{"title":"Franz Schubert","description":"","products":[{"product_id":"liszt-piano-transcriptions-eliana-grasso","title":"Liszt Piano Transcriptions - Eliana Grasso","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eLiszt Piano Transcriptions\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e(CVLD339)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003eEliana Grasso\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable in: HD Files, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eL. van Beethoven - F. Liszt\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e1 - Allegretto from Symphony No. 7 in A major Op. 92 (S. 464), 10:10\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eF. Schubert - F. Lis\u003ca name=\"_GoBack\"\u003e\u003c\/a\u003ezt \u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e2 - Gretchen am Spinnrade (S. 558), 4:39\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3 - Serenade (S. 560), 6:15\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eG. Verdi\/F. Liszt\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e4 - Sacred Dance and final duet from Aida (S. 436), 11:13\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eF. Chopin - F. Liszt\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e5 - Mädchens Wunsch, from “Six chants polonais”( S. 480), 4:19\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6 - Frühling, from “Six chants polonais” (S. 480), 2:40\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eR. Schumann - F. Liszt\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e7 - Widmung (S 566), 4:33\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eF. Liszt\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e8 - Mephisto Waltz No. 1, piano version by the composer (S. 514), 12:35\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTotal Time: 56:31\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/LisztPianoTranscriptions\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e24bit \/ 88.2kHz original recording made at Laboratorio Zanta, Camponogara, Italy, on November and December 2021\u003cbr\u003eEliana Grasso plays on Steinway \u0026amp; Sons D274 Concert Grandpiano, tuned and prepared by Silvano Zanta\u003cbr\u003e \u003cbr\u003eProduction: \u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003eExecutive Producer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eMusical producer: \u003cstrong\u003eEliana Grasso\u003c\/strong\u003e\u003cbr\u003eRecording, mix and mastering: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eEditing: \u003cstrong\u003eMattia Zanatta\u003c\/strong\u003e\u003cbr\u003eCover photo: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eDesign and layout: \u003cstrong\u003eL'Image\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u003cu\u003eCritical Notes\u003c\/u\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eGiven the vast catalogue of compositions written by Franz Liszt intended to enrich the 19th-century piano repertoire, one finds a greater number of works based on the creations of other composers compared to genuinely original pieces. The various arrangements, written throughout the composer's career, fall into two categories according to Liszt's own precise wishes, who made the initial terminological distinction: on the one hand, transcriptions, which are piano adaptations where the original score remains largely unaltered; on the other hand, paraphrases, true exercises in style where the composer takes the liberty of varying the source text, bending it to his own creative whim. Although they have often been subjected to harsh criticism by some exponents of early 20th-century musicology (see Humphrey Searle's comment, responsible for the systematic cataloguing of Liszt's works: «he may have wasted much time on some of these transcriptions, but at least they provided an outlet for his overflowing energy,» The Music of Liszt, London 1954), the arrangements produced by the Hungarian composer contributed to the dissemination and promotion of the music of numerous authors.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cu\u003e\u003cstrong\u003eELIANA GRASSO\u003c\/strong\u003e\u003c\/u\u003e\u003cbr\u003e\u003cspan\u003eEliana Grasso, pianist, performs in concerts throughout Europe and the United States in renowned venues such as Carnegie Hall in New York, Wigmore Hall in London, Sala Verdi in Milan, the Royal Academy of Music in London, the Hermitage in St. Petersburg, Theatre La Filature in Mulhouse, Sala Maffeiana of the Teatro Filarmonico in Verona, Teatro Sociale in Bellinzona, Cappella Paolina of the Quirinale in Rome, Bloomsbury Theatre in London, Salon Chopin (Société Historique Polonaise) in Paris, Palazzo Ducale in Mantua, Teatro Piccolo Regio in Turin, and many others.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eShe debuted in 1994 performing Haydn's Concerto in D major, conducted by Luca Pfaff with the Mulhouse Symphony Orchestra, receiving great public and critical acclaim (\"Eliana Grasso: still young and already so great\", l'Alsace, March 1994) with numerous orchestras such as the Orchestra Magister Harmoniae, the Orchestra Piccolo Auditorium Paradisi, the Orchestra of the Teatro Filarmonico of Verona, conducted among others by Piero Bellugi. She regularly performs as a soloist and in chamber ensembles for the most important Italian music seasons such as: MITO Settembremusica (Turin), Società dei Concerti (Milan), Società del Quartetto (Milan), Unione Musicale (Turin), Trame Sonore (Mantua), I Concerti del Quirinale (Rome), Polincontri (Turin), Rivolimusica, I Concerti dell’Università della Tuscia (Viterbo), Milano Classica, I Concerti del Pomeriggio del Teatro Alfieri (Turin), Fondazione William Walton (Naples), Settembre Musicale Orta (Novara), Ravello Concert Society (Naples), Concerti a Palazzo Labia (Venice), Teatro Torti (Bevagna). She has also performed in Norway, Russia, the United States, France, Switzerland, Spain, England, and Romania.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eShe regularly collaborates in a duo with flutist Romano Pucci (first flute, Teatro alla Scala in Milan), in four hands and two pianos with pianist Irene Veneziano, and explores the lieder repertoire with soprano Susanna Rigacci. She has won numerous competitions: at 13, she placed third overall in the International Competition of St. Petersburg, and since then has won first prize in countless Italian competitions: Stresa, Premio J.S. Bach, Premio Kawai, Premio Clementi, and many others. More recently, in 2014, she was the overall winner of the International Bellagio Festival Competition.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHer concerts have been broadcast live by radio stations such as Rai Radiotre; she was recently a guest on the program \"Il Pianista\" on Radio Classica. For the Velut Luna label, she has already recorded \"Sortilèges\" with music by Ravel and Saint-Saëns in a duo with I. Veneziano (\"the two musicians become a single organism and express all the charm of this music\" Suonare, 2015).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eShe graduated with highest honors from the \"G. Verdi\" Conservatory in Turin, and was awarded the \"Lascito Piacenza\" scholarship for the best final examination. She continued her studies at the \"Incontri con il Maestro di Imola\" Academy, where she studied with F. Scala, R. Risaliti, P. Masi. She also specialized with K. Bogino, E. Arciuli, P. Badura-Skoda, M. Damerini, A. Lucchesini, S. Gadžijev, J. Swann, P. De Maria, L. Pogorelich. Alongside her concert activity, she worked as a teacher and stable collaborative pianist at the Accademia del Teatro alla Scala in Milan from 2010 to January 2021. She currently teaches Piano Practice and Reading and Piano at the \"Franco Vittadini\" Conservatory in Pavia.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49988793467227,"sku":"CVLD339CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":41086770020404,"sku":"CVLD339","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/folder_17e6db64-301b-45e9-91a4-864da879c547.jpg?v=1682009439"},{"product_id":"franz-schubert-piano-sonatas-alessandro-cesaro","title":"FRANZ SCHUBERT PIANO SONATAS - Alessandro Cesaro","description":"\u003ch3 class=\"western\" lang=\"en-US\"\u003e\n\u003cb\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eFRANZ SCHUBERT, PIANO SONATAS - Vol.1 \u003c\/em\u003e\u003c\/strong\u003e\u003c\/b\u003e(CVLD340-1)\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eAlessandro Cesaro\u003c\/em\u003e\u003c\/strong\u003e, piano\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003eAVAILABLE IN 5-CD BOX SET and HD FILE\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003cstrong\u003e\u003cu\u003eVolume 1\u003c\/u\u003e\u003c\/strong\u003e \u003cstrong\u003e- 74:42\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1 - 3 \u003c\/span\u003e\u003cstrong\u003eSonata D 537 Op. post. 164 in A minor\u003c\/strong\u003e\u003cspan\u003e, 22:19\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4 - 7 \u003c\/span\u003e\u003cstrong\u003eSonata D 568 Op. post. 122 in E flat major\u003c\/strong\u003e\u003cspan\u003e, 29:10\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8 - 11 \u003c\/span\u003e\u003cstrong\u003eSonata D 575 Op. post. 147 in B major\u003c\/strong\u003e\u003cspan\u003e, 23:05\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eVolume 2\u003c\/u\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e- 72:21\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e1 - 3 \u003c\/span\u003e\u003cstrong\u003eSonata D 664 Op. post. 120 in A major\u003c\/strong\u003e\u003cspan\u003e, 23:06\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4 - 6 \u003c\/span\u003e\u003cstrong\u003eSonata D 784 Op. post. 143 in A minor\u003c\/strong\u003e\u003cspan\u003e, 22:35\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7 - 8 \u003c\/span\u003e\u003cstrong\u003eSonata D 840 in C major “Reliquie”,\u003c\/strong\u003e\u003cspan\u003e 26:34\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eVolume 3\u003c\/u\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e- 76:11\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e1 - 4 \u003c\/span\u003e\u003cstrong\u003eSonata D 845 Op. 42 in A minor\u003c\/strong\u003e\u003cspan\u003e, 35:58\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5 - 8 \u003c\/span\u003e\u003cstrong\u003eSonata D 894 Op. 78 in G major\u003c\/strong\u003e\u003cspan\u003e, 40:07\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eVolume 4\u003c\/u\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e- 79:10\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e1 - 4 \u003c\/span\u003e\u003cstrong\u003eSonata D 850 Op. 53 in D major\u003c\/strong\u003e\u003cspan\u003e, 39:25\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5 - 8 \u003c\/span\u003e\u003cstrong\u003eSonata D 959 in A major\u003c\/strong\u003e\u003cspan\u003e, 39:39\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eVolume 5\u003c\/u\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e- 77:10\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e1 - 4 \u003c\/span\u003e\u003cstrong\u003eSonata D 958 in C minor\u003c\/strong\u003e\u003cspan\u003e, 32:35\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5 - 8 \u003c\/span\u003e\u003cstrong\u003eSonata D 960 in B flat major\u003c\/strong\u003e\u003cspan\u003e, 44:31\u003c\/span\u003e\n \u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/FranzSchubert-PianoSonatas\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e \n  \u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003e24bit \/ 176.4 kHz\u003c\/strong\u003e original recording made at Main Hall, Fondazione Masiero e Centanin, Arquà Petrarca (Italy) \u003c\/span\u003e\u003cspan\u003eon March, 30 - April, 13 - May, 18 - July, 9, 10, 2021\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eMarco Lincetto\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003echoose a \"one point recording\" own exclusive technique, based upon Sennheiser MKH 8020 and Schoeps Mk 4 microphone and Millennia Media HV-3B microphone preamplifiers\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eAlessandro Cesaro\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e plays on \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eSteinway \u0026amp; Sons Mod. O, New York, 1909,\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e tuned and prepared by Maestro Franco Angeleri. This piano belonged to Maestro Adriano Lincetto, and now it is one of the antique pianos' collection of the \"Museo di Pianoforti Antichi\" of \"Fondazione Musicale Centanin e Masiero\", which restored and gave a new life to this wonderful piano.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduction: \u003c\/span\u003e\u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eExecutive producer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eMusical Producer: \u003c\/span\u003e\u003cstrong\u003eAlessandro Cesaro\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eRecording, mix, editing \u0026amp; mastering: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eCover photo: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eDesign \u0026amp; Layout: \u003c\/span\u003e\u003cstrong\u003eL'Image\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003ePerformed by the composer himself in private settings for the Viennese bourgeoisie and circle of acquaintances, known as Schubertiads, Franz Schubert's Piano Sonatas remained largely unexplored territory for a long time. The first public performance of a \"complete\" cycle of Schubert's sonatas dates back to 1868, thanks to Charles Halle's interpretation at St. James Hall in London. The program included the performance of the seven Sonatas that had been assigned an opus number and the last three sonatas composed in 1828. In November 1938, Webster Aitkin presented twelve of the sonatas in a series of four public concerts. For the occasion, the Daily Telegraph published an article by Richard Capell titled \"Revaluation of a Neglected Heritage,\" in which the author urged contemporary pianists and future generations to rediscover Schubert's Sonatas, ushering in a true \"Schubert Renaissance\" dedicated to the valorization of a forgotten heritage.\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eMyriam Guglielmo\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cstrong\u003eAlessandro Cesaro\u003c\/strong\u003e\u003cspan\u003e showed a strong grasp of musical language and a deep interest in composition since he was a child. He studied piano with Franco Angeleri at the Conservatory of Padua and graduated with highest honors at 16 years of age; he continued his studies with Paul Badura-Skoda and Aldo Ciccolini. Prizes in prestigious competitions such as the “Premio Venezia”, the “Amadeus Giovani” of Palermo, the “Yamaha Prize” in Stresa, and especially the 48th CIEM in Geneva brought him to international attention as an outstanding 18-year-old interpreter. He regularly performs in Italy for such presenters as Serate Musicali di Milano, Amici della Musica of Padua, Vicenza, Verona, Trieste, and Udine, Unione Musicale in Turin, and Alessandro Scarlatti Society in Naples. He has played in Germany (Bochum, Paderborn), Switzerland (Geneva, Bienne, Basilea), Belgium (Bruxelles) and Argentina, where he toured eight times, playing in Buenos Aires, Cordoba, Tucumàn and Salta. In May 2008 he completed a tour of Mexico (Federal Capital and Michoacan), where he played for the National Autonomous University (UNAM) and for the Teatro de la Ciudad, inaugurating a new Steinway piano. Especially well received were his performances of the complete works of Chopin and Schubert and of the 32 Beethoven sonatas on period instruments for the Festival Euganeo. In 2009 he collaborated in the Italian premiere of the recently discovered Cant de les estrelles by Granados. In 2011 he completed a three-year cycle of all the 32 Beethoven’s Sonatas in Adria and Feltre (Italy) and in 2014 he was invited to the 54° Septiembre Musical Tucumano, one of the most important festivals in South America. He performs regularly with such orchestras as I Solisti Veneti, the Orchestra di Padova e del Veneto, the Orchestra of the Suisse Romande, the Collegium Musicum Basel, the Chamber Orchestra of Bienne, the Orchestra of the Theater of Cordoba, the Orchestra of the Province of Tucumàn, and the Sicilian Symphonic Orchestra, collaborating with such musicians as Claudio Scimone, Paul Badura-Skoda, Anton Nanut, Pedro Ignacio Calderòn, and Sergio Balestracci. The Music Critics Association of Argentina awarded him the “Premio Revelaciòn 2015” for a recital organized by ALAPP (Latin American Association of Teaching Pianists) at the Art Museum “Isaac Fernández Blanco”. Last year he presented the program “Chopin at Palma de Mallorca” on a tour in the United States, while this year he has realized in Padua for the first time in the history of the Friends of Music the full performance in consecutive evenings of the ten Sonatas for piano by Alexander Scriabin. A distinct characteristic of his personality is his extraordinary versatility, which allows him to have in his repertory the complete works of major composers for piano, including Mozart, Beethoven, Schubert, and Chopin. He has recorded with Rivo Alto and Azzurra Music (Beethoven) and recently he released an album of Rondos, Variations, and Fantasies by Jan Ladislav Dussek. He is equally active as a composer and his works, published by Swirly Music, are regularly performed.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"BOX 5 CD","offer_id":49993835872603,"sku":"CVLD340CD","price":50.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 176.4kHz · 24bit COMPLETE WORK","offer_id":49993800581467,"sku":"CVLD340","price":50.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 176.4kHz · 24bit VOLUME 1","offer_id":46748045672795,"sku":"CVLD340","price":10.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 176.4kHz · 24bit VOLUME 2","offer_id":49993800614235,"sku":"CVLD340","price":10.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 176.4kHz · 24bit VOLUME 3","offer_id":49993800647003,"sku":"CVLD340","price":10.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 176.4kHz · 24bit VOLUME 4","offer_id":49993800679771,"sku":"CVLD340","price":10.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 176.4kHz · 24bit VOLUME 5","offer_id":49993800712539,"sku":"CVLD340","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_9e6bbd45-2f97-4782-a078-ea474d7ecca6.jpg?v=1684332455"},{"product_id":"schubert-beethoven-orchestra-darchi-italiana","title":"SCHUBERT - BEETHOVEN - ITALIAN STRING ORCHESTRA","description":"\u003cp\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eSCHUBERT - BEETHOVEN - ORCHESTRA D'ARCHI ITALIANA  \u003c\/b\u003e(CVLD050)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan\u003eBeethoven: Quartet \"Serioso\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan\u003eShubert: Quartet \"Der Tod und das Madchen\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003eTracks\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan\u003e01 - Franz Schubert - Quartet in D minor D810, Der Tod und das Madchen-Allegro\u003cbr\u003e02 - Franz Schubert - Quartet in D minor D810, Der Tod und das Madchen-Andante con moto\u003cbr\u003e03 - Franz Schubert - Quartet in D minor D810, Der Tod und das Madchen, Scherzo-Allegro molto\u003cbr\u003e04 - Franz Schubert - Quartet in D minor D810, Der Tod und das Madchen-Presto\u003cbr\u003e05 - Ludwig Van Beethoven - Quartet in F minor op 95, Serioso-Allegro con brio\u003cbr\u003e06 - Ludwig Van Beethoven - Quartet in F minor op 95, Serioso-Allegretto, ma non troppo\u003cbr\u003e07 - Ludwig Van Beethoven - Quartet in F minor op 95, Serioso-Allegro assai vivace, ma serioso\u003cbr\u003e08 - Ludwig Van Beethoven - Quartet in F minor op 95, Serioso-Larghetto espressivo, Allegretto agitato\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Beethoven-Quartet-Serioso-Schubert-Quartet-Der-Tod-und-das-Madchen\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan\u003eOriginal compositions by Franz Schubert, Ludwig van Beethoven Orchestra d'Archi Italiana \/ Franco Rossi, conductor 24Bit \/ 96 kHz Digital Recording. Live recording at Milan Auditorium December, 2000\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLive recording at the Milan Auditorium of the astounding young talents of the Orchestra d'Archi Italiana by Mario Brunello, conducted on this special occasion by Franco Rossi, in the classic repertoire of the orchestral transcriptions of the two well-known quartets by Schubert and Beethoven. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"96kHz · 24bit","offer_id":47497166717275,"sku":"CVLD050","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_1772f02b-a6cd-485f-aa5f-868d3a58813e.jpg?v=1703929343"},{"product_id":"traume-the-golden-songs","title":"TRÄUME, THE GOLDEN SONGS","description":"\u003cp\u003e TRÄUME, THE GOLDEN SONGS (1 CD)\u003c\/p\u003e\n\n\u003cp\u003e Franz Schubert: \u003cem\u003eDie Forelle – An die Nachtigall – Ständchen – Wanderers Nachtlied I – An die Laute\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Robert Schumann: \u003cem\u003eDu Ring an meinem Finger – Frühlingsnacht\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Frédéric Chopin: \u003cem\u003ePierścień – Poseł – Moja Pieszczotka\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Gabriel Fauré: \u003cem\u003eAprès un rêve – Clair de lune\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Richard Wagner: \u003cem\u003eTräume – Gretchen am Spinnrade\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Johannes Brahms: \u003cem\u003eVon ewiger Liebe – Die Mainacht – Mädchenlied – Wiegenlied\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Giacomo Puccini: \u003cem\u003eGolden Dream\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Manuel de Falla:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNana – Seguidilla – El Paño moruno\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Maurice Ravel: \u003cem\u003eChanson Espagnole\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Gioachino Rossini: \u003cem\u003eSpanish Song\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e VALENTINA PENNINO, SOPRANO\u003c\/p\u003e\n\n\u003cp\u003e ANNIBALE REBAUDENGO, PIANO\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47996454306139,"sku":"MLD 15035","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/15035-cover.jpg?v=1712327737"},{"product_id":"rec-live","title":"LIVE RECORDING!","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eREC LIVE ! \u003c\/b\u003e(CVLD264)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e01 - Fly Me To The Moon - Bart Howard 5:00\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 - Love Is A Losing Game - Amy Winehouse 3:22\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 - If You Go Before Me - Terence Trent D'Arby 4:20\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLive at San Giacomo Spazio d'Arte, November 23rd, 2013\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePaola Casula, voice, Alessandro Mozzi, piano, Marco Strano, sax\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e04 - Empty Promises - Guido Marzorati 4:15\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 - Petrolkiller - Guido Marzorati 3:45\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 - Force Of Habit - Guido Marzorati 3:48\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLive at San Giacomo Spazio d'Arte, June 7th, 2014\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGuido Marzorati, voice, guitar and harmonica, Elisa Marzorati, electric piano\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e07 - Sonata in la magg. op. posth. D959: Andantino - Franz Schubert 8:05\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLive at San Giacomo Spazio d'Arte, November 29th, 2014\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChiara Bertoglio, grandpiano\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e08 - Smells Like Teen Spirit - Kurt Cobain \u0026amp; Nirvana 5:43\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 - I Heard It Through The Grapevine - Marvin Gaye 4:55\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 - Libertango - Astor Piazzolla 3:45\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/RecLive\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLive at Hotel Crystal, Preganziol, December 15th, 2012\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBarbara Belloni, voice, Ivan Prevedello, Roland Electric Piano.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt was the year 2009, and partly by chance and partly not... I had the idea of creating a kind of \"record format,\" aimed at showcasing \"chamber music\" live and in recordings, understood in a broad sense.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUsually, this definition unequivocally identifies a certain type of \"classical music\": but I, on the other hand, consider any type of music designed for a few performers (2, 3, perhaps 4 at most) who perform it in front of a small audience in an intimate setting, different from the large spaces of theaters or auditoriums, to be chamber music. So, not only classical music, but also jazz, rock, ethnic... without limits to imagination.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSo what is \"Velut Luna Rec Live\"? It's a small event where a limited number of people (20 - 25 or a little more) gather in a small space characterized by excellent acoustics, literally sit right next to the performers and enjoy a concert in a position very close to the performers - a meter or so - absolutely unusual for any other environment specifically dedicated to live music. Thus creating a truly unique feeling with the musicians performing in front of them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis magic is also captured by a few carefully positioned microphones to transfer the \"overall magic\" of these happenings onto a recording. 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Schubert: Vier Impromptus op.90 D.899 - n.1 in C minor\u003cbr\u003e 02 - F. Schubert: Four Impromptus op.90 D.899 - No. 2 in E flat major\u003cbr\u003e 03 - F. Schubert: Four Impromptus op.90 D.899 - No. 3 in G flat major\u003cbr\u003e 04 - F. Schubert: Four Impromptus op.90 D.899 - No. 4 in A flat major\u003cbr\u003e 05 - F. Schubert \/ F. Liszt: Impromptu S.565b - No. 1 in E flat major\u003cbr\u003e 06 - F. Schubert \/ F. Liszt: Impromptu S.565b - n.2 in G major\u003cbr\u003e 07 - F. Schubert: Vier Impromptus op.posth.142 D.935 - n.1 in F minor\u003cbr\u003e 08 - F. Schubert: Vier Impromptus op.posth.142 D.935 - n.2 in A flat major\u003cbr\u003e 09 - F. Schubert: Vier Impromptus op.posth.142 D.935 - n.3 in B flat major\u003c\/span\u003e \u003cbr\u003e10 - F. Schubert: Vier Impromptus op.posth.142 D.935 - n.4 in F minor\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/Schubert-Impromptus\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eClassical. Original compositions by Franz Peter Shubert. Chiara Bertoglio grand piano.\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e24bit\/88.2 kHz original live-in-studio recorded, in Velut Luna Studio, Preganziol, Italy, on August 7- 2012.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eAmong Franz Schubert's piano works, the eight Impromptus, Op. 90 and Op. 142, are perhaps among the best-known and most frequently performed, and are certainly performed and listened to far more often than many of the enchanting Sonatas. It therefore seems pointless to reiterate here, in the inevitable brevity imposed by the size of a booklet, the analyses and studies that have been conducted on them; perhaps it is more useful to limit myself to offering the reader a \"presentation\" of these pieces, a guide that integrates with the key to understanding them that I propose with my interpretation.\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eI've had a very long relationship with the Improvvisi, some of whom have been around for over twenty years; and I can say they are true musical \"friends,\" whose discreet and constant presence has shaped my journey as a musician and as a person.\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eThose of Op. 90 have more defined characteristics and clearer, more limpid structures. Schubert's extraordinary imagination and emotional richness are still channeled into \"clean\" forms, with the alternation and juxtaposition of different levels of compositional articulation. No. 1 plays entirely on the contrast between the martial rhythm of the incipit and the softness of a melody accompanied by a murmur of triplets. No. 2 is simple only in its macrostructure, which alternates sections of uninterrupted scales, almost waves of notes, with a Trio and a Coda of almost barbaric aggression; however, the dance rhythm that runs through it is the same in both sections, with the accent falling askew on the second beat of the measure.\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eNo. 3 is justly celebrated, a sort of wordless Lied that would be reductive to define as a simple accompanied melody. The richness of its pervasive and omnipresent harmonic texture makes it much more akin to a polyphonic piece, in which the fluidity of the harmony allows its contrapuntal richness to emerge, veiled by the enchantment of melodic contemplation. No. 4 weaves together a series of garlands of arpeggios that alternate with the absorbed stasis of the chords and an ascending progression on the left hand's voice that admirably builds to the climax that concludes both the first part and the entire impromptu. Nestled between the final sections is a Trio of infinite beauty, almost a prayer in which, once again, the inner voices of the chorale are made vibrant by repetitions and repetitions.