{"title":"Béla Bartók","description":"","products":[{"product_id":"unus-inter-pares-stravinsky-bartok-lincetto","title":"UNUS INTER PARES - STRAVINSKY | BARTOK | LINCETTO","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cb\u003eUNUS INTER PARES \u003c\/b\u003e(CVLD057)\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cstrong\u003eAlessandro Carbonare\u003c\/strong\u003e\u003c\/em\u003e, clarinet\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cstrong\u003eDomenico Nordio\u003c\/strong\u003e\u003c\/em\u003e, violin and viola\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cstrong\u003eAlberto Boischio\u003c\/strong\u003e\u003c\/em\u003e, piano\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e1. Histoire du soldat, Suite 1919 for Violin, Clarinet and Piano (Igor Stravinsky)\u003cspan\u003e - \u003c\/span\u003e\u003cspan\u003eDomenico Nordio 14'38\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e2. Three Pieces for solo clarinet (Igor Stravinsky) - Alessandro Carbonare 3'40\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e3. Contrasts for Violin, Clarinet and Piano, Sz. 111 (Béla Bartók) - Domenico Nordio 17'25\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e4. Sequenza cromatica per flauto (Adriano Lincetto) - \u003c\/span\u003e\u003cspan\u003e(Arranged for Violin) \u003c\/span\u003e\u003cspan\u003eDomenico Nordio 3'21\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e5. Sequenza cromatica per violino solo dall’originale per flauto solo di Adriano Lincetto (Giovanni Bonato) - Domenico Nordio 4'20\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e6. Fantasia per viola, clarinetto e pianoforte (Adriano Lincetto) - Domenico Nordio 7'50\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e7. Quattro improvvisi per pianoforte (Adriano Lincetto), \u003c\/span\u003e\u003cspan\u003ePresto - \u003c\/span\u003e\u003cspan\u003eAlberto Boischio 2'55\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eTotal Time: 54:31\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Unus-Inter-Pares\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e24Bit \/ 96 kHz Digital Recording.\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003eLive in studio at Pollini Auditorium (Padova, Italy) April, 2001\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eWith this CD, Velut Luna wishes to commemorate the Paduan composer Adriano Lincetto within his historical context. Thus, trio pieces alternate with those for solo instrument: Histoire du Soldat, Stravinsky's own trio version and the Three Pieces for solo clarinet, Bartok's Contrasts for trio, followed by Lincetto's Chromatic Sequence for solo flute. Finally, Lincetto's Fantasy for viola, clarinet and piano, and the virtuosic Presto for piano by the same composer.\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduction: \u003c\/span\u003e\u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eExecutive Producer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eRecording and Mix Engineer: \u003cstrong data-mce-fragment=\"1\"\u003eMarco Lincetto\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMastering Enegineer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eGraphics and layout: \u003c\/span\u003e\u003cstrong\u003eL'Image\u003c\/strong\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50034938085723,"sku":"CVLD057CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 96kHz · 24bit","offer_id":46977395851611,"sku":"CVLD057","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/057-cover.jpg?v=1690556310"},{"product_id":"bela-bartok-piano-works","title":"BÉLA BARTÓK: PIANO WORKS","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eBÉLA BARTÒK: PIANO WORKS \u003c\/strong\u003e(\u003cspan data-mce-fragment=\"1\"\u003eLDV14074\u003c\/span\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOut of doors\u003c\/em\u003e, BB. 89 (1926)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e4 Dirges,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eBB. 58, Op. 9a (1910)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePiano Suite,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eBB. 70 Op. 14 (1916)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e10 Easy Piano Pieces\u003c\/em\u003e, BB. 51 (1908)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e14 Bagatelles\u003c\/em\u003e, BB 50, Op. 6 (1908)\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/Bartok-Piano-Works\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFRANCESCO PASQUALOTTO, piano\u003c\/p\u003e\n\u003cp\u003e(1CD)\u003c\/p\u003e\n\u003cp\u003eGiven the numerous facets of his work, it is perhaps not an overstatement to say that Bartók's tormented oeuvre represents the cornerstone of the entire twentieth century. The technical complexity is accompanied by a heterogeneous language that is not infrequently influenced by folk music, but also by the writing of Liszt and Debussy, drawing creative inspiration even from Couperin's ornamentation. Bartók could be defined as a musician of a thousand faces, and this album will attempt to reveal some of them.\u003c\/p\u003e\n\u003cp\u003eFront cover:\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eDark Skies\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Gianmario Masala\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47875764093275,"sku":"LDV14074","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/14074-cover-sito.jpg?v=1711079866"},{"product_id":"corea-chick-piano-works","title":"COREA CHICK: PIANO WORKS","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eCOREA CHICK: PIANO WORKS \u003c\/strong\u003e(\u003cspan data-mce-fragment=\"1\"\u003eLDV14083\u003c\/span\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCOREA CHICK:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ePIANO WORKS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e20 Children’s Songs (1983)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePiano Fantasy\u003c\/em\u003e* (1978)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e5 Piano music\u003c\/em\u003e* (1976-1985)\u003c\/p\u003e\n\u003cp\u003e* World première recording\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/Chick-Corea-Piano-Works\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1 CD\u003c\/p\u003e\n\u003cp\u003eROBERTO FRANCA, piano\u003c\/p\u003e\n\u003cp\u003eThis album collects some world premiere recordings by a composer who has too long been considered solely an exponent of jazz music. This is a tribute to an artist capable of blending different genres in his compositions and combining the experiences of classical repertoire giants, such as Bach and Debussy, with those of Bartok and Ligeti. He himself, with his phrase \"This is... music\", seems unwilling to categorize his compositions