{"title":"Jean Martinon","description":null,"products":[{"product_id":"martinon-conducts-mahler-live-remastered-2022","title":"Martinon: Mahler — Symphony No. 1","description":"\u003cp\u003e\u003cstrong\u003eJean Martinon\u003c\/strong\u003e conducts the \u003cstrong\u003eJapan Philharmonic Orchestra\u003c\/strong\u003e in Gustav Mahler’s \u003cstrong\u003eSymphony No. 1 in D major\u003c\/strong\u003e, in a live document from 1970 later issued in a remastered digital edition.\u003c\/p\u003e\u003ch2\u003eThe historical recording\u003c\/h2\u003e\u003cp\u003eThe recording is documented as \u003cstrong\u003elive\u003c\/strong\u003e and dates from \u003cstrong\u003e1970\u003c\/strong\u003e. The remastered digital release dates from 2022.\u003c\/p\u003e\u003ch2\u003eMartinon and Mahler\u003c\/h2\u003e\u003cp\u003eMartinon follows the First Symphony from the rarefied “Wie ein Naturlaut” opening through the dance of the second movement, the march of the third and the broad dramatic arc of the finale.\u003c\/p\u003e\u003ch2\u003eCapsa Symphōnĭa digital edition\u003c\/h2\u003e\u003cp\u003eAvailable as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e1. I. Langsam, schleppend. Wie ein Naturlaut\u003cbr\u003e2. II. Kräftig bewegt, doch nicht zu schnell\u003cbr\u003e3. III. Feierlich und gemessen, ohne zu schleppen\u003cbr\u003e4. IV. Stürmisch bewegt\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Gustav Mahler\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Jean Martinon\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e Japan Philharmonic Orchestra\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS611\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/en\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e, and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version offered here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. It was also developed as a professional editing and post-production environment for very high-resolution workflows and requires a compatible DAC or player.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51192639422811,"sku":"CS611-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/jean-martinon-mahler-1-japan-philharmonic-capsa-CS611-cover.png?v=1788311045"},{"product_id":"martinon-conducts-prokofiev-varese-live-remastered-2022","title":"Martinon: Prokofiev \u0026 Varèse — Symphony No. 7 \u0026 Arcana","description":"\u003cp\u003e\u003cstrong\u003eJean Martinon\u003c\/strong\u003e brings together two twentieth-century works: Sergei Prokofiev’s \u003cstrong\u003eSymphony No. 7 in C-sharp minor, Op. 131\u003c\/strong\u003e with the Orchestre National de l’ORTF and Edgard Varèse’s \u003cstrong\u003eArcana\u003c\/strong\u003e with the Chicago Symphony Orchestra.\u003c\/p\u003e\u003ch2\u003eThe historical recordings\u003c\/h2\u003e\u003cp\u003eProkofiev’s Symphony No. 7 is presented in the digital edition of the programme as a live performance. For \u003cem\u003eArcana\u003c\/em\u003e, however, the Chicago Symphony Orchestra archive documents a \u003cstrong\u003erecording session on 12 March 1966\u003c\/strong\u003e at Orchestra Hall; this work is therefore not identified as live.\u003c\/p\u003e\u003ch2\u003eMartinon, Prokofiev and Varèse\u003c\/h2\u003e\u003cp\u003eThe programme contrasts the formal clarity and elegiac character of Prokofiev’s Seventh with the dense timbral and rhythmic writing of \u003cem\u003eArcana\u003c\/em\u003e, repertoire closely associated with Martinon’s years with the Chicago Symphony Orchestra.\u003c\/p\u003e\u003ch2\u003eCapsa Symphōnĭa digital edition\u003c\/h2\u003e\u003cp\u003eAvailable as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eProkofiev — Symphony No. 7 in C-sharp Minor, Op. 131\u003c\/strong\u003e\u003cbr\u003e1. I. Moderato\u003cbr\u003e2. II. Allegretto\u003cbr\u003e3. III. Andante espressivo\u003cbr\u003e4. IV. Vivace\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eVarèse — Arcana\u003c\/strong\u003e\u003cbr\u003e5. Arcana\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposers:\u003c\/strong\u003e Sergei Prokofiev; Edgard Varèse\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Jean Martinon\u003cbr\u003e\u003cstrong\u003eOrchestras:\u003c\/strong\u003e Orchestre National de l’ORTF; Chicago Symphony Orchestra\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS612\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/en\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e, and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version offered here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. It was also developed as a professional editing and post-production environment for very high-resolution workflows and requires a compatible DAC or player.