{"title":"GRooVE back Records","description":"\u003cp\u003e\u003cstrong\u003eGRooVE back Records\u003c\/strong\u003e is the recording project connected with the GRooVE back editorial world. Its releases grow from the desire to tell the story of music through sound, linking listening, historical research and record culture.\u003c\/p\u003e\n\u003ch3\u003eSound as memory\u003c\/h3\u003e\n\u003cp\u003eThe catalogue looks to the eras, artists and musical languages that have shaped music history. Each release builds a listening path consistent with its editorial concept, with attention to repertoire, sequence and context.\u003c\/p\u003e\n\u003ch3\u003eEditions and formats\u003c\/h3\u003e\n\u003cp\u003eAlbums, compilations and digital content may be offered on different media or in different resolutions. Each product page states exactly what is included, the available format and any connection with GRooVE back magazines or projects.\u003c\/p\u003e\n\u003cp\u003eThis collection brings together the GRooVE back Records editions available from Reference Music Store.\u003c\/p\u003e","products":[{"product_id":"miles-davis-quintet-complete-cafe-bohemia-bandstand-u-s-a-1956-58-radio-broadcasts-volume-1","title":"Miles Davis Quintet • Complete Café Bohemia Bandstand U.S.A. 1956-58 Radio Broadcasts • Volume 1","description":"\u003ch2\u003e\u003cstrong\u003eMiles Davis Quintet • Complete Café Bohemia Bandstand U.S.A. 1956-58 Radio Broadcasts • Volume 1 \u003c\/strong\u003e(GBR00124) - \u003cspan style=\"text-decoration: underline;\"\u003e2nd Reprint\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch3\u003eLP AUDIOPHILE PRESSING\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eYou hold in your hands the first of three volumes dedicated to the recordings made by Miles Davis, between 1956 and 1958 at the Café Bohemia, located at 15 Barrow Street, in Greenwich Village, New York.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe restaurant (which had an obvious spelling error on its sign – Restraurnt) was managed by Italian-American Jimmy Garofalo and opened in 1955. In a short time, the Café Bohemia became a sort of Mecca for jazz modernists, and several albums were recorded by some of the most interesting artists of the time (Art Blakey, Charles Mingus, Kenny Dorham, George Wallington). Furthermore, Oscar Pettiford (who initially served as the artistic director of the Jazz Club) even dedicated a composition to it, titling it \"Bohemia After Dark\".\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Café Bohemia was also one of the venues from which the program \u003cspan\u003e\u0026nbsp;\u003c\/span\u003eBandstand U.S.A. was broadcast on the Mutual Network Radio Broadcasts. Every week, host Guy Wallace, often accompanied by guests, recorded and broadcast incredible live performances directly from the Bohemia. Miles Davis was part of these broadcasts eight times, between September 15, 1956, and May 17, 1958.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHere you will find, for the first time in history, the complete recordings of Miles (approximately 120 minutes), which were broadcast by the Mutual Network at the time.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePart of this material has been released over the years on unofficial records, but most of it appears for the first time on vinyl, if not entirely unreleased. In all cases, the material is published here with the best possible sound quality and correct speed (most previous versions ran at the wrong speed, i.e., out of tune with the original performance key).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis is a true time and space machine, as we have tried to reproduce the sound of that era as faithfully as possible. To improve and philologically respect that world of sound, we have also decided to publish all announcements (by Guy Wallace and his guests) in their complete version. \u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003eSome very interesting and unexpected aspects emerge from these announcements, which will help the listener to experience that era to the fullest, both from a social and historical point of view.