{"title":"SUPPORTO LP","description":"\u003cp\u003eIl \u003cstrong\u003esupporto LP (Long Play)\u003c\/strong\u003e, introdotto nel 1948 dalla Columbia Records, rivoluzionò l’industria musicale. A differenza dei dischi 78 giri, poteva contenere fino a \u003cstrong\u003e20-25 minuti per lato\u003c\/strong\u003e, permettendo album completi invece di singoli brani. Realizzato in vinile, garantiva maggiore durata e qualità sonora. Gli LP favorirono la diffusione di generi come jazz, rock e musica classica, cambiando il modo di fruire la musica e dando origine all’album come forma artistica completa.\u003c\/p\u003e","products":[{"product_id":"living-blues-enrico-merlin-max-prandi","title":"LIVING BLUES - Enrico Merlin Max Prandi","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eLIVING BLUES - THE ITALIAN RECORDINGS \u003c\/b\u003e(CVLD360)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cstrong\u003eEnrico Merlin\u003c\/strong\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e,\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003e\u003cspan\u003eacoustic and hollow-body guitars, banjo, bass, backing vocals\u003c\/span\u003e\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003e\u003cb\u003e\u003cstrong\u003eMax Prandi\u003c\/strong\u003e\u003c\/b\u003e, \u003cspan\u003elead vocals, acoustic and electric guitars, bass, percussion\u003c\/span\u003e\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003eNella versione LP 180 GR sono compresi il \u003cstrong\u003eCD \u003c\/strong\u003ee il \u003cstrong\u003eFILE HD - \u003c\/strong\u003eIl CD e i file HD sono inseriti nel gatefold.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e01. CROSS ROAD BLUES \u003c\/span\u003e\u003c\/strong\u003e(Robert Johnson) 3:51\u003cstrong\u003e\u003cbr\u003e\u003cspan\u003e02. FOLSOM PRISON BLUES \u003c\/span\u003e\u003c\/strong\u003e(Johnny Cash) 4:07\u003cstrong\u003e\u003cbr\u003e\u003cspan\u003e03. REQUIEM FOR BLIND WILLIE JOHNSON \u003c\/span\u003e\u003c\/strong\u003e(Enrico Merlin) 3:19\u003cstrong\u003e\u003cbr\u003e\u003cspan\u003e04. GRINNIN’ IN YOUR FACE \u003c\/span\u003e\u003c\/strong\u003e(Edward James “Son” House Jr.) 3:35\u003cstrong\u003e\u003cbr\u003e\u003cspan\u003e05. MELLOW DOWN EASY \u003c\/span\u003e\u003c\/strong\u003e(Willie Dixon) 6:00\u003cstrong\u003e\u003cbr\u003e\u003cspan\u003e06. JESUS ON THE MAINLINE \u003c\/span\u003e\u003c\/strong\u003e(Traditional) 3:58\u003cstrong\u003e\u003cbr\u003e\u003cspan\u003e07. SOMETIMES I FEEL LIKE A MOTHERLESS CHILD \u003c\/span\u003e\u003c\/strong\u003e(Traditional) 5:04\u003cstrong\u003e\u003cbr\u003e\u003cspan\u003e08. BATTLE CRY OF FREEDOM \u003c\/span\u003e\u003c\/strong\u003e[Rally ‘Round the Flag] (George Frederick Root) 1:05\u003cstrong\u003e\u003cbr\u003e\u003cspan\u003e09. KNOCKIN’ ON HEAVEN’S DOOR \u003c\/span\u003e\u003c\/strong\u003e(Bob Dylan) 4:49\u003cstrong\u003e\u003cbr\u003e\u003cspan\u003e10. OLD MAN \u003c\/span\u003e\u003c\/strong\u003e(J. J. Cale) 3:36\u003cstrong\u003e\u003cbr\u003e\u003cspan\u003e11. I STILL HAVEN’T FOUND WHAT I’M LOOKING FOR \u003c\/span\u003e\u003c\/strong\u003e(Paul David Hewson,\u003cbr\u003eDavid Howell Evans, Adam Clayton, Larry Mullen Jr.) 4:33\u003cstrong\u003e\u003cbr\u003e\u003cspan\u003e12. CAT’S BLUES \u003c\/span\u003e\u003c\/strong\u003e(Enrico Merlin) 2:45\u003cstrong\u003e\u003cbr\u003e\u003cspan\u003e13. LONG BLACK VEIL \u003c\/span\u003e\u003c\/strong\u003e(Danny Dill e Marijohn Wilkin) 3:47\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eTotal Time: 50:38\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/LIVING-BLUES-The-Italian-Recordings\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n  Tracks 1, 2, 5, 6, 9, 10, 11, 13 arranged by ENRICO MERLIN and MAX PRANDI\u003cbr\u003eTracks 3, 4, 7, 8, 12 arranged by ENRICO MERLIN\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e “Living Blues or “Playing the Blues?\u003cbr\u003eSenza dubbio, Max appartiene alla prima categoria, e per tale ragione suonare e condividere del tempo si trasforma in esperienza fuori dall’ordinario. Pur avendo in comune un ampio territorio - la Terra del Blues - i nostri obiettivi musicali appaiono apparentemente distanti, tuttavia, ogni nostro incontro genera un’alchimia irripetibile, che sorprende noi per primi. Questo disco racconta della vita, delle sue gioie e dei suoi dolori, dell’amore e della rassegnazione, ma mai della sconfitta. Il primo lato dell’LP esprime l’essenza del Blues, delle sue radici e della sua evoluzione. Il secondo è un viaggio nel tempo e nello spazio, tra difficoltà della vita, speranza e accettazione, anche se l’assolo che dissolve la tonalità e il ritmo nella prima delle bonus track è la metafora del fatto che “We still haven’t found what we’re looking for”; e quindi continuiamo a cercare.\u003cbr\u003e\u003cbr\u003eEnrico Merlin\u003cbr\u003eEnrico Merlin plays through Tony D’angelo amplifiers and Fattoria Mendoza stomp boxes.\u003cbr\u003e\u003cbr\u003eDigital \/ Analog recording made strictly live-in-studio at Main Hall, Villa Masiero e Centanin, Arquà Petrarca, Italy, on May 3, 4, 2023. Analog Mix and mastering made at VL Studio, Naquera, Spain, on May 11, 12, 2023, using Rupert Neve Design Summing Mixing Console, Maselec MLA-2 \/ MEA-2 \/ MPL-2 and Studer A810.\u003cbr\u003e\u003cbr\u003eProduction: Marco Lincetto and Massimo Corvino Consulting\u003cbr\u003eExecutive producer: Marco Lincetto\u003cbr\u003eMusical producer: Enrico Merlin\u003cbr\u003eBalance, recording, mix and mastering engineer: Marco Lincetto\u003cbr\u003ePhoto: Marco Lincetto\u003cbr\u003eGraphics and layout: L’Image\u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"font-size: large; color: #2b00ff;\"\u003e\u003ca href=\"https:\/\/www.referencemusicstore.com\/product\/27427593\/living-blues-the-italian-recordings-lp-180-gr-cd-file-hd-\" style=\"color: #2b00ff;\" target=\"_blank\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e","brand":"Velut Luna","offers":[{"title":"FILE HD 88.2kHz · 24bit","offer_id":46837492384091,"sku":"CVLD360","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"LP con CD e FILE HD","offer_id":49988607050075,"sku":"CVLD360LP","price":49.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/COVER-CVLD-360_b12dcaa2-aad7-4f38-a33f-bf7ef9babc2f.jpg?v=1686814189"},{"product_id":"project-one-marco-lo-muscio-david-jackson","title":"PROJECT ONE - Marco Lo Muscio David Jackson","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eROJECT ONE\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cb\u003eMarco Lo Muscio\u003c\/b\u003e,\u003ci\u003e \u003c\/i\u003e\u003cb\u003eDavid Jackson, John Hackett,\u003ci\u003e \u003c\/i\u003eSteve Hackett\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cb\u003eSupporti: \u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cb\u003eCVLD362A - VINYL\u003c\/b\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cb\u003eCVLD362B - CD\u003c\/b\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cb\u003eCVLD362   - FILE HD\u003c\/b\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e01. \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eTheme One\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eGeorge Martin 3:13\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e02. \u003c\/span\u003e\u003cb\u003eVocalise n.3\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eMarco Lo Muscio 3:07\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e03. \u003c\/span\u003e\u003cb\u003eHammer in the Sand\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eSteve Hackett 3:07\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e04. \u003c\/span\u003e\u003cb\u003eHairless Heart\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003ePhil Collins, Steve Hackett, Tony Banks, Mike Rutherford, Peter Gabriel 3:47\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e05. \u003c\/span\u003e\u003cb\u003eCorpus Christi Carol\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eBenjamin Britten 3:08\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e06. \u003c\/span\u003e\u003cb\u003eHills Of The North Rejoice\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eMartin Shaw 2:30\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e07. \u003c\/span\u003e\u003cb\u003eMolde Canticle Part I\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eJan Garbarek 4:40\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e08. \u003c\/span\u003e\u003cb\u003eThe Great Gig In The Sky\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eRichard Wright, Clare Torry 6:15\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e09. \u003c\/span\u003e\u003cb\u003eRed Pedal Solo\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eMarco Lo Muscio 2:38\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e10. \u003c\/span\u003e\u003cb\u003eMoonchild\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eGreg Lake, Peter Sinfield 2:29\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e11. \u003c\/span\u003e\u003cb\u003ePrelude and Ostinato \"Homage to Keith Emerson\"\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eMarco Lo Muscio 5:20\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e12. \u003c\/span\u003e\u003cb\u003eMusica Ricercata n.7 (Ostinato)\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eGyörgy Ligeti 4:18\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e13. \u003c\/span\u003e\u003cb\u003eVocalise from \"The Ninth Gate\"\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eVojciech Kilar 3:29\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e14. \u003c\/span\u003e\u003cb\u003eVocalise n.1 \"To my mother\"\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eMarco Lo Muscio 3:00\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e15. \u003c\/span\u003e\u003cb\u003eIn Memoriam\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eMarco Lo Muscio 3:29\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e16. \u003c\/span\u003e\u003cb\u003ePilgrims\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003ePeter Hammil, David Jackson 5:44\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e17. \u003c\/span\u003e\u003cb\u003eThe Hermit \u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eSteve Hackett 5:41\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e18. \u003c\/span\u003e\u003cb\u003eFanfare for the Common Man\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eAaron Copland, Keith Emerson 8:01\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003e\u003cb\u003eTotal Time: 74:05\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/ProjectOne\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eMarco Lo Muscio\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e,\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003e church organ and piano\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eDavid Jackson\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e,\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003e saxophones and flutes \u003c\/i\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003every special guests:\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eJohn Hackett\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e,\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003e flute on \"The Hermit\"\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eSteve Hackett\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e,\u003ci\u003e electric guitar on \"Hammer In The sand\"\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003e24bit\/88.2kHz original recording made at San Gregorio VII Church, Rome, on July 24, 25, 26, 2023. \u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eAnalog mix and mastering made at MLStudio, Naquera, Spain on August 5, 2023\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003eProduction:\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003e Marco Lincetto\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003eMusical production:\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003e Marco Lo Muscio \u0026amp; David Jackson\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003eRecording, mix and mastering engineer:\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003e Marco Lincetto\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003eRecording assistant:\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003e Marco Rosanova\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003eDesign \u0026amp; Layout:\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003e L'Image\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003e\"Project One\"\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e: un progetto discografico \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003eVelut Luna\u003c\/i\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e che nasce grazie all'amicizia ed alla lunga collaborazione musicale ed artistica del M° Marco Lo Muscio con tre nomi iconici della musica Progressive e contemporanea: David Jackson, John Hackett e Steve Hackett.\u003cbr\u003eIl progetto è un grande omaggio, con arrangiamenti totalmente acustici, ai vari stili della grande musica del '900 e contemporanea. L'impianto base vede il suono gotico e sinfonico dell'organo a canne amalgamato insieme alla potenza dei sassofoni di David Jackson. La chitarra di Steve Hackett ed il flauto di John Hackett aggiungono il tocco finale in alcuni speciali arrangiamenti nati appositamente per questo progetto discografico.\u003cbr\u003eI compositori scelti provengono dal mondo della musica del '900 e contemporanea (Benjamin Britten, György Ligeti, Aaron Copland, George Martin e Marco Lo Muscio), delle colonne sonore (Wojciech Kilar), del Jazz moderno (Jan Garbarek) e del Progressive (King Crimson, Genesis, Van Der Graaf Generator, Emerson Lake \u0026amp; Palmer, Pink Floyd, David Jackson e Steve Hackett). L'ascolto in chiave acustica di queste musiche farà scoprire nuove sfumature e dettagli; si potrà capire anche quanto la musica Progressive interpretata in questa chiave sia effettivamente molto vicina ed influenzata dalla musica classica del '900.\u003cbr\u003eInfine la risaputa grande qualità delle registrazioni \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003eVelut Luna\u003c\/i\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e di Marco Lincetto offriranno un'incredibile gamma sonora nell'ascolto di questo originale ed unico progetto discografico!\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"LP 33 rpm","offer_id":49988598694235,"sku":"CVLD362A","price":49.0,"currency_code":"EUR","in_stock":true},{"title":"CD","offer_id":51165146874203,"sku":"CVLD362B","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"FILE HD 88.2kHz · 24bit","offer_id":47157532229979,"sku":"CVLD362","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_555240fe-2f4d-4f18-b2f0-86e312ac1ea5.jpg?v=1773427050"},{"product_id":"two-for-the-road-chiara-pasto-francesco-pollon","title":"Two For The Road - Chiara Pastò Francesco Pollon","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eTwo For The Road\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cb\u003eSupporti: \u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cb\u003eCVLD363A - VINYL\u003c\/b\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cb\u003eCVLD363B - CD\u003c\/b\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cb\u003eCVLD363   - FILE HD\u003c\/b\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e01. \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eLibertango\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e(Astor Piazzolla)* 1:54\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e02. \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eTwo For The Road\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e(Henry Mancini \/ Leslie Bricusse) 4:18\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e03. \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eClose Your Eyes\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e(Bernice Petkere) 3:31\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e04.\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003e'Round Midnight\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e(Theolonius Monk \/ Bernie Hanighen) 6:11\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e05. \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eBewitched, Bothered And Bewildered\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e (Richard Rodgers \/ Lorenz Hart) 3:24\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e06 . \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eWhen Lights Are Low\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e(Benny Carter \/ Spencer Williams) 2:46\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e07. \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eJust A Smile\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e(Enrico Santacatterina \/ Chiara Pastò) 4:03\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e08. \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eThey Can't Take That Away From Me\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e (George \u0026amp; Ira Gershwin) 3:45\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e09. \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eOne Day I'll Fly Away\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e(Joe Sample \/ Will Jennings) 4:37\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003e\u003cb\u003eTotal Time: \u003c\/b\u003e34:36\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cb\u003eChiara Pastò,\u003c\/b\u003e voice\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cb\u003eFrancesco Pollon\u003c\/b\u003e, piano\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003e*Lyrics of Libertango are written by Chiara Pastò\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/Two-For-The-Road\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e24bit\/88.2kHz and Analog recording made strictly live-in-studio at Magister Recording Area, Preganziol, Italy, on July 29, 2023 - Analog mix and mastering made at MLStudio, Naquera, Spain, on August 3, 2023\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003eSome technical data:\u003c\/u\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMic \u003cb\u003eNEUMANN U47fet + Massenburg MicPreamplifier\u003c\/b\u003e,\u003ci\u003e voice\u003c\/i\u003e\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eMics \u003cb\u003eAUSTRIAN OC818 + Millennia Media MicPreamplifier\u003c\/b\u003e,\u003ci\u003e piano\u003c\/i\u003e\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eMix and Mastering, made using \u003cb\u003eRupert Neve Design Analog Summing Mix\u003c\/b\u003e and \u003cb\u003eMaselec Analog Mastering Outboards\u003c\/b\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProduction: \u003cb\u003eMarco Lincetto\u003c\/b\u003e\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eMusical producers: \u003cb\u003eMarco Lincetto, Andrea Valfrè\u003c\/b\u003e\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eBalance recording engineer: \u003cb\u003eMarco Lincetto\u003c\/b\u003e\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eSound engineer: \u003cb\u003eAndrea Valfrè\u003c\/b\u003e\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eMix and Mastering engineer: \u003cb\u003eMarco Lincetto\u003c\/b\u003e\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003ePhoto: \u003cb\u003eMarco Lincetto\u003c\/b\u003e\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eDesign and layout: \u003cstrong\u003eL'Image\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cb\u003eLA MEGLIO GIOVENTU’ di Marco Lincetto\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003eChiara Pastò arriva finalmente a realizzare un disco di Jazz. Al quarto lavoro discografico, tutti realizzati con la mia etichetta Velut Luna e con me come produttore, la giovane, brillante, cantante padovana affronta ormai nel pieno della sua maturità artistica e vocale il suo “territorio d’elezione” a cui ha lavorato lungo tutto il suo percorso accademico e che ha praticato in molte occasioni concertistiche. Il repertorio di questo disco presenta alcuni famosissimi standard, come la title track o Round Midnight, ma anche una originalissima escursione nel celeberrimo brano di Astor Piazzolla, libertango, a cui la stessa Chiara dona un affascinate testo inedito. E poi un suo brano originale, scritto con Enrico Santacatterina, Just A Smile, che è un suo cavallo di battaglia di area pop, per così dire, oggi riletto in chiave di standard jazz. Un disco completo e maturo, che viene esaltato dalla sapienza pianistica, dal gusto sopraffino, condito da una tecnica mirabile di Francesco Pollon, forse il più rappresentativo pianista jazz italiano della giovane generazione, che attualmente vive ed opera a New York, dopo aver lì conseguito un prestigioso master alla Manhattan School Of Music - Jazz Arts. Insomma... I giovani, grandi musicisti, esistono ancora, e più che mai, in Italia: basta dare loro lo spazio che si meritano!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/www.referencemusicstore.com\/product\/28298830\/two-for-the-road-lp-180-gr-cd-file-hd-\" target=\"_blank\"\u003e\u003cspan style=\"font-size: large; color: #2b00ff;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003eDISPONIBILE ANCHE IN FORMATO LP 180GR\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/bMvReQBCBMw\" width=\"640\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"LP 33 rpm","offer_id":49988586832219,"sku":"CVLD363A","price":49.0,"currency_code":"EUR","in_stock":true},{"title":"CD","offer_id":51165182722395,"sku":"CVLD363B","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"FILE HD 88.2kHz · 24bit","offer_id":47289258279259,"sku":"CVLD363","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/COVER-CD-363-CVLD_9bb101f1-ebbb-405c-aef9-375e218ff371.jpg?v=1748505599"},{"product_id":"the-velut-lunas-reference-vinyl-vol-2","title":"The Velut Luna's Reference Vinyl Vol. 2","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eThe Velut Luna's Reference Vinyl Vol. 2 \u003c\/b\u003e(CVLD370)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eDisponibile in: File HD, LP\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003eLATO A - 20:03\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eShort \u0026amp; Shorter 6:37(Roberto Magris)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBig Band Ritmo Sinfonica Cittàdi Verona, Marco Pasetto, conductor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Teatro Marinelli, Castelnuovo del Garda, September 2008\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA2\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNubian Dream 5:57\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(A. Sharara)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNew Project Jazz Orchestra, Renzo Vigagni, conductor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Teatro Rosmini, Rovereto, December 1999\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA3\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eInverno 7:31(Oscar Del Barba)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOscar Del Barba Ensemble, feat, Mauro Negri, clarinet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Auditorium Pollini, Padova, April 2000\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLATO B - 18:02\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRadames 3:03\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Coslow, Age, Cremona)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Metronomes, feat. Michele Giacomazzi, guitar\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Papillons Studio, Padova, January 2000\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eB2\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Pink Panther Theme 6:50\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Henry Mancini)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMassimo Salvagnini Quartet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Condulmer Recording Studio, Zerman, August 2002\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eB3\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAmor em paz 5:30\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Antonio Carlos Jobim)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMassimo Salvagnini Quartet, feat. Patrizia Laquidara\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Magister Recording Area, Preganziol, November 2006\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eB4\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eI’m On My Way 2:33\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Traditional)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCheryl Porter, Guido Torelli \u0026amp; Leonardo Di Angilla\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Public Auditorium, Chiuppano, October 2001\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLATO C - 18:15\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrimavera Portena 7:49\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Astor Piazzolla)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eStravinsky Chamber Orchestra, Marco Tezza, piano solo \u0026amp; conductor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Chiesa di San Francesco, Schio, April 1999\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eC2\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVals venezolano \/ Contradanza 3:13\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Paquito D’Rivera)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAlessandro Carbonare, clarinet \u0026amp; Andrea Dindo, piano\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Chiesa di San Francesco, Schio, August 2002\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eC3\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLunas de cielo griz 2:42\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Alejandro Martinez)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAlejandro Martinez \u0026amp; Nina Ves\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Studio A, Padova, June 2015\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eC4\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEl pueblo unido jamas serà vencido 4:36\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Sergio Ortega, Quilapayùn)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eYolanda Diaz \u0026amp; Matteo Nahum\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at MLH, Naquera (Spain), September 2023\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLATO D - 19:33\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eConcert in A Major K622\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003efor Clarinet and Orchestra: Allegro 11:42\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Wolfgang Amadeus Mozart)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOrchestra di Padova e del Veneto, Zsolt Hamar, conductor, Luca Lucchetta, clarinet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Teatro Verdi, Padova, October 2006\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eD2\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eI Sogni di Gianò:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLa fisarmonica e il bambino 7:50\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Adriano Lincetto)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOrchestra di Padova e del Veneto, Fabio Framba, conductor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Auditorium Pollini, September 2009\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAll recordings made in Italy, except for C4 made in Spain.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eUn sentito ringraziamento a tutti quei musicisti che hanno contribuito a rendere grande Velut Luna in questi suoi primi 30 anni.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Marco Lincetto)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIngeniero de sonido: Marco Lincetto a menos que se indique lo contrario\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDiseño gráfico: L’Image \/ Foto de portada: Paolo Vettore (1963)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- - -\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIl bambino nell’immagine di copertina sono io. All’età di due anni. Era il 1963.\u003cbr\u003eDa che mi ricordo, ho sempre amato ascoltare i dischi. Certamente per via della mia storia famigliare, con mio papà che fu illustre pianista classico e compositore raffinato, e mia mamma cantante lirica.\u003cbr\u003eMa certamente in quegli anni della prima infanzia era grande il fascino che suscitavano in me quei padelloni neri che giravano sul vecchio giradischi di famiglia e da cui uscivano le mie favole preferite, narrate da grandi voci di grandi attori (ricordo ad esempio, Nando Gazzolo e la sua Cappuccetto Rosso, e Hansel e Grethel, e Pollicino, i cui dischi ho letteralmente consumato...).\u003cbr\u003eAttorno agli otto o nove anni il passaggio dalle favole ai 45 giri dei Beatles alla fine della loro carriera (Obladì, Obladà), oppure a quella sonorità inconsueta e sconosciuta del Theremin usato in Good Vibrations dei Beach Boys, fu un fatto del tutto naturale.\u003cbr\u003eE quando a 13 anni cominciai progressivamente a scoprire Santana, i Pink Floyd, i Genesis, etc.etc.etc., uniti alla lettura di Suono e Stereoplay, fu altrettanto naturale incapricciarmi con le immagini dei grandi registratori a bobine dell’epoca, adatti agli allora rari home studio.\u003cbr\u003eIl mio primo amore, tanto sognato e mai posseduto, fu il Tascam 80-8, otto tracce su nastro da mezzo pollice. E i microfoni dei sogni erano i Sennheiser, gli MD441 e gli MD421... Ma il sogno vero era “farmi lo studio”... cosa che resterà per lungo tempo solo, appunto, un sogno. Quando infine a 19 anni conobbi la musica di Jim Croce e capii che... “Si-Può-Fare!” (cit.), fu il momento in cui mi fu chiaro che presto o tardi, io avrei fatto quel lavoro, avrei “fatto i dischi”.\u003cbr\u003eE il resto è storia...\u003cbr\u003e\u003cbr\u003eLa mia cultura, la mia tradizione, le mie esperienza fondamentali, sono ANALOGICHE. Anche se da subito, all’inizio della mia carriera professionale nel 1992, sono stato un alfiere del digitale di qualità, non ho mai abbandonato l’analogico e soprattutto non ho mai abbandonato la “mentalità analogica”.