into one genre or another\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47875772809563,"sku":"LDV14083","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/14083-cover-SITO.jpg?v=1711080309"},{"product_id":"solti-conducts-kodali-bartok-rachmaninov","title":"SOLTI CONDUCTS KODALI, BARTOK \u0026amp; RACHMANINOV","description":"\u003cp\u003e WS 121.191 (2 CDs)\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eSOLTI CONDUCTS KODALI, BARTOK \u0026amp; RACHMANINOV\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eKODALI\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eHarry Jonos Suite\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003ePsalmus Hungaricus Op. 13\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eDances of Galanta\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003e“Peacocl” Vatiations\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eBARTOK\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eMusic for Strings, Percussion and Celesta\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eDance Suite\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eRACHMANINOV\u003c\/strong\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cem\u003ePiano Concerto No. 2 in C Minor, Op. 18\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eSIR GEORG SOLTI\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eLondon Symphony Orchestra – London Philharmonic Orchestra \u0026amp; Choir\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Original recordings: 1952-1958\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/SOLTI-CONDUCTS-KODALI-BARTOK-RACHMANINOV\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e PRODUCT DESCRIPTION\u003c\/p\u003e\n\n \u003cp class=\"p1\"\u003eBetween 1952 and 1958, Georg Solti recorded for Decca a series of works from the Hungarian repertoire that, at the time, was still difficult to find or even unreleased. These include works by Kodaly and Bartok, both of whom Solti was a faithful interpreter and continued to perform and record throughout his long career. These mono discs from the 1950s, even after so many years, retain intact the splendor of the great English label's \"ffrr\" series, which we have respected without adding any sonic artifice. In addition to the Hungarian repertoire, these two CDs also feature a splendid interpretation of a piece that has long been unobtainable: Rachmaninov's Second Piano Concerto, performed by Julius Katchen and conducted by Solti in London in 1958.\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47996452208987,"sku":"WS 121.191","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/191-cover.jpg?v=1712327688"},{"product_id":"dsd-hi-res-audio-sampler-vol-2","title":"DSD \u0026 Hi-Res AUDIO SAMPLER VOL.2","description":"\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003eDSD \u0026amp; Hi-Res AUDIO SAMPLER VOL.2\u003c\/b\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e1. \u003cstrong\u003eFinal\u003c\/strong\u003e (09'32) WAV192\/24\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH190 - Béla Bartók: Concerto For Orchestra)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e2. \u003cstrong\u003eKräftig, bewegt, doch nicht zu schnell\u003c\/strong\u003e (07'55) DSD128\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH191 - Gustav Mahler: Symphony no. 1 in D major)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e3. \u003cstrong\u003eConfutatis\u003c\/strong\u003e (03'03) DSD64\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH193 - Wolfgang Amadeus Mozart: Requiem KV 626)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e4. \u003cstrong\u003eSummer - Presto\u003c\/strong\u003e (2'49) WAV96\/24\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH200 - Antonio Vivaldi: The Four Seasons Op. 8)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e5. \u003cstrong\u003eVivaldi: Concertoin A Minir.,RV 523\u003c\/strong\u003e (12'40) WAV192\/24\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH201 - Baroque Festival)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e6. \u003cstrong\u003eFortuna, Imperatrix Mundi\u003c\/strong\u003e (03'54) DSD128\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH202 - Carl Orff - Carmine Burana)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e7. \u003cstrong\u003eStürmisch Bewegt. Mit größter Vehemenz\u003c\/strong\u003e (13'04) WAV44.1\/16\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH211 - Gustav Mahler: Symphony no. 5 in C Sharp Minor)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e8. \u003cstrong\u003eThe Year 1812, Op. 49\u003c\/strong\u003e (15'30) WAV44.1\/16\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH226 - Pyotr Ilijc Tchaikovsky: Capriccio italien, Marche slave, Romeo and Juliet, The Year 1812)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003eTotal Time: 01:08:29\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e*VARIOUS SAMPLING FREQUENCIES\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"GRooVE back magazine","offers":[{"title":"VARIOUS SAMPLING FREQUENCIES","offer_id":48538023362907,"sku":"CBHSAMPLER24","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/dsdsampler2.png?v=1772820861"},{"product_id":"dsd-hi-res-audio-sampler-vol-1","title":"DSD \u0026 Hi-Res AUDIO SAMPLER VOL.1","description":"\u003cp\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003eDSD \u0026amp; Hi-Res AUDIO SAMPLER VOL.1\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e1. \u003cstrong\u003eAllegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck\u003c\/strong\u003e\u003cbr\u003e (CBH170 Mahler Symphony no. 2) DSD128\u003cbr\u003e 2. \u003cstrong\u003eThe Adoration of the Earth\u003c\/strong\u003e\u003cbr\u003e (CBH171Stravinsky The Rite of Spring) WAV96\/24\u003cbr\u003e 3. \u003cstrong\u003eAllegro con grazia\u003c\/strong\u003e\u003cbr\u003e (CBH174 Tchaikovsky Symphony No. 6) DSD64\u003cbr\u003e 4. \u003cstrong\u003eAllegretto grazioso\u003c\/strong\u003e\u003cbr\u003e (CBH184 Dvorak Symphony No. 8) DSD128\u003cbr\u003e 5. \u003cstrong\u003eFinal. Feierlich, nicht schnell\u003c\/strong\u003e\u003cbr\u003e (CBH185 Bruckner Symphony No. 8) WAV192\/24\u003cbr\u003e 6. \u003cstrong\u003eInterlude interrupted\u003c\/strong\u003e\u003cbr\u003e (CBH190 Bartók Concerto For Orchestra) WAV96\/24\u003cbr\u003e 7. \u003cstrong\u003eUranus, the Magician\u003c\/strong\u003e\u003cbr\u003e (CBH197 Holst: The Planets) WAV192\/24\u003cbr\u003e\u003cbr\u003e Total Time: 01:22:14\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e*VARIOUS SAMPLING FREQUENCIES\u003cbr\u003e\u003c\/span\u003e \u003cbr\u003eEnter the world of classical music's greatest performers with DSD \u0026amp; Hi-Res AUDIO SAMPLER VOL.1. Explore the beauty of Mahler's Symphony No. 2 in C minor, \"Resurrection,\" Stravinsky's \"Sacre du printemps-L'oiseau de feu,\" Tchaikovsky's Symphony No. 6 in B minor, Op. 74 \"Pathétique,\" Dvořák's Symphony No. 8, Bruckner's Symphony No. 8, Bartók's Concerto for Orchestra, and Holst's Planets. Experience the full range of music from your favorite composers, recorded with impeccable clarity. Journey with the sheer beauty of classical music, providing you with unprecedented wonder. Once you begin to appreciate the accuracy of high definition, you'll never want to go back.