{"title":"Antonio Vivaldi","description":"","products":[{"product_id":"le-otto-stagioni-vivaldi-piazzolla-stravinsky-chamber-orchestra","title":"THE EIGHT SEASONS | VIVALDI \u0026 PIAZZOLLA - Stravinsky Chamber Orchestra","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eTHE EIGHT SEASONS | VIVALDI \u0026amp; PIAZZOLLA \u003c\/b\u003e(CVLD027)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 class=\"western\" lang=\"en-US\"\u003eStravinsky Chamber Orchestra\u003c\/h2\u003e\n\u003col\u003e\n\u003cli\u003eSpring opVIII n1 - Allegro (Antonio Vivaldi)\u003c\/li\u003e\n\u003cli\u003eSpring opVIII n1 - Largo\u003c\/li\u003e\n\u003cli\u003eSpring opVIII n1 - Pastoral Dance, Allegro\u003c\/li\u003e\n\u003cli\u003eSummer opVIII n2 - Allegro non molto\u003c\/li\u003e\n\u003cli\u003eSummer opVIII n2 - Adagio\u003c\/li\u003e\n\u003cli\u003eSummer opVIII n2 - Presto\u003c\/li\u003e\n\u003cli\u003eAutumn opVIII n3 - Allegro\u003c\/li\u003e\n\u003cli\u003eAutumn opVIII n3 - Adagio molto\u003c\/li\u003e\n\u003cli\u003eAutumn opVIII n3 - Allegro\u003c\/li\u003e\n\u003cli\u003eWinter opVIII n4 - Allegro non molto\u003c\/li\u003e\n\u003cli\u003eWinter opVIII n4 - Largo\u003c\/li\u003e\n\u003cli\u003eWinter opVIII n4 - Allegro\u003c\/li\u003e\n\u003cli\u003ePrimavera Portena (Astor Piazzolla)\u003c\/li\u003e\n\u003cli\u003eVerano Porteno\u003c\/li\u003e\n\u003cli\u003eOtono Porteno\u003c\/li\u003e\n\u003cli\u003eInvierno Porteno\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eStravinsky Chamber Orchestra, Marco Tezza, conductor \u0026amp; Piano solo\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Le-Otto-Stagioni\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"HD FILE 96kHz · 24bit","offer_id":47381605155163,"sku":"CVLD027","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/027-cover.jpg?v=1701285064"},{"product_id":"l-uccellaja-mario-folena-roberto-loreggian-francesco-galligioni","title":"L'UCCELLAJA - Mario FOLENA Roberto LOREGGIAN Francesco GALLIGIONI","description":"\u003ch1 lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003eL’UCCELLAJA\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003eMusic inspired by the birds singing between the 17th and 18th centuries (CVLD361)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003eMario \u003cstrong\u003eFOLENA\u003c\/strong\u003e, traverso, flauto d’amore\u003cbr\u003eRoberto \u003cstrong\u003eLOREGGIAN\u003c\/strong\u003e, harpsichord\u003cbr\u003eFrancesco \u003cstrong\u003eGALLIGIONI\u003c\/strong\u003e, cello, viola da gamba\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eAvailable in: HD Files, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e1. Georg Philipp Telemann (1694 - 1772)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003eAria “Flieg hin flieg hin” and Minuet for harpsichord and cello - 01:39\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e2. Louis-Claude Daquin (1694 - 1772)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e“Le Coucou” for traverso1 and harpsichord - 02:13\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e3. Michel Corrette (1707 - 1795)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e“Le Coucou” for flauto d’amore in A and basso continuo (cello and harpsichord) 02:06\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e4. Anonymous Italian (17th century)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e“Capriccio fatto sopra il Cucchù” for harpsichord - 04:17\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e5. Antoine Dornel (1691 - 1765)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e“L’hirondelle” for traverso2 and basso continuo (viola da gamba and harpsichord) - 03:14\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e6. Louis-Claude Daquin (1694 - 1772)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e“L’hirondelle” for harpsichord - 03:16\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e7. Françoise Philidor (1689 - 1717)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e“L’hirondelle” for traverso2 and basso continuo (viola da gamba and harpsichord) - 01:07\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e8. Baldassare Galuppi (1706 - 1785)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003eFrom the opera “Sirbace“ “Qual colomba afflitta” for traverso1 and basso continuo - 03:33\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e9. Antonio Vivaldi (1678 - 1741)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003eFrom Cantata RV 659 “Indarno cerca la Tortorella” for flauto d’amore in A flat and basso continuo (cello and harpsichord) - 03:41\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e10. Georg Friedrich Händel (1685 - 1759)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003eFrom the opera Acis and Galateac“As when the dove laments” for traverso1 and basso continuo (cello and harpsichord) - 03:43\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e11. Johann Heinrich Schmelzer (1623 ca. - 1680)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e“La gallina” for traverso2 and basso continuo (cello and harpsichord) - 02:47\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e12. Alessandro Poglietti (? - 1683)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e“Il gallo e la gallina” for harpsichord - 05:06\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e13. Anonymous 18th century\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003eFrom “The Delightful Pocket Companion for the Flute” London: Robert Bremnen, undated “Polonese” for flauto d’amore