\u003cbr\u003eEcco quindi arrivare questo secondo volume delle mie registrazioni più amate, più significative di oltre trent’anni di attività di produzione con VELUT LUNA. Come già nel volume 1, ogni lato dei quattro che compongono questo doppio vinile è tematico e dedicato alle grandi Big Band, che si muovono fra il jazz e il crossover etnico (Lato A), il jazz in formato club, dallo swing all’italiana dei The Metronomes, al gospel di Cheryl Porter (Lato B), la musica sud americana e latina, per me importantissima e colonna portante del mio sentimento più profondo (Lato C), ed infine la grande\u003cbr\u003emusica classica, qui tradotta nel meraviglioso Concerto per Clarinetto, di Mozart e il movimento finale dalla Suite Sinfonica “I Sogni di Gianò”, di mio papà Adriano Lincetto.\u003cbr\u003e\u003cbr\u003e...E arrivederci al terzo e ultimo volume di questa mia “summa”, previsto in pubblicazione a febbraio 2025, in occasione del 30° anniversario della nascita di VELUT LUNA.\u003c\/p\u003e\n\u003cp\u003eMarco Lincetto\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.referencemusicstore.com\/product\/29952519\/the-velut-luna-s-reference-vinyl-vol-2\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan style=\"font-size: large; color: #2b00ff;\"\u003e\u003cspan style=\"color: #2b00ff; font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003eDISPONIBILE IN FORMATO DOPPIO LP 180GR\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"640\" src=\"https:\/\/www.youtube.com\/embed\/X_gJ6oZtxZs\" height=\"360\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"LP 33 rpm (2 LP)","offer_id":49988427153755,"sku":"CVLD370LP","price":69.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":47869912449371,"sku":"CVLD370","price":36.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_1e4ddf10-58c3-4ea9-93ef-e2768ff885f6.jpg?v=1748505599"},{"product_id":"papier-mache-federica-artuso","title":"Papier-Maché - Federica Artuso","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003ePapier-Maché \u003c\/b\u003e(CVLD365)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eDisponibile in: \u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eLP Top Clear Vinyl+ FILE HD\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eCD Gold\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eFile HD\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eMaría Luisa Anido (1907- 1996)\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e01 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eAire norteño\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e1:23\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e02 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eEl misachico\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e3:45\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e03 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMinueto del “Don Juan” de Mozart\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e2:24\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e04 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eCanción del Yucatán\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e1:50\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e05 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eBoceto Indígena\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e4:10\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eAbel Fleury (1903-1958)\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003ealso published as “Melodia popular argentina” by María Luisa Anido\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e06 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMilonguea del Ayer\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e2:30\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eManuel Ponce (1882-1948)\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTres canciones populares mexicanas\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e07 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eLa Pajarera\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e1:13\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e08 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePor ti mi corazón\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e3:18\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e09 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eLa Valentina\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e1:52\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eEnrique Granados (1867-1916)\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003etrascr. M. Llobet\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e10 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eDanza española n.5, Andaluza\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e5:23\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eMiguel Llobet (1878-1938)\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e11 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eEl Testament de n’\u003c\/b\u003e\u003cspan style=\"font-family: Times Roman, serif;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cb\u003eAmèlia\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e2:03\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e12 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eCanço de lladre\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e1:57\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eFrancisco\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eTárrega\u003c\/i\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e(1852-1909)\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e13 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMaría\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eGavota\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e1:39\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e14 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eAlborada Caixa de Música\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e2:31\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e15 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eAdelita Mazurka\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e1:39\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eJulián\u003c\/i\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003eArcas (1832- 1882)\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e16 -\u003c\/span\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eSoleà\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e5:42\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e17 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eBolero\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e2:16\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eJuan Parga (1843 - 1899)\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e18 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMi lira, op.8 n.1\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e4:30\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e19 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eGuajira, op.5 n.2\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e4:50\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eCarlos Garcia Tolsa (1858-1905)\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e20 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eAl fin solos\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e4:07\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTotal time:\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e59:13\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Papier-Mache\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan\u003ePapier-Mâché guitars made by Fabio Zontini (2023) inspired by Torres FE14 (1862\u003c\/span\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eStrings\u003c\/strong\u003e\u003cbr\u003eFor the recording of “Al fin solos” and “Adelita” were used: Rayon basses \/ 2nd and 3rd gut strings \/ 1st nylgut string. For the recording of the rest of the repertoire were used: Gut strings for trebles \/ Rayon for basses\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cb\u003e - - - - - - - - - - - - - - - - - \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Helvetica Neue', serif; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eUNA STORIA MISTERIOSA\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"rtl\" align=\"right\"\u003e\u003cspan style=\"color: #000000;\"\u003e“\u003cspan style=\"font-family: Helvetica Neue, serif;\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eDon Antonio, non dovete portare nella tomba il segreto delle vostre chitarre…”\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"rtl\" align=\"right\"\u003e\u003cspan style=\"color: #000000;\"\u003e“…\u003cspan style=\"font-family: Helvetica Neue, serif;\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003emi è impossibile tramandarlo ai posteri”\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp align=\"justify\"\u003e\u003cspan style=\"font-family: 'Helvetica Neue', serif; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eQuello della Papier-Mâché di Torres è stato \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eun caso unico\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e nella storia della liuteria non solo chitarristica: Antonio de Torres (1817-1892), considerato oggi lo Stradivari delle sei corde, fu il primo e, che si sappia, l’unico a costruire nel 1862 un esemplare di strumento Papier-Mâché. Questa chitarra, paradossalmente, a dispetto della sua apparente umiltà, restituisce un mondo sonoro affascinante, misterioso e unico. Dal momento che \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003el’originale\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e, conservato al Museo della Musica di Barcellona, \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003enon e’ più in grado di esprimere la propria voce, \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003el’album ha lo scopo di far riscoprire e rivivere le peculiari caratteristiche timbriche e sonore di questo interessante strumento attraverso l’utilizzo di due copie ad esso ispirate.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cspan style=\"font-family: 'Helvetica Neue', serif; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eIl \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eliutaio Fabio Zontini\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e ha raccolto la sfida lanciata da Torres e da quasi vent’anni si occupa della costruzione di copie Papier-Mâché. I due esemplari utilizzati da Federica Artuso per la registrazione sono stati realizzati tra aprile e settembre 2023 e pesano entrambi (incredibilmente) appena 995 grammi. Montano inoltre corde in budello naturale. Zontini ha quindi tracciato una sorta di collegamento con il grande Torres, cogliendo una specie di esperimento-prototipo del liutaio andaluso, e provando con successo a diffonderlo ai giorni nostri.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cspan style=\"font-family: 'Helvetica Neue', serif; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eLa Papier-Mâché è una sorta di \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003econtraddizione vivente\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e proprio per la contrapposizione tra il materiale povero di cui è fatta e il risultato sonoro artisticamente sorprendente. E ispirandosi a questa contrapposizione, è stato registrato un programma emblematico di quel paradosso che incarna l’identità della chitarra, sempre \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003ein bilico tra l’anima povera\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e, autentica e popolare da un lato \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003ee l’Olimpo della musica colta\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e dall’altro. Le musiche qui registrate sono tutte di \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003echitarristi-compositori\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e che sono \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003evissuti all’epoca della chitarra di cartone\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e o che hanno avuto a che fare con gli strumenti di Torres. Questi chitarristi sono parte di quella tradizione esecutiva e di quella poetica sonora di cui la Papier-Mâché è emblema. Alcuni dei brani, pur essendo stati scritti da compositori non chitarristi, fanno parte di quel repertorio in cui più si identificano le sei corde.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cspan style=\"font-family: 'Helvetica Neue', serif; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eArcas e Parga* \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003etentarono di elevare la chitarra a strumento colto, senza riuscire ad emanciparsi totalmente dalle reminiscenze flamenche. Il loro stile si adatta perfettamente all’\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eessenzialità arcaica \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003edel suono della Papier-Mâché e le loro musiche, pur fortemente radicate nel linguaggio popolare, ci conducono poco per volta allo stile borghese e salottiero di \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eGarcia Tolsa*\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e e di \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eTarrega\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e, allievi di Arcas. La loro musica non è più soltanto per coloro a cui scorre nelle vene sangue flamenco o per quelli che ritengono l’opera lirica l’unica musica colta. È musica che piace agli intellettuali e, se ammette qualche danza, lo fa a patto che sia da salotto. Dal punto di vista dei musicisti, a differenza dei suoi predecessori, Tarrega riesce a confezionare gli slanci espressivi in forme totalmente compiute.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cspan style=\"font-family: 'Helvetica Neue', serif; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eMiguel Llobet\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e, allievo di Tarrega, è noto come compositore soprattutto per la sua versione chitarristica delle \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eCanciones populares catalanas\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e. Nella parte di programma che lo riguarda si propone anche un repertorio di cui non è autore, ma che lo rappresenta fedelmente e dove si colgono tutte le novità portate dal suo estro creativo, che fanno emergere ciò che della chitarra è più caratteristico.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cspan style=\"font-family: 'Helvetica Neue', serif; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eMaria Luisa Anido\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e fu allieva di Llobet, nonché sua partner in duo di chitarre. La musicista argentina fu una tra gli ultimi chitarristi negli anni ’50 ad utilizzare le corde in budello -ormai difficilmente reperibili- e, tra l’altro, \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003efu proprietaria proprio della Torres di Tarrega\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e (1864, FE17). Anido è l’emblema dell’immagine della chitarra come spartiacque tra il mondo della musica folklorica e quella della musica colta, contrapposizione che probabilmente non si risolverà mai completamente. Ce lo dimostrano le sue irresistibili trascrizioni dai grandi classici come Bach, Mozart, Tchaikowsky e i suoi brani sudamericani, pulsanti di energia indigena.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"color: rgb(0, 0, 0);\"\u003e\n\u003cp align=\"justify\"\u003e\u003cspan style=\"font-family: Helvetica Neue, serif;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #984806;\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eI brani di Parga e Garcia Tolsa non sono contenuti nella versione in vinile.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.referencemusicstore.com\/post\/papier-mache.html\" target=\"_blank\"\u003eLeggi tutto sul nostro blog\u003c\/a\u003e\u003c\/u\u003e\u003cbr\u003e\u003cstrong\u003eDISPONIBILE ANCHE IN:  \u003ca href=\"https:\/\/www.referencemusicstore.com\/product\/32077056\/papier-mache-lp-180gr-su-top-clear-vinyl-\" target=\"_blank\"\u003e\u003cspan\u003eLP 180gr. su Top Clear Vinyl\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e-  \u003ca href=\"https:\/\/www.referencemusicstore.com\/product\/32077093\/papier-mache-lp-180gr-su-top-clear-vinyl-gold-cd-file-hd-\" target=\"_blank\"\u003e\u003cspan\u003eBUNDLE\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n88.2kHz \/ 24bit digital recording made at Magister Recording Area, Pereganziol (Italy) on January 5, 6, 7, 8, 2024 Analog Mix and Mastering made at MLS Studio, Naquera (Spain), on April, 5, 6, 2024\u003cbr\u003e\u003cbr\u003eProduction: Marco Lincetto, Federica Artuso, Fabio Zontini\u003cbr\u003eExecutive Producer: Marco Lincetto\u003cbr\u003eRecording, mix and mastering engineer: Marco Lincetto\u003cbr\u003eMusical producer on stage: Andrea Bissoli\u003cbr\u003eEditing: Federica Artuso\u003cbr\u003eCover photo: Diego Ferrini, Vicenza\u003cbr\u003eEnglish translation by Maria Michela Camerlengo\u003cbr\u003eDesign: L’Image\u003c\/div\u003e","brand":"Velut Luna","offers":[{"title":"LP 33rpm","offer_id":49971329597787,"sku":"CVLD365LP","price":49.0,"currency_code":"EUR","in_stock":true},{"title":"GOLD CD","offer_id":49971296665947,"sku":"CVLD365GOLDCD","price":21.9,"currency_code":"EUR","in_stock":false},{"title":"FILE HD 88.2kHz · 24bit","offer_id":48427947098459,"sku":"CVLD365","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/VELUTLUNACVLD365B-cover.jpg?v=1748505599"},{"product_id":"miles-davis-quintet-complete-cafe-bohemia-bandstand-u-s-a-1956-58-radio-broadcasts-volume-1","title":"Miles Davis Quintet • Complete Café Bohemia Bandstand U.S.A. 1956-58 Radio Broadcasts • Volume 1","description":"\u003ch2\u003e\n\u003cstrong\u003eMiles Davis Quintet • Complete Café Bohemia Bandstand U.S.A. 1956-58 Radio Broadcasts • Volume 1 \u003c\/strong\u003e(GBR00124) - \u003cspan style=\"text-decoration: underline;\"\u003e2ª Ristampa\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003ch3\u003eLP AUDIOPHILE PRESSING\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvete tra le mani il primo dei tre volumi dedicati alle registrazioni effettuate da Miles Davis, tra il 1956 e il 1958 al Café Bohemia, situato al 15 di Barrow Street, nel Greenwich Village, a New York.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIl ristorante (che recava un evidente errore di ortografia nell’insegna – Restraurnt) era gestito dall’italo-americano Jimmy Garofalo e fu inaugurato nel 1955. In breve tempo il Café Bohemia divenne una sorta di Mecca per i modernisti del jazz, e diversi album furono registrati da alcuni degli artisti più interessanti del tempo (Art Blakey, Charles Mingus, Kenny Dorham, George Wallington). Inoltre, Oscar Pettiford, (che nei primi tempi ricopriva l’incarico di direttore artistico del Jazz Club) vi dedicò anche una composizione, intitolandola «Bohemia After Dark».\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIl Café Bohemia era inoltre una delle sedi da cui si trasmetteva il programma\u003c\/em\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eBandstand U.S.A. sulle onde del Mutual Network Radio Broadcasts. Ogni settimana il presentatore Guy Wallace, spesso accompagnato da ospiti, registrava e trasmetteva alcuni incredibili live direttamente dal Bohemia. Miles Davis fece parte di queste trasmissioni per ben otto volte, tra il 15 settembre 1956 e il 17 maggio 1958.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eQui troverete, per la prima volta nella storia, l’integrale delle registrazioni di Miles (circa 120 minuti), a suo tempo trasmesse dal Mutual Network.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eParte di questo materiale è stato pubblicato nel corso degli anni su dischi non ufficiali, ma la maggior parte compare per la prima volta su vinile se non addirittura è di fatto completamente inedito. In tutti i casi, il materiale viene qui pubblicato con la migliore qualità sonora possibile e con velocità corretta (la maggior parte delle versioni precedenti giravano alla velocità sbagliata, ovvero stonate rispetto alla tonalità originale d’esecuzione).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSu tratta di una vera macchina che viaggia nel tempo e nello spazio, in quanto abbiamo cercato di riprodurre il suono di quell’epoca nel modo più fedele possibile. Per migliorare e rispettare filologicamente quel mondo del suon\u003c\/em\u003e\u003cem\u003eo, abbiamo deciso di pubblicare anche tutti gli annunci (di Guy Wallace e dei suoi ospiti) nella loro versione completa.\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003eAlcuni aspetti molto interessanti e imprevisti emergono da questi annunci, che aiuteranno l’ascoltatore a vivere al meglio quell’epoca, sia da un punto di vista sociale sia storico.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eQuindi, accendete la radio e immergetevi nell’atmosfera della seconda metà degli anni ’50 con la musica precedentemente inedita del Miles Davis Quintet al suo meglio.\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eMiles Davis (tp); John Coltrane (ts); Red Garland (p); Paul Chambers (b); Philly Joe Jones (d)\u003cbr\u003eGuy Wallace (Radio Broadcast announcer)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAnnouncement by Guy Wallace 2:01\u003c\/li\u003e\n\u003cli\u003eWell You Needn’t 5:48\u003c\/li\u003e\n\u003cli\u003eIt Never Entered My Mind 5:02\u003c\/li\u003e\n\u003cli\u003eA Gal in Calico 4:43\u003c\/li\u003e\n\u003cli\u003eStablemates 3:48\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Am I to Know? 3:03\u003c\/li\u003e\n\u003cli\u003eThe Theme 1:34\u003c\/li\u003e\n\u003cli\u003eWoody’n You 3:58\u003c\/li\u003e\n\u003cli\u003eWalkin’ [Gravy] 7:10\u003c\/li\u003e\n\u003cli\u003eAll of You 2:25\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical note:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eUnfortunately, the sole surviving (obviously) mono tape transcriptions of these recordings were not always in good shape, but we improved the quality with state-of-the-art equipment and remastering tools.\u003cbr\u003eTo present the complete performances we have used the best available sources, considering that the material was recorded through a period of three years by different technical crews and completely different miking techniques and positioning. This resulted in a slight change in audio quality. This is the best and most complete collection of the legendary Café Bohemia recordings aired by the Mutual Network for Bandstand U.S.A. Radio Broadcast.\u003c\/p\u003e\n\u003cp\u003eThanks to Piergiorgio Cupellini, Elisa Gabrielli, Paola Giordano, Igor Ebuli Poletti, and Fabio Sala. Special thanks to Bob Belden, Jan Lohmann, Peter Losin, and Teo Macero.\u003c\/p\u003e\n\u003cp\u003eSpeed corrected and remastered by Enrico Merlin\u003cbr\u003eExecutive producer, Massimo Corvino for Groove Back Records\u003cbr\u003eLiner notes by Enrico Merlin, with special help from Giovanni Principe and Ginger Minneman\u003cbr\u003eCover picture by Marvin Koner, shot between May 25 and June 10, 1956, outside the Café Bohemia\u003cbr\u003eArtwork concept and album design by Roberto Mares\u003c\/p\u003e\n\u003cp\u003eComplete recordings with radio speaker announcements and voiceovers included.\u003c\/p\u003e\n\u003cp\u003eNel n. 1 di GRooVE back Magazine trovate il racconto e la genesi di questo disco (disponibile gratuitamente la versione digitale della rivista su questo sito nella sezione magazine)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecensioni: \u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/articolo_andrea_bin_su_Miles_Davis_vol.1.pdf?v=1747243073\" title=\"Recensione AudioReview Aprile25\" rel=\"noopener\" target=\"_blank\"\u003eAudioReview\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"GRooVE back records","offers":[{"title":"LP 33 rpm","offer_id":48678091391323,"sku":"GBR00124","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/MilesDavis5thCafeBohemiaLP.png?v=1721038958"},{"product_id":"se-potessi-avere-new-project-classical-orchestra","title":"SE POTESSI AVERE... - New Project Classical Orchestra","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eSE POTESSI AVERE... - New Project Classical Orchestra \u003c\/b\u003e(CVLD374)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003eNEW REMASTERED FROM ORIGINAL ANALOG TAPE\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eDisponibile in: File HD, \u003cspan\u003eLP 180gr. su Top Clear Vinyl + FILE HD\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e1 - \u003c\/span\u003e\u003cstrong\u003eMille lire al mese\u003c\/strong\u003e\u003cspan\u003e (Innocenzi, Sopranzi \/ arr. P.Trentini) 2:35\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLuca Merlini, voce\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2 - \u003c\/span\u003e\u003cstrong\u003eMa l'amore no\u003c\/strong\u003e\u003cspan\u003e (D'Anzi, Galdieri \/ arr. F.Castania) 2:29\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGiuliana Beberi, voce\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3 - \u003c\/span\u003e\u003cstrong\u003eParlami d'amore Mariù\u003c\/strong\u003e\u003cspan\u003e (Neri, Bixio \/ arr. P.Trentini) 3:39\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLuca Merlini, voce\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4 - \u003c\/span\u003e\u003cstrong\u003eMotivetto\u003c\/strong\u003e\u003cspan\u003e (Merlini, Caniato \/ arr. S.Caniato) 4:35\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGiuliana Beberi, voce\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5 - \u003c\/span\u003e\u003cstrong\u003eBa-ba baciami piccina\u003c\/strong\u003e\u003cspan\u003e (Morbelli, Astore \/ arr. S.Caniato) 3:20\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLuca Merlini, voce\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6 - \u003c\/span\u003e\u003cstrong\u003eAmore baciami\u003c\/strong\u003e\u003cspan\u003e (Rossi, Testoni \/ arr. F.Castania) 3:02\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGiuliana Beberi, voce\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7 - \u003c\/span\u003e\u003cstrong\u003eHo un sassolino nella scarpa\u003c\/strong\u003e\u003cspan\u003e (Valci, Fernando \/ arr. F.Castania) 3:15\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLuca Merlini, voce\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8 - \u003c\/span\u003e\u003cstrong\u003eNon dimenticar le mie parole\u003c\/strong\u003e\u003cspan\u003e (D'Anzi, Bracchi \/ arr. F.Castania) 3:04\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLuca Merlini, voce\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9 - \u003c\/span\u003e\u003cstrong\u003ePiccola radio\u003c\/strong\u003e\u003cspan\u003e (Merlini, Castania \/ arr. F.Castania) 2:56\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGiuliana Beberi, voce\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 - \u003c\/span\u003e\u003cstrong\u003eTi parlerò d'amor\u003c\/strong\u003e\u003cspan\u003e (Martinelli, Bracchi \/ arr. S.Caniato) 3:35\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGiuliana Beberi, voce\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 - \u003c\/span\u003e\u003cstrong\u003eLa strada nel bosco\u003c\/strong\u003e\u003cspan\u003e (Nisa, Bixio \/ arr. F.Castania) 3:50\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLuca Merlini, voce\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 - \u003c\/span\u003e\u003cstrong\u003eCanta ancora marinaio\u003c\/strong\u003e\u003cspan\u003e (Merlini, Trentini \/ arr. P.Trentini) 2:54\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGiuliana Beberi e Luca Merlini, voce\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eTotal time\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e38:20\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNew Project Classical Orchestra\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAndrea Ferroni\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003eIvo Crepaldi\u003c\/strong\u003e\u003cspan\u003e, violin I\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eStefano Roveda\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003eSilvia Avitabile\u003c\/strong\u003e\u003cspan\u003e, violin II\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eLuigi Azzolina\u003c\/strong\u003e\u003cspan\u003e, viola\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eLorenzo Corbolini\u003c\/strong\u003e\u003cspan\u003e, cello\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eStefano Colpi\u003c\/strong\u003e\u003cspan\u003e, double bass\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eStefano Chesini\u003c\/strong\u003e\u003cspan\u003e, flute\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMarco Milelli\u003c\/strong\u003e\u003cspan\u003e, clarinet, alto and tenor sax\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eGiorgio Beberi\u003c\/strong\u003e\u003cspan\u003e, baritone sax, bass clarinet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003e\"...Se potessi avere\"\u003c\/strong\u003e\u003cbr\u003eè un affettuoso ed accorato omaggio alla grande canzone leggera italiana degli anni '30 e '40 e, in definitiva, a quell'epoca, pur tanto tormentata e sofferta, ma ancora pregna di positività, sguardo verso il futuro e valori che forse oggi un po' si sono perduti (per non parlare della \"qualità\" delle canzoni leggere italiane di oggi...). Desidero sottolineare che si tratta di un omaggio e non, come negli ultimi anni è spesso capitato di riscontrare in operazioni analoghe, di una caricatura o di una rilettura in chiave più o meno ironica, più o meno contaminata.\u003cbr\u003eFin dalla realizzazione degli arrangiamenti si è optato per una scelta strumentale rigorosamente filologica rispettando l'organico tipico delle compagini orchestrali dell'epoca (vedi ad esempio le orchestre dirette da Cinico Angelini); per proseguire poi con le scelte squisitamente interpretative dei due cantanti solisti (Luca Merlini e Giuliana Beberi), che hanno dedicato lunghi mesi allo studio dei grandi protagonisti dell'epoca e del loro stile, non tanto per \"copiarlo\", ma per farlo proprio. E lo straordinario risultato alla fine è lì, evidente: non viene imitato nessuno dei cantanti dell'epoca, ma Luca e Giuliana sembrano provenire direttamente da quegli anni.\u003cbr\u003eUn ulteriore motivo di interesse, testimone dello sforzo d'amore compiuto, è la realizzazione di tre nuovi brani, composti nello stile dell'epoca, dai tre arrangiatori di tutto il progetto, che sono i maestri Stefano Caniato, Fabrizio Castania e Patrik Trentini (quest'ultimo anche direttore dell'orchestra, sul podio).