\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Reference Music Store","offers":[{"title":"VARIOUS SAMPLING FREQUENCIES","offer_id":48538050330971,"sku":"cbh-sampler23","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/samplerdsd1.png?v=1772819579"},{"product_id":"bartok-concerto-for-orchestra-antal-dorati-london-symphony-orchestra","title":"Bartók Concerto For Orchestra - Antal Dorati London Symphony Orchestra","description":"\u003cp\u003e \u003ci data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eBéla Bartók: Concerto For Orchestra (CBH190)\u003c\/b\u003e\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \n\u003cspan color=\"#000000\" style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. Introduction\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan color=\"#000000\" style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003e(09'36)\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cspan color=\"#000000\" style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2. Game of Pairs\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan color=\"#000000\" style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003e(06'16)\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cspan color=\"#000000\" style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3. Elegy\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan color=\"#000000\" style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003e(17'15)\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \n\u003cspan color=\"#000000\" style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4. Interlude Interrupted\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan color=\"#000000\" style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003e(04'25)\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cspan color=\"#000000\" style=\"color: #000000;\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e5. Final\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan color=\"#000000\" style=\"color: #000000;\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003e(09'32)\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003eLondon Symphony Orchestra\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003eConductor: \u003cstrong\u003eAntal Dorati\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003ci\u003eRecording: Wembley Town Hall, London, 1964\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003ci\u003eProducer: Harold Lawrence\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003ci style=\"font-size: medium;\"\u003eSound Engineer: Robert Fine\u003c\/i\u003e \u003c\/p\u003e\n\n\u003cdiv id=\"gtx-trans\" style=\"position: absolute; left: -7px; top: -20px;\"\u003e\n\n\u003cdiv class=\"gtx-trans-icon\"\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"44.1kHz · 16bit","offer_id":48538068091227,"sku":"cbh-190-44","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"96kHz · 24bit","offer_id":48538068123995,"sku":"cbh-190-96","price":15.0,"currency_code":"EUR","in_stock":true},{"title":"192kHz · 24bit","offer_id":48538068156763,"sku":"cbh-190-192","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"352.8kHz · 24bit","offer_id":48538068189531,"sku":"cbh-190-352","price":22.0,"currency_code":"EUR","in_stock":true},{"title":"DSD · 64","offer_id":48538068222299,"sku":"cbh-190-64","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"DSD · 128","offer_id":48538068255067,"sku":"cbh-190-128","price":22.0,"currency_code":"EUR","in_stock":true},{"title":"DSD · 256","offer_id":48538068287835,"sku":"cbh-190-256","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/190front_d0c9ea10-6384-412e-9d99-211e2caf3d3f.png?v=1718893594"},{"product_id":"i-sogni-di-giano-concerto-orchestra-di-padova-e-del-veneto","title":"GIANO'S DREAMS CONCERT - ORCHESTRA OF PADUA AND VENETO","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cstrong\u003eGIANO'S DREAMS CONCERTO \u003c\/strong\u003e(\u003cspan\u003eCVLD205\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eADRIANO LINCETTO SILVIO OMIZZOLO\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003ePerformer\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eORCHESTRA DI PADOVA E DEL VENETO\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSILVIO OMIZZOLO (1905 – 1991)\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eConcerto for cello, strings and piano (1958)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e01 – Allegro marcato,  9:37\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 – Andante,  6:47\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 – Rondò (Presto),  9:43\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eADRIANO LINCETTO (1936 – 1996)\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eGianò’s Dreams (1985)\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eOrchestral Suite for flute, oboe, bassoon, two trumpets, strings and voice\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e04 – Canzone d’Amore,  13:03\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 – Sono stato soldato,  12:06\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 – La fisarmonica e il bambino,  7:51\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTotal time: 59:12\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\n\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Adriano-Lincetto-AND-Silvio-Omizzolo\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n  \u003cstrong\u003eOriginal 24bit\/88.2 digital recording made at the Pollini Auditorium, Padua, in September 2009\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVelut Luna production\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eExecutive producer Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMusic producer and editing engineer Fabio Framba\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBalance and mixing engineer Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCover (Grand Prismatic Spring, Yellowstone National Park, Wyoming) Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMarco Lincetto, Nicola Righetti, Elide Cataldo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesign and layout L'image\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMario FOLENA flute  Paolo BRUNELLO oboe  Andrea BRESSAN bassoon \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSimone LONARDI trumpet  Roberto CATERINI trumpet  Silvia REGAZZO voice \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDamiano SCARPA cello  Pierluigi PIRAN piano   \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eORCHESTRA DI PADOVA E DEL VENETO  FABIO FRAMBA conductor\u003c\/span\u003e\n\u003cp\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAdriano Lincetto and Silvio Omizzolo were two Italian composers who lived through the musical history of the 20th century, both passing away at the end of the century.