in A - 03:14\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e14. Jean-Baptiste de Bousset - Jacques Hotteterre (1662 - 1725) (1680 ca - 1761 ca)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003eAria: “Pourquoy, doux rossignol” for traverso2 and basso continuo (viola da gamba and harpsichord) - 02:49\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e15. Antonio Vivaldi (1678 - 1741)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003eFrom Cantata RV 796 “Usignoletto bello” for traverso1 and basso continuo (cello and harpsichord) - 03:04\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e16. Francesco Bartolomeo Conti (1681 - 1732)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003eAria: “L’augellin trà verdi fronde” for traverso1 and basso continuo (cello and harpsichord) - 02:54\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e17. Alessandro Speranza (1728 - 1797)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e“Divertimento per cembalo in cui si esprime una Uccellaja” for harpsichord - 04:13\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e18. Joseph Bodin de Boismortier (1689 - 1755)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e“Ramage” for flauto d’amore in A - 04:03\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e19. Jacques-Christophe Naudot (1690 ca. - 1762)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e“Chant d’oiseaux” for traverso1, cello and basso continuo - 03:34\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e20. Antonio Vivaldi (1678 - 1741)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003eCantabile from Concerto op. X no. 6 “Il Gardellino” for traverso1 and basso continuo (cello and harpsichord) - 03:11\u003c\/div\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cstrong\u003eTotal Time - 63:55\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe style=\"border-radius: 20px\" border=\"0\" height=\"370px\" src=\"https:\/\/velutluna.lnk.to\/L-uccellaja\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTraverso 1 - Martin Wenner, copy of Carlo Palanca\u003c\/li\u003e\n\u003cli\u003eTraverso 2 - Federico Xiccato, copy of Chevalier\u003c\/li\u003e\n\u003cli\u003eFlauto d’amore in A - Federico Xiccato, copy of Dejardin\u003c\/li\u003e\n\u003cli\u003eFlauto d’amore in A flat - Giovanni Tardino, copy of Giuseppe Panormo\u003c\/li\u003e\n\u003cli\u003eCello - Cremona, late 17th century\u003c\/li\u003e\n\u003cli\u003eViola da gamba - Paolo Biordi, Ortimino, 2018 (from Michel Colichon, Paris, 1691)\u003c\/li\u003e\n\u003cli\u003eHarpsichord - Florindo Gazzola, copy of Anonymous Italian 17th century\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eDigital \/ Analog recording made strictly live-in-studio at Main Hall, Villa Masiero e Centanin, Arquà Petrarca, Italy, on May 8, 9, 2023 - Analog Mix and mastering made at VL Studio, Naquera, Spain, on May 11, 12, 2023, using Rupert Neve Design Summing Mixing Console, Maselec MLA-2 \/ MEA-2 \/ MPL-2 and Studer A810\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003eProduction: Marco Lincetto and Massimo Corvino Consulting\u003c\/li\u003e\n\u003cli\u003eExecutive producer: Marco Lincettoo\u003c\/li\u003e\n\u003cli\u003eMusical producer: Marco Lincetto\u003c\/li\u003e\n\u003cli\u003eBalance, recording, mix and mastering engineer: Marco Lincetto\u003c\/li\u003e\n\u003cli\u003eEditing: Matteo Costa\u003c\/li\u003e\n\u003cli\u003ePhoto: Musicians’Archive\u003c\/li\u003e\n\u003cli\u003eCover Graphics and layout: L’Imag\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTo celebrate the beauty and inspiration of bird song: this is the aim of this anthology of 17th and 18th-century compositions dedicated to the voices of winged creatures. The CD takes its title from Alessandro Speranza's Divertimento per cembalo in cui si esprime una Uccellaja and includes 20 carefully selected baroque and rococo pieces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe first piece, a previously unreleased page by G. Ph. Telemann, opens with two notes (D - B) that repeat, enunciating the cuckoo's call. This incisive musical motif, capable of being etched into our auditory memory, introduces the following tracks, dedicated in order to: cuckoo, swallow, turtledoves and doves, roosters and hens, nightingale, various songbirds\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eand goldfinch.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBetween the 17th and 18th centuries, it was common in French instrumental suites (but also in German ones) to find movements with a title having a specific programmatic intent. From these suites (composed by Daquin, Corrette, Philidor, Schmelzer, Boismortier and Naudot) come the pieces dedicated to bird song. And many Italian musicians, such as Poglietti and Speranza, were also inspired by bird song: three pages of great expressive power for solo harpsichord by these composers and an Anonymous one are presented.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGaluppi's aria Qual colomba afflitta has come down to us only in instrumental form. It is part of a weighty collection of opera arias, published in London in the mid-18th century by John Walsh, selected and transcribed for traverso and basso continuo by Carlo Maria Broschi (1705-1782), the famous castrato known as \"il Farinelli\". At the time, it was still common practice to perform vocal compositions - such as opera arias or those from cantatas, French brunettes or boat songs - in simple instrumental form, as was done in the Renaissance era: a deep-rooted traditional practice with which it was also decided to perform Vivaldi's arias Usignoletto bello and Conti's L’augellin trà verdi fronde. Handel's piece As when the dove laments, on the other hand, belongs to a collection of transcriptions for traverso and harpsichord, also published by J. Walsh in London.