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e96kHz \/ 24bit \/ 24 tracks original recording made at Magister Recording Area, preganziol (Italy), April, 8,9, 2004\u003cbr\u003eReal time analog remix and remastering made at VLS Studio, Naquera (Espana), March 23, 2024 \/ Workflow:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eREMIX:\u003c\/strong\u003e\u003cbr\u003e96\/24 DAW player: \u003cstrong\u003eMAGIX SEQUOIA\u003c\/strong\u003e\u003cbr\u003e96kHz \/ 24bit \/ 24 tracks DA: \u003cstrong\u003eLYNX AURORA \"n\"\u003c\/strong\u003e\u003cbr\u003eanalog mix: \u003cstrong\u003eRUPERT NEVE DESIGN 5059 + NEVE 8816\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eREMASTERING:\u003c\/strong\u003e\u003cbr\u003ecompressor: \u003cstrong\u003eMASELEC MLA-2\u003c\/strong\u003e\u003cbr\u003eeq: \u003cstrong\u003eMASELEC MEA-2\u003c\/strong\u003e\u003cbr\u003elimiter: \u003cstrong\u003eMASELEC MPL-2\u003c\/strong\u003e\u003cbr\u003eRTR: \u003cstrong\u003eSTUDER A810 \u003c\/strong\u003e---\u0026gt; \u003cstrong\u003eanalog master\u003c\/strong\u003e\u003cbr\u003e88.2kHz \/ 24bit AD: \u003cstrong\u003ePRISM SOUND AD2 DREAM\u003c\/strong\u003e ---\u0026gt; \u003cstrong\u003eHD digital master\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStefano Caniato plays BORGATO L 282 Concert Grandpiano, tuned by Luigi Borgato\u003c\/strong\u003e\u003cbr\u003eProduction: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e (Velut Luna)\u003cbr\u003eRecording, remix and remastering: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eDesign and layout: \u003cstrong\u003eStudio L'Image\u003c\/strong\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\"\u003e\u003ciframe width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Se-potessi-avere\" height=\"320\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003ciframe width=\"480\" src=\"https:\/\/referencemusicstore.disco.ac\/e\/p\/18483276?download=false\u0026amp;s=BAMmE-ANl3n2eNTPr-KUoo-rIpM%3AMGR7YW5S\u0026amp;artwork=true\u0026amp;color=%2332B57C\u0026amp;theme=white\" name=\"disco-playlist-18483276\" id=\"disco-playlist-18483276\" height=\"395\" class=\"disco-embed\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"LP 180gr. su Top Clear Vinyl + FILE HD","offer_id":49969282548059,"sku":"CVLD374LP","price":49.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":48993162363227,"sku":"CVLD374","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/VELUTLUNACVLD374-cover.jpg?v=1748505599"},{"product_id":"il-cantante-al-microfono-eugenio-finardi","title":"Il Cantante al Microfono - Eugenio Finardi","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eIl Cantante al Microfono - Eugenio Finardi \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e(\u003cspan\u003eCVLD162\u003c\/span\u003e) CD e HD - VERSIONE ORIGINALE 2007\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e(CVLD386) LP e HD - VERSIONE RIMASTERIZZATA 2024\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Il-Cantante-Al-Microfono\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e01 - L'orizzonte\u003cbr\u003e02 - Dal fronte non è più tornato\u003cbr\u003e03 - Ginnastica mattutina\u003cbr\u003e04 - Il volo interrotto\u003cbr\u003e05 - La caccia ai lupi\u003cbr\u003e06 - Il canto della terra\u003cbr\u003e07 - Il cantante al microfono\u003cbr\u003e08 - Cavalli bradi\u003cbr\u003e09 - Il pugile sentimentale\u003cbr\u003e10 - Il bagno alla bianca\u003cbr\u003e11 - Variazioni su temi tzigani\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIl progetto discografico Il Cantante Al Microfono getta un ponte tra la canzone d'autore e la musica classica contemporanea partendo dal grande attore, poeta e cantautore russo Vysotsky, tragicamente scomparso nel 1980, che capì e cantò l'anima vera del suo popolo e perciò fu duramente osteggiato dal regime sovietico. La sua musica accompagna con intriganti melodie, ora dal sapore balcanico, ora dai toni orientaleggianti, ora ricalcando antichi tempi di valzer, i testi acutissimi e graffianti. Dal corpus delle sue oltre 500 canzoni Eugenio Finardi e Filippo Del Corno hanno scelto una decina di titoli fortemente rappresentativi della tensione etica, spirituale, politica e dell'ironia corrosiva che anima il lavoro di Vysotsky. Le canzoni, già tradotte in italiano da Sergio Secondiano Sacchi, sono state orchestrate per l'ensemble strumentale Sentieri Selvaggi dallo stesso Del Corno, in una versione che mette in luce l'altissima qualità poetica e musicale dei versi di Vysotsky e permette il pieno dispiegamento della straordinaria potenza interpretativa di Eugenio Finardi.\u003cbr\u003eE' infatti diverso tempo che Finardi affianca alla sua attività di protagonista del rock d'autore italiano un approfondito e rigoroso lavoro di ricerca vocale, che lascerà stupiti chi non conosce il percorso che l'ha portato dal fado, al suo amato blues, fino alla classica contemporanea. Raffinatissima la grafica curata dallo Studio Convertino. Un progetto insomma che si sposa in modo perfetto con la linea produttiva che da sempre Velut Luna propone: originalità in proposte artisticamente e tecnicamente della massima qualità.\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cspan size=\"2\"\u003e\u003cb\u003eEugenio Finardi \u003c\/b\u003e\u003c\/span\u003e\u003cspan size=\"2\"\u003evoce \u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cspan size=\"2\"\u003e\u003cb\u003eSentieri selvaggi\u003c\/b\u003e\u003c\/span\u003e\u003cspan size=\"2\"\u003e : \u003c\/span\u003e\u003cspan size=\"2\"\u003e\u003cb\u003ePaola Fre \u003c\/b\u003e\u003c\/span\u003e\u003cspan size=\"2\"\u003eflauto \u003c\/span\u003e\u003cspan size=\"2\"\u003e\u003cb\u003eMirco Ghirardini \u003c\/b\u003e\u003c\/span\u003e\u003cspan size=\"2\"\u003eclarinetto \u003c\/span\u003e\u003cspan size=\"2\"\u003e\u003cb\u003ePaolo Pasqualin \u003c\/b\u003e\u003c\/span\u003e\u003cspan size=\"2\"\u003evibrafono \u003c\/span\u003e\u003cspan size=\"2\"\u003e\u003cb\u003eAndrea Rebaudengo \u003c\/b\u003e\u003c\/span\u003e\u003cspan size=\"2\"\u003epianoforte \u003c\/span\u003e\u003cspan size=\"2\"\u003e\u003cb\u003ePiercarlo Sacco \u003c\/b\u003e\u003c\/span\u003e\u003cspan size=\"2\"\u003eviolino \u003c\/span\u003e\u003cspan size=\"2\"\u003e\u003cb\u003ePaola Perardi \u003c\/b\u003e\u003c\/span\u003e\u003cspan size=\"2\"\u003evioloncello\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cspan size=\"2\"\u003e\u003cb\u003eCarlo Boccadoro\u003c\/b\u003e\u003c\/span\u003e\u003cspan size=\"2\"\u003e direzione\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cspan size=\"2\"\u003e\u003cb\u003eSergio Secondiano Sacchi\u003c\/b\u003e\u003c\/span\u003e\u003cspan size=\"2\"\u003e traduzione italiana\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cspan size=\"2\"\u003e\u003cb\u003eFilippo Del Corno\u003c\/b\u003e\u003c\/span\u003e\u003cspan size=\"2\"\u003e orchestrazione\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003e\u003cem\u003e\u003cspan size=\"2\"\u003eL'opera ha vinto la Targa Tenco 2008, nella Sezione interpreti di canzoni non proprie\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003ci\u003eLive-In-Studio Analog Recording, mix and original mastering made at Magister Recording Area studio, Preganziol, Italy on December, 18 - 22, 2007\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eAnalog re-mastering made at VLS Studio, Naquera, Spain, on November, 4, 2024\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003eANALOG RECORDING\u003c\/u\u003e: \u003cb\u003eRTR Soundcraft Saturn 24 tracks \/ 2\" tape at 76cm\/sec recording speed\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003eANALOG MIX \u0026amp; MASTERING\u003c\/u\u003e: \u003cb\u003eRTR Studer A820, 2 tracks, using 1\/4\" tape at 38 cm\/sec recording speed\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003eANALOG RE-MASTERING\u003c\/u\u003e: \u003cb\u003eMaselec Analog Mastering Suite (MLA-2 \/ MEA-2 \/ MPL-2) to RTR Studer A810\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Velut Luna","offers":[{"title":"DOPPIO LP 45 RPM","offer_id":49966477869403,"sku":"CVLD386LP","price":69.0,"currency_code":"EUR","in_stock":true},{"title":"CD (2007)","offer_id":49967541027163,"sku":"CVLD162CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit (2024 REMASTERED)","offer_id":49542017253723,"sku":"CVLD386","price":25.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit (2007)","offer_id":49539915186523,"sku":"CVLD162","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/VELUT_LUNA_CVLD386_-_cover.jpg?v=1748505599"},{"product_id":"romantique-duniya-francesco-mascio","title":"ROMANTIQUE DUNIYA - Francesco Mascio","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003eFrancesco Mascio | ROMANTIQUE DUNIYA  \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003e(\u003cspan style=\"font-size: large;\"\u003eBBR2024FM02)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"OXQzmM ImgXFz\" data-hook=\"product-title\"\u003e\u003cstrong\u003e33 rpm vinile 180 gr. numbered edition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTrack list Vinyl:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eA1 Brigid’s Dance 03:05\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eA2 Sarah 05:54\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eA3 Thinking of Farzad 03:40\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eA4 Vinicio’s Song 05:12\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eA5 Tre Trifogli 03:17\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eB1 A Song for Peace 04:36\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eB2 Pensando a Django 06:00\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eB3 The Rebirth of Lilith 04:13\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eB4 Tarhindu 03:17\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eB5 Samsara 03:57\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"OXQzmM ImgXFz\" data-hook=\"product-title\"\u003e\u003cstrong\u003eReference Master Tape Copy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTrack list tape:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003e1  Brigid’s Dance \u003c\/span\u003e\u003cspan\u003e03:05\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e2  Sarah \u003c\/span\u003e\u003cspan\u003e05:54\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e3  Thinking of Farzad \u003c\/span\u003e\u003cspan\u003e03:40\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e4  Vinicio’s Song \u003c\/span\u003e\u003cspan\u003e05:12\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e5  Tre Trifogli \u003c\/span\u003e\u003cspan\u003e03:17\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e6  A Song for Peace \u003c\/span\u003e\u003cspan\u003e04:36\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e7  Pensando a Django \u003c\/span\u003e\u003cspan\u003e06:00\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e8  The Rebirth of Lilith \u003c\/span\u003e\u003cspan\u003e04:13\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e9  Tarhindu \u003c\/span\u003e\u003cspan\u003e03:17\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e10  Samsara \u003c\/span\u003e\u003cspan\u003e03:57\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/birdboxrecords.lnk.to\/Romantique-Duniya\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLine up:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSteve Wickham | violin (#1)\u003cbr\u003eChecco Pallone | percussion (#1, #8, #9)\u003cbr\u003eCarmine Ioanna | accordion (#2, #4, #7)\u003cbr\u003eNicola Scagliozzi | double bass (#2, #4, #7, #10)\u003cbr\u003eDomenico Benvenuto | drums (#2, #4, #7)\u003cbr\u003ePericle Odierna | clarinets (#3, #9)\u003cbr\u003eVito Cardellicchio | percussion (#3)\u003cbr\u003eClaudio Merico | violin (#5)\u003cbr\u003eLorenzo Beverati | bodhran (#5)\u003cbr\u003eFabiana Dota | voice (#6)\u003cbr\u003eEsharef Alì Mhagag | voice (#6)\u003cbr\u003eGiovanni Imparato | voice \u0026amp; percussion (#6)\u003cbr\u003eAlberto La Neve | sax (#6)\u003cbr\u003eJalimansa Haruna Kuyateh | kora (#6)\u003cbr\u003ePaolo Mazziotti | bass (#6)\u003cbr\u003eAntonella D’Avino | voice (#8)\u003cbr\u003eFarzad Basatpour | tambour (#8)\u003cbr\u003eDiletta Longhi | percussion (#9)\u003cbr\u003eFrancesco Mascio | classical guitar \u0026amp; composition (on all tracks)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRomantique Duniya - Francesco Mascio\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUn coinvolgente viaggio sonoro attraverso diversi paesaggi musicali, ROMANTIQUE DUNIYA svela il ricco arazzo di scambi culturali che ha plasmato la musica in tutto il mondo. \u003c\/span\u003e\u003cspan\u003eSi cela un mondo nascosto, quello della musica, tracciato da uomini che hanno percorso antichi sentieri, portando le loro tradizioni culturali dal lontano Oriente, fondendole con quelle incontrate lungo il cammino, nei nuovi territori che hanno attraversato. \u003c\/span\u003e\u003cspan\u003eLe dieci composizioni originali di Romantique Duniya raccontano di questi antichi viaggiatori, dei territori da loro esplorati, delle tradizioni sconosciute incontrate e assorbite, ma soprattutto parlano della miriade di emozioni che l'essenza stessa del viaggio evoca nello spirito umano. \u003c\/span\u003e\u003cspan\u003e\"Romantique Duniya \", allude al linguaggio universale della musica che trascende i confini culturali. \u003c\/span\u003e\u003cspan\u003eOltre che dall’Italia, ad arricchire la narrativa dell'album ci sono i contributi di un insieme diversificato di musicisti provenienti da Irlanda, Iran, Libia e Gambia. Questi virtuosi infondono alla musica l'autenticità dei loro strumenti tradizionali, aggiungendo profondità e dimensione alle composizioni di Mascio. \u003c\/span\u003e\u003cspan\u003eLa giustapposizione di strumenti culturalmente diversi sottolinea la fede incrollabile del compositore nell'arricchimento che deriva dalla confluenza di tradizioni e culture musicali distinte. Questa miscela armoniosa funge da potente testimonianza della nozione di musica come linguaggio universale, che trascende i confini e promuove un profondo senso di liberazione. \u003c\/span\u003e\u003cspan\u003eROMANTIQUE DUNIYA è una testimonianza dell'abilità artistica di Mascio e della sua profonda passione per l'esplorazione delle infinite possibilità della musica. L'album invita gli ascoltatori in una emissione sonora indimenticabile, dove le antiche tradizioni convergono con la sensibilità contemporanea, creando una sinfonia di ricchezza culturale e risonanza emotiva.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp class=\"sMgpOzd o_waQ4x---typography-11-runningText o_waQ4x---priority-7-primary _HOcyB fNY6IC sxbtulv\" aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e\u003cstrong\u003eCredits:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePRODUCER: \u003c\/span\u003e\u003cspan\u003eLorenzo Vella | BIRDBOX RECORDS Executive Producer: Lorenzo Vella\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eComposer and arranger: Francesco Mascio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecording, Mixing, Mastering engineer: Lorenzo Vella - Nightingale Studios Mixing Assistant: Francesco Mascio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGraphic designer: Nerina Fernandez Photography: Simona Mililli\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eRECORDING\/MIXING\/MASTERING EQUIPMENT\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis album was recorded in the analog domain with digital archiving in lossless quality at 192 kHz \u003c\/span\u003e\u003cspan\u003e32\u003c\/span\u003e\u003cspan\u003e-bit using a state- of-the-art Metric Halo ULN8 3D converter. Mixing and mastering were performed exclusively in the analog domain employing a top-notch suite of external tube gear.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis approach seamlessly blends the timeless essence of analog with the cutting-edge capabilities of digital. Mastering in analog domain on RTM SM900 high-output on Ampex ATR102 2-channel 1\/2-inch analog tape recorder.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe wide dynamic range may lead to tracking issues if your system is not optimally calibrated.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCaratteristiche Vinyl:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eQuesto vinile viene fornito unitamente ad una comoda busta protettiva spessore 40 micron, richiudibile tramite patella di chiusura a biadesivo.\u003c\/p\u003e\n\u003cp\u003e\"Per garantire la migliore esperienza di ascolto possibile, consigliamo vivamente di pulire questo disco in vinile con un pulitore ad ultrasuoni di prima qualità prima della riproduzione.\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCaratteristiche Tape:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePer queste esclusive copie su nastro, Lorenzo Vella realizza il master analogico, che viene trasferito su una STUDER A80 1\/4, da AMPEX ATR102 1\/2. Il nastro da un quarto di pollice viene poi spedito insieme ad una preziosa bobina di alluminio all'interno di un'elegante scatola di lusso. Utilizziamo solo nastri RecordingTheMasters.\u003cbr\u003eControllo qualità sui registratori a nastro Sony AR5003V, Otari MX55 e Telefunken M15A.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical data Tape:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e: 2 stereo - 1⁄4 inch\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTape Speeds\u003c\/strong\u003e: 38,1 cm\/s\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEqualization\u003c\/strong\u003e:  CCIR (NAB on request)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTape Model:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eLPR90 Long-Play Studio Tape ¼\" 1100m - RecordingTheMasters (long play version of SM 900)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"BirdBox Records","offers":[{"title":"LP 33 rpm","offer_id":49659830174043,"sku":"BBR2024FM02VYN","price":39.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/6630e3_76ab910618414682870df733400bb59b_mv2.webp?v=1734448294"},{"product_id":"odisseya-cristiano-giardini","title":"ODISSEYA - Cristiano Giardini","description":"\u003ch3 data-hook=\"product-title\" class=\"OXQzmM uvtEMb\"\u003e\n\u003cstrong\u003eCristiano Giardini | Odisseya\u003c\/strong\u003e \u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003e(BBR2023CG01\u003cspan style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp data-hook=\"product-title\" class=\"OXQzmM ImgXFz\"\u003e\u003cstrong\u003e33 rpm vinile 180 gr. numbered edition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTrack list Vinyl:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eLATO A\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003col\u003e\n\u003cli\u003eIl Viaggio (Ταξίδι) 06:39\u003c\/li\u003e\n\u003cli\u003eLa Tela (Ο καμβάς) 06:05\u003c\/li\u003e\n\u003cli\u003eLa Tempesta (Η καταιγίδα) 08:50\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eLATO B\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan\u003eIl Ciclope \u003c\/span\u003e\u003cspan\u003e(\u003c\/span\u003e\u003cspan\u003eΟ Κύκλωπας\u003c\/span\u003e\u003cspan\u003e) \u003c\/span\u003e\u003cspan\u003e08:44\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eIl Silenzio \u003c\/span\u003e\u003cspan\u003e(\u003c\/span\u003e\u003cspan\u003eΣιωπή\u003c\/span\u003e\u003cspan\u003e) \u003c\/span\u003e\u003cspan\u003e05:42\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eLe Mille Stelle \u003c\/span\u003e\u003cspan\u003e(\u003c\/span\u003e\u003cspan\u003eΤα χίλια αστέρια\u003c\/span\u003e\u003cspan\u003e) \u003c\/span\u003e\u003cspan\u003e07:12\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-hook=\"product-title\" class=\"OXQzmM ImgXFz\"\u003e\u003cstrong\u003eReference Master Tape Copy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTrack list tape:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003e1  \u003c\/span\u003e\u003cspan\u003eIl Viaggio \u003c\/span\u003e\u003cspan\u003e(\u003c\/span\u003e\u003cspan\u003eΤαξίδι\u003c\/span\u003e\u003cspan\u003e) \u003c\/span\u003e\u003cspan\u003e06:39\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e2  \u003cspan style=\"font-size: 0.875rem;\"\u003eLa Tela \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e(\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eΟ κα\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eμ\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eβάς\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e) \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e06:05\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e3  \u003cspan style=\"font-size: 0.875rem;\"\u003eLa Tempesta \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e(\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eΗ καταιγίδα\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e) \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e08:50\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e4  \u003cspan style=\"font-size: 0.875rem;\"\u003eIl Ciclope \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e(\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eΟ Κύκλωπας\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e) \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e08:44\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e5  \u003cspan style=\"font-size: 0.875rem;\"\u003eIl Silenzio \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e(\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eΣιωπή\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e) \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e05:42\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e6  \u003cspan style=\"font-size: 0.875rem;\"\u003eLe Mille Stelle \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e(\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eΤα χίλια αστέρια\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e) \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e07:12\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e7  \u003cspan style=\"font-size: 0.875rem;\"\u003eIl Sogno \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e(\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eΤο όνειρο\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e) \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e04:30\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/birdboxrecords.lnk.to\/Odisseya\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLine up:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCristiano Giardini \u003c\/span\u003e\u003cspan\u003etenor and soprano sax\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePaolo Recchia \u003c\/span\u003e\u003cspan\u003ealto sax\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLuca Mannutza \u003c\/span\u003e\u003cspan\u003epiano\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKim Baiunco \u003c\/span\u003e\u003cspan\u003edouble bass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSasha Mashin \u003c\/span\u003e\u003cspan\u003edrums\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp data-hook=\"info-section-title\" aria-hidden=\"false\" class=\"sMgpOzd o_waQ4x---typography-11-runningText o_waQ4x---priority-7-primary _HOcyB fNY6IC sxbtulv\"\u003e\u003cstrong\u003eCredits:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePRODUCER: \u003c\/span\u003e\u003cspan\u003eLorenzo Vella \u003c\/span\u003e\u003cspan\u003e| BIRDBOX RECORDS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eExecutive Producer: Lorenzo Vella\u003cbr\u003eComposer and arranger: Cristiano Giardini\u003cbr\u003eRecorded at Nightingale Studios (Palombara Sabina, Roma) Recording\/mixing\/mastering engineer: Lorenzo Vella\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSupporter: Massimo La Manna\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGraphic designer: Nerina Fernandez\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePhotography and video: Andrea Tomarchio\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eRECORDING\/MIXING\/MASTERING EQUIPMENT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eQuesto album è stato registrato nel dominio analogico con archiviazione in dominio digitale in qualità lossless a 192 kHz 32 bit utilizzando un convertitore state of the art Metric Halo ULN8 3D. Il missaggio e il mastering sono stati eseguiti esclusivamente nel dominio analogico utilizzando una suite di outboard a valvole di prima qualità. Questo approccio integra perfettamente l'essenza senza tempo dell'analogico con le funzionalità all'avanguardia del digitale. \u003cspan\u003eOriginal Master Tape: RTM SM900 high-output on \u003cstrong\u003eAmpex ATR102 2-channel 1\/2-inch analog tape recorder\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCaratteristiche Vinyl:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBio Vinile 180 gr. 12\" black 33rpm numbered edition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eQuesto vinile viene fornito unitamente ad una comoda busta protettiva spessore 40 micron, richiudibile tramite patella di chiusura a biadesivo. \"Per garantire la migliore esperienza di ascolto possibile, consigliamo vivamente di pulire questo disco in vinile con un pulitore ad ultrasuoni di prima qualità prima della riproduzione.\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCaratteristiche Tape:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e: 2 stereo - 1⁄4 inch\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTape Speeds\u003c\/strong\u003e: 38,1 cm\/s\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEqualization\u003c\/strong\u003e:  CCIR (NABon request)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTape Model:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eLPR90 Long-Play Studio Tape ¼\" 1100m - RecordingTheMasters (long play version of SM 900)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"BirdBox Records","offers":[{"title":"LP 33 rpm","offer_id":49712017801563,"sku":"BBR2023CG01VYN","price":39.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/6630e3_439233a3e19341c29d4da487781274b5_mv2.webp?v=1734446775"},{"product_id":"anamorfosi-fiorentino-quartarone","title":"ANAMORFOSI - Fiorentino, Quartarone","description":"\u003ch2 data-hook=\"product-title\" class=\"OXQzmM uvtEMb\"\u003eU.Fiorentino \u0026amp; C. Quartarone | ANAMORFOSI \u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003e(BBR2023FIQU01\u003cspan style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"OXQzmM ImgXFz\" data-hook=\"product-title\"\u003e\u003cstrong\u003eDisponibile in CD, Tape e file HD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTrack list CD, Tape e file HD:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAll of Us 04:31\u003c\/li\u003e\n\u003cli\u003e2. Bridle Paths 04:53\u003c\/li\u003e\n\u003cli\u003e3. Look at the Stars 05:24\u003c\/li\u003e\n\u003cli\u003e4. What did You Say 02:52\u003c\/li\u003e\n\u003cli\u003e5. Out of Nowhere 06:56\u003c\/li\u003e\n\u003cli\u003e6. Ok i Got it 03:41\u003c\/li\u003e\n\u003cli\u003e7. In a Sentimental Mood 05:19\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/birdboxrecords.lnk.to\/Anamorfosi\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Catturato nell'anima calda dell'analogico e preservato nella nitidezza del digitale. Questo album è un viaggio sensoriale unico, dove l'autenticità del suono analogico incontra la precisione della registrazione a 192 kHz\/24 bit, grazie al convertitore Metric Halo ULN8 3D. Il tocco finale, interamente analogico, con una suite di outboard a valvole d'eccellenza, dona a questo disco una profondità e un'emozione senza pari.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOriginal Master Tape: RTM SM900 high-output on Ampex ATR102 2-channel 1\/2-inch analog tape recorder\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLine up:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eUmberto Fiorentino archtop guitar\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eClaudio Quartarone electric\/classical guitar\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSPECIAL CREDITS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUmberto suona abitualmente chitarre costruite da Nico Moffa, Stefan Schottmueller, D'Angelico Guitars e Fulvio Cappelli. \u003c\/span\u003e\u003cspan\u003eIn questo album suona una chitarra costruita da Leonardo Manni, modello “Trevi”. Claudio Quartarone suona: Chitarra elettrica e chitarra classica Domenico Spada.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp class=\"sMgpOzd o_waQ4x---typography-11-runningText o_waQ4x---priority-7-primary _HOcyB fNY6IC sxbtulv\" aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e\u003cstrong\u003eCredits:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"sMgpOzd o_waQ4x---typography-11-runningText o_waQ4x---priority-7-primary _HOcyB fNY6IC sxbtulv\" aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e\n\u003cspan\u003ePRODUCER: \u003c\/span\u003e\u003cspan\u003eLorenzo Vella\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"sMgpOzd o_waQ4x---typography-11-runningText o_waQ4x---priority-7-primary _HOcyB fNY6IC sxbtulv\" aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eRecording Engineer: Lorenzo Vella (close-miking recording track 1)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"sMgpOzd o_waQ4x---typography-11-runningText o_waQ4x---priority-7-primary _HOcyB fNY6IC sxbtulv\" aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e\u003cspan\u003eRecording Engineer: Matteo Spinazzè Savaris (binaural recording track 2-3-4-5-6-7)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"sMgpOzd o_waQ4x---typography-11-runningText o_waQ4x---priority-7-primary _HOcyB fNY6IC sxbtulv\" aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e\u003cspan\u003eMixing\/Mastering Engineer: Lorenzo Vella\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"sMgpOzd o_waQ4x---typography-11-runningText o_waQ4x---priority-7-primary _HOcyB fNY6IC sxbtulv\" aria-hidden=\"false\" data-hook=\"info-section-title\"\u003eMIXING\/MASTER TAPE GEAR : Custom analog Mixing Console Argentini EP6000 (1973) Ampex ATR102 2 tracks 1\/2inch 15 ips, Studer A80\/RC 2 tracks 1\/4inch” 15 ips\u003c\/li\u003e\n\u003cli class=\"sMgpOzd o_waQ4x---typography-11-runningText o_waQ4x---priority-7-primary _HOcyB fNY6IC sxbtulv\" aria-hidden=\"false\" data-hook=\"info-section-title\"\u003eMonitoring: Neumann HK120, B\u0026amp;W802 series 3, Tannoy Super Red Monitor SRM15\u003c\/li\u003e\n\u003cli class=\"sMgpOzd o_waQ4x---typography-11-runningText o_waQ4x---priority-7-primary _HOcyB fNY6IC sxbtulv\" aria-hidden=\"false\" data-hook=\"info-section-title\"\u003eCutting lathe Neumann VMS70 equipped by Ortofon DSS821 cutterhead. Full tube cutting electronics \u003cspan style=\"font-size: 0.875rem;\"\u003eby Roberto e Chiara Barbolini\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"sMgpOzd o_waQ4x---typography-11-runningText o_waQ4x---priority-7-primary _HOcyB fNY6IC sxbtulv\" aria-hidden=\"false\" data-hook=\"info-section-title\"\u003eVisual \u0026amp; graphic design: Nerina Fernandez\u003c\/li\u003e\n\u003cli class=\"sMgpOzd o_waQ4x---typography-11-runningText o_waQ4x---priority-7-primary _HOcyB fNY6IC sxbtulv\" aria-hidden=\"false\" data-hook=\"info-section-title\"\u003eBackstage photography: Nightingale Studios\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eBINAURAL SESSION RECORDING\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOn track 7 the rhythm base was recorded live with high quality\u003cbr\u003estereo hi-fi. \u003c\/span\u003e\u003cspan\u003eMacbook pro player - Metric Halo ULN8 3D 192khz\/32bit converter -\u003cbr\u003eAudio Research LS1 pre-amplifier - McIntosh MC500 - B\u0026amp;W 802 D Nautilus\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eRecorded, mixed and mastered at Nightingale Studios - Palombara Sabina (RM) Italy. November 3th 2019 and February 20th 2022. \u003c\/span\u003e\u003cspan\u003e℗© \u003c\/span\u003e\u003cspan\u003e2022 Birdbox Records s.r.l.