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Presto - Allegro assai\u003c\/span\u003e\u003c\/span\u003e \u003cspan color=\"#000000\" style=\"color: #000000;\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003e(23'13)\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cbr\u003e\n\u003cp\u003e Alto Vocals – \u003cstrong\u003eMaureen Forrester\u003c\/strong\u003e\u003cbr\u003e Baritone Vocals – \u003cstrong\u003eDietrich Fischer-Dieskau\u003c\/strong\u003e\u003cbr\u003e Soprano Vocals – \u003cstrong\u003eIrmgard Seefried\u003c\/strong\u003e\u003cbr\u003e Tenor Vocals – \u003cstrong\u003eErnst Haefliger\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e Choir – \u003cstrong data-mce-fragment=\"1\"\u003eBerlin St. Hedwig's Cathedral Of Choir\u003c\/strong\u003e *\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan size=\"3\" style=\"font-size: medium;\"\u003eOrchestra \u003cspan data-mce-fragment=\"1\"\u003e–\u003c\/span\u003e \u003cstrong\u003eBerliner Philharmoniker\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003eChorus Master – \u003cstrong data-mce-fragment=\"1\"\u003eKarl Forster\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan size=\"3\" style=\"font-size: medium;\"\u003eConductor: \u003cstrong\u003eFerenc Fricsay\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003ci\u003eRecording: Berlin, Jesus-Christus-Kirche XII 1957, I, IV, IX 1958\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003ci\u003eProducer: Karl Forster\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"44.1kHz · 16bit","offer_id":48538091454811,"sku":"cs-181-44","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"96kHz · 24bit","offer_id":48538091487579,"sku":"cs-181-96","price":15.0,"currency_code":"EUR","in_stock":true},{"title":"192kHz · 24bit","offer_id":48538091520347,"sku":"cs-181-192","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"DSD · 64","offer_id":48538091553115,"sku":"cs-181-64","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"DSD · 128","offer_id":48538091585883,"sku":"cs-181-128","price":22.0,"currency_code":"EUR","in_stock":true},{"title":"DSD · 256","offer_id":53776856973659,"sku":"cs-181-256","price":25.0,"currency_code":"EUR","in_stock":true},{"title":"DXD · 352","offer_id":53776857006427,"sku":"cs-181-352","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/181cover.png?v=1718893673"},{"product_id":"fricsay-conducts-tchaikovsky","title":"Fricsay: Tchaikovsky — Symphonies Nos. 4, 5 \u0026 6 “Pathétique”","description":"\u003cp\u003eThe final three symphonies of \u003cstrong\u003ePyotr Ilyich Tchaikovsky\u003c\/strong\u003e through three different documents of \u003cstrong\u003eFerenc Fricsay\u003c\/strong\u003e’s conducting. This Capsa Symphōnĭa edition brings together Symphony No. 4 with the RIAS-Symphonie-Orchester Berlin, No. 5 with the Stockholm Philharmonic Orchestra, and No. 6 “Pathétique” with the Berliner Philharmoniker.\u003c\/p\u003e\u003ch2\u003eThe historical recordings\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eSymphony No. 4\u003c\/strong\u003e belongs to Fricsay’s Berlin discography of \u003cstrong\u003e1952\u003c\/strong\u003e with the RIAS-Symphonie-Orchester. \u003cstrong\u003eSymphony No. 5\u003c\/strong\u003e is the radio document made in Stockholm on \u003cstrong\u003e6 March 1957\u003c\/strong\u003e with the Stockholm Philharmonic Orchestra. \u003cstrong\u003eSymphony No. 6 “Pathétique”\u003c\/strong\u003e is the recording with the Berliner Philharmoniker documented in the \u003cstrong\u003e1953\u003c\/strong\u003e catalogue.\u003c\/p\u003e\u003ch2\u003eFricsay and Tchaikovsky\u003c\/h2\u003e\u003cp\u003eThe set reveals three different dramatic architectures: the cyclic tension of the Fourth, the narrative trajectory of the Fifth, and the progressive dissolution of the “Pathétique”.\u003c\/p\u003e\u003ch2\u003eCapsa Symphōnĭa digital edition\u003c\/h2\u003e\u003cp\u003eThe album is divided into two parts, both in \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist — CD 1\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eTchaikovsky — Symphony No. 4 in F Minor, Op. 36\u003c\/strong\u003e\u003cbr\u003e1. 