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWithin this free performing style also falls the aria Porquoy doux rossignol by the composer Jean-Baptiste de Bousset (1662 - 1725), a very popular piece at the court of the Sun King. It is a magnificent aria that Jacques Hotteterre transcribed for traverso and basso continuo, contributing to its fame and dissemination.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Delightful Pocket Companion for the Flute, from which the Polonese by an unknown author performed here on the flauto d’amore is taken, is a pocket vademecum in several volumes published in London - undated - by Robert Bremnen. It contains hundreds of original and transcribed pieces for the numerous amateur flutists, who were increasingly eager for repertoire for their instrument. The theme of this Polonese, a Polish dance movement in three-quarter time, is the clucking of a hen, so much so that with a play on words it could be renamed Pollonese.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe CD concludes with the famous Cantabile from Concerto Op. X no. 6 \"Il Gardellino\" by Antonio Vivaldi, whose pure and linear melody is embellished in this CD, during the ritornelli, in the same capricious spirit as Alessandro Speranza's piece: and so, in addition to the typical arpeggiated call of the goldfinch, one can hear the imitation of a myriad of chirping birds, a tribute to the greatness of Nature, with a triumph of notes and sounds that aims to transport us into a world of emotions and beauty.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMario Folena\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49988463690075,"sku":"CVLD361CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":47464153743707,"sku":"CVLD361","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/VELUTLUNACVLD361-cover.jpg?v=1702924525"},{"product_id":"velut-luna-vol-2-hi-res-sampler","title":"Velut Luna Vol.2 Hi-Res Sampler","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eVelut Luna Vol. 2 Hi-Res Sampler\u003c\/b\u003e (SVLH003)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e01 Cross Road Blues\u003c\/span\u003e\u003c\/strong\u003e (Robert Johnson)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp lang=\"en-US\" class=\"western\"\u003e Enrico Merlin, Max Prandi\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e02 Theme One\u003c\/span\u003e\u003c\/strong\u003e \u003cspan\u003e(George Martin)\u003c\/span\u003e\u003c\/em\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e David Jackson, Marco Lo Muscio\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \n\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e03 Two For The Road\u003c\/span\u003e\u003c\/strong\u003e (Henry Mancini, Leslie Bricusse)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e Chiara Pastò, Francesco Pollon\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e04 Etudes - Tableaux Op33 No. 1 in F minor, Allegro ma non troppo\u003c\/span\u003e\u003c\/strong\u003e (Sergei Rachmaninov)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e Edward Brotto\u003cbr\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e05 Jesus On The Mainline\u003c\/span\u003e\u003c\/strong\u003e \u003cspan data-mce-fragment=\"1\"\u003e(traditional)\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e Enrico Merlin, Max Prandi\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e06 How I Loved You\u003c\/span\u003e\u003c\/strong\u003e \u003cspan data-mce-fragment=\"1\"\u003e(Nicola Piovani, Vincenzo Cerami)\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e Lucia Minetti, Andrea Zani, Martino Maina\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e07 They Can't Take That Away From Me\u003c\/span\u003e\u003c\/strong\u003e \u003cspan data-mce-fragment=\"1\"\u003e(George \u0026amp; Ira Gershwin)\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e Chiara Pastò, Francesco Pollon\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \n\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e08 As When The Dove Laments, for transverse flute and basso continuo\u003c\/span\u003e\u003c\/strong\u003e \u003cspan data-mce-fragment=\"1\"\u003e(Georg Friederich Handel)\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e Mario Folena, Roberto Loreggian, Francesco Galligioni\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e09 Sous la Lune\u003c\/span\u003e\u003c\/strong\u003e \u003cspan data-mce-fragment=\"1\"\u003e(DLewis, ABhoudraem, FJeannin, MRazanajato, BDGrimult)\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e Lucia Minetti, Andrea Zani, Martino Maina\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e10 Etudes - Tableaux Op39 No6 in A minor, Allegro\u003c\/span\u003e\u003c\/strong\u003e \u003cspan data-mce-fragment=\"1\"\u003e(Sergei Rachmaninov)\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e Edward Brotto\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e11 Fanfare For The Common Man\u003c\/span\u003e\u003c\/strong\u003e \u003cspan data-mce-fragment=\"1\"\u003e(Aaron Copland, Keith Emerson)\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e David Jackson, Marco Lo Muscio\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \n\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e12 Cantabile, from the concerto op. X, n. 6 Il Gardellino, for transverse flute and basso continuo\u003c\/span\u003e\u003c\/strong\u003e \u003cspan data-mce-fragment=\"1\"\u003e(Antonio Vivaldi)\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e Mario Folena, Roberto Loreggian, Francesco Galligioni\u003c\/p\u003e\n\n\u003cp\u003e Total time: 49:06\u003c\/p\u003e\n\n\u003cp\u003e ℗ 2024 Velut Luna®_Released 2023-03-04 \u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/playlist\/3vu8FghPcOZpdYXx7vpd2z?