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eCD:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eI CD, prodotti e spediti direttamente dalla nostra fabbrica, vengono testati immediatamente prima della spedizione su vari lettori, per dare la massima garanzia di funzionamento nonostante la masterizzazione in glass-master realizzata in fabbrica.\u003c\/p\u003e\n\u003cp\u003eI lettori utilizzati sono: Studer A727 - Emt 981\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCaratteristiche Vinyl:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVinile 180 gr. 12\" COLOR 33rpm numbered edition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eQuesto vinile viene fornito unitamente ad una comoda busta protettiva spessore 40 micron, richiudibile tramite patella di chiusura a biadesivo. \"Per garantire la migliore esperienza di ascolto possibile, consigliamo vivamente di pulire questo disco in vinile con un pulitore ad ultrasuoni di prima qualità prima della riproduzione.\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCaratteristiche Tape:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePer queste esclusive copie su nastro, Lorenzo Vella realizza il master analogico, che viene trasferito su uno STUDER A80 1\/4, tramite AMPEX ATR102 1\/2. Il nastro da un quarto di pollice viene poi spedito insieme a una preziosa bobina di alluminio all'interno di un'elegante scatola di lusso. Utilizziamo solo nastri RecordingTheMasters.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eControllo qualità sui registratori a nastro Sony AR5003V e Otari MX55.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOgni scatola personalizzata fatta a mano contiene una custodia professionale, un inserto grafico, una lettera di ringraziamento, un certificato di garanzia, un certificato di autenticità di puro lavoro analogico e ogni set è numerato a mano.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e: 2 stereo - 1⁄4 inch\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTape Speeds\u003c\/strong\u003e: 38,1 cm\/s\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEqualization\u003c\/strong\u003e:  CCIR (NABon request)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTape Model:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eLPR90 Long-Play Studio Tape ¼\" 1100m - RecordingTheMasters (long play version of SM 900)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"BirdBox Records","offers":[{"title":"LP 33 rpm","offer_id":49712453484891,"sku":"BBR2023FIQU01VYN","price":39.0,"currency_code":"EUR","in_stock":false},{"title":"CD","offer_id":49712505454939,"sku":"BBR2023FIQU01CD","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/6630e3_0be74a574ce1451a9aca520b8f4e54eb_mv2.png?v=1742557905"},{"product_id":"imaginary-place-paolo-recchia","title":"IMAGINARY PLACE - Paolo Recchia","description":"\u003ch2 data-hook=\"product-title\" class=\"OXQzmM uvtEMb\"\u003ePaolo Recchia | Imaginary place \u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003e(BBR2023PR01\u003cspan style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp data-hook=\"product-title\" class=\"OXQzmM ImgXFz\"\u003e\u003cstrong\u003e33 rpm vinile 180 gr. numbered edition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTrack list Vinyl, CD and Tape:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWork (Thelonious Monk) 07:27\u003c\/li\u003e\n\u003cli\u003e1. All Rise (Ben Van Gelder) 06:39\u003c\/li\u003e\n\u003cli\u003e2. Zhivago (Kurt Rosenwinkel) 08:22\u003c\/li\u003e\n\u003cli\u003e3. Too Marvelous for Words (Richard Whiting) 05:58\u003c\/li\u003e\n\u003cli\u003e4. Emmanina (Paolo Recchia) 07:25\u003c\/li\u003e\n\u003cli\u003e5. Esc (Luca Mannutza) 08:59\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/birdboxrecords.lnk.to\/Imaginary-Place\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Catturato nell'anima calda dell'analogico e preservato nella nitidezza del digitale. Questo album è un viaggio sensoriale unico, dove l'autenticità del suono analogico incontra la precisione della registrazione a 192 kHz\/24 bit, grazie al convertitore Metric Halo ULN8 3D. Il tocco finale, interamente analogico, con una suite di outboard a valvole d'eccellenza, dona a questo disco una profondità e un'emozione senza pari.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOriginal Master Tape: RTM SM900 high-output on Ampex ATR102 2-channel 1\/2-inch analog tape recorder\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLine up:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePaolo Recchia sax\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLuca Mannutza piano\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGiuseppe Romagnoli doublebass\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNicola Angelucci drums\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPECIAL CREDITS\u003c\/strong\u003e\u003cbr\u003ePaolo Recchia plays: Selmer Mark VI, Meyer Mouthpiece and Nino Sortino Ligatures Wind instrument technician: Daniele Vagnetti\u003cbr\u003eLuca Mannutza plays Yamaha C3\u003cbr\u003eNicola Angelucci plays Ideas for drummers signature sticks\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp data-hook=\"info-section-title\" aria-hidden=\"false\" class=\"sMgpOzd o_waQ4x---typography-11-runningText o_waQ4x---priority-7-primary _HOcyB fNY6IC sxbtulv\"\u003e\u003cstrong\u003eCredits:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProducer\u003c\/strong\u003e: Lorenzo Vella\u003cbr\u003e\u003cstrong\u003eExecutive Producer\u003c\/strong\u003e: Paolo Recchia, Lorenzo Vella\u003cbr\u003e\u003cstrong\u003eRecording Engineer\u003c\/strong\u003e: Matteo Spinazzè Savaris\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMixing Engineer\u003c\/strong\u003e: Lorenzo Vella\u003cbr\u003e\u003cstrong\u003eMastering Engineer\u003c\/strong\u003e: Bob Katz\u003cbr\u003e\u003cstrong\u003eStudio Assistants\u003c\/strong\u003e: Sandro Profeta, Valerio Vella, Elisabetta Innocenzi\u003cbr\u003e\u003cstrong\u003eVisual \u0026amp; graphic design\u003c\/strong\u003e: Nerina Fernandez Backstage photography: Nightingale Studios\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eCD:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eI CD, prodotti e spediti direttamente dalla nostra fabbrica, vengono testati immediatamente prima della spedizione su vari lettori, per dare la massima garanzia di funzionamento nonostante la masterizzazione in glass-master realizzata in fabbrica. I lettori utilizzati sono: Studer A727 - Emt 981\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCaratteristiche Vinyl:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVinile 180 gr. 12\" COLOR 33rpm numbered edition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eQuesto vinile viene fornito unitamente ad una comoda busta protettiva spessore 40 micron, richiudibile tramite patella di chiusura a biadesivo. \"Per garantire la migliore esperienza di ascolto possibile, consigliamo vivamente di pulire questo disco in vinile con un pulitore ad ultrasuoni di prima qualità prima della riproduzione.\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCaratteristiche Tape:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor these exclusive tape copies, Lorenzo Vella makes the analogue master, which is transferred to a STUDER A80 1\/4, by AMPEX ATR102 1\/2. The quarter-inch tape is then shipped together with a precious aluminium reel inside an elegant luxury box. We only use RecordingTheMasters tapes.\u003c\/p\u003e\n\u003cp\u003eQuality control on Sony AR5003V and Otari MX55 Tape Recorders\u003c\/p\u003e\n\u003cp\u003eEach customised handmade box contains a professional case, a graphic insert, a letter of thanks, a certificate of guarantee, a certificate of authenticity of pure analogue work, and each set is hand-numbered.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e: 2 stereo - 1⁄4 inch\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTape Speeds\u003c\/strong\u003e: 38,1 cm\/s\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEqualization\u003c\/strong\u003e:  CCIR (NABon request)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTape Model:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eLPR90 Long-Play Studio Tape ¼\" 1100m - RecordingTheMasters (long play version of SM 900)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eReference level:\u003c\/strong\u003e 320 nWb\/m\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"BirdBox Records","offers":[{"title":"LP 33 rpm","offer_id":49728947192155,"sku":"BBR2023PR01VYN","price":39.0,"currency_code":"EUR","in_stock":false},{"title":"CD","offer_id":49728947224923,"sku":"BBR2023PR01CD","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/b26284_3bb61603524944a193ceef6b6a8bc936_mv2.webp?v=1734633072"},{"product_id":"gershwin-hallo-mr-sax-saxophone-orchestra","title":"GERSHWIN - Hallo Mr. Sax | Saxophone Orchestra","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cstrong\u003eGEORGE GERSHWIN - Hallo Mr. Sax, saxophone orchestra\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003e\u003cem\u003eDisponibile in: LP (incluso il file HD); MASTERCLONE BLACK CD (incluso il file HD); FILE HD; BUNDLE \u003c\/em\u003e(\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003eLP+MASTERCLONE BLACK+FILE HD\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cu\u003eLATO A \u003c\/u\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003e\u003cu\u003e– 16:28\u003c\/u\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eRHAPSODY IN BLUE\u003c\/b\u003e \u003cspan style=\"font-size: small;\"\u003e16:28 \u003c\/span\u003e\u003ci style=\"font-size: small;\"\u003eArr. Paolo Zannini\u003c\/i\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003eLATO B \u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003e\u003cu\u003e– 19:49\u003c\/u\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan lang=\"en-US\"\u003e\u003cb\u003eCUBAN OUVERTURE\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e10:41 \u003c\/span\u003e\u003c\/span\u003e\u003ci style=\"font-size: small;\"\u003eArr. Pierluigi Alessandrini\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eI GOT RHYTHM VARIOATIONS, FOR PIANO AND ORCHESTRA\u003c\/b\u003e\u003cspan style=\"font-size: 0.875rem;\" lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e9:07 \u003c\/span\u003e\u003c\/span\u003e\u003ci style=\"font-size: small;\"\u003eArr. Paolo Zannini\u003c\/i\u003e\u003ci style=\"font-size: small;\"\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ci style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cem\u003eDisponibile in: MASTERCLONE BLACK (CVLD404); File HD REMASTER 2025\u003c\/em\u003e \u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003e(CVLD403HD); \u003ci style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cem\u003eFile HD VERS. 2003\u003c\/em\u003e (CVLD083)\u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan lang=\"en-US\"\u003e\u003cb\u003eRHAPSODY IN BLUE\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e16:28 \u003c\/span\u003e\u003c\/span\u003e\u003ci style=\"font-size: small;\"\u003eArr. Paolo Zannini\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eCUBAN OUVERTURE\u003c\/b\u003e\u003cspan lang=\"en-US\" style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e10:41 \u003c\/span\u003e\u003c\/span\u003e\u003ci style=\"font-size: small;\"\u003eArr. Pierluigi Alessandrini\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eI GOT RHYTHM VARIATIONS, FOR PIANO AND ORCHESTRA\u003c\/b\u003e \u003cspan style=\"font-size: small;\"\u003e9:07 \u003c\/span\u003e\u003ci style=\"font-size: small;\"\u003eArr. Paolo Zannini\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003ePORGY AND BESS SUITE\u003c\/b\u003e\u003cspan lang=\"en-US\" style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e14:08 \u003c\/span\u003e\u003c\/span\u003e\u003ci style=\"font-size: small;\"\u003eArr. Stefano Nanni\u003c\/i\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHALLO MR. SAX\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTiziano Rossi, sopranino sax\u003c\/p\u003e\n\u003cp\u003eStefano Menato, Emiliano Rodriguez, soprano sax\u003c\/p\u003e\n\u003cp\u003eMario Giovannelli, Roberto Favaro, Enrico Dellantonio, alto sax\u003c\/p\u003e\n\u003cp\u003eStefano Marzi, Elena Ducoli, Barbara Morelli, tenor sax\u003c\/p\u003e\n\u003cp\u003eAlessandro Creola, Pierluigi Alessandrini, baritone sax\u003c\/p\u003e\n\u003cp\u003eGiorgio Beberi, bass sax\u003c\/p\u003e\n\u003cp\u003eMario Marzi, conductor\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003ePaolo Zannini,\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e grandpiano\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003e96kHz \/ 24bit original multitrack digital recording, made at Public Auditorium, Chiuppano, Italy \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003eOn April, 26, 27, 2003\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eAnalog remix from original multitracks recording, made at VLS Studio, Naquera, Spain\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eOn October, 10, 2025, using full analog equipment by Rupert Neve Design summing console and Maselec analog mastering devices, direct to ¼” Master Tape 38cm\/sec by Studer A810\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eProduction: \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003eMarco Lincetto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eMusical Producers\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e: Hallo Mr. Sax and Marco Lincetto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eRecording Engineer: \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003eMarco Lincetto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eAssistant engineer: \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003eGiorgio Bruni\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eRe-mix and re-mastering engineer: \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003eMarco Lincetto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDesign: L’Image\u003c\/p\u003e\n\u003cp\u003eSpesso il pubblico associa il sassofono ai generi musicali più moderni, dal jazz alla musica pop, e non a torto.\u003c\/p\u003e\n\u003cp\u003eMa in realtà è uno strumento che è stato utilizzato con grande profitto anche in ambito cosiddetto “classico”, a partire già dalla fine del ‘800 e per tutto il ‘900 e fino ad oggi, soprattutto nell’ambito di grandi opere orchestrali, ma anche nella musica cosiddetta da camera. Compositori fondamentali come Stravinsky, Ravel, Milhaud e molti altri hanno saputo cogliere le molte sfaccettature del suono di questo strumento che fa parte della famiglia degli ottoni, valorizzandone sia l’amalgama sonoro, quando schierato in ensemble, sia la verve solistica precipua.\u003c\/p\u003e\n\u003cp\u003eL’orchestra Hallo Mr. Sax è una delle formazioni più originali oggi in attività: è composta da 14 straordinari solisti (12 sax e 2 percussioni) riuniti in questo particolarissimo organico, che sa sfruttare al meglio tutta la vasta gamma di sassofoni esistenti con 1 sopranino, 2 soprani, 3 contralti, 3 tenori, 2 baritoni e 1 basso. Le varie voci, quindi, dai toni più acuti a quelli più profondi riescono a trasformare un organico apparentemente ridotto, nelle dimensioni e nella varietà di colori, che non fanno rimpiangere le dimensioni della grande orchestra sinfonica, tuttavia suggerendo umori e colori precipui e unici.\u003c\/p\u003e\n\u003cp\u003eLa musica del grande George Gershwin, infine, perfetto punto di incontro fra gli stilemi della cosiddetta musica classica e i suggerimenti e gli spunti della tradizione popolare americana del jazz e del blues, esalta al massimo livello la potenza e l’emozione del risultato.\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"LP 33 rpm","offer_id":51694770258267,"sku":"CVLD403LP","price":49.0,"currency_code":"EUR","in_stock":true},{"title":"MASTECLONE BLACK CD","offer_id":51694983610715,"sku":"CVLD404MCB","price":49.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 96kHz · 24bit - REMASTER 2025","offer_id":51694770225499,"sku":"CVLD403HD","price":25.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 96kHz · 24bit - VERS. 2003","offer_id":49758955372891,"sku":"CVLD083","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"BUNDLE LP+MASTERBLACK+FILE HD","offer_id":51695452586331,"sku":"CVLD403404B","price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/COVER-403.jpg?v=1762449337"},{"product_id":"gold-fingers-30-anniversary-massimo-salvagnini-quintet-patrizia-laquidara","title":"GOLD FINGERS - 30° ANNIVERSARY - Massimo Salvagnini Quintet, Patrizia Laquidara","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cstrong\u003eGOLD FINGERS - 30° ANNIVERSARY \u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e(\u003cspan\u003eCVLD391\u003c\/span\u003e) (\u003cspan\u003eCVLD086\u003c\/span\u003e) \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eDisponibile in:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: left;\"\u003eAUDIOPHILE VINYL - LIMITED EDITION CON FILE MASTER HD (prevendita)\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003eFILE MASTER HD (con 4 tracce extra)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003eAutori\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eH. HUPFELD, J. BARRY, J. MANDEL, R. ORBISON, R. SHERMAN, L. ROBIN - J. STYNE, J. KANDER - F. EBB\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eEsecutori\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eMASSIMO SALVAGNINI QUINTET, P. LAQUIDARA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003eTracce LP:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003eLATO A \u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003e21:47\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e01 –\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eAS TIME GOES BY\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e (herman Hupfeld) \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e7:25\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e02 –\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eGOLDFINGER\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e (John Barry) \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e2:49\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003efeaturing Patizia Laquidara\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e03 –\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eYOU ONLY LIVE TWICE\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e (John Barry) \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e6:19\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e04 –\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eOH, PRETTY WOMAN\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e (Roy Orbison) \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e5:11\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003eLATO B\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003e 19:02\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e01 –\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eSUICIDE IS PAINLESS\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e (Johnny Mandel) \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e7:50\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e02 –\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eTAXI DRIVER’S THEME\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e (Bernard Hermann) \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e5:11\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e03 –\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eBYE BYE BABY\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e (Leo Robin, Jule Styne) \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e6:00\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMassimo Salvagnini\u003c\/b\u003e, tenor saxophone\u003cbr\u003e\u003cb\u003eStefano Bassato\u003c\/b\u003e, guitar\u003cbr\u003e\u003cb\u003eFranco Lion\u003c\/b\u003e, doublebass\u003cbr\u003e\u003cb\u003ePaolo Balladore\u003c\/b\u003e, drums\u003cbr\u003e\u003cb\u003ePaolo Vidaich\u003c\/b\u003e, percussions\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003ePatrizia Laquidara\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003eappears courtesy of Rossodisera Ed. Mus. \u003cbr\u003eand Genius Records by Renato Venturiero\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003e\u003cb\u003e96kHz \/ 24bit original digital recording, made at Teatro Polivalente, \u003cbr\u003eAbano Terme, Italy, on August 24, 25, 2003\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003e\u003cb\u003eAnalog re-mastering made at VLS Studio, Naquera, Spain\u003cbr\u003eon March, 8, 2025\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eProduction:\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e Marco Lincetto for VELUT LUNA\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eRecording Engineer:\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e Marco Lincetto\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eMix engineers:\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e Marco Lincetto and Matteo Costa\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eMastering engineer:\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e Marco Lincetto\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eDesign and Layout:\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e L’Image\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003ePhoto:\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e Marco Lincetto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracce FILE HD:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 As time goes by 7:27\u003cbr\u003e   Herman Hupfeld\u003c\/li\u003e\n\u003cli\u003e2 You only live twice’s theme 6:17\u003cbr\u003e   John Barry\u003c\/li\u003e\n\u003cli\u003e3 Suicide is painless 7:52\u003cbr\u003e   Johnny Mandel\u003c\/li\u003e\n\u003cli\u003e4 Goldfinger,\u003cbr\u003e   featuring PATRIZIA LAQUIDARA 2:47\u003cbr\u003eJohn Barry\u003c\/li\u003e\n\u003cli\u003e5 Oh Pretty Woman 5:13\u003cbr\u003e   Roy Orbison\u003c\/li\u003e\n\u003cli\u003e6 Taxi Driver’s theme 5:13\u003cbr\u003e   Bernard Hermann\u003c\/li\u003e\n\u003cli\u003e7 A spoonful of sugar 5:22\u003cbr\u003e   Richard Sherman\u003c\/li\u003e\n\u003cli\u003e8 Goldfinger (instr. Version) 3:55\u003cbr\u003e   John Barry\u003c\/li\u003e\n\u003cli\u003e9 Cabaret 8:08\u003cbr\u003e   John Kander \/ Fred Ebb\u003c\/li\u003e\n\u003cli\u003e10 Bye bye baby 6:03\u003cbr\u003e   Leo Robin \/ Jule Styne\u003c\/li\u003e\n\u003cli\u003e11 Goldfinger (instr.version, C.H. like) 3:04\u003cbr\u003e   John Barry\u003cbr\u003eTotal Time: 61:25\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/Gold-Fingers\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cb\u003eConsiderazioni introduttive di Radu Lidjienko\u003c\/b\u003e\u003c\/i\u003e\u003cbr\u003eIl cinema è entrato in noi perché è fatto di immaginazione, fantasia, sogno, illusione, cioè le stesse cose di cui è fatta la nostra vita. Siamo sempre immersi in fantasie di ogni genere, da positive a negative, da allegre a drammatiche. Ciascuno, di volta in volta, ne preferisce una e ci si affeziona, scegliendo per sè il film più adatto. Nessuno riesce a liberarsi dal sogno. Le persone depresse vivono una versione fantastica del loro tremendo passato e del loro orribile futuro. Tutti reinventiamo ogni giorno il nostro passato ed il nostro futuro. I fatti non si sono svolti come noi li ricordiamo, e niente si verificherà nel modo in cui l’abbiamo previsto. Abbiamo ricordato decine di passati diversi e sognato migliaia di futuri diversi. Niente riesce a strapparci dalle nostre fantasie, fin dal primo giorno di vita. Credo che sia una nostra caratteristica, e non un difetto. Sarebbe impossibile per noi farne a meno e continuare a vivere. Anche le persone più pragmatiche, o perfino ciniche, sono prese da una fantasia, magari quella di vivere in un mondo freddo, desolato, povero di bellezza e di emozioni, oppure popolato da esseri stupidi o maligni. Il filosofo sogna di aver fatto chiarezza sulla situazione dell’Uomo nell’universo, la persona religiosa sogna di essere perdonato dal suo dio per le schifezze che ha fatto e che farà. Alcuni sognano di vivere in un mondo in cui soffre solo chi è inferiore e irrilevante, in modo da godere della loro ricchezza senza imbarazzo. Altri ancora vedono la sofferenza, ma vivono il sogno di poterla combattere. I musicisti vivono il sogno di rendere felici i propri simili. Chi ascolta musica vive nel sogno che i musicisti siano creature speciali ed immerse in una vita piena di stimoli e di appagamento. I produttori musicali vivono nel sogno di aver prodotto musica di altissimo livello, e che questo gli verrà un giorno riconosciuto. Io sogno che un giorno sarà possibile incontrarci tutti nello stesso posto, per farci una grossa risata sopra.\u003c\/p\u003e\n\u003cp\u003eLisbona, settembre 2003\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"LP 33 rpm","offer_id":50426410467675,"sku":"CVLD391LP","price":39.0,"currency_code":"EUR","in_stock":false},{"title":"FILE HD 96kHz · 24bit","offer_id":49759073534299,"sku":"CVLD086","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/VELUTLUNACVLD391-cover.jpg?v=1744619220"},{"product_id":"my-standards-francesco-mascio","title":"MY STANDARDS - Francesco Mascio","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003eFrancesco Mascio | MY STANDARDS  \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003e(BBR2023FM01\u003cspan style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-hook=\"product-title\" class=\"OXQzmM ImgXFz\"\u003e\u003cstrong\u003e33 rpm vinile 180 gr. numbered edition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTrack list Vinyl:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLATO A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eKarma Mood\u003c\/li\u003e\n\u003cli\u003eSamba Stramba\u003c\/li\u003e\n\u003cli\u003eMattia\u003c\/li\u003e\n\u003cli\u003eSeven Bop\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eLATO B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA Poke for You\u003c\/li\u003e\n\u003cli\u003eBlack Mama\u003c\/li\u003e\n\u003cli\u003eNotes from the Hearth\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTrack list CD:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eKarma Mood\u003c\/li\u003e\n\u003cli\u003eSamba Stramba\u003c\/li\u003e\n\u003cli\u003eA poke for you\u003c\/li\u003e\n\u003cli\u003eBlues Minove\u003c\/li\u003e\n\u003cli\u003eEsharef’s moment\u003c\/li\u003e\n\u003cli\u003eMattia\u003c\/li\u003e\n\u003cli\u003eBlack mama\u003c\/li\u003e\n\u003cli\u003eSeven bop\u003c\/li\u003e\n\u003cli\u003eSoul of New York\u003c\/li\u003e\n\u003cli\u003eNotes from the heart\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLine up Vinyl:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrancesco Mascio | guitars\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAlberto La Neve | sax\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePaolo Mazziotti | bass\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNicola Scagliozzi | doublebass\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDomenico Benvenuto | drums\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eLine up CD:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrancesco Mascio | guitars\u003cbr\u003eEsharef Alì Mhagag | voice\u003cbr\u003eAlberto La Neve | sax\u003cbr\u003ePaolo Mazziotti | bass\u003cbr\u003eNicola Scagliozzi | doublebass\u003cbr\u003eDomenico Benvenuto | drums\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMy Standards - Francesco Mascio\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA circa dieci anni dalla sua prima uscita discografica “Europa Jazz Quartet” e dopo otto dischi caratterizzati dall'utilizzo degli ingredienti stilistici più disparati, Francesco Mascio torna alle origini con un nuovo lavoro ispirato alla tradizione jazzistica: “My Standards”.Come suggerisce il titolo dell'album, si tratta di una produzione interamente composta da brani originali, otto dei quali sono il risultato di un lavoro di scrittura maturato nel corso degli anni, mentre le composizioni ‘Esharef's Moment’ e ‘Soul of New York’ sono il frutto di una sperimentazione d'insieme basata sul concetto di improvvisazione radicale. Sebbene il tema dell'album sia fortemente incentrato sul jazz, Mascio non manca di esprimere una spiccata poliedricità, che manifesta attraverso il sapiente utilizzo di numerose influenze stilistiche (latin, world, soul, free, classica e altro ancora) e il suo peculiare crossover jazz accordato a 432 Hertz.Conclude il disco la composizione per chitarra classica solista “Notes from the heart”, da cui Mascio lascia trapelare una densa componente emotiva, già fortemente marcata in tutta la sua opera.