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eUnited by the fact that the former was a student of the latter, they later shared many common musical experiences, including the important role of directing the Cesare Pollini Conservatory of Music in Padua, at different times, and an intense concert activity as distinguished and esteemed pianists.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSilvio Omizzolo's Concerto for cello, strings and piano belongs to the great tradition of Central European music of the mid-20th century, finding illustrious references in authors such as Bartok and Stravinsky. Clearly structured in the concerto form, it offers the cello important virtuoso opportunities.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Suite \"I Sogni di Gianò\" by Adriano Lincetto was derived by the composer himself from his original incidental music written in 1969 as the soundtrack to the one-act pantomime of the same name by Cornelia Mora Taboga. It is strongly descriptive and evocative music, which bases its strength on an uninterrupted series of poignant melodies, permeated by the deepest and most cultured Italian tradition, but rich in \"French\" echoes, in homage to the Parisian setting of the story of the tramp Gianò, which takes place in a forgotten, timeless Paris.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded in the usual live-in-studio format at the Cesare Pollini Auditorium in Padua, this album features the heartfelt interpretation of the Orchestra di Padova e del Veneto conducted by Fabio Framba, with Damiano Scarpa as cello soloist, Pierluigi Piran on piano and Silvia Regazzo, who performs an important vocal solo cameo within the Suite I Sogni di Gianò.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50015359566171,"sku":"CVLD205CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":49820735504731,"sku":"CVLD205","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/205-cover.jpg?v=1736002068"},{"product_id":"flute-for-dinner-ammendola-benciolini-candiotto-casa-degli-innocenti-di-giorgio-guglielmo-la-malfa-nobile-pavan-sabbadin-valerio-bisi","title":"FLUTE FOR DINNER - Ammendola, Benciolini, Candiotto, House, Of the Innocents, Of Giorgio, Guglielmo, La Malfa, Noble, Pavan, Sabbadin, Valerio, Bisi","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eFLUTE FOR DINNER \u003c\/strong\u003e(\u003cspan\u003eCVLD248\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eADRIANO LINCETTO; ARTHUR HONEGGER AND FRANCIS POULENC\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003ePerformers\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eGloria Ammendola, Tommaso Benciolini, Simone Candiotto, Giulia Casa, Ludovico Degli Innocenti, Marco Aurelio Di Giorgio, Elia Guglielmo, Veronica La Malfa, Roberta Nobile, Caterina Pavan, Alice Sabbadin, Niccolò Valerio; Maria Bisi ( grandpiano )\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e   Adriano Lincetto\u003cbr\u003eQuartetto per flauti in do (1977) 12:16\u003cbr\u003e01. Allegro deciso e molto marcato\u003cbr\u003e02. Andante cantabile e sognante\u003cbr\u003e03. Vivacissimo\u003cbr\u003eSonatina per flauto e pianoforte (1978) 9:41\u003cbr\u003e04. Allegro spigliato\u003cbr\u003e05. Andante elegiaco\u003cbr\u003e06. Allegro ironico e grottesco\u003cbr\u003e07. Sequenza per flauto solo (1979) 3:03\u003cbr\u003eGiochi d’infanzia per tre flauti in do (1979) 4:39\u003cbr\u003e08. Allegro spiritoso\u003cbr\u003e09. Adagio ma non troppo\u003cbr\u003e10. Scorrevole\u003cbr\u003e   Arthur Honegger (bonus track)\u003cbr\u003e11. Dance de la Chèvre (1921) 3:27\u003cbr\u003eFrancis Poulenc (bonus tracks)\u003cbr\u003eSonata for flute and piano (1956) 11:44\u003cbr\u003e12. Allegro Malinconico\u003cbr\u003e13. Cantilena\u003cbr\u003e14. Presto giocoso\u003cbr\u003eAdriano Lincetto\u003cbr\u003e15.Adagio e Allegro per orchestra di flauti (1982) 5:54\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Flute-for-Dinner\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e88.2 kHz \/ 24bit original recording made at Auditorium Pollini, Padova, Italy on December 11st, 12nd 2014\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cbr\u003e\u003cstrong\u003eProduction: Velut Luna\u003c\/strong\u003e\u003cbr\u003eMusical producer and artistic direction: Daniele Ruggieri\u003cbr\u003eRecording and mastering engineer: Marco Lincetto\u003cbr\u003eEditing engineer: Matteo Costa\u003cbr\u003eCover and inside photos: Marco Lincetto\u003cbr\u003eDesign: L’Image\u003cbr\u003eMarketing and Sales Manager: Patrizia Pagiaro\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdriano Lincetto dedicated a significant part of his life to musical education and the promotion of young talents, in his role as a piano teacher, holding a professorship starting in 1966. This important training and didactic activity saw him as a protagonist at the \"Cesare Pollini\" Conservatory of Music in Padua for over 30 years: a conservatory that he also led with tenacity and stubbornness in the last 10 years of his life, before his premature death on April 24, 1996.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe flute is a very important and highly regarded instrument within the body of Adriano Lincetto's compositions. And a significant reason, perhaps the most important, leads us to refer to the primary inspirational source of the Paduan Master, which underlies all his compositions: his closeness to the performers.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIt is well known, as the great Radu Lidijenko also highlights in his critical writings on the Master from Padua, that Lincetto undoubtedly wrote because he \"could not not write\": his was a primary need of his being an artist; but then, equally, writing for him also meant \"giving\" his music to his friends, or to his son Francesco, who, as it happens, was an excellent flutist. In this regard, it cannot be forgotten that a significant part of Adriano Lincetto's concert career as a pianist developed in the formation of the chamber duo with flute, with Enzo Caroli, in the 70s and 80s.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTherefore, most of the compositions on this album are written, conceived, and dedicated to these important... friends.