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Adagio lamentoso\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Ferenc Fricsay\u003cbr\u003e\u003cstrong\u003eOrchestras:\u003c\/strong\u003e RIAS-Symphonie-Orchester Berlin (No. 4); Stockholm Philharmonic Orchestra (No. 5); Berliner Philharmoniker (No. 6)\u003cbr\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Pyotr Ilyich Tchaikovsky\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS615\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/en\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. 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Originally developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":51192755552603,"sku":"CS616-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/ferenc-fricsay-dvorak-9-smetana-moldava-berliner-philharmoniker-capsa-CS616-cover.png?v=1788257154"},{"product_id":"the-symphonies-iii","title":"Fricsay: Beethoven \u0026 Schubert — Symphony No. 7 \u0026 Symphony No. 8 “Unfinished”","description":"\u003cp\u003e\u003cstrong\u003eFerenc Fricsay\u003c\/strong\u003e pairs two landmarks of the Viennese symphonic repertoire: Beethoven’s \u003cstrong\u003eSymphony No. 7 in A major, Op. 92\u003c\/strong\u003e and Schubert’s \u003cstrong\u003eSymphony No. 8 in B minor, D. 759 “Unfinished”\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eThe historical recordings\u003c\/h2\u003e\u003cp\u003eBeethoven’s Seventh was recorded at the \u003cstrong\u003eJesus-Christus-Kirche in Berlin from 3 to 5 October 1960\u003c\/strong\u003e with the Berliner Philharmoniker. 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Allegro con brio\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSchubert — Symphony No. 8 in B Minor, D. 759 “Unfinished”\u003c\/strong\u003e\u003cbr\u003e5. I. Allegro moderato\u003cbr\u003e6. II. Andante con moto\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Ferenc Fricsay\u003cbr\u003e\u003cstrong\u003eOrchestras:\u003c\/strong\u003e Berliner Philharmoniker; Radio-Symphonie-Orchester Berlin\u003cbr\u003e\u003cstrong\u003eComposers:\u003c\/strong\u003e Ludwig van Beethoven; Franz Schubert\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS617\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/en\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. 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Originally developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":51192818860379,"sku":"CS617-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/ferenc-fricsay-beethoven-7-schubert-8-incompiuta-capsa-CS617-cover.png?v=1788257154"},{"product_id":"the-symphonies-iv","title":"Fricsay: Bartók — Music for Strings, Percussion \u0026 Celesta \u0026 Concerto for Orchestra","description":"\u003cp\u003eTwo orchestral masterpieces by \u003cstrong\u003eBéla Bartók\u003c\/strong\u003e in the discography of \u003cstrong\u003eFerenc Fricsay\u003c\/strong\u003e: \u003cem\u003eMusic for Strings, Percussion and Celesta\u003c\/em\u003e, Sz. 106, and the \u003cem\u003eConcerto for Orchestra\u003c\/em\u003e, Sz. 116.\u003c\/p\u003e\u003ch2\u003eThe historical recordings\u003c\/h2\u003e\u003cp\u003e\u003cem\u003eMusic for Strings, Percussion and Celesta\u003c\/em\u003e was recorded at the \u003cstrong\u003eJesus-Christus-Kirche in Berlin from 17 to 20 June 1953\u003c\/strong\u003e with the RIAS-Symphonie-Orchester Berlin. The \u003cem\u003eConcerto for Orchestra\u003c\/em\u003e followed on \u003cstrong\u003e9–10 April 1957\u003c\/strong\u003e at the same venue, by then with the ensemble under the name Radio-Symphonie-Orchester Berlin.\u003c\/p\u003e\u003ch2\u003eFricsay and Bartók\u003c\/h2\u003e\u003cp\u003eBartók was one of the defining composers in Fricsay’s repertoire. These performances highlight both rhythmic architecture and orchestral colour.