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp data-hook=\"info-section-title\" aria-hidden=\"false\" class=\"sMgpOzd o_waQ4x---typography-11-runningText o_waQ4x---priority-7-primary _HOcyB fNY6IC sxbtulv\"\u003e\u003cstrong\u003eCredits:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePRODUCER: \u003c\/span\u003e\u003cspan\u003eLorenzo Vella | BIRDBOX RECORDS Executive Producer: Lorenzo Vella\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eComposer and arranger: Francesco Mascio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecording, Mixing, Mastering engineer: Lorenzo Vella - Nightingale Studios Mixing Assistant: Francesco Mascio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGraphic designer: Nerina Fernandez Photography: Simona Mililli\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eRECORDING\/MIXING\/MASTERING EQUIPMENT\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis album was recorded in the analog domain with digital archiving in lossless quality at 192 kHz \u003c\/span\u003e\u003cspan\u003e32\u003c\/span\u003e\u003cspan\u003e-bit using a state- of-the-art Metric Halo ULN8 3D converter. Mixing and mastering were performed exclusively in the analog domain employing a top-notch suite of external tube gear.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis approach seamlessly blends the timeless essence of analog with the cutting-edge capabilities of digital. Mastering in analog domain on RTM SM900 high-output on Ampex ATR102 2-channel 1\/2-inch analog tape recorder.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe wide dynamic range may lead to tracking issues if your system is not optimally calibrated.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCaratteristiche Vinyl:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eQuesto vinile viene fornito unitamente ad una comoda busta protettiva spessore 40 micron, richiudibile tramite patella di chiusura a biadesivo.\u003c\/p\u003e\n\u003cp\u003e\"Per garantire la migliore esperienza di ascolto possibile, consigliamo vivamente di pulire questo disco in vinile con un pulitore ad ultrasuoni di prima qualità prima della riproduzione.\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCaratteristiche CD:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003eCD, prodotti e spediti direttamente dalla nostra fabbrica, vengono testati immediatamente prima della spedizione su vari lettori, per dare la massima garanzia di funzionamento nonostante la masterizzazione in glass-master realizzata in fabbrica.\u003c\/p\u003e\n\u003cp\u003eI lettori utilizzati sono: Studer A727 - Emt 981\u003c\/p\u003e\n\u003c\/div\u003e","brand":"BirdBox Records","offers":[{"title":"LP 33 rpm","offer_id":49939736396123,"sku":"BBR2023FM01VYN","price":39.0,"currency_code":"EUR","in_stock":true},{"title":"CD","offer_id":49939736428891,"sku":"BBR2023FM01CD","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/6630e3_bf0437bfd07442799375546f854e2e30_mv2.webp?v=1737571610"},{"product_id":"stop-at-the-devil-s-crossroad-nik-lee-the-jingle-fellas","title":"Stop At The Devil’s Crossroad - Nik Lee \u0026 The Jingle Fellas","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eStop At The Devil’s Crossroad \u003c\/strong\u003e(CVLD378)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eAUDIOPHILE PRESSING \u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003eAutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eAA. VV.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eEsecutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eNik Lee \u0026amp; The Jingle Fellas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eDisponibile in: File HD (10 tracce), LP 150gr\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTrack list\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003cspan\u003eA SIDE - 19:52\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1a - Good Morning Blues - traditional - 4:31\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2a - Catfish Blues - traditional - 3:48\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3a - Shake That Thing - traditional - 3:47\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4a - Black Dog Blues - traditional - 4:30\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5a - New York City - traditional - 3:13\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eB SIDE - 19:42\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1b - Make Me Down A Pallet On Your Floor - traditional - 3:28\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2b - They’re Red Hot - Robert Johnson - 3:43\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3b - Hey Hey Daddy Blues - traditional - 2:33\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4b - Walking My Troubles Away - traditional - 5:36\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5b - Early Morning Blues - traditional - 4:22\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/Stop-at-the-Devils-Crossroad\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e24bit\/88.2kHz original digital recording made at Magister Recording Area Studio, Preganziol (Italy)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eon April 17 - 19, 2015\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAnalog mix and mastering made at MLStudio, Naquera (Spain) on May 16, 2024\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduction: Marco Lincetto for VELUT LUNA\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMusical producer: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecording, Mix and Mastering Engineer: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePhotos: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesign and Layout: L’Image\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLa schiavitù, la negazione dei diritti fondamentali e la nulla considerazione del singolo individuo afroamericano, hanno contribuito alla nascita del Blues, una musica popolare, sintesi e prodotto di un percorso difficile, affrontato dalla popolazione africana sul suolo americano, un mezzo di espressione potente capace di arrivare all'orecchio dell'ascoltatore in maniera semplice e diretta.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eI classici suonati dai grandi padri storici, Blind Blake, Blind Boy Fuller, Robert Johnson e Charley Patton vengono completamente ri-arrangiati in una veste più moderna attraverso la diversità stilistica e timbrica di ogni singolo individuo del gruppo, permettendo così di dare carattere e trasmettere gli elementi tipici che rendono unico, nella sua semplicità, il Blues.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eStop At The Devil's Crossroad più che una semplice playlist, è un insieme di atmosfere che mettono in luce con diverse sfumature sonore, dal più classico Delta-Blues con chitarra acustica resofonica, armonica e voce, al suono elettrico del tradizionale trio Blues, fino ad una line-up più allargata, composta da sezione ritmica, voce e sezione fiati.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eStop At The Devil's Crossroad è un lavoro di riscoperta, un coinvolgente tributo di Nik Lee and The Jingle Fellas a questa semplice ma grande musica.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"FILE HD 88.2kHz · 24bit","offer_id":49945573097819,"sku":"CVLD378","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"LP 150gr + FILE HD","offer_id":49971096584539,"sku":"CVLD378LP","price":39.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/1_a65ff306-30c1-4550-b74d-9695f9f448d2.jpg?v=1737679189"},{"product_id":"camille-martegiani-coclite-mariozzi","title":"CAMILLE - Martegiani, Coclite, Mariozzi","description":"\u003ch2 data-hook=\"product-title\" class=\"OXQzmM uvtEMb\"\u003eCAMILLE - Martegiani, Coclite, Mariozzi  \u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003e(\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003e\u003cspan data-sheets-root=\"1\"\u003eARCLS025\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDisponibile in:\u003c\/span\u003e\u003c\/strong\u003e LP, CD, File HD (wav) e File CD (flac)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTrack list\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 – Acqua (M. Coclite – A. Martegiani) 4.51\u003cbr\u003e2 – Promenade (M. Coclite – A. Martegiani) 4.59\u003cbr\u003e3 – La Vague (M. Coclite – A. Martegiani) 3.49\u003cbr\u003e4 – La Valse (M. Coclite – A. Martegiani) 3.54\u003cbr\u003e5 – L’Âge Mür (M. Coclite – A. Martegiani) 4.47\u003cbr\u003e6 – L’Abandon (M. Coclite – A. Martegiani) 5.04\u003cbr\u003e7 – Persée et la Gorgone (M. Coclite – A. Martegiani) 3.42\u003cbr\u003e8 – Ninna Nanna per Paul (M. Coclite – A. Martegiani) 4.04\u003c\/p\u003e\n\u003cp\u003eAlessia Martegiani – Voce\u003cbr\u003eMassimiliano Coclite – Pianoforte\u003cbr\u003eFrancesco Mariozzi – Violoncello\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/audiorecords.lnk.to\/Camille\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eRegistrato il 19 e 20 maggio 2018 presso il Cotton Lab Music Club di Ascoli Piceno. Mixato e masterizzato da Stefano Isola presso Arcipelago Studio in Roma tra giugno e agosto 2018.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eProdotto da: HD MusicLab Srls\u003cbr\u003eProduttore esecutivo: Rocco Patriarca\u003cbr\u003eFoto: Pierluigi Giorgi\u003cbr\u003eImmagine di copertina: Marino Melarangelo\u003cbr\u003eScritta titolo: M° Manlio Patriarca\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eL’incontro con Camille è stato devastante.\u003c\/strong\u003e\u003cbr\u003eSi è insinuata subito nel cuore, nell’anima. Nata nel dramma, ascoltata acerba quando era composta solo in parte, in privato, vissuta e raccontata. Ma già pulsante di passione, d’intensità emotiva trascinante.\u003c\/p\u003e\n\u003cp\u003ePoi il progetto ha preso forma, convincendo, quasi obbligando con una tempistica strettissima, gli autori a darle un senso compiuto. A farne un album, anzi, un Concept Album di classica memoria. Otto sculture musicali pensate per essere rappresentate in vinile. Alessia e Massimiliano mostrano di aver raggiunto quella maturità artistica attesa da tempo che li porterà da qui in avanti ad esplorare nuove vette espressive, ognuno nel suo linguaggio. Francesco ha accompagnato, assecondato, vissuto Camille con eleganza, con vigore, con trasporto.\u003c\/p\u003e\n\u003cp\u003eForse è il linguaggio musicale a rendere questo disco così speciale. Forse è la semplice e al tempo stesso rigogliosa scrittura in un linguaggio inaspettato per i nostri tempi ma modernissimo, ricchissimo di quell’espressione che Stefano Isola, da perfetto tonmeister, ha reso con impagabile maestria.\u003c\/p\u003e\n\u003cp\u003eC’è una storia speciale in questo disco, una storia fatta di passioni e di paure, di sguardi e mani che si intrecciano. Una storia tanto intensa quanto impossibile. Che lascia il segno.\u003c\/p\u003e\n\u003cp\u003eBuon ascolto.\u003cbr\u003e\u003cem\u003eRocco Patriarca\u003c\/em\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eÈ difficile dire come quest’opera sia nata.\u003c\/strong\u003e\u003cbr\u003eÈ stato un periodo in cui la mia ispirazione musicale ha visto al centro la musica impressionista, con sonorità morbide e velate, sospese. C’era la volontà di scrivere con una concezione cameristica piuttosto che di canzone, anche se poi la forma finale è stata quella del \u003cem\u003elieder\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eIn quel periodo stavo vivendo un ritorno di fiamma verso lo studio di Schubert, Brahms, Debussy e questi autori hanno inevitabilmente influenzato la mia scrittura. È nato così diverso materiale, tra cui quello che poi è diventato \u003cem\u003eAcqua\u003c\/em\u003e, il primo brano del disco. È nello stesso periodo che Alessia ha sviluppato la sua conoscenza del personaggio di Camille. Le strade si sono incrociate e le letture, i testi di Alessia, le visite a mostre mi hanno fatto conoscere meglio la figura di Camille, generando un nuovo slancio creativo legato alla sua figura dopo essere entrato nel suo mondo, nel periodo in cui ha vissuto, conservando l’approccio originale: musica concettualmente cameristica, di ispirazione tra il tardo romantico e l’impressionismo del primo Novecento.\u003c\/p\u003e\n\u003cp\u003eDa qui è nata l’idea di affiancare il violoncello alla voce e al piano e rimanere con questa idea per l’intero progetto, per il quale ho sviluppato il \u003cem\u003econcept\u003c\/em\u003e generale, la storia, che poi ho tradotto nelle “otto piccole sculture musicali”. Sicuramente le timbriche mi hanno suggestionato ed inevitabilmente il timbro di voce di Alessia e il timbro del violoncello, due strumenti che ho pensato molto melodicamente, molto lirici, hanno avuto una forte influenza durante la scrittura.\u003c\/p\u003e\n\u003cp\u003eInteressante il fatto che il percorso sia iniziato da un’ispirazione musicale, a cui si sono aggiunte le suggestioni di Alessia sotto forma di testo letterario, ma anche la bella sorpresa del contrario, ovvero la scrittura musicale ispirata ai testi e su essa basata, che oltretutto è un tipo di concezione che dovrebbe essere più vicina a quella che era il lavoro del musicista di quel periodo. È giusto che la musica assecondi gli accenti del testo, il suo significato intrinseco e l’immagine che possono scaturire da concetti letterari e quindi \u003cem\u003ePromenade\u003c\/em\u003e o \u003cem\u003eNinna Nanna per Paul\u003c\/em\u003e, brani scritti sul testo di Alessia, evidenziano la loro capacità di contribuire al senso globale dell’opera.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCamille\u003c\/em\u003e rappresenta un lavoro discografico mirato, un progetto dal taglio classico di natura completamente diversa dai miei precedenti lavori, scritto per strumenti classici e senza ritmiche. Un lavoro dal \u003cem\u003econcept\u003c\/em\u003e originale, dalla partitura scritta e pubblicata, che oltretutto mi ha offerto la possibilità di intervenire anche come \u003cem\u003eperformer\u003c\/em\u003e, interpretando la mia musica, al fianco di eccellenti interpreti. Un lavoro ricco di soddisfazioni per ognuno degli elementi a cui ho contribuito.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMassimiliano Coclite\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLe storie degli artisti vengono trasmesse nei secoli attraverso gli occhi di altri artisti.\u003c\/strong\u003e\u003cbr\u003eCosì Camille Claudel mi è stata presentata tre anni fa, dalla visione appassionata di un artista della voce e del gesto come Umberto Fabi. La sua immagine mi è cresciuta dentro fino a diventare una presenza quotidiana e cara.\u003c\/p\u003e\n\u003cp\u003eMa, d’altronde, come non innamorarsi di questa donna forte e fragile, di questo sguardo fiero e doloroso che proietta nel tempo tutta la sua dolce inquietudine a testa alta? Camille Claudel fu scultrice nella gloriosa Parigi di fine ‘800. Fu allieva del più grande scultore francese, Auguste Rodin. I due prima ancora di incontrarsi, erano legati dallo stesso approccio alla materia e all’idea. Camille divenne assistente di Rodin, modellava per lui parti del corpo umano, mani e piedi soprattutto, e metteva a disposizione dello sguardo del maestro il suo corpo, posando come modella.\u003c\/p\u003e\n\u003cp\u003eFu naturale per loro innamorarsi. Un amore tra artisti, tra simili, tra due anime che avevano l’oro tra le mani. In quelle di Camille l’oro divenne presto sogno infranto, solitudine, povertà, delusione, persecuzione, pazzia. Camille Claudel fu interdetta, per iniziativa dello stesso amatissimo fratello Paul, nel manicomio di Ville-Evrard, nel 1913.\u003c\/p\u003e\n\u003cp\u003eIl mio racconto si chiude qui.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAlessia Martegiani\u003c\/em\u003e\u003c\/p\u003e","brand":"AudioRecords","offers":[{"title":"LP 33 rpm","offer_id":49949868097883,"sku":"ARCLS025LP","price":39.0,"currency_code":"EUR","in_stock":true},{"title":"CD","offer_id":49949868130651,"sku":"ARCLS025CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 96kHz • 24bit  WAV","offer_id":49949868163419,"sku":"ARCLS025HD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE CD 44.1kHz • 16bit FLAC","offer_id":49949868196187,"sku":"ARCLS025FLAC","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/ARCLS025.jpg?v=1737758589"},{"product_id":"random-vitale","title":"RANDOM - Vitale","description":"\u003ch2 class=\"OXQzmM uvtEMb\" data-hook=\"product-title\"\u003eRANDOM - Antonella Vitale  \u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003e(\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003e\u003cspan data-sheets-root=\"1\"\u003eARCLS020\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDisponibile in:\u003c\/span\u003e\u003c\/strong\u003e LP, CD, File HD (wav) e File CD (flac)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTrack list:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"main_2FbVC\"\u003e\n\u003csection id=\"release-tracklist\" class=\"section_9nUx6 open_BZ6Zt\"\u003e\n\u003cdiv class=\"content_1TFzi\"\u003e\n\u003ctable class=\"tracklist_3QGRS\" style=\"width: 104.982%; height: 558px;\"\u003e\n\u003ctbody\u003e\n\u003ctr data-track-position=\"1\" style=\"height: 39.1875px;\"\u003e\n\u003ctd class=\"trackPos_2RCje\" style=\"width: 6.30841%; height: 39.1875px;\"\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan\u003e1\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"artist_3zAQD\" style=\"width: 1.0514%; height: 39.1875px;\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitle_CTKp4\" style=\"width: 80.7827%; height: 39.1875px;\"\u003e\n\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan 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MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"artist_3zAQD\" style=\"width: 1.0514%; height: 39.1875px;\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitle_CTKp4\" style=\"width: 80.7827%; height: 39.1875px;\"\u003e\n\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"trackTitle_CTKp4\"\u003e\u003cspan\u003eScrivimi\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cdiv class=\"credits_12-wp expanded_3odiy trackCredits_iogpt\"\u003e\n\u003cdiv\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelXSmall css-144m4pk\"\u003e\u003cspan\u003eScritto da\u003c\/span\u003e\u003cspan\u003e – \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eNino Buonocore\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd class=\"duration_2t4qr\" style=\"width: 10.8645%; height: 39.1875px;\"\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan\u003e3:14\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"3\" style=\"height: 39.1875px;\"\u003e\n\u003ctd class=\"trackPos_2RCje\" style=\"width: 6.30841%; height: 39.1875px;\"\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan\u003e3\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"artist_3zAQD\" style=\"width: 1.0514%; height: 39.1875px;\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitle_CTKp4\" style=\"width: 80.7827%; height: 39.1875px;\"\u003e\n\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"trackTitle_CTKp4\"\u003e\u003cspan\u003eDestino\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cdiv class=\"credits_12-wp expanded_3odiy trackCredits_iogpt\"\u003e\n\u003cdiv\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelXSmall css-144m4pk\"\u003e\u003cspan\u003eScritto da – \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eGuido Morra\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e , \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eMaurizio Fabrizio\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd class=\"duration_2t4qr\" style=\"width: 10.8645%; height: 39.1875px;\"\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan\u003e3:31\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"4\" style=\"height: 39.1875px;\"\u003e\n\u003ctd class=\"trackPos_2RCje\" style=\"width: 6.30841%; height: 39.1875px;\"\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan\u003e4\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"artist_3zAQD\" style=\"width: 1.0514%; height: 39.1875px;\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitle_CTKp4\" style=\"width: 80.7827%; height: 39.1875px;\"\u003e\n\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"trackTitle_CTKp4\"\u003e\u003cspan\u003eVoglio Di Più\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cdiv class=\"credits_12-wp expanded_3odiy trackCredits_iogpt\"\u003e\n\u003cdiv\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelXSmall css-144m4pk\"\u003e\u003cspan\u003eScritto da\u003c\/span\u003e\u003cspan\u003e – \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003ePino Daniele\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd class=\"duration_2t4qr\" style=\"width: 10.8645%; height: 39.1875px;\"\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan\u003e5:28\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"5\" style=\"height: 39.1875px;\"\u003e\n\u003ctd class=\"trackPos_2RCje\" style=\"width: 6.30841%; height: 39.1875px;\"\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan\u003e5\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"artist_3zAQD\" style=\"width: 1.0514%; height: 39.1875px;\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitle_CTKp4\" style=\"width: 80.7827%; height: 39.1875px;\"\u003e\n\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"trackTitle_CTKp4\"\u003e\u003cspan\u003eBimba Se Sapessi\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cdiv class=\"credits_12-wp expanded_3odiy trackCredits_iogpt\"\u003e\n\u003cdiv\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelXSmall css-144m4pk\"\u003e\u003cspan\u003eScritto da\u003c\/span\u003e\u003cspan\u003e – \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eSergio Caputo\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd class=\"duration_2t4qr\" style=\"width: 10.8645%; height: 39.1875px;\"\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan\u003e4:08\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"6\" style=\"height: 39.1875px;\"\u003e\n\u003ctd class=\"trackPos_2RCje\" style=\"width: 6.30841%; height: 39.1875px;\"\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan\u003e6\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"artist_3zAQD\" style=\"width: 1.0514%; height: 39.1875px;\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitle_CTKp4\" style=\"width: 80.7827%; height: 39.1875px;\"\u003e\n\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"trackTitle_CTKp4\"\u003e\u003cspan\u003eNon Abbiam Bisogno Di Parole\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cdiv class=\"credits_12-wp expanded_3odiy trackCredits_iogpt\"\u003e\n\u003cdiv\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelXSmall css-144m4pk\"\u003e\u003cspan\u003eScritto da\u003c\/span\u003e\u003cspan\u003e – \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eRosalino Cellamare\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd class=\"duration_2t4qr\" style=\"width: 10.8645%; height: 39.1875px;\"\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall 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class=\"artist_3zAQD\" style=\"width: 1.0514%; height: 39.1875px;\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitle_CTKp4\" style=\"width: 80.7827%; height: 39.1875px;\"\u003e\n\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"trackTitle_CTKp4\"\u003e\u003cspan\u003eSpicchio Di Luna\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cdiv class=\"credits_12-wp expanded_3odiy trackCredits_iogpt\"\u003e\n\u003cdiv\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelXSmall css-144m4pk\"\u003e\u003cspan\u003eScritto da\u003c\/span\u003e\u003cspan\u003e – \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eSergio Caputo\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd class=\"duration_2t4qr\" style=\"width: 10.8645%; height: 39.1875px;\"\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall 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80.7827%; height: 39.1875px;\"\u003e\n\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"trackTitle_CTKp4\"\u003e\u003cspan\u003eGli Amori Diversi\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cdiv class=\"credits_12-wp expanded_3odiy trackCredits_iogpt\"\u003e\n\u003cdiv\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelXSmall css-144m4pk\"\u003e\u003cspan\u003eScritto da – \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eGiorgio Restelli\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e , \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eGrazia Di Michele\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e , \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eRossana Casale\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd class=\"duration_2t4qr\" style=\"width: 10.8645%; height: 39.1875px;\"\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan\u003e5:04\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"11\" style=\"height: 39.1875px;\"\u003e\n\u003ctd class=\"trackPos_2RCje\" style=\"width: 6.30841%; height: 39.1875px;\"\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan\u003e11\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"artist_3zAQD\" style=\"width: 1.0514%; height: 39.1875px;\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitle_CTKp4\" style=\"width: 80.7827%; height: 39.1875px;\"\u003e\n\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"trackTitle_CTKp4\"\u003e\u003cspan\u003eRitornerai\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cdiv class=\"credits_12-wp expanded_3odiy trackCredits_iogpt\"\u003e\n\u003cdiv\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelXSmall css-144m4pk\"\u003e\u003cspan\u003eScritto da\u003c\/span\u003e\u003cspan\u003e – \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eBruno Lauzi\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd class=\"duration_2t4qr\" style=\"width: 10.8645%; height: 39.1875px;\"\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan\u003e4:15\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"12\" style=\"height: 39.1875px;\"\u003e\n\u003ctd class=\"trackPos_2RCje\" style=\"width: 6.30841%; height: 39.1875px;\"\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan\u003e12\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"artist_3zAQD\" style=\"width: 1.0514%; height: 39.1875px;\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitle_CTKp4\" style=\"width: 80.7827%; height: 39.1875px;\"\u003e\n\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"trackTitle_CTKp4\"\u003e\u003cspan\u003eIo Che Amo Solo Te\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cdiv class=\"credits_12-wp expanded_3odiy trackCredits_iogpt\"\u003e\n\u003cdiv\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelXSmall css-144m4pk\"\u003e\u003cspan\u003eScritto da\u003c\/span\u003e\u003cspan\u003e – \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eSergio Endrigo\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd class=\"duration_2t4qr\" style=\"width: 10.8645%; height: 39.1875px;\"\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan\u003e4:13\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"main_2FbVC\"\u003e\n\u003cdiv class=\"ad_video_1R1G1 ad display-ad ads-here ads-ad\" role=\"marquee\" aria-label=\"Annuncio\"\u003e\n\u003cdiv id=\"ad_video\" class=\"inner_3X7e_\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"main_2FbVC\"\u003e\n\u003csection id=\"release-companies\" class=\"section_9nUx6 open_BZ6Zt\"\u003e\u003cheader class=\"header_W2hzl\"\u003e\n\u003ch2\u003e\n\u003cspan class=\"MuiTypography-root MuiTypography-headLineLarge css-1l4s8ze\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003ch2\u003e\u003cspan class=\"MuiTypography-root MuiTypography-headLineLarge css-1l4s8ze\"\u003e\u003cspan\u003eCrediti:\u003c\/span\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"content_1TFzi\"\u003e\n\u003cul class=\"list_3ky-r\"\u003e\n\u003cli\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"entity_1XpR8\"\u003e\u003cspan\u003eRegistrato presso\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e – \u003c\/span\u003e\u003cspan\u003eArcipelago Studio, Roma\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"role_2ga14\"\u003e\u003cspan\u003eProduttore\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e – \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eNewMediaPro Srl, Roma\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"role_2ga14\"\u003e\u003cspan\u003eProduttore esecutivo\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e – \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eRocco Patriarca\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"role_2ga14\"\u003e\u003cspan\u003eRegistrato da\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e – \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eStefano Isola\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"role_2ga14\"\u003e\u003cspan\u003eMasterizzato da\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e – \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eStefano Isola\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"role_2ga14\"\u003e\u003cspan\u003eMixato da\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e – \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eStefano Isola\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"role_2ga14\"\u003e\u003cspan\u003eFotografia di\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e – \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eDario Tassa\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"role_2ga14\"\u003e\u003cspan\u003eGrafica\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e – \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eDaniela Sciubba Caniglia\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"main_2FbVC\"\u003e\n\u003csection id=\"release-credits\" class=\"section_9nUx6 open_BZ6Zt\"\u003e\u003cheader class=\"header_W2hzl\"\u003e\n\u003ch2\u003eArtisti:\u003c\/h2\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"content_1TFzi\"\u003e\n\u003cul class=\"list_1HutQ\"\u003e\n\u003cli\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"role_2ga14\"\u003e\u003cspan\u003eBasso, Contrabbasso\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e – \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eFrancesco Puglisi\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"role_2ga14\"\u003e\u003cspan\u003eBatteria\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e – \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eAlessandro Marzi\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"role_2ga14\"\u003e\u003cspan\u003eChitarra\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e – \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eEnrico Bracco\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e , \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eRoberto Genovesi\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e( \u003c\/span\u003e\u003cspan\u003etracce: 12 \u003c\/span\u003e\u003cspan\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"role_2ga14\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"role_2ga14\"\u003e\u003cspan\u003ePercussioni\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e – \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eBruno Marcozzi\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"role_2ga14\"\u003e\u003cspan\u003ePianoforte\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e – \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eAndrea Beneventano\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e( \u003c\/span\u003e\u003cspan\u003etracce: 7, 8 \u003c\/span\u003e\u003cspan\u003e) \u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eDomenico Sanna\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"role_2ga14\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"role_2ga14\"\u003e\u003cspan\u003eTromba\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e – \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eAldo Bassi\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"role_2ga14\"\u003e\u003cspan\u003eVoce\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e – \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eAntonella Vitale\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"side_3-xID\"\u003e\n\u003csection id=\"release-stats\" class=\"section_9nUx6 open_BZ6Zt\"\u003e\u003c\/section\u003e\n\u003c\/div\u003e","brand":"AudioRecords","offers":[{"title":"LP 33 rpm","offer_id":49951749701979,"sku":"ARCLS020LP","price":39.0,"currency_code":"EUR","in_stock":true},{"title":"CD","offer_id":49951749734747,"sku":"ARCLS020CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 96kHz • 24bit  WAV","offer_id":49951749767515,"sku":"ARCLS020HD","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"FILE CD 44.1kHz • 16bit FLAC","offer_id":49951749800283,"sku":"ARCLS020FLAC","price":9.