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIt is always difficult to talk about the compositional style of a distinctly independent author from the second half of the 20th century, free from the dictates of \"schools\" (\"of the regime,\" allow me to add with a deliberate polemical spirit...). It is difficult because a sensitive and deeply cultured person cannot help but be influenced by the layers of a thousand and more years of previous musical literature. And this consciously, but certainly even more unconsciously.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIt is therefore a daunting task for the \"good critic\" to try to identify and isolate these sources of inspiration. Lincetto was certainly enamored of the radical innovation brought to the world of music by two great revolutionaries such as Debussy and Stravinsky, whose manners and customs Lincetto sometimes quotes. But he was not insensitive either to the synthesizing ability of the great popular music of Eastern Europe achieved by authors like Bartok or Prokofiev.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAdriano Lincetto is certainly a child of the 20th century (although a fundamental composition for string orchestra from 1980, significantly titled \"Suite per Paer,\" cannot be forgotten).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDelving further into detail, it is very interesting to note a strong need to communicate his vision of the notes written on the staff to the performer, even using words: the definitions of the individual movements and the agogic indications throughout the score are always illuminating and, I would say, striking. Taking the Sonata for flute and piano as a paradigmatic example, we can and must note the titles of the movements: Allegro spigliato, Andante elegiaco, Allegro ironico e grottesco. There is always an adjective to the classic definitions: very precise adjectives, which make the sensitive performer perceive the author's almost desperate need for his music to be fully understood. No less so are the agogic indications: \"flowing, but marked\" is written at the beginning of the third movement of the Sonata...\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHere, the true great difficulty in translating Lincetto's compositions into sounds lies, even more than in the strict technical difficulty of correctly executing the notes, in being able to fully understand what the author, with so much imagination and stubbornness, tried to communicate with those notes, not disjoined from the words that further define them.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis communicative \"anxiety,\" finally, distinctly separates the author from the frigid dryness of the great masters of the past, such as J.S. Bach, who, as is well known, left almost exclusively to the note written on the staff his entire artistic message (to the somewhat perverse delight of the many imaginative interpreters who over the centuries have engaged with the music of the great German author).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAnd also in this, Adriano Lincetto is not only a child of the 20th century, but also in some way a precursor of the twenty-first century, the century of great direct communication, the century of the internet and social networks.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eI have always wondered how Adriano Lincetto would have experienced this new era and I have always answered myself that he would have had a lot of fun and perhaps would have found his most authentic natural \"artistic habitat.\" Unfortunately, Adriano Lincetto prematurely passed away at the dawn of the new era, and all our curiosity is inexorably destined to remain unanswered.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"HD FILE 88.2kHz · 24bit","offer_id":49894404030811,"sku":"CVLD248","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/248-cover.jpg?v=1736893580"},{"product_id":"ventiquattro-melodie-e-altri-racconti-armellini-orlandi","title":"TWENTY-FOUR MELODIES AND OTHER STORIES - ARMELLINI, ORLANDI","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eTWENTY-FOUR MELODIES AND OTHER STORIES \u003c\/strong\u003e(CVLD255\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003eAuthor\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eA. LINCETTO\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003ePerformers\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eL. ARMELLINI, U. ORLANDI\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eAvailable in: File HD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e01 - 24 Melodies for bassoon and piano: Allegro, waltz tempo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 - 24 Melodies for bassoon and piano: Agitato\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 - 24 Melodies for bassoon and piano: Moderato, cantabile\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 - 24 Melodies for bassoon and piano: Mosso\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 - 24 Melodies for bassoon and piano: Andante cantabile\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 - 24 Melodies for bassoon and piano: Andante\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 - 24 Melodies for bassoon and piano: Allegretto scherzando\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 - 24 Melodies for bassoon and piano: Flowing, but not too agitated\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 - 24 Melodies for bassoon and piano: Maestoso\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 - 24 Melodies for bassoon and piano: Agitated, but cantabile\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 - 24 Melodies for bassoon and piano: Slow expressive\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 - 24 Melodies for bassoon and piano: Moderately agitated\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13 - 24 Melodies for bassoon and piano: Agitated but cantabile\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e14 - 24 Melodies for bassoon and piano: Very calm, expressive\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e15 - 24 Melodies for bassoon and piano: Brilliant waltz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e16 - 24 Melodies for bassoon and piano: Dramatic\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e17 - 24 Melodies for bassoon and piano: Calm expressive\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e18 - 24 Melodies for bassoon and piano: Andante cantabile\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e19 - 24 Melodies for bassoon and piano: Joyfully, scherzando\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e20 - 24 Melodies for bassoon and piano: Alla