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSo, turn on the radio and immerse yourself in the atmosphere of the second half of the 1950s with the previously unreleased music of the Miles Davis Quintet at its best.\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eMiles Davis (tp); John Coltrane (ts); Red Garland (p); Paul Chambers (b); Philly Joe Jones (d)\u003cbr\u003eGuy Wallace (Radio Broadcast announcer)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAnnouncement by Guy Wallace 2:01\u003c\/li\u003e\n\u003cli\u003eWell You Needn’t 5:48\u003c\/li\u003e\n\u003cli\u003eIt Never Entered My Mind 5:02\u003c\/li\u003e\n\u003cli\u003eA Gal in Calico 4:43\u003c\/li\u003e\n\u003cli\u003eStablemates 3:48\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Am I to Know? 3:03\u003c\/li\u003e\n\u003cli\u003eThe Theme 1:34\u003c\/li\u003e\n\u003cli\u003eWoody’n You 3:58\u003c\/li\u003e\n\u003cli\u003eWalkin’ [Gravy] 7:10\u003c\/li\u003e\n\u003cli\u003eAll of You 2:25\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical note:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eUnfortunately, the sole surviving (obviously) mono tape transcriptions of these recordings were not always in good shape, but we improved the quality with state-of-the-art equipment and remastering tools.\u003cbr\u003eTo present the complete performances we have used the best available sources, considering that the material was recorded through a period of three years by different technical crews and completely different miking techniques and positioning. This resulted in a slight change in audio quality. This is the best and most complete collection of the legendary Café Bohemia recordings aired by the Mutual Network for Bandstand U.S.A. Radio Broadcast.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eCredits:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003ePROJECT CURATION \/ EXECUTIVE PRODUCTION\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eMassimo Corvino — GRooVE back Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eHISTORICAL RESEARCH, SOURCE RECONSTRUCTION, SPEED CORRECTION \u0026amp; REMASTERING\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eEnrico Merlin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eFINAL AUDIO SUPERVISION\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eMarco Lincetto — Velut Luna\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eLINER NOTES\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eEnrico Merlin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eRESEARCH ASSISTANCE\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eGiovanni Principe · Ginger Minneman\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eCOVER PHOTOGRAPH\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eMarvin Koner\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\u003cspan\u003ePhotographed outside Café Bohemia, New York, between May 25 and June 10, 1956\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eVISUAL CONCEPT, ART DIRECTION \u0026amp; ALBUM DESIGN\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eRoberto Mares\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eHISTORICAL \u0026amp; DISCOGRAPHICAL ACKNOWLEDGEMENTS\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBob Belden · Jan Lohmann · Peter Losin · Teo Macero\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eACKNOWLEDGEMENTS\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003ePiergiorgio Cupellini · Elisa Gabrielli · Paola Giordano · Igor Ebuli Poletti · Fabio Sala\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eComplete recordings with radio speaker announcements and voiceovers included.