\u003c\/p\u003e\u003ch2\u003eOriginal label and production\u003c\/h2\u003e\u003cp\u003eBoth performances belong to Ferenc Fricsay’s historical \u003cstrong\u003eDeutsche Grammophon\u003c\/strong\u003e discography. For the 1957 \u003cem\u003eConcerto for Orchestra\u003c\/em\u003e, \u003cstrong\u003eElsa Schiller\u003c\/strong\u003e, \u003cstrong\u003eGünter Hermanns\u003c\/strong\u003e, \u003cstrong\u003eWolfgang Lohse\u003c\/strong\u003e and \u003cstrong\u003eAlfred Steinke\u003c\/strong\u003e are documented. For the 1953 \u003cem\u003eMusic for Strings, Percussion and Celesta\u003c\/em\u003e, \u003cstrong\u003eHelmut Elbl\u003c\/strong\u003e, \u003cstrong\u003eFred Hamel\u003c\/strong\u003e, Wolfgang Lohse, Alfred Steinke and \u003cstrong\u003eKarl-Heinz Westphal\u003c\/strong\u003e are documented.\u003c\/p\u003e\u003ch2\u003eCapsa Symphōnĭa digital edition\u003c\/h2\u003e\u003cp\u003eAvailable as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eBartók — Music for Strings, Percussion and Celesta, Sz. 106\u003c\/strong\u003e\u003cbr\u003e1. I. Andante tranquillo\u003cbr\u003e2. II. Allegro\u003cbr\u003e3. III. Adagio\u003cbr\u003e4. IV. Allegro molto\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBartók — Concerto for Orchestra, Sz. 116\u003c\/strong\u003e\u003cbr\u003e5. I. Introduzione. Andante non troppo – Allegro vivace\u003cbr\u003e6. II. Presentando le coppie. Allegro scherzando\u003cbr\u003e7. III. Elegia. Andante non troppo\u003cbr\u003e8. IV. Intermezzo interrotto. Allegretto\u003cbr\u003e9. V. Finale. Presto\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Ferenc Fricsay\u003cbr\u003e\u003cstrong\u003eOrchestras:\u003c\/strong\u003e RIAS-Symphonie-Orchester Berlin; Radio-Symphonie-Orchester Berlin\u003cbr\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Béla Bartók\u003cbr\u003e\u003cstrong\u003eOriginal label:\u003c\/strong\u003e Deutsche Grammophon\u003cbr\u003e\u003cstrong\u003eVenue:\u003c\/strong\u003e Jesus-Christus-Kirche, Berlin\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS618\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/en\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e, and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version offered here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Originally developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":51195445444955,"sku":"CS618-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/ferenc-fricsay-bartok-musica-archi-percussione-celesta-concerto-orchestra-capsa-CS618-cover.png?v=1788257154"},{"product_id":"the-symphonies-v","title":"Fricsay \u0026 Haas: Stravinsky — The Rite of Spring \u0026 Capriccio","description":"\u003cp\u003e\u003cstrong\u003eFerenc Fricsay\u003c\/strong\u003e brings together two contrasting works by \u003cstrong\u003eIgor Stravinsky\u003c\/strong\u003e: \u003cem\u003eThe Rite of Spring\u003c\/em\u003e and the \u003cem\u003eCapriccio for Piano and Orchestra\u003c\/em\u003e, the latter with \u003cstrong\u003eMonique Haas\u003c\/strong\u003e at the piano. Both recordings were made in Berlin with the \u003cstrong\u003eRIAS-Symphonie-Orchester\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eThe historical recordings\u003c\/h2\u003e\u003cp\u003eThe \u003cem\u003eCapriccio\u003c\/em\u003e with Monique Haas was recorded at the \u003cstrong\u003eJesus-Christus-Kirche in Berlin on 27 September 1950\u003c\/strong\u003e; \u003cem\u003eThe Rite of Spring\u003c\/em\u003e was recorded at the same venue from \u003cstrong\u003e11 to 13 March 1954\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eFricsay, Haas and Stravinsky\u003c\/h2\u003e\u003cp\u003eFricsay combines rhythmic precision with transparent orchestral textures; in the \u003cem\u003eCapriccio\u003c\/em\u003e, Monique Haas brings clarity and incisiveness to Stravinsky’s piano writing.\u003c\/p\u003e\u003ch2\u003eOriginal label and production\u003c\/h2\u003e\u003cp\u003eBoth interpretations belong to the historical \u003cstrong\u003eDeutsche Grammophon\u003c\/strong\u003e catalogue. For \u003cem\u003eThe Rite of Spring\u003c\/em\u003e, \u003cstrong\u003eWolfgang Lohse\u003c\/strong\u003e is documented as producer and \u003cstrong\u003eKarl-Heinz Westphal\u003c\/strong\u003e as balance engineer.