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/R-9480199-1522957904-8299_1.jpg?v=1737797743"},{"product_id":"alessandro-bianchini-10-5","title":"Alessandro Bianchini - 10|5","description":"\u003cdiv class=\"f985Lm QfrfFD cell\"\u003e\n\u003ch1 data-hook=\"product-title\" class=\"OXQzmM ImgXFz\"\u003eAlessandro Bianchini - 10|5 \u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003e(BBR2023AB01\u003cspan style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"QfrfFD cell\"\u003e\n\u003cdiv id=\"TPAMultiSection_l322hsvn.product-page-details-1\" data-hook=\"slot-placeholder-TPAMultiSection_l322hsvn.product-page-details-1\" class=\"\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"w0gcbV QfrfFD cell\"\u003e\n\u003cdiv id=\"TPAMultiSection_l322hsvn.product-page-details-slot-1\" data-hook=\"slot-placeholder-TPAMultiSection_l322hsvn.product-page-details-slot-1\" class=\"\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-hook=\"product-title\" class=\"OXQzmM ImgXFz\"\u003e\u003cstrong\u003eDisponibile in: \u003c\/strong\u003eLP, CD, FILE HD 88.2kHz • 32bit\u003cspan style=\"color: rgb(43, 0, 255);\"\u003e\u003cu\u003e\u003cstrong\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracce\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Invitation (Bronislau Kaper)\u003c\/p\u003e\n\u003cp\u003e2. Song for peace (Alessandro Bianchini)\u003c\/p\u003e\n\u003cp\u003e3. Mud for Bud (Alessandro Bianchini)\u003c\/p\u003e\n\u003cp\u003e4. 10 \/ 5 (Alessandro Bianchini)\u003c\/p\u003e\n\u003cp\u003e5. Alice (Alessandro Bianchini)\u003c\/p\u003e\n\u003cp\u003e6. Bud Powell (Chick Corea)\u003c\/p\u003e\n\u003cp\u003e7. Grazie Armando (Alessandro Bianchini)\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/birdboxrecords.lnk.to\/10-5\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLine up\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAlessandro Bianchini | vibraphone - marimba\u003cbr\u003eSimone Brilli | drums\u003cbr\u003eMarco Micheli | double bass\u003c\/p\u003e\n\u003cp\u003eSpecial guest vocals: Beatrice Sberna (10\/5; Alice)\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDescrizione\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e10\/5 è il risultato di una contaminazione tra generi e stili diversi, che riflette la formazione musicale di Alessandro Bianchini: dall’accademismo tipico della musica classica all’improvvisazione, attraverso le sonorità del jazz tradizionale.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eQuesti elementi segnano indelebilmente l’estetica e il linguaggio musicale del vibrafonista, che vengono poi impreziositi da una costante e meticolosa ricerca del dettaglio, tale da consentire l’identificazione delle sue composizioni.\u003cbr\u003eQuando gli viene chiesto della sua musica dice:\u003cbr\u003e\"La scelta timbrica delle bacchette che cambiano a seconda del brano, l'idea di mettere insieme vibrafono e marimba, e l'enfasi quasi maniacale sulla dinamica sono gli elementi che, a mio avviso, conferiscono al disco un suono jazz, con note importanti e riconoscibili elementi volutamente raffinati. Un altro aspetto è sicuramente evidente agli ascoltatori e cioè la presenza di un elemento che personalmente metto sempre in primo piano e che è alla base dell'improvvisazione e dell'interplay: il Timing. È proprio il timing che mi ha permesso di creare un suono naturale , feeling quasi istintivo con gli altri componenti del gruppo: Marco Micheli al contrabbasso e Simone Brilli alla batteria\".\u003cbr\u003eBreve descrizione delle canzoni:\u003cbr\u003e\"Invitation\" La scelta di arrangiare questo standard jazz nasce dal desiderio di includere elementi ritmici e timbrici di uno dei brani più significativi del repertorio bop. Questo standard è stato composto da Kaper, compositore di spicco della scena jazz americana del '900. Nonostante sia un pezzo del 1952, mi è sembrato subito molto attuale, quasi fosse una composizione contemporanea. L'arrangiamento crea momenti liberi nell'Intro e nell'Outro, che incoraggiano l'esplorazione musicale e conferiscono spontaneità all'improvvisazione e all'interazione tra i musicisti del trio. Fin dalle prime note si percepiscono subito le contaminazioni di musiche percussive, quasi preistoriche, tribali.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Song for peace\", Classic jazz waltz,ispirato ai suoni e all'interplay tipico del primo trio con pianoforte di Bill Evans, con Scott LaFaro al contrabbasso e Paul Motian alla batteria. Nel brano, inoltre, le linee melodiche sono senza dubbio influenzate da un altro compositore che ha avuto ed ha tuttora molta importanza nella mia estetica musicale, Johann Sebastian Bach.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Mud for Bud\" È nella sua essenza un omaggio ai due musicisti che hanno segnato i miei studi sul repertorio bebop: Charlie Parker e Bud Powell. Il primo sassofonista, il secondo pianista. La struttura armonica e la forma non sono altro che una contraffazione di \"Donna Lee\", una delle canzoni manifesto dell'era bebop, con un deliberato allontanamento dal tono originale. \"Mud for Bud\" è in Mib Maj al contrario di Donna Lee che è in Ab Maj. Nell'ultimo ritornello solista di vibrafono viene citata parte del tema originale della canzone resa famosa da Bird.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"10\/5\"è il brano che dà il nome all'album, traendo ispirazione dal repertorio di Egberto Gismonti, compositore per me ispiratore. Il titolo è dato dalla metrica che guida la musica, nel senso che può essere conteggiata e interpretata sia in 5\/4 che in 10\/16. A mio avviso è la composizione più intensa, essendo il risultato di una linea melodica creata su una clave in 5\/4, che è sempre presente come groove nello sviluppo sia dei temi che dell'improvvisazione. Dal punto di vista compositivo la sezione A differisce dalla sezione B solo per un cambio di ritmo armonico, pur mantenendo invariata la linea tematica.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Alice\", dedicata a mia moglie, è una ballad tradizionale con interferenze di tensione post-bop. Questo brano vede la straordinaria partecipazione di Beatrice Sberna alla voce.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Bud Powell\" Questo standard jazz cattura due delle mie grandi passioni. Il linguaggio bebop e la maestria compositiva di uno dei miei pianisti preferiti del jazz contemporaneo, Chick Corea. La canzone è dedicata a Bud Powell, per me un artista infinito, ed è racchiusa in un album interamente dedicato al pianista scomparso prematuramente, intitolato \"Remember Bud Powell\" (Stretch label 1997).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Grazie Armando\"è un pezzo pensato e dedicato a Chick Corea ed è intriso di timbri e groove tipici del repertorio latin jazz. Il dinamismo della composizione è dato dall'alternanza nei temi dei due strumenti: il vibrafono e la marimba. L'introduzione viene suonata al vibrafono per poi passare alla marimba, dove il tema viene suonato nel registro più grave dello strumento. Questo crea un netto contrasto con l'assolo del vibrafono, rendendo l'ascolto fluido ma allo stesso tempo dinamico.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCinque dei sette brani sono stati composti e arrangiati da Alessandro Bianchini, mentre il primo e il sesto brano del disco sono due standard jazz riarrangiati per la formazione del trio: vibrafono\/marimba, contrabbasso e batteria.\u003cbr\u003e\u003cbr\u003eIl disco è fortemente permeato dagli stilemi tipici del jazz tradizionale ed è il risultato di un linguaggio musicale e di un'estetica maturati negli anni dal vibrafonista.\u003c\/p\u003e","brand":"BirdBox Records","offers":[{"title":"LP 33 rpm","offer_id":50084457873755,"sku":"BBR2023AB01LP","price":39.0,"currency_code":"EUR","in_stock":false},{"title":"CD","offer_id":49957276451163,"sku":"BBR2023AB01CD","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/mockupsvinile10_5.jpg?v=1742552892"},{"product_id":"pietro-antonio-locatelli-orchestra-da-camera-del-festival-internazionale-di-brescia-e-bergamo-agostino-orizio-sei-introduttioni-teatrali-op-iv","title":"Pietro Antonio Locatelli, Orchestra da camera del Festival Internazionale di Brescia e Bergamo, Agostino Orizio – Sei Introduttioni Teatrali Op. IV","description":"\u003ch2 class=\"MuiTypography-root MuiTypography-headLineXL title_1q3xW css-12sap66\"\u003e\n\u003cstrong\u003ePietro Antonio Locatelli, Orchestra da camera del Festival Internazionale di Brescia e Bergamo, \u003c\/strong\u003e\u003cstrong\u003eAgostino Orizio\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eSei Introduttioni Teatrali Op. IV - \u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003e(\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003e\u003cspan data-sheets-root=\"1\"\u003eARCLS005\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cdiv class=\"main_2FbVC\"\u003e\n\u003csection class=\"section_9nUx6 open_BZ6Zt\" id=\"release-credits\"\u003e\n\u003cdiv class=\"content_1TFzi\"\u003e\n\u003cul class=\"list_1HutQ\"\u003e\n\u003cli\u003e\n\u003ch3\u003eCofanetto 2LP 180 gr. (LIMITED EDITION)\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ch3\u003ePure Analogue Recordings\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eTrack List:\u003c\/p\u003e\n\u003ctable cellspacing=\"0\" cellpadding=\"0\" width=\"675\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"68\"\u003e \u003ccol width=\"459\"\u003e \u003ccol width=\"147\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr bgcolor=\"#e9e9e9\"\u003e\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\u003ctd width=\"459\"\u003e\n\u003cp\u003e\u003cb\u003eIntroduttione I\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd width=\"147\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\u003ctd width=\"459\"\u003e\n\u003cp\u003eAllegro\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd width=\"147\"\u003e\n\u003cp align=\"right\"\u003e\u003cspan style=\"color: #444444;\"\u003e1:53\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\u003ctd width=\"459\"\u003e\n\u003cp\u003eSempre piano\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd width=\"147\"\u003e\n\u003cp align=\"right\"\u003e\u003cspan style=\"color: #444444;\"\u003e2:31\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\u003ctd width=\"459\"\u003e\n\u003cp\u003ePresto\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd width=\"147\"\u003e\n\u003cp align=\"right\"\u003e\u003cspan style=\"color: #444444;\"\u003e3:19\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#e9e9e9\"\u003e\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\u003ctd width=\"459\"\u003e\n\u003cp\u003e\u003cb\u003eIntroduttione II\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd width=\"147\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\u003ctd width=\"459\"\u003e\n\u003cp\u003eAllegro\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd width=\"147\"\u003e\n\u003cp align=\"right\"\u003e\u003cspan style=\"color: #444444;\"\u003e2:20\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\u003ctd width=\"459\"\u003e\n\u003cp\u003eAndante\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd width=\"147\"\u003e\n\u003cp align=\"right\"\u003e\u003cspan style=\"color: #444444;\"\u003e2:40\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\u003ctd width=\"459\"\u003e\n\u003cp\u003eAllegro\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd width=\"147\"\u003e\n\u003cp align=\"right\"\u003e\u003cspan style=\"color: #444444;\"\u003e2:14\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#e9e9e9\"\u003e\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\u003ctd width=\"459\"\u003e\n\u003cp\u003e\u003cb\u003eIntroduttione III\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd width=\"147\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\u003ctd width=\"459\"\u003e\n\u003cp\u003eAllegro\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd width=\"147\"\u003e\n\u003cp align=\"right\"\u003e\u003cspan style=\"color: #444444;\"\u003e2:34\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\u003ctd width=\"459\"\u003e\n\u003cp\u003eAndante\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd width=\"147\"\u003e\n\u003cp align=\"right\"\u003e\u003cspan style=\"color: #444444;\"\u003e1:48\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\u003ctd width=\"459\"\u003e\n\u003cp\u003ePresto\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd width=\"147\"\u003e\n\u003cp align=\"right\"\u003e\u003cspan style=\"color: #444444;\"\u003e1:26\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#e9e9e9\"\u003e\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\u003ctd width=\"459\"\u003e\n\u003cp\u003e\u003cb\u003eIntroduttione IV\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd width=\"147\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\u003ctd width=\"459\"\u003e\n\u003cp\u003eAllegro\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd width=\"147\"\u003e\n\u003cp align=\"right\"\u003e\u003cspan style=\"color: #444444;\"\u003e1:50\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\u003ctd width=\"459\"\u003e\n\u003cp\u003eAndante\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd width=\"147\"\u003e\n\u003cp align=\"right\"\u003e\u003cspan style=\"color: #444444;\"\u003e1:58\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\u003ctd width=\"459\"\u003e\n\u003cp\u003ePresto\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd width=\"147\"\u003e\n\u003cp align=\"right\"\u003e\u003cspan style=\"color: #444444;\"\u003e1:04\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#e9e9e9\"\u003e\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\u003ctd width=\"459\"\u003e\n\u003cp\u003e\u003cb\u003eIntroduttione V\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd width=\"147\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\u003ctd width=\"459\"\u003e\n\u003cp\u003eAllegro\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd width=\"147\"\u003e\n\u003cp align=\"right\"\u003e\u003cspan style=\"color: #444444;\"\u003e2:07\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\u003ctd width=\"459\"\u003e\n\u003cp\u003eAndante\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd width=\"147\"\u003e\n\u003cp align=\"right\"\u003e\u003cspan style=\"color: #444444;\"\u003e3:00\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\u003ctd width=\"459\"\u003e\n\u003cp\u003ePresto\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd width=\"147\"\u003e\n\u003cp align=\"right\"\u003e\u003cspan style=\"color: #444444;\"\u003e2:36\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#e9e9e9\"\u003e\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\u003ctd width=\"459\"\u003e\n\u003cp\u003e\u003cb\u003eIntroduttione VI\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd width=\"147\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\u003ctd width=\"459\"\u003e\n\u003cp\u003eAllegro\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd width=\"147\"\u003e\n\u003cp align=\"right\"\u003e\u003cspan style=\"color: #444444;\"\u003e2:05\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\u003ctd width=\"459\"\u003e\n\u003cp\u003eAndante\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd width=\"147\"\u003e\n\u003cp align=\"right\"\u003e\u003cspan style=\"color: #444444;\"\u003e2:11\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\u003ctd width=\"459\"\u003e\n\u003cp\u003ePresto\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd width=\"147\"\u003e\n\u003cp align=\"right\"\u003e\u003cspan style=\"color: #444444;\"\u003e2:10\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#e9e9e9\"\u003e\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\u003ctd width=\"459\"\u003e\n\u003cp\u003e\u003cb\u003eConcerto in la magg.\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd width=\"147\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\u003ctd width=\"459\"\u003e\n\u003cp\u003eAllegro\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd width=\"147\"\u003e\n\u003cp align=\"right\"\u003e\u003cspan style=\"color: 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id=\"release-stats\"\u003e\u003c\/section\u003e\n\u003c\/div\u003e","brand":"AudioRecords","offers":[{"title":"2 LP 33 rpm","offer_id":50022233407835,"sku":"ARCLS005LP","price":49.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/coverxcd-lp1440.png?v=1738849795"},{"product_id":"jazz-30-anniversary","title":"JAZZ - 30° ANNIVERSARY","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cstrong\u003eJAZZ - 30° ANNIVERSARY \u003c\/strong\u003e(\u003cspan\u003eCVLD388\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003eAutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eAA.VV.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eEsecutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eAA.VV.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eDisponibile nei supporti: LP, File HD\u003c\/h3\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003e\u003cstrong\u003eLATO A - 19:58\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e01 All Of Me\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e(S. Simmons) 4:46 \/ reg. 06-2003\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRoyal Big Band \/ Fabrizio Bosso, tromba\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGianni Basso, sax tenore\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e02 The Nearness Of You\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e(M. Washington, H. Carmichael) 3:25 \/ reg. 9-2017\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLucia Minetti, voce \/ Pietro Ballestrero, chitarra\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eStefano Profeta, contrabbasso\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e03 Le mamme ci lavavano i capelli\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e(N. Piovani) 4:47 \/ reg. 5-2002\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSaxFourFun \/ Paolo Fresu, flicorno\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e04 The Lady Is A Tramp\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e(R. Rodgers, L. Hart) 3:09 \/ reg. 3-1997\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePaolo Birro, pianoforte \/ Sandro Gibellini, chitarra\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMauro Negri, sax tenore\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e05 Minor Bounce\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e(S. Caniato) 3:47 \/ reg. 3-2003\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTiger Dixie Band \/ Markus Stockhausen, tromba\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLATO B - 20:04\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e01 Alabama Blues, live recording\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e(G. Gaslini) 6:12 \/ reg. 3-2003\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGiorgio Gaslini, pianoforte\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e02 Tanghesi\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e(G. Coscia) 5:56 \/ reg. 2-2003\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGianni Coscia, fisarmonica\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGianluigi Trovesi, clarinetto basso\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eStefano Bertoli, percussioni\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLucia Minetti, voce\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e03 Vos\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e(P. Ballestrero) 6:10 \/ reg. 4-2012\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePietro Ballestrero, chitarra\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGabriele Mirabassi, clarinetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePB Strings Ensemble\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e04 Millacamilla\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e(G. Gaslini) 1:44 \/ reg. 4-2000\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTiziana Ghiglioni, voce\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGiorgio Gaslini, pianoforte preparato\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eProduzione: VELUT LUNA\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduttore esecutivo: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIngegnere del suono in registrazione: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMissaggio e masterizzazione: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eImpostazione grafica: Maurizio Ciato per Studio L’Image\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e1\/4” Master Analogico realizzato nello studio VLS di Naquera (Spagna), partendo dalle registrazioni originali sia analogiche che digitali, queste ultime realizzate in alta risoluzione nativa, PCM wav 88.2kHz \/ 24bit\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003e\u003cstrong\u003eATTENZIONE: lo strano suono che potete ascoltare nel brano “Millacamilla”, ultima traccia del Lato B, NON è un difetto del disco o della registrazione, MA... il particolarissimo suono percussivo del “Pianoforte preparato”, ovvero posizionando dei fogli di carta fra i martelletti e le corde dello strumento.\u003c\/strong\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePietro Ballestrero, Gianni Basso, Stefano Bertoli, Paolo Birro, Fabrizio Bosso, Gianni Coscia, Paolo Fresu, Giorgio Gaslini, Tiziana Ghiglioni, Sandro Gibellini, Lucia Minetti, Gabriele Mirabassi, Mauro Negri, Stefano Profeta, Royal Big Band, Sax Four Fun, Markus Stockhausen, Tiger Dixie Band, Gianluigi Trovesi.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp align=\"justify\"\u003eE' sempre difficile realizzare una raccolta di brani musicali, pur essi appartenendo al medesimo genere; e lo è ancora di più se a doverlo fare è colui che li ha voluti, li ha prodotti, li ha registrati: ovvero qualcuno che alla fine si considera diviso fra il ruolo di \"papà\" e di \"co-autore\", in questo caso io stesso che sto scrivendo queste brevi note.\u003c\/p\u003e\n\u003cp align=\"justify\"\u003eLa difficoltà sta nello scegliere brani che abbiano un senso uno dopo l'altro, ma anche nel dover escludere, per fisica mancanza di spazio, tantissimi altri non meno belli, non meno interessanti. Anche nella consapevolezza di dove tralasciare con lo strazio nel cuore tanti musicisti meravigliosi a cui, mi sento sempre legato da un laccio indissolubile per la comune passione che ci ha unito nell'amare la musica che proponiamo.\u003c\/p\u003e\n\u003cp align=\"justify\"\u003eE' dunque per questo che ogni raccolta che io realizzo ha implicitamente, a fianco del titolo, quella definizione fondamentale che non può che essere \"Volume 1\". Nella convinzione che presto o tardi altri volumi seguiranno, perchè veramente mi è impossibile stilare una classifica di merito fra i tantissimi brani, tutti quanti, ho prodotto in 30 anni di carriera.\u003c\/p\u003e\n\u003cp align=\"justify\"\u003eE qui viene dunque la nota fondamentale di cui mi sono reso conto soprattutto negli ultimissimi anni, ovvero che TUTTE le mie produzioni, per me, sono assolutamente equipollenti: stanno tutte sullo stesso piano. Perchè io ho sempre fatto una incredibile selezione PRIMA di andare in produzione, e, una volta iniziato il viaggio con i musicisti prescelti, è sempre stato chiaro che il lavoro non sarebbe che potuto diventare una perla di una lunghissima collana che oggi ne conta complessivamente trecent'ottantotto.\u003c\/p\u003e\n\u003cp align=\"justify\"\u003eIl Jazz secondo me, ovvero secondo Velut Luna, ha sempre significato ricerca e tradizione, calore e umanità, immediatezza e simbolo dell'inafferabile \"Hic et Nunc\" del momento delle registrazioni, che sono tutte state realizzate in presa diretta, senza tagli di editing, spesso mixate direttamente su master stereofonico.\u003c\/p\u003e\n\u003cp align=\"justify\"\u003eRiascoltando questi brani, uno per uno, ho rivissuto il clima, nell' accezione più ampia possibile, di quei momenti irripetibili: in fondo, la registrazione è un modo per viaggiare nel tempo a ritroso ogni volta che la ascolto.\u003c\/p\u003e\n\u003cp align=\"justify\"\u003eI musicisti ed io siamo persone fortunate, per aver ricevuto il privilegio di vivere queste emozioni difficilissime da raccontare a parole, ma che spero possano essere almeno un po' veicolate dalle tracce sonore rimaste nei solchi dei dischi. Per sempre.\u003c\/p\u003e\n\u003cp align=\"justify\"\u003eGrazie a Tutti,\u003c\/p\u003e\n\u003cp align=\"justify\"\u003eMarco Lincetto\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003ci\u003e\u003cb\u003eDedico questo progetto al mio amico Giorgio Gaslini, \u003c\/b\u003e\u003c\/i\u003e\u003ci\u003e\u003cb\u003eche ci ha lasciati troppo presto, 11 anni fa.\u003c\/b\u003e\u003c\/i\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"LP 33 rpm","offer_id":50057906782555,"sku":"CVLD388LP","price":49.0,"currency_code":"EUR","in_stock":false},{"title":"FILE HD 88.2kHz • 24bit","offer_id":50057906815323,"sku":"CVLD388","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/COVER-CVLD-388.jpg?v=1739378425"},{"product_id":"30-anni-fuori-tempo-the-metronomes","title":"30 ANNI FUORI TEMPO - The Metronomes","description":"\u003ch2 style=\"text-align: left;\"\u003e\n\u003cspan\u003e\u003cspan style=\"font-family: MS Sans Serif, serif;\"\u003e\u003cb\u003e30 ANNI FUORI TEMPO \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e(CVLD384)\u003c\/h2\u003e\n\u003cp style=\"text-align: left;\"\u003eDisponibile in:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: left;\"\u003eAUDIOPHILE VINYL - LIMITED EDITION CON FILE MASTER HD (prevendita)\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003eGOLD CD (disponibile)\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003eAUDIOPHILE VINYL + GOLD CD + FILE MASTER HD (prevendita)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTHE METRONOMES\u003c\/strong\u003e:\u003cbr\u003e\u003cstrong\u003eFrancesco Michielin\u003c\/strong\u003e, voice, kazoo, chorus, \"vocal trumpet\"\u003cbr\u003e\u003cstrong\u003eCarlo Piccoli\u003c\/strong\u003e, piano, chorus\u003cbr\u003e\u003cstrong\u003eStefano Fedato\u003c\/strong\u003e, drums, chorus\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(43, 0, 255);\"\u003e\u003cu\u003e\u003cstrong\u003e\u003cem\u003e\u003cspan style=\"font-family: MS Sans Serif, serif;\"\u003eIn consegna\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003ch2\u003e\u003cstrong\u003eLP \u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE A - 18:54\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e01 Quando suonano i Metronomi\u003c\/strong\u003e 3:29\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eC.Piccoli - new recording, 2024\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e02 Me, My Dream And Ray\u003c\/strong\u003e 6:01\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eC.Piccoli - new recording, 2024 - Filippo Tantino, doublebass, Luca Mozzoni, guitar, Marta Bevilacqua, Franca Cristofoli, Federica Roncalli, chorus\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e03 Medley: Juke Box \/ Piove 4:52\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eL. Beretta, G. Malgoni \/ L. Chiosso, F. Buscaglione - new recording, 2024 - David Boato, trumpets, Stefano Balsano, Stefano Fedato, Caro Piccoli, Alberto Rosano, chorus\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e04 Ain't Necessarily So 4:32\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eG. \u0026amp; I. Gershwin - new recording, 2024 - David Boato, trumpets\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLP SIDE B - 18:42\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e01 Five Guys Named Moe\u003c\/strong\u003e 2:36\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eBresler, Wyn, Adamo, Let’s Swing, 2011 - Marco Strano, sax\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e02\u003c\/strong\u003e \u003cstrong\u003eO' Sarracino\u003c\/strong\u003e 3:20\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eCarosone, Nisa - Ciao Fred! 2005 - Michele Giacomazzi, guitar\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e03 Adamo\u003c\/strong\u003e 3:38\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eC. Piccoli - Adamo, Let’s Swing, 2011\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e04 Radames\u003c\/strong\u003e 3:01\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eCoslow, Age, Savona - Radio Days, 2000 - Michele Giacomazzi, guitar\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e05 Is It True What They Say About Dixie?