\u003c\/p\u003e\n\u003cp\u003eIn issue no. 1 of GRooVE back Magazine, you can find the story and genesis of this record (the digital version of the magazine is available for free on this website in the magazine section)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews: \u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/articolo_andrea_bin_su_Miles_Davis_vol.1.pdf?v=1747243073\" title=\"AudioReview April 25 Review\" rel=\"noopener\" target=\"_blank\"\u003eAudioReview\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"GRooVE back records","offers":[{"title":"LP 33 rpm","offer_id":48678091391323,"sku":"GBR00124","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/MilesDavis5thCafeBohemiaLP.png?v=1721038958"},{"product_id":"miles-davis-quintet-complete-cafe-bohemia-bandstand-u-s-a-1956-58-radio-broadcasts-volume-2","title":"Miles Davis Quintet • Complete Café Bohemia Bandstand U.S.A. 1956-58 Radio Broadcasts • Volume 2","description":"\u003ch2\u003eMiles Davis at Café Bohemia – Volume 2 on 180g audiophile vinyl\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eMiles Davis Quintet with Sonny Rollins\u003c\/strong\u003e\u003cbr\u003eRed Garland • Paul Chambers • Art Taylor\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAudiophile edition on 33 RPM LP\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003e\u003cstrong\u003e180g audiophile vinyl\u003c\/strong\u003e\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eDirect Metal Mastering (DMM)\u003c\/strong\u003e\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eOne-Step\u003c\/strong\u003e\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eMPI™ – Micro-Precision Injection™\u003c\/strong\u003e\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eGRooVE back Records\u003c\/strong\u003e\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eCatalogue:\u003c\/strong\u003e GBR00125\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eRecordings:\u003c\/strong\u003e Café Bohemia, Greenwich Village, New York City • Bandstand U.S.A. • 1956–1958\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eSource restoration, speed correction \u0026amp; remastering:\u003c\/strong\u003e Enrico Merlin\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eFinal Audio Supervision:\u003c\/strong\u003e Marco Lincetto – Velut Luna\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003eThis \u003cstrong\u003eMiles Davis audiophile vinyl\u003c\/strong\u003e release is the second volume of the \u003cem\u003eComplete Café Bohemia – Bandstand U.S.A. 1956–58 Radio Broadcasts\u003c\/em\u003e series, devoted to the historic Miles Davis Quintet recordings made at Café Bohemia in Greenwich Village and broadcast by the Mutual Network.\u003c\/p\u003e\u003cp\u003eVolume 2 documents an exceptional lineup featuring \u003cstrong\u003eMiles Davis, Sonny Rollins, Red Garland, Paul Chambers and Art Taylor\u003c\/strong\u003e, restoring these performances through careful source reconstruction, speed and pitch correction, and remastering.\u003c\/p\u003e\u003cp\u003eThe complete recordings in the series span approximately 120 minutes across three volumes and preserve Guy Wallace’s original radio announcements and guest voiceovers, offering not only music but a direct document of American jazz and radio culture in the second half of the 1950s.\u003c\/p\u003e\u003ch2\u003eCafé Bohemia and the Bandstand U.S.A. Broadcasts\u003c\/h2\u003e\u003cp\u003eThis second volume of a three-part series presents the complete recordings made by the Miles Davis Quintet between 1956 and 1958 at Café Bohemia, located at 15 Barrow Street, Greenwich Village, New York City.\u003c\/p\u003e\u003cp\u003eThe restaurant (misspelled “Restraurnt” on the sign) was managed by the Italian-American Jimmy Garofalo and opened in 1955. In a very short time, Café Bohemia became a sort of Mecca for jazz modernists. Several albums were recorded there by some of the most important artists of the period, including Art Blakey, Charles Mingus, Kenny Dorham, and George Wallington.\u003c\/p\u003e\u003cp\u003eOscar Pettiford, the venue’s first artistic director, even dedicated a composition to the club, naming it \u003cem\u003eBohemia After Dark\u003c\/em\u003e.\u003c\/p\u003e\u003cp\u003eThe Café Bohemia also served as a key location for the Mutual Network’s \u003cem\u003eBandstand U.S.A.\u003c\/em\u003e radio broadcasts. Every week, emcee Guy Wallace—often surrounded by guests—recorded and broadcast remarkable live performances directly from the Bohemia. Miles Davis appeared on these broadcasts eight times between September 15, 1956 and May 17, 1958.