marcia\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e21 - 24 Melodies for bassoon and piano: Flowing, very expressive\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e22 - 24 Melodies for bassoon and piano: Cantabile\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e23 - 24 Melodies for bassoon and piano: Serene andante\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e24 - 24 Melodies for bassoon and piano: Agitated andante\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e25 - 24 Melodies for bassoon and piano: Allegro, waltz tempo - reprise\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e26 - Divertimento a due for guitar and piano: Introduction\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e27 - Divertimento a due for guitar and piano: Dance\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e28 - Divertimento a due for guitar and piano: Finale\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e29 - Adagio and Allegro for mandolin and piano: Adagio\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e30 - Adagio and Allegro for mandolin and piano: Allegro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e31 - Elegy for trumpet and organ\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e32 - Et incarnatus est, for soprano and organ\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e33 - Domine non sum dignus, for soprano and organ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/Ventiquattro-melodie-E-altri-racconti\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCLASSICAL FROM 20th CENTURY: original compositions by Leopoldo Armellini, bassoon \/ Paolo Muggia, guitar \/ , mandolin \/ Fabiano Maniero, trumpet \/ Luisa Giannini, soprano \/ Lorella Ruffin, piano \/ Maura Mazzonetto, piano 20 Bit Digital Recording. Live in studio at Hotel Ritz (Abano Terme), SS.Felice e Fortunato Church (Noale) . January 1997\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis is a collection of unreleased chamber music by Adriano Lincetto for piano and bassoon, piano and guitar, piano and mandolin, organ and trumpet, organ and soprano. The music, with great emotional impact, fits perfectly into the tradition of 20th-century Central European historical music with echoes of Bartok, but also Debussy, Malipiero and Omizzolo.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"HD FILE 88.2kHz · 24bit","offer_id":49894595133787,"sku":"CVLD255","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/255-cover.jpg?v=1736897574"},{"product_id":"j-chr-bach-w-a-mozart-j-turina-serova-faes-krasnoyarsk-chamber-orchestra","title":"J. CHR. BACH, WA MOZART, J. TURINA - SERVOVA, FAES, KRASNOYARSK CHAMBER ORCHESTRA","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eJ. CHR. BACH, W.A. MOZART,  J. TURINA \u003c\/strong\u003e(\u003cspan\u003eCVLD099\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003eAuthor\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eJ. CHR. BACH, W.A. MOZART, J. TURINA\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003ePerformer\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eA. SEROVA, F. FAES\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eAvailable in: CD, CD File\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"_4f9bf79 _43c05b5\"\u003e\n\u003cdiv class=\"ds-markdown ds-markdown--block\"\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e01 - Concerto for Viola and Strings in C Minor: I. Allegro maestoso\u003cbr\u003e02 - Concerto for Viola and Strings in C Minor: II. Adagio espressivo\u003cbr\u003e03 - Concerto for Viola and Strings in C Minor: III. Allegro molto\u003cbr\u003e04 - Concerto No. 14 for Piano and Strings in E-Flat Major, K. 449: I. Allegro vivace\u003cbr\u003e05 - Concerto No. 14 for Piano and Strings in E-Flat Major, K. 449: II. Andantino\u003cbr\u003e06 - Concerto No. 14 for Piano and Strings in E-Flat Major, K. 449: III. Allegro ma non troppo\u003cbr\u003e07 - Scène andalouse for Viola, Piano and Strings, Op. 7: No. 1, Crépuscule du soir\u003cbr\u003e08 - Scène andalouse for Viola, Piano and Strings, Op. 7: No. 2, A la fenêtre\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e\u003cstrong\u003eTotal tracks: 8\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e(I have kept the title line exactly as it appears in the image, only removing the author\/performer line and adding the requested progressive numbering)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ds-flex\"\u003e\n\u003cdiv class=\"ds-flex _965abe9\"\u003e\n\u003cdiv class=\"ds-icon-button\" tabindex=\"0\"\u003e\n\u003cdiv class=\"ds-icon\"\u003e\u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" fill=\"none\" viewbox=\"0 0 24 24\" height=\"24\" width=\"24\"\u003e\u003cpath fill=\"currentColor\" d=\"M3.65169 12.9243C3.68173 13.1045 3.74181 13.2748 3.80189 13.445C3.87198 13.6052 3.96211 13.7654 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14.7188C16.6094 14.7188 16.5205 14.6758 16.4541 14.6406C16.3457 14.5859 16.2568 14.4512 16.3418 14.2852C16.3691 14.2324 16.501 14.1016 16.5322 14.0781C16.8838 13.877 17.29 13.9434 17.666 14.0938C18.0146 14.2363 18.2773 14.498 18.6562 14.8672C19.0439 15.3145 19.1133 15.4395 19.334 15.7734C19.5078 16.0371 19.667 16.3066 19.7754 16.6152C19.8408 16.8066 19.7559 16.9648 19.5273 17.0625Z\" id=\"path\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003c\/div\u003e\n\u003cdiv class=\"ds-markdown ds-markdown--block\"\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e01 - Concerto for Viola and Strings in C Minor: I. Allegro maestoso\u003cbr\u003e02 - Concerto for Viola and Strings in C Minor: II. Adagio espressivo\u003cbr\u003e03 - Concerto for Viola and Strings in C Minor: III. Allegro molto\u003cbr\u003e04 - Concerto No. 14 for Piano and Strings in E-Flat Major, K. 449: I. Allegro vivace\u003cbr\u003e05 - Concerto No. 14 for Piano and Strings in E-Flat Major, K. 449: II. Andantino\u003cbr\u003e06 - Concerto No. 14 for Piano and Strings in E-Flat Major, K. 449: III. Allegro ma non troppo\u003cbr\u003e07 - Scène andalouse for Viola, Piano and Strings, Op. 7: No. 1, Crépuscule du soir\u003cbr\u003e08 - Scène andalouse for Viola, Piano and Strings, Op. 7: No. 2, A la fenêtre\u003cbr\u003e09 - Serenata No. 13, K. 525 \"Eine kleine Nachtmusik\": I. Allegro\u003cbr\u003e10 - Serenata No. 13, K. 525 \"Eine kleine Nachtmusik\": II. Romanze. Andante\u003cbr\u003e11 - Serenata No. 13, K. 525 \"Eine kleine Nachtmusik\": III. Minuetto. Allegretto\u003cbr\u003e12 - Serenata No. 13, K. 525 \"Eine kleine Nachtmusik\": IV. Rondo. Allegro\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Krasnoyarsk-Chamber-Orchestra-Play-Johann-Christian-Bach-Wolfgang-Amadeus-Mozart-Joaquin-Turina\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCLASSICAL: Live recording at Philarmonic Hall - Krasnoyarsk, Russia, on June 17th, 2004\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAnna Serova: Viola, Filippo Faes: Piano \/ Conductor\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis CD is not entirely dedicated to the viola which, however, as a solo instrument dominates, like the piano, and above all determines the program, only apparently anthological and without connections. It begins with the viola with Johann Christian Bach's Concerto in C minor for viola and string orchestra, to continue \"logically\" with Mozart, who was a friend and admirer of the youngest son of the Cantor and assimilated some of his stylistic traits. The genius of Salzburg is not on the program with works dedicated to the viola, but with one of his Piano Concertos and with a very famous piece, the Little Night Music. In between, between one Mozart and another, a colorful piece from the historical twentieth century, with the viola still in the spotlight: Joaquin Turina's Andalusian Scenes, a suite conceived in an era when the Cinderella of string instruments, thanks also to Hindemith and Bartok, had already become a true Princess.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50032233546075,"sku":"CVLD099CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"CD FILE 44.1kHz • 16bit","offer_id":50634241343835,"sku":"CVLD099","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/60d97204e39ee15405565e66.jpg?v=1738964981"},{"product_id":"p-i-chaikovsky-b-bartok-i-solisti-di-pavia","title":"P. I. CHAIKOVSKY, B. BARTOK - THE PAVIA SOLOISTS","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cstrong\u003eI SOLISTI DI PAVIA: P . I. CHAIKOVSKY, B. BARTOK  \u003c\/strong\u003e(\u003cspan\u003eCVLD096\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003eAuthor\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eP. I. CHAIKOVSKY, B. BARTOK\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003ePerformer\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eI SOLISTI DI PAVIA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eAvailable in: CD, File CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e01 - Serenade for Strings in C Major, Op. 48: I. Pezzo in forma di sonatina. Andante non troppo - Allegro moderato\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 - Serenade for Strings in C Major, Op. 48: II. Vaise. Moderato\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 - Serenade for Strings in C Major, Op. 48: III. Elegia. Larghetto elegiaco\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 - Serenade for Strings in C Major, Op. 48: IV. Finale, Tema russo. Andante - Allegro con spirito\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 - 6 Pieces, Op. 19: No. 4, Nocturne - Arranged for Cello and Orchestra By Tchaikovsky\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 - String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile - Arranged for Cello and Orchestra By Tchaikovsky\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 - Divertimento for Strings, Sz. 113: I. Allegro non troppo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 - Divertimento for Strings, Sz. 113: II. Molto adagio\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 - Divertimento for Strings, Sz. 113: III. Allegro assai\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/Tchaikovsky-Bartok\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCLASSICAL. Original compositions by P.I.Chaikovsky, B.Bartok, conductor and solist Enrico Dindo, first parts Marco Rogliano, Roberto Righetti, Massimo Piva, Stefano Guarino, Antonio Sciancalepore. 24Bit \/ 96 kHz Digital Recording at Castello Visconteo, Pavia (Italy) January, 2004\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe beginning of a long collaboration with the prestigious Lombard orchestra, characterized by the concertation and direction of Enrico Dindo, performing, in this CD, Chaikovsky's Serenade for Strings in C major op. 48 and Bartok's Divertimento for Strings\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50034402984283,"sku":"CVLD096CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"CD FILE 44.1kHz • 16bit","offer_id":50634145923419,"sku":"CVLD096","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/60d9711fe39ee12005565e58.jpg?v=1739010313"},{"product_id":"karajan-conducts-strauss-bartok-schostakovich","title":"Karajan conducts Strauss, Bartok, Schostakovich, Dmitri Shostakovich","description":"\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003ci\u003e\u003cb\u003e\u003cspan\u003eKarajan conducts Strauss, Bartok, Schostakovich\u003c\/span\u003e ( \u003cspan\u003eCBH537\u003c\/span\u003e )\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eComposer\u003c\/strong\u003e : Richard Strauss, Bela Bartok,\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eConductor\u003c\/strong\u003e : Herbert von Karajan\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eOrchestra\u003c\/strong\u003e : Berliner Philharmoniker, Los Angeles Philharmonic, Staatskapelle Dresden\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eTraces\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eCD 1\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e 01 - Ein Heldenleben, Symphonic Poem, Op. 40, The Hero\u003cbr\u003e 02 - Ein Heldenleben, Symphonic Poem, Op. 40, The Hero's Adversaires\u003cbr\u003e 03 - Ein Heldenleben, Symphonic Poem, Op. 40, The Hero's Companion\u003cbr\u003e 04 - Ein Heldenleben, Symphonic Poem, Op. 40, The Hero's Battlefield\u003cbr\u003e 05 - Ein Heldenleben, Symphonic Poem, Op. 40, The Hero's Works of Peace\u003cbr\u003e 06 - Ein Heldenleben, Symphonic Poem, Op. 40, The Heros's Retreat from the World\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003eRichard Strauss\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eHerbert von Karajan\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eLos Angeles Philharmonic\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e 07 - Piano Concerto No. 3, I. Allegretto\u003cbr\u003e 08 - Piano Concerto No. 3, II. Adagio religioso\u003cbr\u003e 09 - Piano Concerto No. 3, III. Allegro vivace\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003eBela Bartok\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eHerbert von Karajan\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eGeza Anda (piano solo)\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eStaatskapelle Dresden\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eCD 2\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e 01 - Symphony No. 10, Op. 93, I. Moderato\u003cbr\u003e 02 - Symphony No. 10, Op. 93, II. Cheerful\u003cbr\u003e 03 - Symphony No. 10, Op. 93, III. Allegretto\u003cbr\u003e 04 - Symphony No. 10, Op. 93, IV. Andante - Allegro\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003eDmitri