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Reference Music Store","offers":[{"title":"HD FILE 88.2kHz · 24bit","offer_id":47786227728731,"sku":"SVLH003-88","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/VOL.2Hi-ResSampler.png?v=1710010568"},{"product_id":"f-for-fake-copyleft-of-18th-century-music","title":"F FOR FAKE - COPYLEFT OF 18TH CENTURY MUSIC","description":"\u003cp\u003e \u003cstrong\u003eF FOR FAKE - COPYLEFT OF 18TH CENTURY MUSIC\u003c\/strong\u003e ( \u003cspan\u003eLDV 14040)\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e 1-5 Nicolas Chédeville – \u003cem\u003eSonata in G Major from\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ePastor Fido\u003c\/p\u003e\n\n\u003cp\u003e 6-9 Francesco Saverio Geminiani\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e– Sonata in G Major\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e 10-18 Pietro Castrucci –\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eSonata in G Major\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u0026amp;\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eSonata in D Major*\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e 23-26 Georg\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eFriedrich Händel – Sonata in D Major, HWV 378\u003c\/em\u003e\u003c\/p\u003e\n\n \u003cp\u003e27-30 Antonio Vivaldi (?)\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e– Sonata in E Minor\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e 31-33 Johann Christian Bach (?)\u003cem\u003e \u003c\/em\u003e\u003cem\u003e– Sonata in G Major\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e *FIRST WORLD RECORDINGS\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/F-for-Fake-Il-falso-d-autore\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003eOn original instruments\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e THE APOTHECARY TRIO\u003c\/p\u003e\n\n\u003cp\u003e Silvia Tuja – transverse flute\u003c\/p\u003e\n\n\u003cp\u003e Elisabetta Soresina – baroque cello\u003c\/p\u003e\n\n\u003cp\u003e Giuseppe Reggiori – harpsichord\u003c\/p\u003e\n\n\u003cp\u003e (1 CD)\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47996439462235,"sku":"LDV 14040","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/14040-cover-SITO.jpg?v=1712327405"},{"product_id":"le-quattro-stagioni","title":"THE FOUR SEASONS","description":"\u003cp\u003eLDV 14001 (1 CD)\u003c\/p\u003e\n\n\u003cp\u003e ANTONIO VIVALDI\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003e\u003cem\u003eTHE FOUR SEASONS\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e Spring – Summer – Autumn – Winter\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eTHE MADNESS\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/Vivaldi-Le-quattro-stagioni-La-follia\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eOFFICINA MUSICUM\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e Riccardo Favero, conductor \u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003ciframe loading=\"lazy\" title=\"Antonio Vivaldi: The Four Seasons (The Summer)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/TTV33RSJ4Vo?feature=oembed\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e PRODUCT DESCRIPTION\u003c\/p\u003e\n\n \u003cp class=\"p1\"\u003eSince the Musici made them known through a memorable recording (Ws 121, 134) in the early 1960s, The Four Seasons have become an evergreen in the international recording industry. All the most renowned chamber ensembles have attempted them and performed them publicly, confident of their unfailing success. In recent decades, with the rise of philological performance practice, the Four Seasons have become a favorite subject for experiments that have often completely distorted their meaning and character. Reconciling respect for ancient performance practice with a distinctly Italian sense of musicality, full of color, rhythm, and vitality, was the primary goal of this recording by the Oficina Musicum, which restores Vivaldi's masterpiece to us in all its dazzling joie de vivre, with a freshness and brilliance of accents that seem to make it a work never heard before.\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47996445065563,"sku":"LDV 14001","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/14001-cover.jpg?v=1712327522"},{"product_id":"vivaldi-concertos-soprano-arias","title":"VIVALDI: CONCERTOS \u0026amp; SOPRANO ARIAS","description":"\u003cp\u003e \u003cstrong\u003eANTONIO VIVALDI\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e Concertos \u0026amp; Soprano Arias\u003c\/p\u003e\n\n\u003cp\u003e Violin Concerto in D Major LDBV\u003cbr\u003e Large Mogul, RV 208\u003cbr\u003e Violin Concerto in D Major The Restlessness,\u003cbr\u003e RV 234\u003cbr\u003e Lute Concerto in D Major, RV 93 \u003cbr\u003eViola d'amore Concerto in D Major, RV 392\u003cbr\u003e Viola d'amore Concerto in D Minor, RV 394\u003c\/p\u003e\n\n\u003cp\u003e from Juditha Triumphans, RV 644\u003cbr\u003e