\u003c\/p\u003e\u003cp\u003eFor the first time in history, this release presents the complete body of Miles Davis’ \u003cem\u003eBandstand U.S.A.\u003c\/em\u003e recordings—approximately 120 minutes of music—across three volumes. Although some material circulated over the years on unofficial releases, most tracks appear here officially for the first time, presented in optimal sound quality with corrected pitch and speed.\u003c\/p\u003e\u003cp\u003eEarlier versions frequently ran at incorrect speed and were noticeably out of tune, making this edition the first truly faithful representation of these performances.\u003c\/p\u003e\u003cp\u003eWe have made every effort to faithfully reproduce the sound of that era. Announcements by Guy Wallace and his guests are preserved in their entirety, offering rare historical and cultural insights.\u003c\/p\u003e\u003cp\u003eSo turn on the radio and immerse yourself in the atmosphere of the second half of the 1950s with previously unheard music by the Miles Davis Quintet at its finest. We hope you enjoy this journey through time and sound.\u003c\/p\u003e\u003ch2\u003eAn Unexpected Gem\u003c\/h2\u003e\u003cp\u003eOne unique feature of these recordings is the interview conducted by Guy Wallace with Jean Shepherd—the man behind one of the greatest literary pranks in the history of print media and radio.\u003c\/p\u003e\u003cp\u003eOn the July 13, 1957 tape, Shepherd—renowned for his wit and storytelling—offers insights into his infamous literary hoax, \u003cem\u003eI, Libertine\u003c\/em\u003e.\u003c\/p\u003e\u003cp\u003eHe discusses the origins of the prank, its impact on the publishing world, and the public’s reaction. The conversation, interwoven with the quintet’s improvisations, creates a unique tapestry of words and music.\u003c\/p\u003e\u003cp\u003eShepherd’s reflections on media manipulation and cultural phenomena resonate strongly with the spontaneity and innovation present in Davis’s performance. This rare intersection of spoken word and jazz not only showcases Shepherd’s narrative brilliance, but also highlights the quintet’s dynamic interplay, making the recording a distinctive artifact of 1950s American culture.\u003c\/p\u003e\u003cp\u003eIn July 1957, the Miles Davis Quintet underwent a major reshuffle, with the return of two former collaborators: Sonny Rollins replaced John Coltrane, while Art Taylor took over the drum chair from Philly Joe Jones.\u003c\/p\u003e\u003ch2\u003eLineup and Session\u003c\/h2\u003e\u003cp\u003eNew York City – Café Bohemia\u003cbr\u003e15 Barrow Street, Greenwich Village\u003c\/p\u003e\u003cp\u003eMiles Davis — trumpet\u003cbr\u003eSonny Rollins — tenor saxophone\u003cbr\u003eRed Garland — piano\u003cbr\u003ePaul Chambers — bass\u003cbr\u003eArt Taylor — drums\u003cbr\u003eGuy Wallace — radio announcer\u003c\/p\u003e\u003ch2\u003eThe I, Libertine Story\u003c\/h2\u003e\u003cp\u003eOne of the most brilliant literary pranks of the twentieth century began as a radio stunt.\u003c\/p\u003e\u003cp\u003eIn the mid-1950s, broadcaster Jean Shepherd, frustrated by the rigid practices of bestseller lists—which only counted books requested or sold in stores—encouraged his late-night listeners to walk into bookstores and ask for a novel that didn’t exist: \u003cem\u003eI, Libertine\u003c\/em\u003e, by the fictional author Frederick R. Ewing.\u003c\/p\u003e\u003cp\u003eWord spread quickly. The title was reported as “in high demand,” critics claimed to have read it, and even some academics began referencing it.\u003c\/p\u003e\u003cp\u003eEventually, the hoax took on a life of its own: publisher Ballantine Books decided to turn the prank into reality, commissioning Shepherd and science-fiction writer Theodore Sturgeon to actually write the novel, which was published later that same year.\u003c\/p\u003e\u003cp\u003eThe back cover proudly revealed the entire ruse—making the book both a satirical novel and a monument to media subversion.