\u003c\/p\u003e\u003ch2\u003eCapsa Symphōnĭa digital edition\u003c\/h2\u003e\u003cp\u003eAvailable as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eStravinsky — The Rite of Spring\u003c\/strong\u003e\u003cbr\u003e1. I. Adoration of the Earth\u003cbr\u003e2. II. The Sacrifice\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStravinsky — Capriccio for Piano \u0026amp; Orchestra\u003c\/strong\u003e\u003cbr\u003e3. I. Presto\u003cbr\u003e4. II. Andante rapsodico\u003cbr\u003e5. III. Allegro capriccioso ma tempo giusto\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Ferenc Fricsay\u003cbr\u003e\u003cstrong\u003ePiano:\u003c\/strong\u003e Monique Haas\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e RIAS-Symphonie-Orchester Berlin\u003cbr\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Igor Stravinsky\u003cbr\u003e\u003cstrong\u003eOriginal label:\u003c\/strong\u003e Deutsche Grammophon\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS619\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/en\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e, and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version offered here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Originally developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":51195468382555,"sku":"CS619-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/ferenc-fricsay-monique-haas-stravinsky-sagra-capriccio-rias-capsa-CS619-cover.png?v=1788257154"},{"product_id":"the-symphonies-vi","title":"Fricsay: Mozart — Symphonies Nos. 39, 40 \u0026 41 “Jupiter”","description":"\u003cp\u003eThe final three symphonies of \u003cstrong\u003eWolfgang Amadeus Mozart\u003c\/strong\u003e occupy a central place in the discography of \u003cstrong\u003eFerenc Fricsay\u003c\/strong\u003e. In this Capsa Symphōnĭa edition he conducts the \u003cstrong\u003eWiener Symphoniker\u003c\/strong\u003e in Symphonies Nos. 39, 40 and 41 “Jupiter”.\u003c\/p\u003e\u003ch2\u003eThe historical recordings\u003c\/h2\u003e\u003cp\u003eSymphonies Nos. 39 and 40 were recorded at the \u003cstrong\u003eMusikverein in Vienna on 29 November 1959\u003c\/strong\u003e, while Symphony No. 41 “Jupiter” dates from \u003cstrong\u003e25 March 1961\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eFerenc Fricsay and the Wiener Symphoniker\u003c\/h2\u003e\u003cp\u003eFricsay’s Mozart is shaped by clarity of orchestral texture, controlled phrasing and close attention to form.\u003c\/p\u003e\u003ch2\u003eOriginal label and publication\u003c\/h2\u003e\u003cp\u003eAll three performances belong to the historical \u003cstrong\u003eDeutsche Grammophon\u003c\/strong\u003e catalogue. 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Allegretto – Trio\u003cbr\u003e8. IV. Finale. Allegro assai\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMozart — Symphony No. 41 in C Major, K. 551 “Jupiter”\u003c\/strong\u003e\u003cbr\u003e9. I. Allegro vivace\u003cbr\u003e10. II. Andante cantabile\u003cbr\u003e11. III. Menuetto. Allegretto – Trio\u003cbr\u003e12. IV. Molto allegro\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Ferenc Fricsay\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e Wiener Symphoniker\u003cbr\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Wolfgang Amadeus Mozart\u003cbr\u003e\u003cstrong\u003eOriginal label:\u003c\/strong\u003e Deutsche Grammophon\u003cbr\u003e\u003cstrong\u003eRecordings:\u003c\/strong\u003e Musikverein, Vienna — 29 November 1959 and 25 March 1961\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS620\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/en\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e, and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version offered here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Originally developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":51195496268123,"sku":"CS620-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/ferenc-fricsay-mozart-sinfonie-39-40-41-jupiter-wiener-symphoniker-capsa-CS620-cover.png?v=1788257154"}],"url":"https:\/\/referencemusicstore.myshopify.com\/en\/collections\/ferenc-fricsay.oembed","provider":"Reference Music Store","version":"1.0","type":"link"}