Aria Fulgeat sol\u003cbr\u003e Air O servants fly\u003cbr\u003e Aria Vultus tui vague splendors\u003cbr\u003e Aria Matrona Enemy\u003c\/p\u003e\n\n\u003cp\u003e from Il Giustino, RV 717\u003cbr\u003e Aria I will see with my delight\u003c\/p\u003e\n\n\u003cp\u003e 1 CD\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/Vivaldi-Concertos-Soprano-Arias\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e THE AMBROSIAN SOLOISTS\u003c\/p\u003e\n\n\u003cp\u003e Tullia Pedersoli, soprano\u003c\/p\u003e\n\n\u003cp\u003e Davide Belosio, violin\u003c\/p\u003e\n\n\u003cp\u003e Mauro Righini, viola d'amore\u003c\/p\u003e\n\n\u003cp\u003e Massimo Marchese, lute\u003c\/p\u003e\n\n\u003cp\u003e Claudia Monti – Giambattista Pianezzola\u003cbr\u003e Damiano Bordoni – Claudio Frigerio\u003cbr\u003e Matteo Cicchitti – Franz Silvestri\u003c\/p\u003e\n\n\u003cp\u003e A multifaceted collection of Concertos and Arias, an echo of a disenchanted, essential, yet always energetic human and musical experience, which translates into melodic inventions rich in cosmopolitan suggestions for those who know how to grasp all the modern seductions of its chiaroscuro.\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47996459286875,"sku":"LDV 14067","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/14067-vivaldi-cover-sito.jpg?v=1712327805"},{"product_id":"dsd-hi-res-audio-sampler-vol-2","title":"DSD \u0026 Hi-Res AUDIO SAMPLER VOL.2","description":"\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003eDSD \u0026amp; Hi-Res AUDIO SAMPLER VOL.2\u003c\/b\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e1. \u003cstrong\u003eFinal\u003c\/strong\u003e (09'32) WAV192\/24\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH190 - Béla Bartók: Concerto For Orchestra)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e2. \u003cstrong\u003eKräftig, bewegt, doch nicht zu schnell\u003c\/strong\u003e (07'55) DSD128\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH191 - Gustav Mahler: Symphony no. 1 in D major)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e3. \u003cstrong\u003eConfutatis\u003c\/strong\u003e (03'03) DSD64\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH193 - Wolfgang Amadeus Mozart: Requiem KV 626)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e4. \u003cstrong\u003eSummer - Presto\u003c\/strong\u003e (2'49) WAV96\/24\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH200 - Antonio Vivaldi: The Four Seasons Op. 8)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e5. \u003cstrong\u003eVivaldi: Concertoin A Minir.,RV 523\u003c\/strong\u003e (12'40) WAV192\/24\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH201 - Baroque Festival)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e6. \u003cstrong\u003eFortuna, Imperatrix Mundi\u003c\/strong\u003e (03'54) DSD128\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH202 - Carl Orff - Carmine Burana)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e7. \u003cstrong\u003eStürmisch Bewegt. Mit größter Vehemenz\u003c\/strong\u003e (13'04) WAV44.1\/16\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH211 - Gustav Mahler: Symphony no. 5 in C Sharp Minor)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e8. \u003cstrong\u003eThe Year 1812, Op. 49\u003c\/strong\u003e (15'30) WAV44.1\/16\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH226 - Pyotr Ilijc Tchaikovsky: Capriccio italien, Marche slave, Romeo and Juliet, The Year 1812)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003eTotal Time: 01:08:29\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e*VARIOUS SAMPLING FREQUENCIES\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"GRooVE back magazine","offers":[{"title":"VARIOUS SAMPLING FREQUENCIES","offer_id":48538023362907,"sku":"CBHSAMPLER24","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/dsdsampler2.png?v=1772820861"},{"product_id":"j-s-bach-sonatas-bwv-1027-1028-1029-canuti-bagaria","title":"JS BACH SONATAS BWV 1027|1028|1029 - CANUTI, BAGARIA","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cstrong\u003eJ. S. BACH SONATAS BWV 1027-1028-1029 \u003c\/strong\u003e(\u003cspan\u003eCVLD222\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eJ. S. BACH\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003ePerformers\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eS. CANUTI, E. BAGARIA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eAvailable in: HD Files, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e01 - Sonata in G major BWV1027_ Adagio\u003cbr\u003e02 - Sonata in G major BWV1027_ Allegro ma non troppo\u003cbr\u003e03 - Sonata in G major BWV1027_ Andante\u003cbr\u003e04 - Sonata in G major BWV1027_ Allegro moderato\u003cbr\u003e05 - Sonata in D minor BWV1028_ Adagio\u003cbr\u003e06 - Sonata in D minor BWV1028_ Allegro\u003cbr\u003e07 - Sonata in D minor BWV1028_ Andante\u003cbr\u003e08 - Sonata in D minor BWV1028_ Allegro\u003cbr\u003e09 - Sonata in G minor BWV1029_ Vivace\u003cbr\u003e10 - Sonata in G minor BWV1029_ Adagio\u003cbr\u003e11 - Sonata in G minor BWV1029_ Allegro\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Bach-Sonatas-BWV-1027-1028-1029\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eClassical. Original compositions by Johann Sebastian Bach.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eStefano Canuti bassoon, Enrique Bagaria piano.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e24bit\/88.2kHz recording made at Sala Luis Galve, Auditorium in Saragozza, September 2011. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe choice of instrumentation for performing so-called \"ancient\" repertoire is always a delicate issue. Is it permissible to interpret this repertoire with instruments for which it was not directly conceived? A direct and legitimate answer to this dilemma is provided by listening to this recording; and another, as valid as it is complementary, is offered by the very history of music.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe second statement could be supported by a multitude of examples, from which it can be deduced that the instrumentation of instrumental repertoire was modified both by the will of the performers, who created their own manuscript versions, and by the composers themselves, who legitimate the changes in their printed editions and left the scores \"open\", so that the will of the performers encountered no impediment and they could improvise.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWithout going too far, we could highlight that, in the same period in which the three sonatas that are the subject of this recording were composed, Johann Sebastian Bach adapted trio sonatas originally conceived for two flutes or two violins and basso continuo for viola da gamba and harpsichord. In this regard, one could also point out the particular case of work BWV 1027a, a transcription for organ of the last movement of the first sonata on this disc; or extreme examples, such as the usual arrangements of works by other composers, less frequent in Bach, but certainly significant, such as BVW 93 and 94, derived from the instrumental catalog of Antonio Vivaldi (Rv 522 and 208 respectively).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe three sonatas BWV 1027, 1028 and 1029 were conceived by Johann Sebastian Bach for a well-defined ensemble: viola da gamba and harpsichord, certainly in an era prior to 1741, as also appears in his catalog, although generally, both for the style and for their particular instrumentation, they have been more concretely attributed to the period in which the Thuringian composer worked at the court of Cöthen, when he was just over thirty years old.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn this CD, Stefano Canuti, bassoon, and Enrique Bagaria, piano (two authentic virtuosos of the international concert scene) offer a fascinating and absolutely unprecedented interpretation of Johann Sebastian Bach's 3 immortal masterpieces.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50009239683419,"sku":"CVLD222CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":49865153151323,"sku":"CVLD222","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/222-cover.jpg?v=1736463449"},{"product_id":"the-4-4-seasons-trio-sasaki","title":"THE 4+4 SEASONS - SASAKI TRIO","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cstrong\u003eTHE 4+4 SEASONS\u003c\/strong\u003e ( \u003cspan\u003eCVLD048\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cspan\u003eAuthor:\u003c\/span\u003e \u003cspan id=\"autore\"\u003eANTONIO VIVALDI AND PYTR LL'ICH TCHAIKOVSKY\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003ePerformer:\u003c\/span\u003e \u003cspan id=\"esecutore\"\u003eTRIO SASAKI\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cem\u003eAvailable in: CD File\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cstrong\u003eTracks\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e \u003cstrong\u003eA. Vivaldi:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Four Seasons\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e [1]–[3] Spring\u003cbr\u003e [4]–[6] Summer\u003cbr\u003e [7]–[9] Autumn\u003cbr\u003e [10]–[12] Winter\u003c\/p\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e \u003cstrong\u003ePI Tchaikovsky:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Four Seasons\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e [13]\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSnowdrop\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efrom «Spring»\u003cbr\u003e [14]\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe harvest\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efrom «Summer»\u003cbr\u003e [15]\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAutumn Song\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efrom «Autumn»\u003cbr\u003e [16]\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eChristmas\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efrom «Winter»\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e \u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cspan\u003eCLASSICAL: original compositions by Antonio Vivaldi and Pytr ll'ich Tchaikovsky Padova Trio\/ Trio Sasaki: Kazuki Sasaki, violin \/ Marumo Sasaki, cello \/ Urara Sasaki, piano 24Bit \/ 96 kHz Digital Recording. Live in Zanta Studio, Camponogara (Venice, Italy)October, 2001\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eThe Four Seasons by Antonio Vivaldi in the only existing edition for romantic trio, specially arranged for the Sasaki Trio, a family of virtuosos who masterfully interpret these original pages. Following are the Four Seasons by the great Russian Author.