\u003c\/p\u003e\u003ch2\u003eTracklist and Listening Notes\u003c\/h2\u003e\u003ch3\u003eA1 – Four (6:09)\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eStructure:\u003c\/strong\u003e Drums Intro → Theme → Solos (Davis \/ Rollins \/ Garland) → Theme\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSolos:\u003c\/strong\u003e drums introduction; Miles Davis; Sonny Rollins; Red Garland; return to theme.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e During his solo, Miles quotes the first melodic phrase from \u003cem\u003eThe Last Time I Saw Paris\u003c\/em\u003e (measure 17 of the first chorus). Sonny Rollins references \u003cem\u003eOrnithology\u003c\/em\u003e. Although \u003cem\u003eFour\u003c\/em\u003e was long credited to Miles Davis, it was composed by Eddie “Cleanhead” Vinson (as is also the case with \u003cem\u003eTune Up\u003c\/em\u003e).\u003c\/p\u003e\u003ch3\u003eA2 – Bye Bye Blackbird (Excerpt #1) (6:50)\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eStructure:\u003c\/strong\u003e Performance + Voiceover overlay\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSolos:\u003c\/strong\u003e Miles Davis; Sonny Rollins; Red Garland (interrupted).\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eVoiceover:\u003c\/strong\u003e Guy Wallace and Jean Shepherd enter over the performance (3:53–6:16), blending speech with music.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e The performance fades out abruptly during the piano solo. Garland opens with the theme in close harmony with Miles, a minor third above the melody. This is the first known live recording of \u003cem\u003eBye Bye Blackbird\u003c\/em\u003e by Miles Davis. The spoken segment includes discussion of the \u003cem\u003eI, Libertine\u003c\/em\u003e hoax, mixing satire and jazz broadcast culture.\u003c\/p\u003e\u003ch3\u003eA3 – Bye Bye Blackbird (Excerpt #2) (0:39)\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eVoiceover (full segment):\u003c\/strong\u003e Guy Wallace presents the “Ask the Stars” contest.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e Listeners are invited to submit jazz-related questions for prizes including Scott tuners, amplifiers, and Stephens speakers. Jean Shepherd reacts with humorous commentary.\u003c\/p\u003e\u003ch3\u003eA4 – Announcement by Guy Wallace (0:06)\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eContent:\u003c\/strong\u003e Introduction of contest prize.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e H.H. Scott amplifier and preamplifier with full tone control system. A reference example of high-end late-1950s hi-fi broadcasting culture.\u003c\/p\u003e\u003ch3\u003eA5 – It Never Entered My Mind (4:50)\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eSolos:\u003c\/strong\u003e Miles Davis (Harmon mute); Red Garland.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eVoiceover:\u003c\/strong\u003e Guy Wallace + Jean Shepherd (0:00–0:59).\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e The piano remains noticeably out of tune until the end of the set. Red Garland quotes \u003cem\u003eCountry Gardens\u003c\/em\u003e (Percy Grainger). This is the last known live recording of Miles Davis performing the piece with his signature stemless Harmon mute.\u003c\/p\u003e\u003ch3\u003eA6 – Walkin’ [Gravy] (4:20)\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eSolos:\u003c\/strong\u003e Miles Davis; Sonny Rollins (interrupted).\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eVoiceover (1:20–4:00):\u003c\/strong\u003e Discussion between Guy Wallace and Jean Shepherd on jazz culture.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e The segment reflects on differences between American and European jazz reception, highlighting Europe’s stronger institutional appreciation of jazz at the time. A portrait of mid-century radio jazz culture emerges through the blend of performance and commentary.\u003c\/p\u003e\u003ch3\u003eB1 – Announcement by Guy Wallace (2:01)\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eContent:\u003c\/strong\u003e Live introduction from Café Bohemia.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e Broadcast opening over an unidentified drum solo. Guy Wallace presents the ensemble and re-establishes the live radio context of \u003cem\u003eBandstand U.S.A.