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51192655708507,"sku":"CS612-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/jean-martinon-prokofiev-7-varese-arcana-capsa-CS612-cover.png?v=1788311045"},{"product_id":"saint-saens-symphony-in-f-major-r-163-urbs-roma-dvorak-symphony-no-9-in-e-minor-op-95-b-178-from-the-new-world-remastered-2022","title":"Martinon: Saint-Saëns \u0026 Dvořák — “Urbs Roma” \u0026 “From the New World”","description":"\u003cp\u003e\u003cstrong\u003eJean Martinon\u003c\/strong\u003e pairs Camille Saint-Saëns’s Symphony in F major \u003cstrong\u003e“Urbs Roma”\u003c\/strong\u003e with Antonín Dvořák’s \u003cstrong\u003eSymphony No. 9 in E minor, Op. 95 “From the New World”\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eThe historical recordings\u003c\/h2\u003e\u003cp\u003e\u003cem\u003eUrbs Roma\u003c\/em\u003e is performed by the \u003cstrong\u003eOrchestre National de la Radiodiffusion Française\u003c\/strong\u003e; Dvořák’s Ninth by the \u003cstrong\u003eChicago Symphony Orchestra\u003c\/strong\u003e. The digital reissue bringing together the two interpretations is documented as remastered in 2022.\u003c\/p\u003e\u003ch2\u003eJean Martinon\u003c\/h2\u003e\u003cp\u003eThe programme contrasts the monumental construction of Saint-Saëns’s youthful symphony with the melodic and dramatic profile of Dvořák’s Ninth, presenting two different sides of Martinon’s symphonic repertoire.\u003c\/p\u003e\u003ch2\u003eCapsa Symphōnĭa digital edition\u003c\/h2\u003e\u003cp\u003eAvailable as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eSaint-Saëns — Symphonie en Fa “Urbs Roma”\u003c\/strong\u003e\u003cbr\u003e1. I. Moderato\u003cbr\u003e2. II. Allegretto\u003cbr\u003e3. III. Andante espressivo\u003cbr\u003e4. IV. Vivace\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDvořák — Symphony No. 9 in E Minor, Op. 95 “From the New World”\u003c\/strong\u003e\u003cbr\u003e5. I. Adagio – Allegro molto\u003cbr\u003e6. II. Largo\u003cbr\u003e7. III. Scherzo. Molto vivace\u003cbr\u003e8. IV. Allegro con fuoco\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposers:\u003c\/strong\u003e Camille Saint-Saëns; Antonín Dvořák\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Jean Martinon\u003cbr\u003e\u003cstrong\u003eOrchestras:\u003c\/strong\u003e Orchestre National de la Radiodiffusion Française; Chicago Symphony Orchestra\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS613\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/en\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. 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It was also developed as a professional editing and post-production environment for very high-resolution workflows and requires a compatible DAC or player.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51192671338843,"sku":"CS613-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/jean-martinon-saint-saens-urbs-roma-dvorak-nuovo-mondo-capsa-CS613-cover.png?v=1788311045"},{"product_id":"martinon-conducts-berlioz-live-remastered-2022","title":"Martinon: Berlioz — Lélio, ou le retour à la vie","description":"\u003cp\u003e\u003cstrong\u003eJean Martinon\u003c\/strong\u003e conducts Hector Berlioz’s \u003cstrong\u003eLélio, ou le retour à la vie, Op. 14b, H. 55\u003c\/strong\u003e, with \u003cstrong\u003eJean Topart\u003c\/strong\u003e as narrator, the Orchestre National de l’ORTF and the French Radio chorus. Conceived as a sequel to \u003cem\u003eSymphonie fantastique\u003c\/em\u003e, \u003cem\u003eLélio\u003c\/em\u003e combines narration, song, chorus and orchestra.\u003c\/p\u003e\u003ch2\u003eThe historical recording\u003c\/h2\u003e\u003cp\u003eThe performance is documented as \u003cstrong\u003elive\u003c\/strong\u003e and dates from \u003cstrong\u003e1974\u003c\/strong\u003e. The cast includes Charles Burles, Jean Van Gorp and Nicolai Gedda; the digital edition of the programme is identified as remastered in 2022.\u003c\/p\u003e\u003ch2\u003eMartinon and Berlioz\u003c\/h2\u003e\u003cp\u003eMartinon brings out the theatrical and fragmentary structure of the work, in which monologue, vocal lyricism and large choral episodes shape the artist’s return to life.\u003c\/p\u003e\u003ch2\u003eCapsa Symphōnĭa digital edition\u003c\/h2\u003e\u003cp\u003eAvailable as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e1. Le pêcheur\u003cbr\u003e2. Chœur d’ombres\u003cbr\u003e3. Chanson de brigands\u003cbr\u003e4. Chant de bonheur – La harpe éolienne\u003cbr\u003e5. Fantaisie sur la Tempête de Shakespeare\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Hector Berlioz\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Jean Martinon\u003cbr\u003e\u003cstrong\u003eNarrator:\u003c\/strong\u003e Jean Topart\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e Orchestre National de l’ORTF\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS614\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/en\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e, and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version offered here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. It was also developed as a professional editing and post-production environment for very high-resolution workflows and requires a compatible DAC or player.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51192689000795,"sku":"CS614-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/jean-martinon-berlioz-lelio-jean-topart-ortf-capsa-CS614-cover.png?v=1788311045"}],"url":"https:\/\/referencemusicstore.myshopify.com\/en\/collections\/jean-martinon.oembed","provider":"Reference Music Store","version":"1.0","type":"link"}