Shostakovich\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eHerbert von Karajan\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eBerlin Philharmonic\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe data-darkreader-inline-border-left=\"\" data-darkreader-inline-border-bottom=\"\" data-darkreader-inline-border-right=\"\" data-darkreader-inline-border-top=\"\" style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/cbhmusic.lnk.to\/Karajan-conducts-Strauss-Bartok-Schostakovich\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\n \u003cstrong\u003eNotes\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n\u003cp\u003eHerbert von Karajan masterfully tackles Richard Strauss's monumental Ein Heldenleben, entrusting the Los Angeles Philharmonic with the orchestral texture, rich in thematic and timbral contrasts. The musical discourse unfolds with heroic impetus in the wind and brass lines, while the strings craft the pictorial descriptions of the hero's life with refined clarity. Immediately afterward, Béla Bartók's third concerto page takes on a more intimate feel: Geza Anda stands out as a soloist for his clarity of phrasing and balance between rhythmic vigor and lyrical intensity, supported by the Staatskapelle Dresden in a dialogue that combines virtuosity and solemnity.\u003c\/p\u003e\n\n\u003cp\u003e The second disc celebrates the profound architecture of Dmitri Shostakovich's Tenth Symphony, in which the Berlin Philharmonic blends tragic vision and serene optimism. Karajan enhances its thematic curves with extraordinary dynamic control, revealing the hidden counterpoints and expressive power of a work that reflects a world between war and hope.\u003c\/p\u003e\n\n\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD 1 - CD FILE 44.1kHz • 16bit","offer_id":51034210140507,"sku":"CBH537-1","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"CD 2 - CD FILE 44.1kHz • 16bit","offer_id":51034210173275,"sku":"CBH537-2","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/covercbh_3ebeb1a9-3120-4eb4-8f2e-37d5c6e90dd3.png?v=1753354425"},{"product_id":"solti-conducts-bela-bartok","title":"Solti conducts Bela Bartok","description":"\u003cp\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003ci\u003e\u003cb\u003eSolti conducts Bela Bartok ( \u003cspan\u003eCBH542\u003c\/span\u003e )\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eComposer\u003c\/strong\u003e : Bela Bartok\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eConductor\u003c\/strong\u003e : Georg Solti\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eOrchestra\u003c\/strong\u003e : London Symphony Orchestra\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eTraces\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e 01 - Music for Strings, Percussion \u0026amp; Celesta Sz. 106, I. Andante tranquillo\u003cbr\u003e 02 - Music for Strings, Percussion \u0026amp; Celesta Sz. 106, II. Cheerful\u003cbr\u003e 03 - Music for Strings, Percussion \u0026amp; Celesta Sz. 106, III. Slowly\u003cbr\u003e 04 - Music for Strings, Percussion \u0026amp; Celesta Sz. 106, IV. Allegro molto\u003cbr\u003e 05 - The Miraculous Mandarin, Sz. 73a, Suite\u003cbr\u003e 06 - Dance Suite Sz. 77, Suite\u003c\/p\u003e\n\u003cp\u003e \u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/cbhmusic.lnk.to\/Solti-conducts-Bela-Bartok\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\" data-darkreader-inline-border-top=\"\" data-darkreader-inline-border-right=\"\" data-darkreader-inline-border-bottom=\"\" data-darkreader-inline-border-left=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\n \u003cstrong\u003eNotes\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n\u003cp\u003eGeorg Solti masterfully conducts the London Symphony Orchestra in a tribute entirely dedicated to the musical genius of Béla Bartók. The program opens with the celebrated \u003cem data-start=\"213\" data-end=\"256\"\u003eMusic for Strings, Percussion and Celesta\u003c\/em\u003e , a visionary composition with a mysterious and complex character, which has also become iconic thanks to cinema. This is followed by the suite from the ballet \u003cem data-start=\"395\" data-end=\"420\"\u003eThe Miraculous Mandarin\u003c\/em\u003e , a provocative and powerful work, full of dramatic tension. The disc closes with the lively and rhythmically complex \u003cem data-start=\"537\" data-end=\"550\"\u003eDance Suite\u003c\/em\u003e , a tribute to Hungarian folk roots. An intense and refined performance that highlights the modernity of Bartók's language.\u003c\/p\u003e\n\n\u003cstrong\u003e\u003c\/strong\u003e\n\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51051648975195,"sku":"CBH542","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/covercbh_8c08245c-a6cf-41a6-81a8-181afe3ce8a0.png?v=1753550621"},{"product_id":"the-symphonies-iv","title":"The Symphonies IV","description":"\u003cp\u003e \u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003ci\u003e\u003cb\u003eThe Symphonies IV ( \u003cspan\u003eCBH618\u003c\/span\u003e )\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eComposer\u003c\/strong\u003e : Béla Bartòk\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eConductor\u003c\/strong\u003e : Ferenc Fricsay\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eOrchestra\u003c\/strong\u003e : RIAS-Symphonie-Orchester Berlin *, Berlin Radio Symphony Orchestra**\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eTraces\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e 01 - Music for Strings, Percussion \u0026amp; Celesta SZ 106, I. 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With the RIAS-Symphonie-Orchester Berlin, Music for Strings, Percussion \u0026amp; Celesta comes to life as a soundscape suspended between mystery and tension, where the dialogue between sections creates highly evocative timbral architectures. The Berlin Radio Symphony Orchestra, on the other hand, gives form to the Concerto for Orchestra, a masterpiece of energy and invention, alternating irony, melancholy, and bursts of vitality. Fricsay succeeds in maintaining narrative coherence and formal transparency, illuminating Bartók's modernity with clarity and interpretative depth.\u003cbr\u003e\u003c\/p\u003e\n\n\u003cstrong\u003e\u003c\/strong\u003e\n\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51195445444955,"sku":"CBH618","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/covercbh_d24d802c-796d-4f6f-8e17-cbb4c7541f1d.png?v=1755506752"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/collections\/c291339c8dc2e0a9ea58af79d99a9166.jpg?v=1772894334","url":"https:\/\/referencemusicstore.myshopify.com\/en\/collections\/bela-bartok.oembed","provider":"Reference Music Store","version":"1.0","type":"link"}