\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eB2 – Dear Old Stockholm (6:18)\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eSolos:\u003c\/strong\u003e Paul Chambers; Sonny Rollins; Miles Davis (closing solo).\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e Chambers quotes Bizet’s \u003cem\u003eCarmen\u003c\/em\u003e during his solo. Miles unusually takes the final solo. This is the only known live recording of \u003cem\u003eDear Old Stockholm\u003c\/em\u003e by the Miles Davis Quintet. Gil Evans is likely the arranger of this traditional Swedish piece.\u003c\/p\u003e\u003ch3\u003eB3 – Bags’ Groove (7:21)\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eSolos:\u003c\/strong\u003e Miles Davis; Sonny Rollins; Red Garland; Paul Chambers.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eVoiceover (2:37–5:20):\u003c\/strong\u003e Guy Wallace introduces the “Ask the Stars” contest.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e Miles quotes \u003cem\u003eAin’t She Sweet\u003c\/em\u003e in his solo. The original broadcast was interrupted during Rollins’ solo and partially replaced by \u003cem\u003eS’posin’\u003c\/em\u003e. This edition attempts a reconstruction of the original sequence. First known live recording of \u003cem\u003eBags’ Groove\u003c\/em\u003e by Miles Davis.\u003c\/p\u003e\u003ch3\u003eB4 – Nature Boy (4:26)\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eStructure:\u003c\/strong\u003e Theme → Garland solo → coda\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e Sonny Rollins does not participate. This is the first known live recording of \u003cem\u003eNature Boy\u003c\/em\u003e by Miles Davis. Previously recorded in studio with Charles Mingus (\u003cem\u003eBlue Moods\u003c\/em\u003e).\u003c\/p\u003e\u003ch3\u003eB5 – S’posin’ (2:24)\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eStructure:\u003c\/strong\u003e Reconstructed live performance\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSolos:\u003c\/strong\u003e Miles Davis; Sonny Rollins (interrupted).\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e Only known live recording of \u003cem\u003eS’posin’\u003c\/em\u003e by Miles Davis. Includes commentary involving Maynard Ferguson discussing the evolution of jazz from Dixieland to modern styles.\u003c\/p\u003e\u003ch3\u003eB6 – Announcement by Guy Wallace (0:06)\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eContent:\u003c\/strong\u003e Closing broadcast announcement.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e Transition from Café Bohemia to the Village Vanguard, where the Modern Jazz Quartet was performing. No musical background.\u003c\/p\u003e\u003ch2\u003eAudiophile edition: DMM, One-Step and MPI™\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eMPI™ – Micro-Precision Injection™\u003c\/strong\u003e identifies the record-manufacturing technology used for this GRooVE back Records edition. It is a production specification distinct from \u003cstrong\u003eDirect Metal Mastering (DMM)\u003c\/strong\u003e, the \u003cstrong\u003eOne-Step\u003c\/strong\u003e process, and the restoration and remastering work carried out on the historical sources.\u003c\/p\u003e\u003ch2\u003eTechnical Note: Restoration and Remastering\u003c\/h2\u003e\u003cp\u003eUnfortunately, the only surviving mono tape transcriptions of these recordings were not always in optimal condition. Nevertheless, we have applied state-of-the-art equipment and advanced remastering tools to enhance the sound quality as much as possible.\u003c\/p\u003e\u003cp\u003eTo present the complete performances, we sourced the best available materials, bearing in mind that the recordings span a period of three years and were captured by different technical teams using varied microphone techniques and setups. This inevitably resulted in slight variations in audio quality.\u003c\/p\u003e\u003cp\u003eThis edition represents the most complete and best-sounding collection to date of the legendary Café Bohemia sessions, originally broadcast by the Mutual Network on \u003cem\u003eBandstand U.S.A.