\u003c\/strong\u003e 2:46\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMarks, Irving, Lemer - Adamo, Let’s Swing, 2011 - Luciano Bottos, guitar\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e06 Cielo dei bar \u003c\/strong\u003e3:22\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eL. Chiosso, F. Buscaglione - Ciao Fred! 2005 - Marco Strano, sax\u003cbr\u003e\u003cbr\u003e - - -\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eCD:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e01 Quando suonano i Metronomi\u003c\/strong\u003e 3:29\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eC.Piccoli - new recording, 2024\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e02 Me, My Dream And Ray\u003c\/strong\u003e 6:01\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eC.Piccoli - new recording, 2024 - Filippo Tantino, doublebass, Luca Mozzoni, guitar, Marta Bevilacqua, Franca Cristofoli, Federica Roncalli, chorus\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e03 Medley: Juke Box \/ Piove 4:52\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eL. Beretta, G. Malgoni \/ L. Chiosso, F. Buscaglione - new recording, 2024 - David Boato, trumpets, Stefano Balsano, Stefano Fedato, Caro Piccoli, Alberto Rosano, chorus\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e04 Ain't Necessarily So 4:32\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eG. \u0026amp; I. Gershwin - new recording, 2024 - David Boato, trumpets\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e05 Five Guys Named Moe\u003c\/strong\u003e 2:36\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eBresler, Wyn, Adamo, Let’s Swing, 2011 - Marco Strano, sax\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e06 Voglio scoprir l'America\u003c\/strong\u003e 2:47\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eL. Chiosso, F. Buscaglione - Ciao Fred! 2005 - Marco Strano, sax\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e07\u003c\/strong\u003e \u003cstrong\u003eIs It True What They Say About Dixie?\u003c\/strong\u003e 2:46\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMarks, Irving, Lemer - Adamo, Let’s Swing, 2011 - Luciano Bottos, guitar\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e08 Radames\u003c\/strong\u003e 3:01\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eCoslow, Age, Savona - Radio Days, 2000 - Michele Giacomazzi, guitar\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e09 How Long Has Been This Going On?\u003c\/strong\u003e 4:24\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eG. \u0026amp; I. Gershwin - Adamo, Let’s Swing, 2011 - Marco Strano, sax, Michele Gava, doublebass\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e10 Adamo\u003c\/strong\u003e 3:38\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eC. Piccoli - Adamo, Let’s Swing, 2011\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e11\u003c\/strong\u003e \u003cstrong\u003eO' Sarracino\u003c\/strong\u003e 3:20\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eCarosone, Nisa - Ciao Fred! 2005 - Michele Giacomazzi, guitar\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e12 Blueberry Hill\u003c\/strong\u003e 2:48\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eRose, Lewis, Stock - Adamo, Let’s Swing, 2011 - Marco Strano, sax\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e13 Conosci mia cugina\u003c\/strong\u003e 2:16\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003ePinchi, Rossi - Radio Days, 2000 - Marco Strano, sax\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e14 \u003cstrong\u003eLonely Fucking Blues\u003c\/strong\u003e 5:42\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eC. Piccoli - Adamo... 2011 - Michele Bonivento, Hammond organ\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e15 Il dritto di Chicago\u003c\/strong\u003e 2:53\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eL. Chiosso, F. Buscaglione - Jumpin' With Metronomes, 1997\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e16 In cerca di te (perduto amor)\u003c\/strong\u003e 4:20\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eTestoni, Sciorilli - Radio Days, 2000 - Michele Giacomazzi, guitar\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e17 Since I Fell For You\u003c\/strong\u003e 6:09\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eJohnson - Adamo, Let’s Swing, 2011 - Michele Gava, doublebass, Michele Bonivento, Hammond organ\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e18 Cielo dei bar\u003c\/strong\u003e 3:22\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eL. Chiosso, F. Buscaglione - Ciao Fred! 2005 - Marco Strano, sax\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e19 Il giovanotto matto\u003c\/strong\u003e 3:18\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eL. Luttazzi - Radio Days, 2000 - Michele Giacomazzi, guitar\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e20 C' est la vie\u003c\/strong\u003e 2:48\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eCichellero - Ciao Fred! 2005 - Marco Strano, sax\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e21 Tamp' em Up Solid\u003c\/strong\u003e 2:19\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003etraditional - Adamo, Let’s Swing, 2011 - The Diapa Sons, chorus\u003cbr\u003e\u003cstrong\u003eTotal time: 77:34\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eOra è un negozio di abiti da sposa, ma nel lontano 1994 la musica ruggiva nel mitico Bar Dolomiti di Conegliano. Francesco Michielin, Carlo Piccoli e Stefano Fedato ancora non sapevano che per i successivi sei (sei!) lustri avrebbero calcato le scene del panorama musicale italiano sotto l’intramontabile nome di Metronomes. Chi, quella sera di trent’anni fa, ha avuto il privilegio di assistere alla nascita del loro trio può vantarsi di essere stato testimone di un evento d’inestimabile rarità e importanza, pari forse solo alla scoperta dell’America o al passaggio della cometa Hale-Bopp. E infatti mi vanto, mi vanto eccome. E, mentre mi vanto, inserisco nel mio vecchio lettore CD il loro nuovo album: “Trent’anni fuori tempo”.\u003cbr\u003eDopo tredici anni dall’uscita del mirabile “Adamo, Let’s Swing!”, i Metronomes tornano con questa bella antologia della loro produzione discografica a partire dal 1997 fino ai tempi più recenti. Poi, con l’inserimento di quattro pezzi nuovi, il disco acquista nuova linfa e ci mostra come questi eterni ragazzi siano bene o male rimasti uguali a quelli che, trent’anni fa, si riunirono al Bar Dolomiti. Di loro si è detto e si è scritto di tutto. La storia delle loro spettacolari performance live si muove sul filo teso che separa la realtà dalla vera e propria leggenda.\u003cbr\u003eSi dice, per esempio, che il cantante, sontuoso vocalist dall’ugola catramata matto come un cavallo – l’ho visto qualche settimana fa travestirsi con parruccone e occhialoni scimmiottando Elvis – in realtà sia un precisino maniaco dell’ordine. Dicono che tenga tutti i testi delle canzoni, da lui stesso vergati a mano, in dieci enormi volumi che si porta dietro alle serate. Lo hanno visto anche montare un complicatissimo aggeggio dal nome “portaspritz” senza il quale non affronta il concerto.\u003cbr\u003eRaccontano poi che il batterista, una volta, suonando As Time Goes By, abbia impresso una tale velocità al ritmo swing da far fumare le bacchette (per fortuna l’Oste aveva l’estintore e alle spalle un’approfondita formazione in materia di sicurezza nel caso di incendio). Per lui questi anni non sembrano essere passati, dimostra sempre trent’anni, ha tutti i capelli e neanche uno bianco (gli altri due metronomi invidiosi dicono che se li tinge), ma soprattutto mentre suona a ritmi indiavolati sorride e si diverte come un bambino.\u003cbr\u003eAnche il pianista, che usa la mano sinistra come un contrabbasso, è un tipo strano. Qualcuno racconta che suoni esclusivamente mosso dal proprio orecchio (un orecchio solo che muove dieci dita? Ma che prodigio è mai questo?). Non prova né studia i pezzi, ma se gli chiedi una canzone, lui la sa riprodurre con la precisione di un jukebox. E mentre suona batte i piedi e ondeggia sempre fuori tempo: resta un mistero come la canzone vada a tempo mentre lui segue chissà quale altro ritmo interno.\u003cbr\u003eDal 20 aprile 1994 ne sono passati di ettolitri di vino rosso nell’ugola catramata del cantante Francesco, e di tasti bianchi e neri sotto le dita di Carlo, e di calli e bacchette tra le mani di Stefano. Eppure, la leggenda dei Metronomes continua a stupirci, a farci ridere e battere il piedino sotto il tavolo. \u003cstrong\u003eFranco Ceci Colpis\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLP SIDE A (new recordings 2024):\u003cbr\u003eHD Digital and Analog Recording \u003c\/strong\u003emade by Andrea Valfrè at Magister Recording Area, Preganziol (Italy) on October, 8, 2024\u003cstrong\u003e\u003cbr\u003eAnalog mix and mastering \u003c\/strong\u003emade by Marco Lincetto at VLS Studio, Naquera (Spain), on November, 1, 2024\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eLP SIDE B:\u003cbr\u003eAnalog and HD Digital Recording \u003c\/strong\u003emade by Marco Lincetto at several different locations, i.e.:\u003cstrong\u003e\u003cbr\u003e- \"Adamo, Let’s Swing\", 2011 \u003c\/strong\u003eand \u003cstrong\u003e\"Ciao Fred\", 2005, \u003c\/strong\u003eMagister Recording Area, Preganziol\u003cstrong\u003e\u003cbr\u003e- \"Radio Days\", 2000, Papillon Studio, Padova\u003cbr\u003eAnalog remix and remastering \u003c\/strong\u003emade by Marco Lincetto al VLS Studio, Naquera (Spain), on November, 1, 2024\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eCD Tracks 01 – 04 (new recordins 2024:\u003cbr\u003eAnalog and HD Digital Recording \u003c\/strong\u003emade by Andrea Valfrè at Magister Recording Area, Preganziol (Italy) on October, 8, 2024\u003cbr\u003e\u003cstrong\u003eAnalog mix and mastering \u003c\/strong\u003emade by Marco Lincetto at VLS Studio, Naquera (Spain), on November, 1, 2024\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCD Tracks 05 - 21\u003cbr\u003eAnalog and HD Digital Recording \u003c\/strong\u003emade by Marco Lincetto at several different locations, i.e.:\u003cbr\u003e-\u003cstrong\u003e \"Adamo, Let’s Swing\", 2011\u003c\/strong\u003e and\u003cstrong\u003e \"Ciao Fred\", 2005\u003c\/strong\u003e, Magister Recording Area, Preganziol\u003cbr\u003e- \u003cstrong\u003e\"Radio Days\", 2000\u003c\/strong\u003e, Papillon Studio, Padova\u003cbr\u003e- \u003cstrong\u003e\"Jumpin' With Metronomes\", 1997 \u003c\/strong\u003eMarco Lincetto Home Studio, Padova (Italy)\u003cbr\u003e\u003cstrong\u003eAnalog remix and remastering \u003c\/strong\u003emade by Marco Lincetto al VLS Studio, Naquera (Spain), on November, 1, 202\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eProduction: \u003cstrong\u003eMarco Lincetto and The Metronomes\u003c\/strong\u003e\u003cbr\u003eExecutive producer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eGraphics layout: \u003cstrong\u003eL'Image\u003c\/strong\u003e\u003cbr\u003eCover design: \u003cstrong\u003eGiorgio Munari\u003c\/strong\u003e\u003cbr\u003ePhoto: \u003cstrong\u003eLuca Calconi\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Velut Luna","offers":[{"title":"LP 33 rpm","offer_id":50071685267803,"sku":"CVLD384LP","price":39.0,"currency_code":"EUR","in_stock":true},{"title":"LP + GOLD CD + FILE 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(prevendita)\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003eFILE MASTER HD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\n\u003ch2\u003e\u003cstrong\u003eLP \u0026amp; FILE HD\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cb\u003eLado A\u003c\/b\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003ci\u003e15:02\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e01 -\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003eTrátame bien\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci\u003e(Max Russo,\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003ci\u003eYolanda Gomez Carreño\u003c\/i\u003e\u003ci\u003e)\u003c\/i\u003e\u003cspan style=\"font-size: large;\"\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003ci\u003e3:36\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: large;\"\u003e\u003ci\u003e*\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e02 -\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003ePaís\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003ci\u003e(Oscar Del Barba, Alan Zamboni) 2:37\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: large;\"\u003e\u003ci\u003e*\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e03 -\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003e¿Dime dónde est\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003eá\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003es?\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci\u003e(Max Russo)\u003c\/i\u003e\u003cspan style=\"font-size: large;\"\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003ci\u003e3:12\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: large;\"\u003e\u003ci\u003e*\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e04 -\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003eLa llorona\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci\u003e(tradición popular mexicana) 5:34\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: large;\"\u003e\u003ci\u003e^\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLado B\u003c\/b\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003ci\u003e16:10\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e01 -\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003eSoy así\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci\u003e(Max Russo,\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003ci\u003eYolanda Gomez Carreño\u003c\/i\u003e\u003ci\u003e)\u003c\/i\u003e\u003cspan style=\"font-size: large;\"\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003ci\u003e2:38\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: large;\"\u003e\u003ci\u003e*\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e02 -\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003eLa bambola\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci\u003e(Ruggero Cini, Franco Migliacci, Bruno Zambrini)\u003c\/i\u003e\u003cspan style=\"font-size: large;\"\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003ci\u003e3:23\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: large;\"\u003e\u003ci\u003e^\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e03 -\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003eHijo de la Luna\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci\u003e(\u003c\/i\u003e\u003ci\u003eJosé María Cano)\u003c\/i\u003e\u003cspan style=\"font-size: large;\"\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003ci\u003e3:39\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: large;\"\u003e\u003ci\u003e*\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e04 -\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003eLa 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large;\"\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003ci\u003e2:57\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: large;\"\u003e\u003ci\u003e^\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eYolanda G\u003c\/b\u003e\u003cb\u003eó\u003c\/b\u003e\u003cb\u003emez Carreño,\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003evoz\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMax Russo,\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eguitarras y piano\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eStefano Cecchi,\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003etrompeta\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCristian Delabela,\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003ebajo eléctrico\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eEmilio Mora,\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003epercusión\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBeto Garcia,\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003ebatería y percusión\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Tratame-bien\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n \"Trátame bien\" è un disco che cattura la miscela di emozioni, con cui ho voluto esplorare le complessità delle relazioni umane, con gli altri e con noi stessi.Ogni argomento riflette un senso di vulnerabilità, il bisogno di essere compresi e rispettati. Con un suono fresco e autentico, il disco gioca con vari generi, fondendo trame sonore moderne con testi che affrontano temi di amore, disamore e autoaccettazione.\"Trátame bien\" è un grido sull'importanza del rispetto. Vi invita a riflettere su come ci relazioniamo con gli altri ma soprattutto su come ci relazioniamo con noi stessi.Con parole sincere e dirette nasce questo atto di implementazione personale in cui l'autocomprensione e il rispetto per se stessi diventa la priorità.È anche una chiamata a rompere con gli standard di bellezza imposti dalla società, un promemoria per abbracciare la nostra autenticità\u003cspan style=\"color: #0070c0;\"\u003e\u003cspan style=\"font-size: small;\"\u003e.\u003c\/span\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cspan style=\"color: #0070c0;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eYolanda G\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #0070c0;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eó\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #0070c0;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003emez Carreño\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003e*\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan\u003e Registrazione realizzata nello studio Hive di Valencia (Spagna), il 27, 28 e 29 settembre 2024\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003e^\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan\u003e Registrazione effettuata nello studio di Lincetto a Naquera (Spagna), il 22 dicembre 2024\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eproduzione:\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMARCO LINCETTO para VELUT LUNA\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eingegnere del suono:\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e* Rafa Sánchez y Marco Lincetto \/ ^ Marco 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id=\"esecutore\"\u003eAA.VV.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eDisponibile nei supporti: LP\u003c\/h3\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTITOLI DISPONIBILI:\u003c\/strong\u003e\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan lang=\"en-US\"\u003e \u003ca rel=\"noopener\" href=\"https:\/\/www.referencemusicstore.it\/products\/stop-at-the-devil-s-crossroad-nik-lee-the-jingle-fellas\" target=\"_blank\"\u003eSTOP AT THE DEVIL’S CROSSROAD\u003c\/a\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e \u003ca rel=\"noopener\" href=\"https:\/\/www.referencemusicstore.it\/products\/30-anni-fuori-tempo-the-metronomes\" target=\"_blank\"\u003eTHE METRONOMES – 30 ANNI\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003ca rel=\"noopener\" href=\"https:\/\/www.referencemusicstore.it\/products\/tratame-bien-yolanda-gomez-carreno\" target=\"_blank\"\u003e TRATAME BIEN\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e \u003ca rel=\"noopener\" href=\"https:\/\/www.referencemusicstore.it\/products\/living-blues-enrico-merlin-max-prandi\" target=\"_blank\"\u003eLIVING BLUES\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e \u003ca href=\"https:\/\/www.referencemusicstore.it\/products\/project-one-marco-lo-muscio-david-jackson\" rel=\"noopener\" target=\"_blank\"\u003ePROJECT ONE\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"en-US\"\u003e \u003ca href=\"https:\/\/www.referencemusicstore.it\/products\/the-velut-lunas-reference-vinyl-vol-2\" rel=\"noopener\" target=\"_blank\"\u003eTHE VELUT LUNA’S REFERENCE VINYL VOL. 2\u003c\/a\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"en-US\"\u003e \u003ca href=\"https:\/\/www.referencemusicstore.it\/products\/papier-mache-federica-artuso\" rel=\"noopener\" target=\"_blank\"\u003ePAPIER MACHE\u003c\/a\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"en-US\"\u003e \u003ca href=\"https:\/\/www.referencemusicstore.it\/products\/se-potessi-avere-new-project-classical-orchestra\" rel=\"noopener\" target=\"_blank\"\u003eSE POTESSI AVERE\u003c\/a\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli lang=\"en-US\"\u003e \u003ca href=\"https:\/\/www.referencemusicstore.it\/products\/just-for-you-chiara-pasto-enrico-santacatterina\" rel=\"noopener\" target=\"_blank\"\u003eJUST FOR YOU\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli lang=\"en-US\"\u003e \u003ca href=\"https:\/\/www.referencemusicstore.it\/products\/il-cantante-al-microfono-eugenio-finardi\" rel=\"noopener\" target=\"_blank\"\u003eIL CANTANTE AL MICROFONO\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli lang=\"en-US\"\u003e \u003ca href=\"https:\/\/www.referencemusicstore.it\/products\/two-for-the-road-chiara-pasto-francesco-pollon\" rel=\"noopener\" target=\"_blank\"\u003eTWO FOR THE ROAD\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Velut Luna","offers":[{"title":"STOP AT THE DEVIL’S CROSSROAD","offer_id":50498134868315,"sku":"CVLDTTP01","price":99.0,"currency_code":"EUR","in_stock":false},{"title":"THE METRONOMES – 30 ANNI","offer_id":50498204303707,"sku":"CVLDTTP02","price":99.0,"currency_code":"EUR","in_stock":false},{"title":"TRATAME BIEN","offer_id":50498204336475,"sku":"CVLDTTP03","price":99.0,"currency_code":"EUR","in_stock":true},{"title":"LIVING BLUES","offer_id":50498204369243,"sku":"CVLDTTP04","price":99.0,"currency_code":"EUR","in_stock":true},{"title":"PROJECT ONE","offer_id":50498204402011,"sku":"CVLDTTP05","price":99.0,"currency_code":"EUR","in_stock":false},{"title":"THE VELUT LUNA’S REFERENCE VINYL VOL. 2 (2LP 33 rpm)","offer_id":50498204434779,"sku":"CVLDTTP06","price":129.0,"currency_code":"EUR","in_stock":true},{"title":"PAPIER MACHE","offer_id":50498204467547,"sku":"CVLDTTP07","price":99.0,"currency_code":"EUR","in_stock":false},{"title":"SE POTESSI AVERE","offer_id":50498204500315,"sku":"CVLDTTP08","price":99.0,"currency_code":"EUR","in_stock":true},{"title":"JUST FOR YOU","offer_id":50498204533083,"sku":"CVLDTTP09","price":99.0,"currency_code":"EUR","in_stock":true},{"title":"IL CANTANTE AL MICROFONO (2 LP 45 rpm)","offer_id":50498204565851,"sku":"CVLDTTP10","price":129.0,"currency_code":"EUR","in_stock":true},{"title":"TWO FOR THE ROAD","offer_id":50498204598619,"sku":"CVLDTTP11","price":99.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/COVERTESTPRESSING.png?v=1746353314"},{"product_id":"miles-davis-miles-davis-in-berlin","title":"MILES DAVIS - Miles Davis In Berlin","description":"\u003ch2\u003e\n\u003cstrong\u003eMILES DAVIS - Miles Davis In Berlin \u003c\/strong\u003e(\u003cb\u003eSPC62976\u003c\/b\u003e)\u003c\/h2\u003e\n\u003ch2\u003e\n\u003cspan\u003eSpeakers Corner - \u003c\/span\u003eLP AUDIOPHILE PRESSING \u003cspan class=\"contentAndConfiguration\"\u003e180g\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"title_and_interpreter\"\u003e\u003cstrong\u003e\"Miles In Berlin\" - Miles Davis (tp); Wayne Shorter (ts); Herbie Hancock (p); Ron Carter (b); Tony Williams (dr)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eÈ il 1964 e il primo Festival Jazz di Berlino sta per raggiungere il suo apice assoluto: il concerto finale, la sera di venerdì 25 settembre, di Miles Davis. E la filiale europea della Columbia Records, la CBS, non vedeva l'ora di pubblicare questo evento leggendario su LP.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIl nuovo quintetto, per la prima volta con Wayne Shorter al sax tenore (e non ancora come compositore), entusiasmò e trascinò il pubblico della Philharmonie dal primo minuto fino alla fine. I classici \"Miles(tones)\", \"So What\" e \"Walkin'\" furono eseguiti a un ritmo sorprendentemente veloce, le ballate erano tenere e sognanti. Un'atmosfera così magica fu raramente evocata nei concerti successivi, probabilmente grazie all'eccellente acustica della grande sala da concerto. Il pubblico era seduto dietro il palco, quindi Miles non poteva voltare le spalle in modo provocatorio; a volte si limitava ad accovacciarsi sul palco. Tuttavia, questo non gli ha impedito di eseguire i suoi assoli con liricità e tenerezza, la maggior parte dei quali finemente sfumati, morbidi e delicati, eppure udibili fino all'angolo più remoto. La struttura ritmica creata dal giovane batterista Anthony Williams ha fornito l'eccitazione necessaria.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMiles al top della forma, un pubblico entusiasta, un'acustica impressionante e, per finire, un'eccellente tecnologia di registrazione e una fantastica stampa su vinile vergine: cosa può desiderare di più un appassionato di jazz? Ora è il momento di tirare fuori la carta di credito!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eQuesto LP di Speakers Corner è stato rimasterizzato utilizzando esclusivamente componenti analogici, dai master fino alla testina di taglio (\u003ca href=\"https:\/\/pure-analogue.com\/\" rel=\"noopener\" target=\"_blank\"\u003ehttps:\/\/pure-analogue.com\u003c\/a\u003e)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"production_info\"\u003e\u003cspan\u003eRegistrazione: settembre 1964 dal vivo alla Philharmonic Hall di Berlino, da SFB Radio in mono\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduzione: Rudy Wolpert\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eColumbia 62976\u003c\/li\u003e\n\u003cli\u003eFormat: 1LP 180g 33rpm \/ standard sleeve\u003c\/li\u003e\n\u003cli\u003eOriginal label: Columbia\u003c\/li\u003e\n\u003cli\u003eBarcode: 4260019715418\u003c\/li\u003e\n\u003cli\u003eRelease Date: 2017-09-21\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"Speakers Corner","offers":[{"title":"LP 33 rpm","offer_id":50603136188763,"sku":"SPC62976","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/71REKUYAi4L._AC_SL1200.jpg?v=1747669790"},{"product_id":"miles-davis-quintet-round-about-midnight","title":"MILES DAVIS QUINTET - Round About Midnight","description":"\u003ch2\u003e\n\u003cstrong\u003eMILES DAVIS QUINTET - Round About Midnight \u003c\/strong\u003e(\u003cb\u003eSPC949\u003c\/b\u003e)\u003c\/h2\u003e\n\u003ch2\u003e\n\u003cspan\u003eSpeakers Corner - \u003c\/span\u003eLP AUDIOPHILE PRESSING \u003cspan class=\"contentAndConfiguration\"\u003e180g\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"title_and_interpreter\"\u003e\u003cstrong\u003e\"'Round About Midnight\" - Miles Davis (tr); John Coltrane (ts); Red Garland (p); Paul Chambers (b); Philly Joe Jones (dr)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFinalmente queste prime registrazioni, che Miles Davis realizzò per l'etichetta Columbia nel 1955 e nel 1956, sono di nuovo disponibili su LP. E, cosa ancora più importante, furono realizzate senza riprese alternative o secondi tentativi, come è consuetudine oggigiorno.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePotete rilassarvi e godervi i sei brani nell'ordine che il produttore, probabilmente in collaborazione con Davis, ha deciso. Certo, tutti i titoli sono ben noti e sono stati eseguiti migliaia di volte in molte versioni diverse. Ma ciò che questo Quintetto (e qui ci si riferisce a ogni singolo musicista!) produce in termini di inventiva, improvvisazioni emozionanti e maestria è assolutamente di prim'ordine. Il suono privo di vibrato di Davis è ripreso in modo impeccabile da John Coltrane – meravigliosamente dimostrato nel mezzo di \"Bye, Bye Blackbird\", mentre il pezzo forte di Paul Chambers è \"Ack Värmeland du sköna\" (alias \"Dear Old Stockholm\"). Negli anni 1955\/56, il bebop era sulla bocca di tutti, come testimoniano i classici \"Tadd's Delight\" di Tadd Dameron e \"Ah-Leu-Cha\" di Charlie Parker. Qui, tuttavia, le venature melodiche improvvisate sono più moderate, aprendo la strada a quello stile che in seguito sarebbe diventato noto come jazz modale.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSebbene \"'Round About Midnight\" come album non goda della reputazione di \"Kind Of Blue\", questa registrazione della Columbia contiene molte gemme che vale la pena ascoltare.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eQuesto LP di Speakers Corner è stato rimasterizzato utilizzando esclusivamente componenti analogici, dai master fino alla testina di taglio (\u003ca rel=\"noopener\" href=\"https:\/\/pure-analogue.com\/\" target=\"_blank\"\u003ehttps:\/\/pure-analogue.com\u003c\/a\u003e)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"production_info\"\u003e\u003cspan\u003eRegistrazione: ottobre 1955, giugno e settembre 1956 presso il 30th Street Studio della Columbia, New York in mono\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduzione: George Avakian\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"catalog_number\"\u003eColumbia CL 949\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eFormat:\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"contentAndConfiguration\"\u003e1LP 180g 33rpm \/ standard sleeve\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eOriginal label:\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"label\"\u003eColumbia\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eBarcode:\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"barcode\"\u003e4260019713353\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eRelease Date:\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"release-date\"\u003e2008-07-22\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"Speakers Corner","offers":[{"title":"LP 33 rpm","offer_id":50603211784539,"sku":"SPC949","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/81Na6ZqVckL._AC_SL1500.jpg?v=1747670449"},{"product_id":"alessandro-bianchini-my-space-24","title":"Alessandro Bianchini - MY SPACE 24","description":"\u003ch1\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003eAlessandro Bianchini - MY SPACE 24 (\u003cspan\u003eBBR2025AB02\u003c\/span\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003cdiv class=\"QfrfFD cell\"\u003e\n\u003cdiv id=\"TPAMultiSection_l322hsvn.product-page-details-1\" data-hook=\"slot-placeholder-TPAMultiSection_l322hsvn.product-page-details-1\" class=\"\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"w0gcbV QfrfFD cell\"\u003e\n\u003cdiv id=\"TPAMultiSection_l322hsvn.product-page-details-slot-1\" data-hook=\"slot-placeholder-TPAMultiSection_l322hsvn.product-page-details-slot-1\" class=\"\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-hook=\"product-title\" class=\"OXQzmM ImgXFz\"\u003e\u003cstrong\u003eDisponibile in: \u003c\/strong\u003eLP \u003cspan style=\"font-size: 0.875rem;\"\u003e33rpm GATEFOLD 180 gr. AAA Pure Analog\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE A\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1.  