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":50510610694491,"sku":"CVLD048","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"CD (out of stock)","offer_id":50510610727259,"sku":"CVLD048CD","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_c012e050-c7a9-4ed4-b2cc-d1e91604a2bf.jpg?v=1746095169"},{"product_id":"vivaldi-lestro-armonico-op-3","title":"Vivaldi: The Harmonic Inspiration, Op. 3","description":"\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003ci\u003e\u003cb\u003eVivaldi: The Harmonic Inspiration, Op. 3 ( \u003cspan\u003eCBH524\u003c\/span\u003e )\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eComposer\u003c\/strong\u003e : Antonio Vivaldi\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eConductor\u003c\/strong\u003e : Mario Rossi\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eOrchestra\u003c\/strong\u003e : Wiener Philharmoniker, Chamber Orchestra\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eTraces\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eCD 1\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e 01 - Concerto No. 1 in D major RV 549, I. Allegro\u003cbr\u003e 02 - Concerto No. 1 in D major RV 549, II. Largo\u003cbr\u003e 03 - Concerto No. 1 in D major RV 549, III. Allegro\u003cbr\u003e 04 - Concerto No. 2 in G minor RV 578, I. Adagio\u003cbr\u003e 05 - Concerto No. 2 in G minor RV 578, II. Allegro\u003cbr\u003e 06 - Concerto nº 2 in G minor RV 578, III. Large\u003cbr\u003e 07 - Concerto No. 2 in G minor RV 578, IV. Allegro\u003cbr\u003e 08 - Concerto No. 3 in G major RV 310, I. Allegro\u003cbr\u003e 09 - Concerto No. 3 in G major RV 310, II. Largo\u003cbr\u003e 10 - Concerto No. 3 in G major RV 310, III. Allegro\u003cbr\u003e 11 - Concerto No. 4 in E minor RV 550, I. Andante\u003cbr\u003e 12 - Concerto No. 4 in E minor RV 550, II. Allegro\u003cbr\u003e 13 - Concerto nº 4 in E minor RV 550, III. Slowly\u003cbr\u003e 14 - Concerto No. 4 in E minor RV 550, IV. Allegro\u003cbr\u003e 15 - Concerto No. 5 in A major RV 519, I. Allegro\u003cbr\u003e 16 - Concerto No. 5 in A major RV 519, II Largo\u003cbr\u003e 17 - Concerto No. 5 in A major RV 519, III. Allegro\u003cbr\u003e 18 - Concerto No. 6 in A minor RV 356, I. Allegro\u003cbr\u003e 19 - Concerto No. 6 in A minor RV 356, II. Largo\u003cbr\u003e 20 - Concerto No. 6 in A minor RV 356, III. Presto\u003c\/p\u003e\n\u003cp\u003e \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eCD 2\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e 01 - Concerto No. 7 in F major RV 567, I. Andante\u003cbr\u003e 02 - Concerto No. 7 in F major RV 567, II. Adagio\u003cbr\u003e 03 - Concerto No. 7 in F major RV 567, III. Allegro\u003cbr\u003e 04 - Concerto No. 7 in F major RV 577, IV. Adagio - Allegro\u003cbr\u003e 05 - Concerto No. 8 in A minor RV 522, I. Allegro\u003cbr\u003e 06 - Concerto No. 8 in A minor RV 523, II. Larghetto and spiccato\u003cbr\u003e 07 - Concerto No. 8 in A minor RV 524, III. Allegro\u003cbr\u003e 08 - Concerto No. 9 in D major RV 230, I. Allegro\u003cbr\u003e 09 - Concerto No. 9 in D major RV 230, II. Larghetto\u003cbr\u003e 10 - Concerto No. 9 in D major RV 230, III. Allegro\u003cbr\u003e 11 - Concerto No. 10 in B minor RV 580, I. Allegro\u003cbr\u003e 12 - Concerto No. 10 in B minor RV 580, II. Largo - Larghetto - Adagio - Largo\u003cbr\u003e 13 - Concerto nº 10 in B minor RV 580, III. Cheerful\u003cbr\u003e 14 - Concerto No. 11 in D minor RV 565, I. Allegro\u003cbr\u003e 15 - Concerto No. 11 in D minor RV 565, II. Adagio and spiccato\u003cbr\u003e 16 - Concerto nº 11 in D minor RV 565, III. Cheerful\u003cbr\u003e 17 - Concerto No. 11 in D minor RV 565, IV. Largo e spiccato\u003cbr\u003e 18 - Concerto No. 11 in D minor RV 565, V. Allegro\u003cbr\u003e 19 - Concerto No. 12 in E major RV 265, I. Allegro\u003cbr\u003e 20 - Concerto No. 12 in E major RV 265, II. Largo and very high\u003cbr\u003e 21 - Concerto No. 12 in E major RV 265, III. Allegro\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm; line-height: normal;\" class=\"MsoNormal\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/cbhmusic.lnk.to\/Vivaldi-L-estro-armonico-Op-3\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e \u003cstrong\u003eNotes\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e A refined and dynamic interpretation of Antonio Vivaldi's celebrated collection of string concertos \"L'estro armonico,\" performed by the Vienna Philharmonic with the chamber ensemble under the direction of Mario Rossi. Each concerto explores innovative formal solutions and instrumental dialogues, with a brilliant, virtuosic language that has influenced generations of composers. The balance between soloists and ripieno, the clarity of the lines, and the rhythmic energy emerge clearly thanks to a stylistically informed approach. The interpretation emphasizes the contrast between lyrical movements and lively outbursts, fully conveying the experimental and fascinating nature of this foundational work in the Baroque instrumental repertoire.\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD 1 - CD FILE 44.1kHz • 16bit","offer_id":51022602043739,"sku":"CBH524-1","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"CD 2 - CD FILE 44.1kHz • 16bit","offer_id":51022641430875,"sku":"CBH524-2","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/covercbh_92cdd401-b96d-4946-b9bd-732395049802.png?v=1753174684"},{"product_id":"stokowski-edition-vol-9","title":"Stokowski Edition, Vol. 9","description":"\u003cp\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003ci\u003e\u003cb\u003eStokowski Edition, Vol. 9 ( \u003cspan\u003eCBH551\u003c\/span\u003e )\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eComposer\u003c\/strong\u003e : Antonio Vivaldi\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eConductor\u003c\/strong\u003e : Leopold Stokowski\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eOrchestra\u003c\/strong\u003e : New Philharmonia Orchestra\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eTraces\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e 01 - The Four Seasons: Spring, in E Major, I. Allegro\u003cbr\u003e 02 - The Four Seasons: Spring, in E Major, II. Largo e pianissimo\u003cbr\u003e 03 - The Four Seasons: Spring, in E Major, III. Allegro pastorale\u003cbr\u003e 04 - The Four Seasons: Summer, in G Minor, I. Allegro molto\u003cbr\u003e 05 - The Four Seasons: Summer, in G Minor, II. Adagio and piano\u003cbr\u003e 06 - The Four Seasons: Summer, in G Minor, III. Presto\u003cbr\u003e 07 - The Four Seasons: Autumn, in F Major, I. Allegro\u003cbr\u003e 08 - The Four Seasons: Autumn, in F Major, II. Adagio molto\u003cbr\u003e 09 - The Four Seasons: Autumn, in F Major, III. Allegro\u003cbr\u003e 10 - The Four Seasons: Winter, In F Minor, I. Allegro non molto\u003cbr\u003e 11 - The Four Seasons: Winter, In F Minor, II. Largo\u003cbr\u003e 12 - The Four Seasons: Winter, In F Minor, III. Allegro\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003eHugh Bean – solo violin\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" border=\"0\" height=\"370\" src=\"https:\/\/cbhmusic.lnk.to\/Stokowski-Edition-Vol-9\" width=\"100%\" data-darkreader-inline-border-top=\"\" data-darkreader-inline-border-right=\"\" data-darkreader-inline-border-bottom=\"\" data-darkreader-inline-border-left=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\n \u003cstrong\u003eNotes\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n\u003cp\u003eThis recording of Antonio Vivaldi's \u003cem\u003eThe Four Seasons\u003c\/em\u003e features Leopold Stokowski conducting the New Philharmonia Orchestra, with Hugh Bean as solo violin. The performance presents a classical approach, carefully balancing stylistic precision and expressive clarity. The twelve tracks faithfully follow the structure of the four concertos, each divided into the usual three movements. The interpretation is distinguished by its formal order and careful rendering of dynamics and orchestral timbres. Bean's violin contribution offers a technically solid interpretation that respects performance practice, contributing to a coherent and well-articulated performance.\u003c\/p\u003e\n\n\u003cstrong\u003e\u003c\/strong\u003e\n\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51070312481115,"sku":"CBH551","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/covercbh_9ebb9bd4-4c89-40fc-8650-9eda422d9c24.png?v=1753880320"},{"product_id":"le-quattro-stagioni-stravinsky-chamber-orchestra","title":"THE FOUR SEASONS | Stravinsky Chamber Orchestra","description":"\u003ch1 class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eTHE FOUR SEASONS\u003c\/strong\u003e\u003c\/h1\u003e\n\u003ch1 class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eStravinsky Chamber Orchestra\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cul\u003e\n\u003cli class=\"western\" lang=\"en-US\"\u003e\n\u003cstrong\u003eAvailable for sale\u003cem\u003e: \u003c\/em\u003eLP \u003c\/strong\u003e(Direct Metal Mastering)\u003c\/li\u003e\n\u003cli class=\"western\" lang=\"en-US\"\u003e\n\u003cstrong\u003eFREE HD FILE WITH VINYL\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE A 21:23\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSpring\u003c\/strong\u003e, Op. 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The new analog mastering was made at VLS Studio, in Naquera (Spain), on January, 28, 2026 Using Rupert Neve Design analog console and RTR STUDER A810 on ¼” master tape rolling at 38 cm\/sec speed.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eDMM and PET: The perfect solution for the best vinyls ever\u003c\/strong\u003e\u003cbr\u003eDirect Metal Mastering (DMM): Audio is etched directly into the metal (copper) using a high-frequency carrier system and special diamond pins, vibrating at more than 40kHz, to facilitate etching (Father\/Positive -\u0026gt; Galvanic\/Negative Stamper -\u0026gt; Final Vinyl) This allows for improved accuracy in the grooves produced, resulting in improved sound output (particularly with reduced background noise and increased response to high frequencies). Actual benefits of using PET, polyethylene terephthalate, in audio vinyl printing Perfect centering (eccentricity) vertical and horizontal, ensures significantly reduced wow \u0026amp; flutter during playback. The grooved surface is ultra-smooth, resulting in very low background noise, which ensures greater effective dynamics, with much better transient response. It ensures less deformation of the groove during contact with the stylus, resulting in longer life over time, and greater extension and stability of high frequencies. Insensitivity to static electricity means that it is much less sensitive to dust accumulation and impulsive extemporaneous noises (tick-tocks) Injection molding, on the other hand, is much more precise and therefore causes less distortion of the grooves, hence a more stable stereophonic image, improved wide and deep and spatial depth.\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"LP 33 DMM (crystal)","offer_id":52632260378971,"sku":"CVLD410LP","price":59.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_a10bdc7d-38ca-4440-94d9-8bba4c4fd517.jpg?v=1774016039"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/collections\/images.webp?v=1772894643","url":"https:\/\/referencemusicstore.myshopify.com\/en\/collections\/antonio-vivaldi.oembed","provider":"Reference Music Store","version":"1.0","type":"link"}