\u003c\/em\u003e\u003c\/p\u003e\u003ch2\u003eProduction Credits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003ePROJECT CURATION \/ EXECUTIVE PRODUCTION\u003c\/strong\u003e\u003cbr\u003eMassimo Corvino — GRooVE back Records\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHISTORICAL RESEARCH, SOURCE RECONSTRUCTION, SPEED CORRECTION \u0026amp; REMASTERING\u003c\/strong\u003e\u003cbr\u003eEnrico Merlin\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFINAL AUDIO SUPERVISION\u003c\/strong\u003e\u003cbr\u003eMarco Lincetto — Velut Luna\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLINER NOTES\u003c\/strong\u003e\u003cbr\u003eEnrico Merlin\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRESEARCH ASSISTANCE\u003c\/strong\u003e\u003cbr\u003eGiovanni Principe · Ginger Thomas Principe\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCOVER PHOTOGRAPH\u003c\/strong\u003e\u003cbr\u003eMarvin Koner\u003cbr\u003e\u003cem\u003ePhotographed outside Café Bohemia, New York, between May 25 and June 10, 1956\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eVISUAL CONCEPT, ART DIRECTION \u0026amp; ALBUM DESIGN\u003c\/strong\u003e\u003cbr\u003eRoberto Mares\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHISTORICAL \u0026amp; DISCOGRAPHICAL ACKNOWLEDGEMENTS\u003c\/strong\u003e\u003cbr\u003eBob Belden · Jan Lohmann · Peter Losin · Teo Macero\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eACKNOWLEDGEMENTS\u003c\/strong\u003e\u003cbr\u003ePiergiorgio Cupellini · Elisa Gabrielli · Paola Giordano · Igor Ebuli Poletti · Fabio Sala\u003c\/p\u003e\u003cp\u003eComplete recordings with radio speaker announcements and voiceovers included.\u003c\/p\u003e\u003cp\u003eGBR00125 – MADE IN EU ®2026\u003c\/p\u003e","brand":"GRooVE back records","offers":[{"title":"LP 33 RPM • 180g • DMM • One-Step • MPI™","offer_id":52965875843419,"sku":"GBR00125","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/coverlatoa-MilesDavisQuintetCompleteCafeBohemiaVOL.2.jpg?v=1779201121"},{"product_id":"complete-cafe-bohemia-sampler-from-vol-1-vol-2","title":"Complete Cafè Bohemia SAMPLER from Vol.1 \u0026 Vol.2","description":"\u003ch1 class=\"OXQzmM uvtEMb\" data-hook=\"product-title\"\u003eComplete Cafè Bohemia SAMPLER from Vol.1 \u0026amp; Vol.2\u003c\/h1\u003e\n\u003ch2\u003eFile digitale HD: 96 kHz \/ 24 bit\u003c\/h2\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp align=\"center\" style=\"text-align: left;\"\u003e\u003cstrong\u003eTracklist Volume 1:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAnnouncement by Guy Wallace - 02.01\u003c\/li\u003e\n\u003cli\u003eWell You Needn't - 05.52\u003c\/li\u003e\n\u003cli\u003eIt Never Entered My Mind - 05.07\u003c\/li\u003e\n\u003cli\u003eThe Theme - 01.38\u003c\/li\u003e\n\u003cli\u003eWoody'n You - 03.59\u003c\/li\u003e\n\u003cli\u003eAll of You - 02.25  \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp align=\"justify\"\u003e\u003cstrong\u003eTracklist Volume 2:\u003c\/strong\u003e\u003cspan lang=\"en-GB\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli align=\"justify\"\u003eFour\u003c\/li\u003e\n\u003cli align=\"justify\"\u003eAnnouncement by Guy Wallace\u003c\/li\u003e\n\u003cli align=\"justify\"\u003eWalkin' (Gravy)\u003c\/li\u003e\n\u003cli align=\"justify\"\u003eBags' Groove\u003c\/li\u003e\n\u003cli align=\"justify\"\u003eNature Boy\u003c\/li\u003e\n\u003cli align=\"justify\"\u003eS'posin'\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv\u003e\n\u003cdiv data-testid=\"richTextElement\" class=\"HcOXKn SxM0TO QxJLC3 lq2cno YQcXTT comp-l3235h2g wixui-rich-text\" id=\"comp-l3235h2g\"\u003e\u003c\/div\u003e\n\u003cdiv data-testid=\"richTextElement\" class=\"HcOXKn c9GqVL QxJLC3 lq2cno YQcXTT comp-lyk5i80m wixui-rich-text\" id=\"comp-lyk5i80m\"\u003e\n\u003cp dir=\"ltr\"\u003eNote:\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cem\u003e\u003cspan\u003eComplete Café Bohemia Sampler from Vol. 1 \u0026amp; Vol. 2\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e è un album digitale in alta risoluzione che raccoglie dodici estratti sonori selezionati dai primi due volumi della serie dedicata alle storiche esibizioni di Miles Davis al Café Bohemia di New York, pubblicata da GRooVE back Records.