\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eOp. 142, on the other hand, is more compact, so much so that Schumann hypothesized a sonata-like conception of it (an approach I personally share), but on the other hand, more indecipherable. Each of its four Impromptus (which were renamed as such by the first editor) displays a kaleidoscope richer in emotion and more difficult to interpret than those of Op. 90.\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eNo. 1, in particular, presents a highly complex series of unforgettable moments: the solemn and tragic opening, which inaugurates not only this piece but the entire series; the changing reverberations of a subject hidden among the tremolos; the “duet” in which the left hand responds to itself, continually overriding the circular and hypnotic movement of the right.\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eThe stylistic signature of No. 2 is more homogeneous, unique in its reconciliation of choral, Lied, and dance forms: it is perhaps the mystical pinnacle of the Impromptus, with a serene, composed, and absorbed beauty. No. 3, composed of variations on a theme from Rosamunde, leads us on a journey that revisits, in miniature, all the great themes of Schubert's Romanticism: the circular rhythm of the first variation, the joy of life of the second, the hopeless darkness of the third, which opens to dance in the fourth and dissolves into a shower of scales in the last.\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eThe cycle concludes with No. 4, rich in Hungarian folk movements, with a theme brimming with energy and vivacity, once again not without deliberate barbarism. And once again, Schubert demonstrates the melodic and narrative potential of scales, which here are presented in an almost obsessive manner and colored by the harmonies of the left hand, becoming a musical resource of unimaginable charm.\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eCompleting the CD are Franz Liszt's versions of the Impromptus, Op. 90, Nos. 2 and 3. In Liszt's interpretation, No. 2 increases its virtuosic connotation (for example, with the addition of \"filler\" notes) and accentuates the \"Hungarian\" character of the Trio and Coda. Liszt instead transposes No. 3 into the more comfortable and – above all – less problematic, mysterious, and obscure key of G major (from the original in G flat); in the reprise of the main theme, Liszt offers a highly personal rewriting, reminiscent of the atmosphere of the celebrated Liebestraum.\u003c\/span\u003e\u003cbr\u003e \u003cem\u003eChiara Bertoglio\u003c\/em\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50002901696859,"sku":"CVLD233CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":49872085385563,"sku":"CVLD233","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/233-cover.jpg?v=1736555111"},{"product_id":"audiophile-musical-journey","title":"AUDIOPHILE MUSICAL JOURNEY","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cstrong\u003eAUDIOPHILE MUSICAL JOURNEY\u003c\/strong\u003e ( \u003cspan\u003eCVLD306\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cspan\u003e\u003cstrong\u003eAuthor\u003c\/strong\u003e :\u003c\/span\u003e \u003cspan id=\"autore\"\u003eAAVV\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003ePerformer\u003c\/strong\u003e :\u003c\/span\u003e \u003cspan id=\"esecutore\"\u003eVARI\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cstrong\u003eTraces\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e Benjamin Britten\u003cbr\u003e Simple Symphony op.4\u003cbr\u003e 01 - Boisterous Bouree, 3:10\u003cbr\u003e 02 - Playful Pizzicato, 3:11\u003cbr\u003e The Olimpico Soloists, Giovanni Battista Rigon, conductor\u003cbr\u003e Live recording at Teatro Olimpico, Vicenza, June 7, 2003\u003cbr\u003e from VELUT LUNA CVLD090 - ITW310409002 -03\u003c\/p\u003e\n\n\u003cp\u003e Felix Mendelssohn-Bartholdy\u003cbr\u003e 03 - Midnight's Summer Dream, Op.21, Overture, final, 3:15\u003cbr\u003e Orchestra of Padua and Veneto, Zsolt Hamar, conductor\u003cbr\u003e Live recording at Auditorum Pollini, Padua, April 19th, 2007 \u003cbr\u003eVELUT LUNA never published before - ITW311799901\u003c\/p\u003e\n\n\u003cp\u003e Wolfgang Amadeus Mozart\u003cbr\u003e Concert in A Major K622 for Clarinet and Orchestra\u003cbr\u003e 04 - Allegro [fragment], 4:08\u003cbr\u003e Luca Lucchetta, clarinet, Orchestra of Padua and Veneto, Zsolt Hamar, conductor\u003cbr\u003e Live recording at Teatro Verdi, Padua, October 4th, 2004\u003cbr\u003e from VELUT LUNA CVLD292 - ITW311729201\u003c\/p\u003e\n\n\u003cp\u003e 05 - Era de' Maggio (M.Costa - S.Di Giacomo) 5:30\u003cbr\u003e Rosella Caporale, voice\u003cbr\u003e C.Pollini Orchestra of the Conservatory of Padua, Giuliano Medeossi, conductor\u003cbr\u003e Studio recording at Auditorium Pollini, Padua, May 2015\u003cbr\u003e from VELUT LUNA CVLD265 - ITW311526508\u003c\/p\u003e\n\n\u003cp\u003e Franz Schubert\u003cbr\u003e 06 - Sonata in A major D959: Andantino, 8:05\u003cbr\u003e Chiara Bertoglio, grandpiano\u003cbr\u003e Live-in-studio recording at Spazio d'Arte, San Giacomo, November 29, 2014\u003cbr\u003e from VELUT LUNA CVLD090 - ITW311526407\u003c\/p\u003e\n\n\u003cp\u003e 07 - Albori (S.Tasca) 5:44\u003cbr\u003e Saverio Tasca \u0026amp; AlterArco\u003cbr\u003e Studio recording at MagisterArea Studios, Preganziol, July 2015\u003cbr\u003e from VELUT LUNA CVLD269 - ITW311526901\u003c\/p\u003e\n\n\u003cp\u003e 08 - At The Jazz Band Ball (L.Shields) 3:38\u003cbr\u003e Storyville Jazz Band \u003cbr\u003eStudio recording at MagisterArea Studios, Preganziol, July 26, 2006\u003cbr\u003e from VELUT LUNA CVLD145 - ITW310614501\u003c\/p\u003e\n\n\u003cp\u003e 09 - Vertigo (M.Salvagnini) 4:34\u003cbr\u003e Massimo Salvagnini Quartet\u003cbr\u003e Studio recording at MagisterArea Studios, Preganziol, November 11, 2006\u003cbr\u003e from VELUT LUNA CVLD153 - ITW310715305\u003c\/p\u003e\n\n\u003cp\u003e 10 - Birdland (J.Zawinul) 5:19\u003cbr\u003e Art Percussion Ensemble, Massimo Pastore conductor\u003cbr\u003e Studio recording at Auditorium Pollini, Padua, October 2010\u003cbr\u003e from VELUT LUNA CVLD196 - ITW311119604\u003c\/p\u003e\n\n\u003cp\u003e 11 - Toni Nokia (DBSoto Chero) 6:31\u003cbr\u003e David Beltran Soto Chero Ensemble\u003cbr\u003e Studio recording at MagisterArea Studios, Preganziol, March 19, 2013\u003cbr\u003e from VELUT LUNA CVLD239 - ITW311323908\u003c\/p\u003e\n\n\u003cp\u003e 12 - Tears (M.Strano - P.Casula) 5:17\u003cbr\u003e Paola Casula\u003cbr\u003e Studio recording at MagisterArea Studios, Preganziol, March 16, 2006\u003cbr\u003e from VELUT LUNA CVLD139 - ITW310613910\u003c\/p\u003e\n\n\u003cp\u003e 13 - So in love (C.Porter) 4:06\u003cbr\u003e Lucia Minetti, Pietro Ballestrero \u0026amp; Stefano Profeta\u003cbr\u003e Live-in-studio recording at MagisterArea Studios, Preganziol, September 23, 2017\u003cbr\u003e from VELUT LUNA CVLD294 - ITW311729404\u003c\/p\u003e\n\n \u003cp\u003e14 - Contigo en la distancia (Cesar Portillo de la Luz) 3:57\u003cbr\u003e Alejandro Martinez and Nina and Villa El Salvador\u003cbr\u003e Studio recording at Studio A, Padua, June 2015\u003cbr\u003e from VELUT LUNA CVLD266 - ITW311526601\u003c\/p\u003e\n\n\u003cp\u003e 15 - You'll See, You'll See (L.Tenco) 4:36\u003cbr\u003e Ninni Arini\u003cbr\u003e Studio recording at Cantina Martinez, Marsala, January 27th, 2017\u003cbr\u003e from VELUT LUNA CVLD286 - ITW311728604\u003c\/p\u003e\n\n\u003cp\u003e 16 - Nia, nia, nia \/ Rodrigo Martines (Anonymous XVI sec.) 4:34\u003cbr\u003e Terra d'Otranto Ensemble\u003cbr\u003e Studio recording at Masseria Torcito, Lecce, October 3, 2003\u003cbr\u003e from VELUT LUNA CVLD099 - ITW311799902\u003c\/p\u003e\n\n\u003cp\u003e 17 - Reso (DBSoto Chero) 3:08\u003cbr\u003e David Beltran Soto Chero Ensemble\u003cbr\u003e Studio recording at MagisterArea Studios, Preganziol, March 19, 2013\u003cbr\u003e from VELUT LUNA CVLD239 - ITW311323913\u003cbr\u003e Total time: 78:55\u003c\/p\u003e\n\n\u003ch3\u003e NOTE:\u003c\/h3\u003e\n\n\u003cp\u003e The aim of this album is to let you appreciate music of exceptional interest, played by musicians of the highest calibre, recorded according to criteria of absolute excellence.\u003c\/p\u003e\n\n \u003cp\u003eThanks to these following notes, we want to enable you to understand how this record should sound correctly and therefore offer you a tool to evaluate how your playback system behaves in relation to how it should behave...\u003cbr\u003e This does not mean a priori that, if your system produces a sound different from that indicated in this guide, it sounds \"bad\": it means, precisely, and only, that it produces a sound different from that indicated by the person who made the recording.\u003cbr\u003e If you like the sound your system produces, even if it differs from what is indicated here, you are under no obligation to change anything.\u003cbr\u003e This disc is just a \"litmus test\" designed to provide you with some additional information, which you can decide whether or not to use, and which will allow you to decide whether to continue listening to your system as is or make some small or even substantial changes. \u003cbr\u003eWe don't offer any hard and fast rules... We just offer additional guidance beyond what you'd typically find on other records.