strong\u003e. It belongs to the historic \u003cstrong\u003eMercury Living Presence\u003c\/strong\u003e catalogue; the sessions were produced by \u003cstrong\u003eHarold Lawrence\u003c\/strong\u003e and engineered by \u003cstrong\u003eRobert Eberenz\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eCapsa Symphōnĭa digital edition\u003c\/h2\u003e\u003cp\u003eAvailable as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Antal Doráti\u003cbr\u003e\u003cstrong\u003eCode:\u003c\/strong\u003e CS624\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/en\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e, and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version offered here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Originally developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51195662664027,"sku":"CS624-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/dorati-tchaikovsky-sinfonia-1-capriccio-italien-capsa-symphonia-CS624-cover.png?v=1788252309"},{"product_id":"great-recordings-5","title":"Doráti: Rimsky-Korsakov \u0026 Borodin — Scheherazade \u0026 Polovtsian Dances","description":"\u003cp\u003e\u003cstrong\u003eAntal Doráti\u003c\/strong\u003e conducts two celebrated works of the Russian repertoire from different historical sessions: \u003cstrong\u003eScheherazade, Op. 35\u003c\/strong\u003e by Nikolai Rimsky-Korsakov with the \u003cstrong\u003eMinneapolis Symphony Orchestra\u003c\/strong\u003e, and the \u003cstrong\u003ePolovtsian Dances\u003c\/strong\u003e from \u003cem\u003ePrince Igor\u003c\/em\u003e by Alexander Borodin with the \u003cstrong\u003eLondon Symphony Orchestra\u003c\/strong\u003e and \u003cstrong\u003eLondon Symphony Chorus\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eScheherazade and the Polovtsian Dances\u003c\/h2\u003e\u003cp\u003e\u003cem\u003eScheherazade\u003c\/em\u003e was recorded at \u003cstrong\u003eNorthrop Auditorium in Minneapolis on 22 December 1958\u003c\/strong\u003e, with \u003cstrong\u003eRafael Druian\u003c\/strong\u003e as violin soloist. The \u003cem\u003ePolovtsian Dances\u003c\/em\u003e come from Mercury’s London sessions of \u003cstrong\u003e4 July 1956\u003c\/strong\u003e at \u003cstrong\u003eWalthamstow Town Hall\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eOriginal label and first releases\u003c\/h2\u003e\u003cp\u003eBoth recordings belong to the historic \u003cstrong\u003eMercury Living Presence\u003c\/strong\u003e catalogue. The new stereo recording of \u003cem\u003eScheherazade\u003c\/em\u003e was released in the United States in \u003cstrong\u003e1959\u003c\/strong\u003e as \u003cstrong\u003eMercury SR 90195\u003c\/strong\u003e. The 1956 \u003cem\u003ePolovtsian Dances\u003c\/em\u003e first appeared on the mono edition \u003cstrong\u003eMG 50122\u003c\/strong\u003e and later on stereo \u003cstrong\u003eSR 90122\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTapes and Mercury technique\u003c\/h2\u003e\u003cp\u003eThe sessions belong to Mercury’s three-microphone, three-channel stereo period, recorded on \u003cstrong\u003ehalf-inch three-track analogue tape\u003c\/strong\u003e, with a 3→2 mix made during mastering. For the 1956 Dances, \u003cstrong\u003eAlan Melville\u003c\/strong\u003e is producer and \u003cstrong\u003eC. Robert Fine\u003c\/strong\u003e engineer; for \u003cem\u003eScheherazade\u003c\/em\u003e, the first pressing credits the Mercury team led by \u003cstrong\u003eWilma Cozart\u003c\/strong\u003e and C. Robert Fine.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e01 — Rimsky-Korsakov: Scheherazade, Op. 35: I. The Sea and Sinbad’s Ship\u003cbr\u003e02 — II. The Story of the Kalendar Prince\u003cbr\u003e03 — III. The Young Prince and the Young Princess\u003cbr\u003e04 — IV. Festival at Baghdad — The Sea — Shipwreck\u003cbr\u003e05 — Borodin: Prince Igor — Polovtsian Dances\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposers:\u003c\/strong\u003e Nikolai Rimsky-Korsakov; Alexander Borodin\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Antal Doráti\u003cbr\u003e\u003cstrong\u003eOrchestra (Scheherazade):\u003c\/strong\u003e Minneapolis Symphony Orchestra\u003cbr\u003e\u003cstrong\u003eViolin soloist:\u003c\/strong\u003e Rafael Druian\u003cbr\u003e\u003cstrong\u003eOrchestra (Polovtsian Dances):\u003c\/strong\u003e London Symphony Orchestra\u003cbr\u003e\u003cstrong\u003eChorus:\u003c\/strong\u003e London Symphony Chorus\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa\u003cbr\u003e\u003cstrong\u003eCode:\u003c\/strong\u003e CS625\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the Capsa standard it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/en\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51195709030747,"sku":"CS625-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/dorati-rimsky-korsakov-borodin-scheherazade-danze-polovtsiane-capsa-symphonia-CS625-cover.png?v=1788252309"}],"url":"https:\/\/referencemusicstore.myshopify.com\/en\/collections\/minneapolis-symphony-orchestra.oembed","provider":"Reference Music Store","version":"1.0","type":"link"}