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIl sampler è disponibile come \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003efile HD in formato 96 kHz \/ 24 bit\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e ed è stato concepito per offrire un’introduzione all’universo musicale e documentario della raccolta. Non si tratta di una semplice sequenza di anteprime, ma di un percorso d’ascolto pensato per restituire il carattere delle esecuzioni, la presenza degli interpreti e l’atmosfera delle trasmissioni radiofoniche originali.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eLe registrazioni provengono infatti da \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eBandstand U.S.A.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, il programma condotto da Guy Wallace che portò nelle case americane alcune delle performance jazz più significative dell’epoca. Negli estratti provenienti dal secondo volume sono presenti anche gli interventi del conduttore e dei suoi ospiti: voci, presentazioni e commenti che non rappresentano semplici intermezzi, ma costituiscono una parte integrante del documento sonoro.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAttraverso questi frammenti, l’ascoltatore può avvicinarsi al suono del quintetto, alla tensione creativa delle esecuzioni e al contesto culturale dell’America degli anni Cinquanta. Il risultato è una vera cronaca sonora, capace di andare oltre la sola testimonianza musicale e di restituire il clima vivo e irripetibile del Café Bohemia.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIl sampler rappresenta quindi il punto di ingresso ideale per scoprire i primi due volumi della serie e apprezzarne il valore musicale, storico e documentario.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFormato:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e download digitale in alta risoluzione\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eRisoluzione audio:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e 96 kHz \/ 24 bit\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eContenuto:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e 12 estratti selezionati da \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eComplete Café Bohemia\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, \u003ca href=\"https:\/\/www.referencemusicstore.com\/it\/products\/miles-davis-quintet-complete-cafe-bohemia-bandstand-u-s-a-1956-58-radio-broadcasts-volume-1\" target=\"_blank\" title=\"Miles Davis Quintet • Complete Café Bohemia Bandstand U.S.A. 1956-58 Radio Broadcasts • Volume 1\" rel=\"noopener\"\u003eVol. 1\u003c\/a\u003e e \u003ca href=\"https:\/\/www.referencemusicstore.com\/it\/products\/miles-davis-quintet-complete-cafe-bohemia-bandstand-u-s-a-1956-58-radio-broadcasts-volume-2\" target=\"_blank\" title=\"Miles Davis Quintet • Complete Café Bohemia Bandstand U.S.A. 1956-58 Radio Broadcasts • Volume 2\" rel=\"noopener\"\u003eVol. 2\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eEtichetta:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e \u003ca href=\"https:\/\/www.referencemusicstore.com\/it\/collections\/groove-backs-records\" target=\"_blank\" title=\"GRooVE back Records\" rel=\"noopener\"\u003eGRooVE back Records\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font-serif leading-tight text-white text-sm sm:text-base sm:leading-[1.25] mt-4\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"GRooVE back magazine","offers":[{"title":"FILE HD 96kHz • 24bit","offer_id":53590071771483,"sku":"GBR2026S","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/coversamplerMilesDavisQuintetCompleteCafeBohemia.png?v=1783965205"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/collections\/prova-tre-Volumi.jpg?v=1788252529","url":"https:\/\/referencemusicstore.myshopify.com\/en\/collections\/groove-back-records.oembed","provider":"Reference Music Store","version":"1.0","type":"link"}