\u003c\/p\u003e\n\n\u003cp\u003e The listening system used to compile this guide is the same monitor system used in production and is composed of the following devices, inserted in the environment shown in the stylised plan published alongside:\u003cbr\u003e CD Player + DAC: NORTH STAR DESIGN, 192 Mechanics + SUPREMO DAC\u003cbr\u003e Preamplifier: NORMA SC-2\u003cbr\u003e L + R multi-amplified speakers: GENELEC 1037C\u003cbr\u003e Subwoofer: GENELEC 7070\u003cbr\u003e Mechanics --\u0026gt; DAC: WHITE GOLD I2S\u003cbr\u003e DAC --\u0026gt; Preamplifier --\u0026gt; Speakers: VELUT LUNA WIRE, balanced and built to our specifications\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"HD FILE 88.2kHz · 24bit","offer_id":49923124658523,"sku":"CVLD306","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"CD","offer_id":49995392450907,"sku":"CVLD306CD","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_d664fb59-e487-4c9d-a58c-c42d66b4203d.jpg?v=1737330742"},{"product_id":"the-ultimate-sound","title":"THE ULTIMATE SOUND","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eTHE ULTIMATE SOUND\u003c\/strong\u003e ( \u003cspan\u003eCVLD348\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eAuthor\u003c\/strong\u003e : Marco Lincetto (production, mixing and mastering)\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003ePerformers\u003c\/strong\u003e : Various, including Maria Vicentini, Salvatore Maiore, Roberto Loreggian, Symphony Orchestra of the C. Pollini Conservatory, Chiara Pastò, Valentina Fin, Eugenio Finardi, and many others.\u003c\/p\u003e\n\n\u003ch2\u003e \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTraces\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\n\u003cp\u003e \u003cstrong\u003e\u003cu\u003eBASS\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003e01 - Fables Of Faubus, 2:41\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(Charles Mingus)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eMaria Vicentini, viola; Salvatore Maiore, double bass\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003elive recording, 2019\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eSOUND IMAGE\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003e02 - Concert For Harpsichord and Orchestra in G min, BWV1056a, Adagio, 2:41\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003e(Johann Sebastian Bach)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eRoberto Loreggian, harpsichord; The Art of the Bow, Federico Guglielmo\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003elive in studio recording, 2019\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eSYMPHONIC ORCHESTRA\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003e03 - Symphony N.1 in D major, \"Titan\", Sturmisch bewegt, 3:22\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(Gustav Mahler)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eSymphony Orchestra of the C. Pollini Conservatory, Giuliano Medeossi, conductor\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003elive recording, 2018\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eFLOOR\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003e04 - Sonata D959 in A major, Scherzo, 4:58\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(Franz Schubert)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eAlessandro Cesaro, Steinway \u0026amp; Sons Mod.O piano, NY, 1909\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003elive in studio recording, 2021\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eGRAND PIANO\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003e05 - Uranus, The Magician, 4:32\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(Gustav Holst)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eAlberto Nosè \u0026amp; Valentina Fornari, 2x Fazioli F278 Concert Grand\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003elive in studio recording, 2021\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eSTRING ORCHESTRA\u003c\/u\u003e\u003c\/strong\u003e \u003cbr\u003e\u003cspan\u003e06 - Suite for Paer, for string orchestra, Waltz Time, 2:29\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(Adriano Lincetto)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eThe Italian Philharmonic Soloists, Giovanni Guglielmo, conductor\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003elive in studio recording, 2004\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eBIG BAND: BRASS AND PERCUSSIONS - DYNAMIC TEST\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003e07 - El Cumbanchero, 4:25\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(Rafael Hernandez)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eLatin Jazz Band, Renzo De Rossi, conductor\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003elive in studio recording, 2004\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eFEMALE VOICE\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003e08 - Cry Me A River, 4:57\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(Arthur Hamilton)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eChiara Pastò, Ensemble\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003estudio recording, 2020\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 - My Ship, 4:38\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(Kurt Weill, Ira Gershwin)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eValentina Fin, Ensemble\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003elive in studio recording, 2021\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 - Coquerais, 3:25\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(Lara Cavalli Monteiro, David Beltran Soto Chero)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eLara Cavalli Monteiro \u0026amp; David Beltran Soto Chero\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003elive in studio recording, 2019\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eMALE VOICE\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003e11 - Polka Dots And Moonbeans, 4:03\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(J. Van Heusen, J. Burke)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eStefano Riva \u0026amp; Massimo Salvagnini Quartet\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003elive in studio recording, 2011\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 - Since I Fell For You, 6:10\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(C. Johnsonn)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eFrancesco Michielin \u0026amp; The Metronomes\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003elive in studio recording, 2011\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13 - The Sentimental Boxer, 3:27\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(Vladimir Vysotsky, Sergio Secondiano Sacchi)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eEugenio Finardi \u0026amp; Wild Paths\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003elive in studio recording, 2007\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003ePOLYPHONIC CHORUS\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003e14 - A Round Of Three Country Dances In One, 2:56\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(Thomas Ravenscroft)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eEnsemble Juveniliter\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003elive in studio recording, 1997\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eCHAMBER JAZZ: STRING QUARTET AND CLARINET\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003e15 - Balance, 4:43\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003e(Oscar Del Barba)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eOscar Del Barba Ensemble, featuring Mauro Negri\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003elive in studio recording, 2000\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eDIXIELAND JAZZ BAND\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003e16 - At The Jazz Band Ball, 3:21\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(D. La Rocca, L. Shields)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eTiger Dixie Band\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003elive in studio recording, 2003\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eSYMPHONIC ORGAN\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003e17 - The Throne Room \u0026amp; End Title, 6:46\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(John Williams)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eRaymond Mazzon\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003elive in studio recording, 2019\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTotal Time: 69:45\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003ch2\u003e \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\n\u003cp\u003e \u003cspan\u003eThis is a carefully curated selection of Marco Lincetto's finest recordings, each distinguished by their exceptional artistic and technical quality. Each recording highlights the instrumental detail it highlights.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"HD FILE 88.2kHz · 24bit","offer_id":49935476916571,"sku":"CVLD348","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cover_ee016b43-dfbc-416c-a392-ccb0288e7ff6.jpg?v=1740684378"},{"product_id":"schubert-schumann-roccato-tezza","title":"SCHUBERT, SCHUMANN - ROCCATO, TEZZA","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cstrong\u003eSCHUBERT, SCHUMANN\u003c\/strong\u003e ( \u003cspan\u003eCVLD054\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cspan\u003e\u003cstrong\u003eAuthor\u003c\/strong\u003e :\u003c\/span\u003e \u003cspan id=\"autore\"\u003eSCHUBERT, SCHUMANN\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003ePerformer\u003c\/strong\u003e :\u003c\/span\u003e \u003cspan id=\"esecutore\"\u003eD. ROCCATO, M. TEZZA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cem\u003eAvailable in: CD, CD File\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cstrong\u003eTracks\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e 01 - Sonata in A Minor, D. 821 \"Arpeggione\": I. Allegro moderato - Arranged for Double Bass and Piano\u003cbr\u003e 02 - Sonata in A Minor, D. 821 \"Arpeggione\": II. Adagio - Arranged for Double Bass and Piano\u003cbr\u003e 03 - Sonata in A Minor, D. 821 \"Arpeggione\": III. Allegretto - Arranged for Double Bass and Piano\u003cbr\u003e 04 - Fantasiestücke, Op. 73: No. 1, Zart und mit Ausdruck - Arranged for Double Bass and Piano\u003cbr\u003e 05 - Fantasiestücke, Op. 73: No. 2, Lebhaft, leicht - Arranged for Double Bass and Piano\u003cbr\u003e 06 - Fantasiestücke, Op. 73: No. 3, Rasch und mit Feuer - Arranged for Double Bass and Piano\u003cbr\u003e 07 - Romances, Op. 94: No. 1, Nicht schnell - Arranged for Double Bass and Piano\u003cbr\u003e 08 - Romances, Op. 94: No. 2, Einfach, innig - Arranged for Double Bass and Piano\u003cbr\u003e 09 - Romances, Op. 94: No. 3, Nicht schnell - Arranged for Double Bass and Piano\u003cbr\u003e 10 - 12 Klavierstücke für small und large Kinder, Op. 85: No. 12, Abendlied - Arranged for Double Bass and Piano\u003c\/p\u003e\n\u003cp\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Roccato-e-Tezza-Play-Schubert-Schumann\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cspan\u003eCLASSICAL: original compositions by Franz Schubert, Robert Schumann. Daniele Roccato, double bass \/ Marco Tezza, piano 24Bit \/ 96 kHz Digital Recording. Live in studio at Auditorium Sandro Pertini, Adria (Padova, Italy) May, 2001\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eThe disc presents an interesting new interpretative point of view on some very famous pages of the romantic repertoire: Fantasiestucke op.73, Romanzen op.94 and Abendlied from op.85 by Robert Schumann and the famous \"Arpeggione\" by Schubert. The arpeggione was a particular instrument, distantly related to the cello, which fell into disuse and was replaced by the cello, precisely. This is why the transcriptions of the brilliant Daniele Roccato do not appear out of place, but rather create new interesting combinations of timbre. REVIEWS: AUDIOREVIEW - March 2002, Marco Cicogna (News column) SUONO - April 2002, Paola Raschi AMADEUS - March 2002 (short report, 4 and 5 stars)\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50035108872539,"sku":"CVLD054CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"CD FILE 44.1kHz • 16bit","offer_id":50513673257307,"sku":"CVLD054","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/60d97107e39ee10905565e58.jpg?v=1739024464"},{"product_id":"valses-tenaglia","title":"VALSES - NIPPERS","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cstrong\u003eVALSES\u003c\/strong\u003e ( \u003cspan\u003eCVLD041\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cspan\u003e\u003cstrong\u003eAuthor\u003c\/strong\u003e :\u003c\/span\u003e \u003cspan id=\"autore\"\u003eFRANZ SCHUBERT, MAURICE RAVEL\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003ePerformer\u003c\/strong\u003e :\u003c\/span\u003e \u003cspan id=\"esecutore\"\u003eALESSANDRO TENAGLIA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cem\u003eAvailable in: CD File\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cstrong\u003eTracks\u003c\/strong\u003e\u003c\/p\u003e\n\u003cpre\u003e 01 - 12 Vaises nobles, Op. 77, D. 969: Nos. 1, 2 \u0026amp; 3\n 02 - 12 Vaises nobles, Op. 77, D. 969: Nos. 4, 5 \u0026amp; 6\n 03 - 12 Vaises nobles, Op. 77, D. 969: Nos. 7, 8 \u0026amp; 9\n 04 - 12 Vaises nobles, Op. 77, D. 969: Nos. 10, 11 \u0026amp; 12\n 05 - Vaises nobles et sentimentales, M. 61: Nos 1, 2, 3, 4, 5, 6 \u0026amp; 7\n 06 - Vaises nobles et sentimentales, M. 61: No. 8, Épilogue. Slow\n 07 - Vaises sentimentales, Op. 50, D. 779: Nos. 1, 2, 3 \u0026amp; 4\n 08 - Vaises sentimentales, Op. 50, D. 779: Nos. 5, 6 \u0026amp; 7\n 09 - Vaises sentimentales, Op. 50, D. 779: Nos. 8, 9, 10 \u0026amp; 11\n 10 - Vaises sentimentales, Op. 50, D. 779: Nos. 12, 13 \u0026amp; 14\n 11 - Vaises sentimentales, Op. 50, D. 779: Nos. 15, 16 \u0026amp; 17\n 12 - Vaises sentimentales, Op. 50, D. 779: Nos. 18, 19 \u0026amp; 20\n 13 - Vaises sentimentales, Op. 50, D. 779: Nos. 21, 22, 23 \u0026amp; 24\n 14 - Vaises sentimentales, Op. 50, D. 779: Nos. 25 \u0026amp; 26\n 15 - Vaises sentimentales, Op. 50, D. 779: Nos. 27, 28 \u0026amp; 29\n 16 - Vaises sentimentales, Op. 50, D. 779: Nos. 30, 31 \u0026amp; 32\n 17 - Vaises sentimentales, Op. 50, D. 779: Nos. 33 \u0026amp; 34\u003cbr\u003e\u003c\/pre\u003e\n\u003cp\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Schubert-Ravel-Valses\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e \u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cspan\u003eCLASSICAL: original compositions by Franz Schubert, Maurice Ravel Alessandro Tenaglia, tafelklavier (Schubert) and grandpiano (Ravel) 24Bit \/ 96 kHz Digital Recording. Live in studio at A.Tenaglia private music hall (Vicenza, Italy. April - October, 2000\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":50510580154715,"sku":"CVLD041","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"CD (out of stock)","offer_id":50510580187483,"sku":"CVLD041CD","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_51463bac-a0d1-4dbe-b962-a3085ac9bf61.jpg?v=1746093696"},{"product_id":"schubert-symphonies-nos-1-9-overture-in-the-italian-style-d-591","title":"Schubert: Symphonies Nos. 1-9 \u0026amp; Overture in the Italian Style, D. 591","description":"\u003cp\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003ci\u003e\u003cb\u003eSchubert: Symphonies Nos. 1-9 \u0026amp; Overture in the Italian Style, D. 591 ( \u003cspan\u003eCBH513\u003c\/span\u003e )\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eComposer\u003c\/strong\u003e : Franz Schubert\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eConductor\u003c\/strong\u003e : Wolfgang Sawallisch\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eOrchestra\u003c\/strong\u003e : Staatskaeplle Dresden 1967\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eTraces\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eCD 1\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e Symphony No. 1 D. 82 I. Adagio - Allegro vivace 11:38 II. Andante 08:31 III. Allegro 03:44\u003cbr\u003e IV. Allegro vivace 06:10\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e Symphony No. 2 in B flat major D. 125\u003cbr\u003e I. Largo - Allegro vivace 10:29 II. Andante 8:17 III. Menuetto (Allegro vivace) 2:54 IV. Presto 6:10\u003c\/p\u003e\n\n \u003cp\u003eOverture in the Italian Style in C major D. 591 08:15\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eCD 2\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e Symphony No. 3 in D major D. 20\u003cbr\u003e I. Adagio maestoso - Allegro con brio 10:05 II. Allegretto 4:04 III. Menuetto (Vivace) 3:36 IV. Presto. Vivace 5:12\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e Symphony No. 4 in C minor D. 417 \"Tragic\"\u003cbr\u003e I. Adagio molto - Allegro vivace 9:15 II. Andante 10:14 III. Menutto (Allegro vivace) 3:13 IV. Allegro 7:41\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eCD 3\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e Symphony No. 5 in B flat major D. 485\u003cbr\u003e I. Allegro 6:43 II. Andante con moto 11:46 III. Menuetto (Allegro molto) 5:02 IV. Allegro vivace 5:35\u003c\/p\u003e\n\n\u003cp\u003e Schubert - Symphony No. 6 D. 589 I. Adagio - Allegro 08:01 II. Andante 06:40 III. Scherzo. Presto 06:24 IV. Allegro moderato 09:41\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eCD 4\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e Symphony No. 8 in B minor D. 759 \"Unfinished\"\u003cbr\u003e I. Allegro moderato 14:54 II. Andante con moto 13:33\u003c\/p\u003e\n\n\u003cp\u003e Schubert: Great Symphony No. 9\u003cbr\u003e Symphony no. 9 in C major, No.9, D.944\u003c\/p\u003e\n\n \u003cp\u003eOverture in the Italian Style in C major D. 591\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/cbhmusic.lnk.to\/Schubert-Symphonies-Nos-1-9-Overture-in-the-Italian-Style-D-591\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD 1 - CD FILE 44.1kHz • 16bit","offer_id":51009932231003,"sku":"CBH513-1","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"CD 2 - CD FILE 44.1kHz • 16bit","offer_id":51009932263771,"sku":"CBH513-2","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"CD 3 - CD FILE 44.1kHz • 16bit","offer_id":51009946485083,"sku":"CBH513-3","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"CD 4 - CD FILE 44.1kHz • 16bit","offer_id":51009946517851,"sku":"CBH513-4","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/COVERCBH_34c1e00d-4916-47a6-baaa-8012cf6b3de0.png?v=1753012018"},{"product_id":"schubert-rosamunde-furstin-von-zypern-d-797-live","title":"Schubert: Rosamunde, Fürstin von Zypern, D. 797 (Live)","description":"\u003cp\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003ci\u003e\u003cb\u003eSchubert: Rosamunde, Fürstin von Zypern, D. 797 (Live) (\u003cspan\u003eCBH517\u003c\/span\u003e)\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e: Franz Schubert\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConductor \u003c\/strong\u003e:  Mario Rossi\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestra \u003c\/strong\u003e: Turin Rai Orchestra\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e01 - Rosamunde, D. 797, I. Entr'acte. Allegro molto moderato\u003cbr\u003e02 - Rosamunde, D. 797, II. Balletto. Allegro moderato\u003cbr\u003e03 - Rosamunde, D. 797, III. Entr'acte. Andante\u003cbr\u003e04 - Rosamunde, D. 797, IV. Romanza\u003cbr\u003e05 - Rosamunde, D. 797, V. Geisterchor\u003cbr\u003e06 - Rosamunde, D. 797, VI. Entr'acte. Andantino\u003cbr\u003e07 - Rosamunde, D. 797, VII. Hirtenmelodie. Andante\u003cbr\u003e08 - Rosamunde, D. 797, VIII. Hirtenchor\u003cbr\u003e09 - Rosamunde, D. 797, IX. Jaegerchor\u003cbr\u003e10 - Rosamunde, D. 797, X. Balletto. Andantino\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/cbhmusic.lnk.to\/Schubert-Rosamunde-Furstin-von-Zypern-D-797-Live\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv dir=\"ltr\" id=\"model-response-message-contentr_0fb41b2cc824992a\" class=\"markdown markdown-main-panel stronger enable-updated-hr-color\"\u003e\n\u003cdiv class=\"markdown markdown-main-panel stronger enable-updated-hr-color\" id=\"model-response-message-contentr_270beffcdcdec0a2\" dir=\"ltr\"\u003e\n\u003cp\u003eExperience the poetry of Schubert with “Rosamunde, Fürstin von Zypern, D. 797 (Live) (CBH517),” an unforgettable live audio recording conducted by Mario Rossi with the Turin Rai Orchestra. The performance captures the magic of the romantic repertoire, from intense timbral colors to surprising dynamics, from the lyricism of the Romanza to the enigmatic atmosphere of the Geisterchor.\u003c\/p\u003e\n\u003cp\u003eRossi's direction enhances the orchestral nuances, providing a deeply immersive and authentic listening experience. Ideal for moments of relaxation and special occasions.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51014666223963,"sku":"CBH517","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/covercbh_93ac96fb-5f7b-4eb9-93dc-ed95ed43b5b7.png?v=1753090518"},{"product_id":"schubert-symphony-no-3-d-200-mendelssohn-symphony-no-4-op-90-mwv-n-16","title":"Schubert: Symphony No.3, D. 200 - Mendelssohn: Symphony No.4, Op.90, MWV N 16","description":"\u003cp\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003ci\u003e\u003cb\u003eSchubert: Symphony No.3, D. 200 - Mendelssohn: Symphony No.4, Op.90, MWV N 16 ( \u003cspan\u003eCBH523\u003c\/span\u003e )\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eComposer\u003c\/strong\u003e : Franz Schubert, Felix Mendelssohn\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eConductor\u003c\/strong\u003e : Mario Rossi\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eOrchestra\u003c\/strong\u003e : Turin Symphony Orchestra\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eTraces\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eFranz Schubert\u003c\/strong\u003e - Symphony No. 3 in D Major, D. 200\u003c\/span\u003e\u003cbr\u003e 01 - Symphonic Symphony No. 3 in D Major, D. 200, I. Adagio maestoso - Allegro con brio\u003cbr\u003e 02 - Symohony No. 3 in D Major, D. 200, II. Allegretto\u003cbr\u003e 03 - Symohony No. 3 in D Major, D. 200, III. Menuetto: Lively\u003cbr\u003e 04 - Symphonic Symphony No. 3 in D Major, D. 200, IV. Presto: Vivace\u003c\/p\u003e\n\u003cp\u003e \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eFelix Mendelssohn\u003c\/strong\u003e - Symphony No. 4 in A Major, Op. 90 \"Italian\"\u003c\/span\u003e\u003cbr\u003e 05 - Symohony No. 4 in A Major, Op. 90 \"Italian\", I. Allegro lively\u003cbr\u003e 06 - Symohony No. 4 in A Major, Op. 90 \"Italian\", II. Going with motorbike\u003cbr\u003e 07 - Symphonic Symphony No. 4 in A Major, Op. 90 \"Italian\", III. Con modo molto moderato\u003cbr\u003e 08 - Symphonic Symphony No. 4 in A Major, Op. 90 \"Italian\", IV. Saltarello: Presto\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/cbhmusic.lnk.to\/Schubert-Symphony-No-3-D-200-Mendelssohn-Symphony-No-4-Op-90-MWV-N-16\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e \u003cstrong\u003eNotes\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mario Rossi conducts the Turin Symphony Orchestra in an elegant and brilliant juxtaposition of two early 19th-century symphonic masterpieces. Schubert's Third Symphony, with its melodic freshness and lively rhythmic contrasts, reveals the Viennese composer's youthful inventiveness, highlighted by a careful reading of detail and the lyrical breadth of phrases. In Mendelssohn's celebrated Fourth Symphony, known as the \"Italian Symphony,\" brilliant writing and thematic vitality blend with sunny, dance-like atmospheres, culminating in the energetic Saltarello finale. Rossi's interpretation combines formal precision and expressive momentum, offering a coherent and stylistically informed reading of both works.\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51022505083227,"sku":"CBH523","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/covercbh_eb926799-6bbe-42fb-8472-21ea1c8b0958.png?v=1753173110"},{"product_id":"karajan-conducts-mozart-beethoven-schubert-symphonies","title":"Karajan conducts Mozart, Beethoven, Schubert: Symphonies","description":"\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003ci\u003e\u003cb\u003eKarajan conducts Mozart, Beethoven, Schubert: Symphonies ( \u003cspan\u003eCBH536\u003c\/span\u003e )\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eComposer\u003c\/strong\u003e : Wolfgang Amadeus Mozart, Franz Schubert, Ludwig van Beethoven\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eConductor\u003c\/strong\u003e : Herbert von Karajan\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eOrchestra\u003c\/strong\u003e : Berliner Philharmoniker, Los Angeles Philharmonic, Wiener Philharmoniker\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eTraces\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eCD 1\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e 01 - Symphony No. 35 in D Major, KV 385, I. Allegro con spirit\u003cbr\u003e 02 - Symphony No. 35 in D Major, KV 385, II. Andante\u003cbr\u003e 03 - Symphony No. 35 in D Major, KV 385, III. Minuet\u003cbr\u003e 04 - Symphony No. 35 in D Major, KV 385, IV. Soon\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003e\u003cem\u003eWolfgang Amadeus Mozart\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e \u003cstrong\u003e\u003cem\u003eHerbert von Karajan\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e \u003cstrong\u003e\u003cem\u003eLos Angeles Philharmonic\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e 05 - Symphony No. 39 in E Flat Major, KV 543, I. Adagio - Allegro\u003cbr\u003e 06 - Symphony No. 39 in E Flat Major, KV 543, II. Going with motorbike\u003cbr\u003e 07 - Symphony No. 39 in E Flat Major, KV 543, III. Minuet\u003cbr\u003e 08 - Symphony No. 39 in E Flat Major, KV 543, IV. Cheerful\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003e\u003cem\u003eWolfgang Amadeus Mozart\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e \u003cstrong\u003e\u003cem\u003eHerbert von Karajan\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e \u003cstrong\u003e\u003cem\u003eVienna Philharmonic\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e 09 - Symphony No. 8 in B minor, D759, I. Allegro moderato\u003cbr\u003e 10 – Symphony No. 8 in B minor, D759, II. Going with motorbike\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003e\u003cem\u003eFranz Schubert\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e \u003cstrong\u003e\u003cem\u003eHerbert von Karajan\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e \u003cstrong\u003e\u003cem\u003eVienna Philharmonic\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eCD 2\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e 01 - Symphony No. 5 in C Minor, Op. 67, I. Allegro con brio\u003cbr\u003e 02 - Symphony No. 5 in C Minor, Op. 67, II. Going with motorbike\u003cbr\u003e 03 - Symphony No. 5 in C Minor, Op. 67, III. Cheerful\u003cbr\u003e 04 - Symphony No. 5 in C Minor, Op. 67, IV. Cheerful\u003cbr\u003e 05 - Symphony No. 5 in C Minor, Op. 92, I. Poco sostenuto - Vivace\u003cbr\u003e 06 - Symphony No. 5 in C Minor, Op. 92, II. Allegretto\u003cbr\u003e 07 - Symphony No. 5 in C Minor, Op. 92, III. Soon\u003cbr\u003e 08 - Symphony No. 5 in C Minor, Op. 92, IV. Cheerful with panache\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003e\u003cem\u003eLudwig van Beethoven\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e \u003cstrong\u003e\u003cem\u003eHerbert von Karajan\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e \u003cstrong\u003e\u003cem\u003eBerlin Philharmonic\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe data-darkreader-inline-border-left=\"\" data-darkreader-inline-border-bottom=\"\" data-darkreader-inline-border-right=\"\" data-darkreader-inline-border-top=\"\" style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/cbhmusic.lnk.to\/Karajan-conducts-Mozart-Beethoven-Schubert-Symphonies\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e \u003cstrong\u003eNotes\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n\u003cp\u003eHerbert von Karajan conducts Mozart's symphonies with measured enthusiasm and profound understanding, highlighting their formal clarity and orchestral balance. The melodic lines shine with clarity, and the interplay between strings, winds, and brass conveys the grace and rigor typical of the Salzburg genius. The orchestra responds with absolute precision, offering a transparent and luminous sound that enhances every structural detail.\u003c\/p\u003e\n\n\u003cp\u003e In Beethoven's symphonies, Karajan balances heroic force and lyrical introspection, highlighting the transformative power of the themes and the dynamic contrast between the most energetic and contemplative moments. The transition to Schubert's early works introduces a melodic candor and harmonic breadth that thrill the heart with wonder. Sound and phrasing blend in a warm and enveloping performance, a testament to the great Austrian symphonic tradition.\u003cbr\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD 1 - CD FILE 44.1kHz • 16bit","offer_id":51034096566619,"sku":"CBH536-1","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"CD 2 - CD FILE 44.1kHz • 16bit","offer_id":51034096599387,"sku":"CBH536-2","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/covercbh_af904c24-5393-4fe2-918a-a4c283e3b89a.png?v=1753352720"},{"product_id":"a-portrait-vol-6-jascha-horenstein-remastered-2022","title":"A Portrait, Vol. 6: Jascha Horenstein (Remastered 2022)","description":"\u003cp\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003ci\u003e\u003cb\u003eA Portrait, Vol. 6: Jascha Horenstein (Remastered 2022) ( \u003cspan\u003eCBH586\u003c\/span\u003e )\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eComposer\u003c\/strong\u003e : Franz Schubert\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eConductor\u003c\/strong\u003e : Jascha Horenstein\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eOrchestra\u003c\/strong\u003e : Göthenburg Symphony Orchestra\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eTraces\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e 01 - Symphony No. 9 in C Major, D. 944 \"The Great\", I. Andante - Allegro ma non troppo\u003cbr\u003e 02 - Symphony No. 9 in C Major, D. 944 \"The Great\", II. Going with motorbike\u003cbr\u003e 03 - Symphony No. 9 in C Major, D. 944 \"The Great\", III. Joke. Lively cheerful\u003cbr\u003e 04 - Symphony No. 9 in C Major, D. 944 \"The Great\", IV. Finale: Allegro lively \u003c\/p\u003e\n\n\u003cp\u003e\u003ciframe data-darkreader-inline-border-left=\"\" data-darkreader-inline-border-bottom=\"\" data-darkreader-inline-border-right=\"\" data-darkreader-inline-border-top=\"\" width=\"100%\" src=\"https:\/\/cbhmusic.lnk.to\/a-portrait-vol-6-jascha-horenstein-remastered-2022\" height=\"370\" border=\"0\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\n\u003cdiv\u003e\n\n \u003cstrong\u003eNotes\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\n\u003c\/div\u003e\n\n\u003cdiv\u003e\n\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\n\u003c\/div\u003e\n\n\u003cdiv\u003e\n\n \u003cp\u003eIn this performance of Schubert's \"Great\" Symphony No. 9, Jascha Horenstein leads the Göthenburg Symphony Orchestra on a spacious and luminous sonic journey. The work opens with an Andante that gradually blossoms into a vigorous Allegro ma non troppo, followed by an Andante con moto that alternates melancholy and sweetness. The Scherzo bursts forth with a dance-like momentum, while the Finale draws us into a whirlwind of lively rhythms and brilliant orchestral colors. Horenstein enhances the architectural majesty of the score, maintaining a constant narrative tension, and the orchestra responds with a full, clear, and enveloping sound, paying homage to Schubert at his most monumental and visionary.\u003cbr\u003e\u003c\/p\u003e\n\n\u003cstrong\u003e\u003c\/strong\u003e\n\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51164317548891,"sku":"CBH586","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/covercbh_8ebe69e2-f54f-4adf-b62b-264691f80d61.png?v=1755081391"},{"product_id":"the-symphonies-iii","title":"The Symphonies III","description":"\u003cp\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003ci\u003e\u003cb\u003eThe Symphonies III ( \u003cspan\u003eCBH617\u003c\/span\u003e )\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eComposer\u003c\/strong\u003e : Ludwig van Beethoven*, Franz Schubert**\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eConductor\u003c\/strong\u003e : Ferenc Fricsay\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eOrchestra\u003c\/strong\u003e : Berliner Philharmoniker*, Berlin Radio Symphony Orchestra**\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eTraces\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e 01 - Symphony No. 7 in A Major Op. 92, I. Poco sostenuto. Vivace *\u003cbr\u003e 02 - Symphony No. 7 in A Major Op. 92, II. Allegretto *\u003cbr\u003e 03 - Symphony No. 7 in A Major Op. 92, III. Soon *\u003cbr\u003e 04 - Symphony No. 7 in A Major Op. 92, IV. Allegro con brio *\u003cbr\u003e 05 - Symphony No. 8 in B Minor D. 957 \"Unfinished\", I. Allegro moderato **\u003cbr\u003e 06 - Symphony No. 8 in B Minor D. 957 \"Unfinished\", II. Andante with motorbike ** \u003c\/p\u003e\n\n\u003cp\u003e\u003ciframe data-darkreader-inline-border-left=\"\" data-darkreader-inline-border-bottom=\"\" data-darkreader-inline-border-right=\"\" data-darkreader-inline-border-top=\"\" width=\"100%\" src=\"https:\/\/cbhmusic.lnk.to\/the-symphonies-iii\" height=\"370\" border=\"0\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\n\u003cdiv\u003e\n\n \u003cstrong\u003eNotes\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\n\u003c\/div\u003e\n\n\u003cdiv\u003e\n\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\n\u003c\/div\u003e\n\n\u003cdiv\u003e\n\n \u003cp\u003eIn this album, Ferenc Fricsay tackles two cornerstones of the symphonic repertoire. With the Berlin Philharmonic, he offers a reading of Beethoven's Seventh Symphony, highlighting its vital rhythm, dramatic tension, and the propulsive force that runs through its four movements, from the solemn opening to the rousing finale. With the Berlin Radio Symphony Orchestra, he tackles Schubert's \"Unfinished\" Eighth Symphony, conveying its suspended lyricism and melancholic intensity, with a timbral balance that combines transparency and depth. This dual interpretative perspective demonstrates Fricsay's ability to blend energy and sensitivity, giving voice to two distinct yet complementary musical universes.\u003cbr\u003e\u003c\/p\u003e\n\n\u003cstrong\u003e\u003c\/strong\u003e\n\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51192818860379,"sku":"CBH617","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/covercbh_b9bdcdb1-996d-4066-9e6e-144e8110fd2b.png?v=1755429741"},{"product_id":"beethoven-piano-concerto-no-3-in-c-minor-op-37-schubert-symphony-no-8-in-b-minor-d-759-unfinished-live","title":"Beethoven: Piano Concerto No. 3 in C Minor, Op. 37 - Schubert: Symphony No. 8 in B Minor, D. 759 \"Unfinished\" (Live)","description":"\u003cp\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003ci\u003e\u003cb\u003eBeethoven: Piano Concerto No. 3 in C Minor, Op. 37 - Schubert: Symphony No. 8 in B Minor, D. 759 \"Unfinished\" (Live)\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eComposer\u003c\/strong\u003e : Ludwig van Beethoven*, Franz Schubert**\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eConductor\u003c\/strong\u003e : Istvan Kertesz\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eOrchestra\u003c\/strong\u003e : Bamberger Symphoniker*, London Symphony Orchestra**\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eTraces\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e 01 - Piano Concerto No. 3, Op. 37, I. Allegro con brio * \u003cbr\u003e02 - Piano Concerto No. 3, Op. 37, II. Largo *\u003cbr\u003e 03 - Piano Concerto No. 3, Op. 37, III. Rondo. Allegro *\u003cbr\u003e \u003cem\u003eConrad Hansen - solo piano\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e 04 - Symphony No. 8 \"Unfinished\", I. Allegro moderato **\u003cbr\u003e 05 - Symphony No. 8 \"Unfinished\", II. Andante with motorbike **\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/cbhmusic.lnk.to\/beethoven-piano-concerto-no-3-in-c-minor-op-37-schubert-symphony-no-8-in-b-minor-d-759-unfinished\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cdiv\u003e\n\n \u003cstrong\u003eNotes\u003c\/strong\u003e \u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\n\u003c\/div\u003e\n\n\u003cdiv\u003e\n\n\u003cp\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/p\u003e\n\n\u003cp class=\"ng-star-inserted\"\u003e\u003c!----\u003e\u003cspan\u003eThis live program pairs two masterpieces conducted by Istvan Kertesz. In Beethoven's Third Piano Concerto, soloist Conrad Hansen engages with the Bamberg Symphony Orchestra, offering a tense and dramatic interpretation with energetic phrasing. The London Symphony Orchestra's interpretation of Schubert's Unfinished Symphony shifts to a more intimate register, exploring the score's melancholic undertones with a deep and lyrical sound, creating an effective and fascinating stylistic contrast.\u003c\/span\u003e \u003cbr\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/p\u003e\n\n\u003cstrong\u003e\u003c\/strong\u003e\n\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51216347136347,"sku":"CBH657","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/covercbh_37074ffc-5dc2-4417-955d-6f4e96cf44d2.png?v=1772816275"},{"product_id":"audiophile-album-test-ahf01","title":"AUDIOPHILE ALBUM TEST - AHF01","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eAUDIOPHILE ALBUM TEST - AHF01 | Velut Luna\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cul\u003e\u003c\/ul\u003e\n\n \u003cp\u003eTracks:\u003c\/p\u003e\n\n\u003col\u003e\n\n\u003cli\u003e Audiophile Musical Journey - Franz Schubert 06 - Sonata in A major D959: Andantino, 8:05\u003c\/li\u003e\n\n\u003cli\u003e Audiophile Musical Journey - 10 - Birdland (J. Zawinul) 5:19\u003c\/li\u003e\n\n\u003cli\u003e Audiophile Musical Journey - Wolfgang Amadeus Mozart Concert in A Major K622 for Clarinet and Orchestra 04 - Allegro [fragment], 4:08\u003c\/li\u003e\n\n\u003cli\u003e Audiophile Musical Journey - 15 - You'll See, You'll See (L. Tenco) 4:36\u003c\/li\u003e\n\n\u003cli\u003e Rec Live! - 03 If You Go Before Me - Terence Trent D'Arby 4:20\u003c\/li\u003e\n\n\u003cli\u003e Rec Live! - 04 Empty Promises - Guido Marzorati 4:15\u003c\/li\u003e\n\n\u003cli\u003e Rec Live! - 08 Smells Like Teen Spirit - Kurt Cobain \u0026amp; Nirvana 5:43\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\n\u003cp\u003e ℗ 2026 Velut Luna®_Released 2026-02-15\u003c\/p\u003e\n\n\u003cp\u003e This is the first album included with AUDIOPHILE HI-FI magazine, created in collaboration with Velut Luna, a historic audiophile label that celebrated its first thirty years of activity in 2025 and which inaugurates with us this prestigious series of test records included with the magazine.\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Audiophile Hi-Fi","offers":[{"title":"HD FILE 88.2kHz · 24bit","offer_id":52397386957147,"sku":"AHF01-WAV","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/digitalalbumtestaudhiophile.png?v=1775331609"}],"url":"https:\/\/referencemusicstore.myshopify.com\/en\/collections\/franz-schubert.oembed","provider":"Reference Music Store","version":"1.0","type":"link"}