Cape Town A. Bianchini (05:51)   \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2.  Tu Dihi A. Bianchini (04:41)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e3.  My voice A. Bianchini (04:22)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE B\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1.  Cyclic Episode S. Rivers arr A. Bianchini (04:29)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2.  Lute Suite in E minor, BWV 996  \u003c\/span\u003e\u003cspan\u003eJ. S. Bach\u003c\/span\u003e\u003cspan\u003e  arr A Bianchini (03:39)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e3   Summer Night H. Warren arr D. Friedman\/ D. Samuels (06:07)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e4.  Come Saprei A. Bianchini (04:32)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLine up\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSTUDIO RECORDING SESSION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eAlessandro Bianchini | vibraphone \/ marimba\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLorenzo Simoni | alto sax\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMarco Micheli | double bass\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNelide Bandello | drums \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLIVE VERSION “Summer Night”, “Come saprei”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eGiacomo Papetti | double bass\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSimone Brilli | drums\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDescrizione\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan\u003eSiamo lieti di annunciare l'uscita in vinile numbered edition, AAA Pure Analog 180 grammi, di \"\u003cstrong\u003eMy Space 24\u003c\/strong\u003e\", il nuovo album del vibrafonista Alessandro Bianchini.\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eVinile impreziosito nella versione gatefold alta grammatura con booklet 8 pagine.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.birdboxrecords.com\/bianchini-music-my-space-24\" target=\"_blank\"\u003e\u003cspan\u003eAscolta in anteprima!\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eVivi un viaggio sonoro senza precedenti con questa registrazione, meticolosamente ricavata dai master multitraccia originali da 2 pollici e masterizzata con maestria sull'iconico Ampex ATR102 da ½ pollice. Laccatura su: tornio Neumann VMS70 equipaggiato con teste di taglio Neumann SX74 e Ortofon DSS821.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eQuesto secondo lavoro nasce dalla necessità di voler scrivere canzoni che fossero più comprensibili e facili da ascoltare. (Questo è un mio desiderio e auspicio personale, rivolto a coloro che acquisteranno questo disco...)\u003c\/p\u003e\n\u003cp\u003eA differenza di 10\/5 (il mio primo disco da solista, anch'esso prodotto dall'etichetta BirdBox Records di Lorenzo Vella), ho deciso di dedicarmi il più possibile a composizioni che si avvicinassero ai brani tipici della tradizione americana degli standard jazz.\u003c\/p\u003e\n\u003cp\u003eDa qui il desiderio di cercare linee melodiche immediate e forme tendenzialmente regolari, il tutto, però, cercando di evitare di cadere nella banalità, aiutandomi attraverso esplorazioni armoniche, cercando soluzioni non ovvie.\u003c\/p\u003e\n\u003cp\u003eDa questa esigenza è poi nata la necessità di avere un solista nell'ensemble che fosse sempre presente in tutti i brani registrati, ad eccezione di \"Come Saprei\".\u003c\/p\u003e\n\u003cp\u003eLorenzo Simoni, al sassofono contralto, ha pienamente colto l'atmosfera e i suoni che desideravo per questo disco.\u003c\/p\u003e\n\u003cp\u003eLa sezione ritmica formata da Marco Micheli al contrabbasso e Simone Brilli alla batteria è sempre una sicurezza.\u003c\/p\u003e\n\u003ch2 data-hook=\"info-section-title\" aria-hidden=\"false\" class=\"sRKeelW oK_hHI7---typography-11-runningText oK_hHI7---priority-7-primary _HOcyB x4nptw sdk0ViP ftb6e2\"\u003eCredits \u0026amp; Gear\u003c\/h2\u003e\n\u003cp data-hook=\"info-section-title\" aria-hidden=\"false\"\u003eAll songs are composed and arranged by Alessandro Bianchini, except for Summer Night (H. Warren), Cyclic Episode ( S. Rivers) Lute Suite in E minor, BWV 996  (J. S. Bach)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003e\u003cspan\u003eProduced by: Lorenzo Vella\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003e\u003cspan\u003eRecorded at Duna Studio by Andrea Scardovi (Russi - Ravenna)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003e\u003cspan\u003eRecording Engineer: Andrea Scardovi\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003e\u003cspan\u003eLive Sound Engineer: Luca Vianini\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003e\u003cspan\u003eMixing \u0026amp; Mastering Engineer: Lorenzo Vella\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003e\u003cspan\u003eArtwork \u0026amp; Design: Nightingale Studios\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003e\u003cspan\u003ePackaging printed by: DUEGI Packaging s.r.l.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"aecizt ciGGdC QfrfFD cell\"\u003e\u003csvg height=\"15\" width=\"15\" fill=\"currentColor\" viewbox=\"0 0 15 15\"\u003e\u003cg fill-rule=\"evenodd\" stroke-width=\"1\" fill=\"none\" stroke=\"none\" id=\"Page-2\"\u003e\u003cg fill-rule=\"nonzero\" fill=\"currentColor\" id=\"Desktop-1920-\/-1080\"\u003e\u003cg transform=\"translate(2 7)\" id=\"new_minus\"\u003e\u003cg id=\"Rectangle-5\"\u003e\u003cg id=\"Page-1\"\u003e\u003cg id=\"Desktop-1920-\/-1080\"\u003e\u003cg id=\"Group\"\u003e\u003cpath d=\"M0 0L11 0 11 1 0 1z\" id=\"Rectangle-5\"\u003e\u003c\/path\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/svg\u003e\u003c\/div\u003e\n\u003cdiv class=\"rah-static rah-static--height-auto\" aria-hidden=\"false\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"ulKuLk QfrfFD cell\"\u003e\n\u003cdiv class=\"zp8uy2\" data-hook=\"info-section-description\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSpecial Thanks To:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMy friends and musicians who were part of this amazing project, and all the beloved people involved! \u003c\/span\u003e\u003cspan\u003eLast but not least, to Lorenzo Vella for producing this record.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSpecial credits:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eEquipment Alessandro Bianchini\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eMallets:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan\u003eVic Firth M 25 Gary Burton\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMike Balter Christos Rafalides\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMalletech Lee Steven L.S. 5\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003eInstruments:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan\u003eMusser M 55 Gold\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMalletech Stiletto 5 - octave marimba\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2 data-hook=\"info-section-title\" aria-hidden=\"false\" class=\"sRKeelW oK_hHI7---typography-11-runningText oK_hHI7---priority-7-primary _HOcyB x4nptw sdk0ViP ftb6e2\"\u003eCaratteristiche\u003c\/h2\u003e\n\u003cdiv class=\"aecizt ciGGdC QfrfFD cell\"\u003e\u003csvg height=\"15\" width=\"15\" fill=\"currentColor\" viewbox=\"0 0 15 15\"\u003e\u003cg fill-rule=\"evenodd\" stroke-width=\"1\" fill=\"none\" stroke=\"none\" id=\"Page-2\"\u003e\u003cg fill-rule=\"nonzero\" fill=\"currentColor\" id=\"Desktop-1920-\/-1080\"\u003e\u003cg transform=\"translate(2 7)\" id=\"new_minus\"\u003e\u003cg id=\"Rectangle-5\"\u003e\u003cg id=\"Page-1\"\u003e\u003cg id=\"Desktop-1920-\/-1080\"\u003e\u003cg id=\"Group\"\u003e\u003cpath d=\"M0 0L11 0 11 1 0 1z\" id=\"Rectangle-5\"\u003e\u003c\/path\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/svg\u003e\u003c\/div\u003e\n\u003cdiv class=\"rah-static rah-static--height-auto\" aria-hidden=\"false\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"ulKuLk QfrfFD cell\"\u003e\n\u003cdiv class=\"zp8uy2\" data-hook=\"info-section-description\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eGatefold Vinyl Numbered Edition, 180g Audiophile Pressing,\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eAAA Fully Analog Process.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVivi un viaggio sonoro senza precedenti con questa registrazione, meticolosamente ricavata dai\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003emaster multitraccia originali da 2 pollici\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003ee masterizzata con maestria sull'iconico\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAmpex ATR102 da ½ pollice\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003eLaccatura su: tornio\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eNeumann VMS70\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eequipaggiato con teste di taglio\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eNeumann SX74\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ee\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eOrtofon DSS821\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003eElaborazione audio puramente analogica, per una versione in vinile autenticamente analogica.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"BirdBox Records","offers":[{"title":"LP 33 rpm","offer_id":50609491050843,"sku":"BBR2025AB02VYN","price":49.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/8eaf41e0-a0d6-4b00-1355-04293685a56f_dbd4a2f6-3ef2-4aad-9ca2-508857288966.jpg?v=1747756786"},{"product_id":"miles-davis-quintet-miles-smiles","title":"MILES DAVIS QUINTET - Miles Smiles","description":"\u003ch2\u003e\n\u003cstrong\u003eMILES DAVIS QUINTET - Miles Smiles \u003c\/strong\u003e(\u003cb\u003eSPC9401\u003c\/b\u003e)\u003c\/h2\u003e\n\u003ch2\u003e\n\u003cspan\u003eSpeakers Corner - \u003c\/span\u003eLP AUDIOPHILE PRESSING \u003cspan class=\"contentAndConfiguration\"\u003e180g\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"title_and_interpreter\"\u003e\u003cstrong\u003e\"\u003c\/strong\u003e\u003cstrong\u003eMiles Smiles\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e\" \u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003eMiles Davis (tr); Wayne Shorter (ts); Herbie Hancock (p); Ron Carter (b); Tony Williams (dr)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA parte la registrazione di un'esibizione dal vivo al Portland Festival, la discografia di Miles Davis del 1966 elenca solo le registrazioni realizzate per l'LP \"Miles Smiles\"! Che strano, se si considera la consueta ampia produzione di Miles e dei suoi ensemble per la Columbia Records negli anni Sessanta.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIl bassista Ron Carter era il più adatto per la complessa parte ritmica e rimase il \"numero uno\" di Miles in un quintetto che reinterpretò composizioni di Wayne Shorter e successi jazz come \"Freedom Jazz Dance\" di Eddie Harris e \"Gingerbread Boy\" di Jimmy Heath.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOgni secondo dei nove minuti di \"Footprints\" di Shorter è un momento culminante assoluto, mentre la batteria del giovane Tony Williams in \"Freedom Jazz Dance\" è piena di vitalità, con un ritmo serrato, e persino descritta come \"minacciosa\" nelle note di copertina. Questa musica non è né \"nuova corrente\" né \"vecchia guardia\", ma buon jazz moderno, secondo Anthony Tuttle. Questo era esattamente ciò che \"Miles Smiles\" rappresentava al momento della sua uscita 40 anni fa, e lo è ancora oggi! E che Miles Davis abbia sorriso per una volta grazie alla splendida intesa musicale tra i cinque musicisti non è certo una mera diceria.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eQuesto LP di Speakers Corner è stato rimasterizzato utilizzando esclusivamente componenti analogici, dai master fino alla testina di taglio (\u003ca rel=\"noopener\" href=\"https:\/\/pure-analogue.com\/\" target=\"_blank\"\u003ehttps:\/\/pure-analogue.com\u003c\/a\u003e)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"production_info\"\u003e\u003cspan\u003eRegistrazione: Ottobre 1966 presso Columbia RecordsStudios, New York, da Frank Laico\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduzione: Teo Macero\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eColumbia CS 9401\u003c\/li\u003e\n\u003cli\u003eFormato: 1LP 180g 33 giri \/ custodia standard\u003c\/li\u003e\n\u003cli\u003eEtichetta originale: Columbia\u003c\/li\u003e\n\u003cli\u003eCodice a barre: 4260019713292\u003c\/li\u003e\n\u003cli\u003eData di rilascio: 2008-03-11\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"Speakers Corner","offers":[{"title":"LP 33 rpm","offer_id":50706822005083,"sku":"SPC9401","price":39.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/9401_250.jpg?v=1748598665"},{"product_id":"the-worlds-greatest-audiophile-vocal-recordings-chesky-records","title":"THE WORLD'S GREATEST AUDIOPHILE VOCAL RECORDINGS - Volume 1 - Chesky Records","description":"\u003ch2\u003e\n\u003cstrong\u003eTHE WORLD'S GREATEST AUDIOPHILE VOCAL RECORDINGS - Volume 1 | Chesky Records \u003c\/strong\u003e(\u003cb\u003eEVLP47\u003c\/b\u003e)\u003c\/h2\u003e\n\u003ch2\u003e\n\u003cspan\u003eEvolution Music - \u003c\/span\u003eLP AUDIOPHILE PRESSING \u003cspan class=\"contentAndConfiguration\"\u003e180g\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eArtist: \u003c\/strong\u003eVarious Artists\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTitle: \u003c\/strong\u003eThe World's Greatest Audiophile Vocal Recordings Volume 1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGenre: \u003c\/strong\u003eAudiophile, Vocal Jazz, Folk, Singer-songwriter\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConfiguration: \u003c\/strong\u003e180G BLACK VINYL LP\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e“The World’s Greatest Audiophile Vocal Recordings” propone le sublimi interpretazioni di alcuni dei migliori cantanti della scena musicale, tutte immortalate da \u003cstrong\u003eChesky Records\u003c\/strong\u003e, etichetta newyorkese rinomata per le sue superbe tecniche di registrazione. Oggi la giapponese Evolution Music ne propone una nuova versione in vinile 180 gr. che non può mancare dalla collezione di un vero appassionato del mondo audiophile. Il \u003cstrong\u003eVolume 1, \u003c\/strong\u003e\"The World’s Greatest Audiophile Vocal Recordings Vol. 1\" si apre con la meravigliosa versione di “Spanish Harlem” di \u003cstrong\u003eRebecca Pidgeon\u003c\/strong\u003e, che in un baleno trasporta l’ascoltatore in un regno sonoro di straordinaria bellezza. Grazie alle raffinate tecniche di registrazione utilizzate, le voci di eccellenti cantanti come \u003cstrong\u003eSara K\u003c\/strong\u003e., \u003cstrong\u003eAna Caram\u003c\/strong\u003e, \u003cstrong\u003eValerie Joyce \u003c\/strong\u003ee \u003cstrong\u003eMarta Gomez\u003c\/strong\u003e appaiono straordinariamente naturali e chiare. “\u003cstrong\u003eThe World’s Greatest Audiophile Vocal Recordings Vol. 1\u003c\/strong\u003e” è un viaggio musicale che apre all’ascoltatore prospettive sonore davvero inedite.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNel \u003cstrong\u003eVoume 2: \u003c\/strong\u003e“The World’s Greatest Audiophile Vocal Recordings Vol. 2”, sono protagoniste del disco sono alcuni dei migliori vocalisti dell’attuale scena musicale come Ana Caram (“Fly Me To The Moon”), Valerie Joyce (“That’s What Friends Are For”), Macy Gray (“First Time”) e Christy Baron (“Spooky”) e molti altri ancora. L’album è una testimonianza, qualora ce ne fosse bisogno, dell’impegno che \u003cstrong\u003eChesky Records\u003c\/strong\u003e ha sempre messo nel garantire al pubblico un suono dettagliato, chiaro e di altissima qualità.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCon il \u003cstrong\u003eVolume 3\u003c\/strong\u003e: “The World’s Greatest Audiophile Vocal Recordings Vol. 3” le protagoniste del disco sono alcuni dei migliori vocalisti come Macy Gray (“I Try”), Casey Abrams (“Why Don’t You Do Right”), Livingston Taylor (“I Must Be Doing Something Right”) e molti altri ancora.  Questo album conclude un Tris immancabile per gli audiofili album fondamentali della \u003cstrong\u003eChesky Records\u003c\/strong\u003e ristampati dalla giapponese Evolution Music.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eVolume 1\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan lang=\"en-us\"\u003eLato A\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan lang=\"en-us\"\u003eSpanish Harlem (Rebecca Pidgeon)\u003c\/span\u003e\u003c\/i\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan lang=\"en-us\"\u003eIsn’t She Lovely (Livingston Taylor)\u003c\/span\u003e\u003c\/i\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan lang=\"en-us\"\u003eFever (Valerie Joyce)\u003c\/span\u003e\u003c\/i\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan lang=\"en-us\"\u003eAin’t No Sunshine (Christy Baron)\u003c\/span\u003e\u003c\/i\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan lang=\"en-us\"\u003eThe Girl from Ipanema (Ron Carter, Rosa Passos)\u003c\/span\u003e\u003c\/i\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan lang=\"en-us\"\u003eRound Midnight (Valerie Joyce)\u003c\/span\u003e\u003c\/i\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan lang=\"en-us\"\u003eLato B\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan lang=\"en-us\"\u003eWhat’s a Little More Rain (Sara K)\u003c\/span\u003e\u003c\/i\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan lang=\"en-us\"\u003eCielito Lindo (Marta Gomez)\u003c\/span\u003e\u003c\/i\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan lang=\"en-us\"\u003eIsn’t It a Pity (Valerie Joyce)\u003c\/span\u003e\u003c\/i\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan lang=\"en-us\"\u003eLa Habena Joven (Xiomara Laugart)\u003c\/span\u003e\u003c\/i\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNoSpacing\"\u003e\n\u003ci\u003e\u003cspan lang=\"en-us\"\u003eMeditation (Ana Caram)\u003c\/span\u003e\u003c\/i\u003e\u003ci\u003e\u003cspan lang=\"en-us\"\u003e\u003c\/span\u003e\u003c\/i\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe width=\"100%\" src=\"https:\/\/cheskyrecords.lnk.to\/The-World-s-Greatest-Audiophile-Vocal-Recordings-Vol-1\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Chesky Records","offers":[{"title":"VOLUME 1 - LP 33 rpm ONE STEP","offer_id":50707140149595,"sku":"EVLP047","price":49.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/aavv-the-world-s-greatest-audiophile-vocal-recordings-vol1.jpg?v=1748609874"},{"product_id":"the-worlds-greatest-audiophile-vocal-recordings-volume-2-chesky-records","title":"THE WORLD'S GREATEST AUDIOPHILE VOCAL RECORDINGS - Volume 2 - Chesky Records","description":"\u003ch2\u003e\n\u003cstrong\u003eTHE WORLD'S GREATEST AUDIOPHILE VOCAL RECORDINGS - Volume 2 | Chesky Records \u003c\/strong\u003e(\u003cb\u003eEVLP48\u003c\/b\u003e)\u003c\/h2\u003e\n\u003ch2\u003e\n\u003cspan\u003eEvolution Music - \u003c\/span\u003eLP AUDIOPHILE PRESSING \u003cspan class=\"contentAndConfiguration\"\u003e180g\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eArtist: \u003c\/strong\u003eVarious Artists\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTitle: \u003c\/strong\u003eThe World's Greatest Audiophile Vocal Recordings Volume 2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGenre: \u003c\/strong\u003eAudiophile, Vocal Jazz, Folk, Singer-songwriter\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConfiguration: \u003c\/strong\u003e180G BLACK VINYL LP\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e“The World’s Greatest Audiophile Vocal Recordings” propone le sublimi interpretazioni di alcuni dei migliori cantanti della scena musicale, tutte immortalate da \u003cstrong\u003eChesky Records\u003c\/strong\u003e, etichetta newyorkese rinomata per le sue superbe tecniche di registrazione. Oggi la giapponese Evolution Music ne propone una nuova versione in vinile 180 gr. che non può mancare dalla collezione di un vero appassionato del mondo audiophile. Il \u003cstrong\u003eVolume 1, \u003c\/strong\u003e\"The World’s Greatest Audiophile Vocal Recordings Vol. 1\" si apre con la meravigliosa versione di “Spanish Harlem” di \u003cstrong\u003eRebecca Pidgeon\u003c\/strong\u003e, che in un baleno trasporta l’ascoltatore in un regno sonoro di straordinaria bellezza. Grazie alle raffinate tecniche di registrazione utilizzate, le voci di eccellenti cantanti come \u003cstrong\u003eSara K\u003c\/strong\u003e., \u003cstrong\u003eAna Caram\u003c\/strong\u003e, \u003cstrong\u003eValerie Joyce \u003c\/strong\u003ee \u003cstrong\u003eMarta Gomez\u003c\/strong\u003e appaiono straordinariamente naturali e chiare. “\u003cstrong\u003eThe World’s Greatest Audiophile Vocal Recordings Vol. 1\u003c\/strong\u003e” è un viaggio musicale che apre all’ascoltatore prospettive sonore davvero inedite.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNel \u003cstrong\u003eVoume 2: \u003c\/strong\u003e“The World’s Greatest Audiophile Vocal Recordings Vol. 2”, sono protagoniste del disco sono alcuni dei migliori vocalisti dell’attuale scena musicale come Ana Caram (“Fly Me To The Moon”), Valerie Joyce (“That’s What Friends Are For”), Macy Gray (“First Time”) e Christy Baron (“Spooky”) e molti altri ancora. L’album è una testimonianza, qualora ce ne fosse bisogno, dell’impegno che \u003cstrong\u003eChesky Records\u003c\/strong\u003e ha sempre messo nel garantire al pubblico un suono dettagliato, chiaro e di altissima qualità.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCon il \u003cstrong\u003eVolume 3\u003c\/strong\u003e: “The World’s Greatest Audiophile Vocal Recordings Vol. 3” le protagoniste del disco sono alcuni dei migliori vocalisti come Macy Gray (“I Try”), Casey Abrams (“Why Don’t You Do Right”), Livingston Taylor (“I Must Be Doing Something Right”) e molti altri ancora.  Questo album conclude un Tris immancabile per gli audiofili album fondamentali della \u003cstrong\u003eChesky Records\u003c\/strong\u003e ristampati dalla giapponese Evolution Music.\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan lang=\"en-us\"\u003e\u003cstrong\u003eVolume 2\u003c\/strong\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan lang=\"en-us\"\u003eLato A\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan lang=\"en-us\"\u003eInsensatez (Rosa Passos e Ron Carter)\u003c\/span\u003e\u003c\/i\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan lang=\"en-us\"\u003eFirst Time (Macy Gray)\u003c\/span\u003e\u003c\/i\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan lang=\"en-us\"\u003eZombie (Meiko)\u003c\/span\u003e\u003c\/i\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan lang=\"en-us\"\u003eMaria Mulata (Marta Gomez)\u003c\/span\u003e\u003c\/i\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan lang=\"en-us\"\u003eSpooky (Christy Baron)\u003c\/span\u003e\u003c\/i\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan lang=\"en-us\"\u003eLato B\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan lang=\"en-us\"\u003eSomeone to Watch Over Me (Kenny Rankin)\u003c\/span\u003e\u003c\/i\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan lang=\"en-us\"\u003eFly Me to the Moon (Ana Caram)\u003c\/span\u003e\u003c\/i\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan lang=\"en-us\"\u003eHave You Ever Seen the Rain (Casey Abrams)\u003c\/span\u003e\u003c\/i\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan lang=\"en-us\"\u003eThat’s What Friends Are for (Valerie Joyce)\u003c\/span\u003e\u003c\/i\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNoSpacing\"\u003e\n\u003ci\u003e\u003cspan lang=\"en-us\"\u003eFull Moon in Paris (Amber Rubarth)\u003c\/span\u003e\u003c\/i\u003e\u003ci\u003e\u003cspan lang=\"en-us\"\u003e\u003c\/span\u003e\u003c\/i\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/cheskyrecords.lnk.to\/The-World-s-Greatest-Audiophile-Vocal-Recordings-Vol-2\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Chesky Records","offers":[{"title":"VOLUME 2 - LP 33 rpm ONE STEP","offer_id":50747163246939,"sku":"EVLP048","price":49.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/aavv-the-world-s-greatest-audiophile-vocal-recordings-vol2.jpg?v=1748609877"},{"product_id":"the-worlds-greatest-audiophile-vocal-recordings-volume-3-chesky-records","title":"THE WORLD'S GREATEST AUDIOPHILE VOCAL RECORDINGS - Volume 3 - Chesky Records","description":"\u003ch2\u003e\n\u003cstrong\u003eTHE WORLD'S GREATEST AUDIOPHILE VOCAL RECORDINGS - Volume 3 | Chesky Records \u003c\/strong\u003e(\u003cb\u003eEVLP49\u003c\/b\u003e)\u003c\/h2\u003e\n\u003ch2\u003e\n\u003cspan\u003eEvolution Music - \u003c\/span\u003eLP AUDIOPHILE PRESSING \u003cspan class=\"contentAndConfiguration\"\u003e180g\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eArtist: \u003c\/strong\u003eVarious Artists\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTitle: \u003c\/strong\u003eThe World's Greatest Audiophile Vocal Recordings Volume 3\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGenre: \u003c\/strong\u003eAudiophile, Vocal Jazz, Folk, Singer-songwriter\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConfiguration: \u003c\/strong\u003e180G BLACK VINYL LP\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e“The World’s Greatest Audiophile Vocal Recordings” propone le sublimi interpretazioni di alcuni dei migliori cantanti della scena musicale, tutte immortalate da \u003cstrong\u003eChesky Records\u003c\/strong\u003e, etichetta newyorkese rinomata per le sue superbe tecniche di registrazione. Oggi la giapponese Evolution Music ne propone una nuova versione in vinile 180 gr. che non può mancare dalla collezione di un vero appassionato del mondo audiophile. Il \u003cstrong\u003eVolume 1, \u003c\/strong\u003e\"The World’s Greatest Audiophile Vocal Recordings Vol. 1\" si apre con la meravigliosa versione di “Spanish Harlem” di \u003cstrong\u003eRebecca Pidgeon\u003c\/strong\u003e, che in un baleno trasporta l’ascoltatore in un regno sonoro di straordinaria bellezza. Grazie alle raffinate tecniche di registrazione utilizzate, le voci di eccellenti cantanti come \u003cstrong\u003eSara K\u003c\/strong\u003e., \u003cstrong\u003eAna Caram\u003c\/strong\u003e, \u003cstrong\u003eValerie Joyce \u003c\/strong\u003ee \u003cstrong\u003eMarta Gomez\u003c\/strong\u003e appaiono straordinariamente naturali e chiare. “\u003cstrong\u003eThe World’s Greatest Audiophile Vocal Recordings Vol. 1\u003c\/strong\u003e” è un viaggio musicale che apre all’ascoltatore prospettive sonore davvero inedite.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNel \u003cstrong\u003eVoume 2: \u003c\/strong\u003e“The World’s Greatest Audiophile Vocal Recordings Vol. 2”, sono protagoniste del disco sono alcuni dei migliori vocalisti dell’attuale scena musicale come Ana Caram (“Fly Me To The Moon”), Valerie Joyce (“That’s What Friends Are For”), Macy Gray (“First Time”) e Christy Baron (“Spooky”) e molti altri ancora. L’album è una testimonianza, qualora ce ne fosse bisogno, dell’impegno che \u003cstrong\u003eChesky Records\u003c\/strong\u003e ha sempre messo nel garantire al pubblico un suono dettagliato, chiaro e di altissima qualità.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCon il \u003cstrong\u003eVolume 3\u003c\/strong\u003e: “The World’s Greatest Audiophile Vocal Recordings Vol. 3” le protagoniste del disco sono alcuni dei migliori vocalisti come Macy Gray (“I Try”), Casey Abrams (“Why Don’t You Do Right”), Livingston Taylor (“I Must Be Doing Something Right”) e molti altri ancora.  Questo album conclude un Tris immancabile per gli audiofili album fondamentali della \u003cstrong\u003eChesky Records\u003c\/strong\u003e ristampati dalla giapponese Evolution Music.\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan lang=\"en-us\"\u003e\u003cstrong\u003eVolume 3\u003c\/strong\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan lang=\"en-us\"\u003eLato A\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan lang=\"en-us\"\u003eHarvester of Sorrow (Little Kruta e Jenn Mundia)\u003c\/span\u003e\u003c\/i\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan lang=\"en-us\"\u003eI Try (Macy Gray)\u003c\/span\u003e\u003c\/i\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan lang=\"en-us\"\u003eThe Nearness of You (Camille Thurman)\u003c\/span\u003e\u003c\/i\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan lang=\"en-us\"\u003eWhy Don’t You Do Right? 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Croce) 3:23 \/ reg. 07-2012\u003cbr\u003eBarbara Belloni, voce\u003cbr\u003eFour Fried Fish\u003cbr\u003e03 – Tin Roof Blues (L. Roppolo, P. Mares, B. Pollack) 3:14 \/ reg. 10-2000\u003cbr\u003eTiger Dixie Band\u003cbr\u003e04 – I Ain’t Got Nothin’ But The Blues (D. Ellington) 3:59 \/ reg. 10-2005\u003cbr\u003eCristina Sartori, voce\u003cbr\u003eStefano Lionello, contrabbasso\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eLATO B – 19:33\u003c\/strong\u003e\u003cbr\u003e- 01 – Rollin’ Stone (Mc Kinley Morganfield) 5:18 \/ reg. 03-2008\u003cbr\u003eFour Fried Fish\u003cbr\u003e- 02 - Freedom (R. Ford) 6:52 \/ reg. 03-2018\u003cbr\u003eMichele Giacomazzi, chitarra Francesco Giacomelli, basso elettrico\u003cbr\u003eDiego Vergari, batteria\u003cbr\u003e- 03 – Come Together (J. Lennon, P. McCartney) 3:36 \/ reg. 01-2010\u003cbr\u003eYasmina and Bad Songs\u003cbr\u003e- 04 – Cross Road Blues (R. Johnson) 3:46 \/ reg. 07-2023\u003cbr\u003eMax Prandi, voce e chitarra\u003cbr\u003eEnrico Merlin, chitarra\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cbr\u003e\u003cbr\u003e1\/4\" Master Analogico realizzato nello studio VLS di Naquera (Spagna), partendo dalle registrazioni originali sia analogiche che digitali, queste ultime realizzate in alta risoluzione nativa, PCM wav 88.2kHz \/ 24bit\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cbr\u003eProduzione: VELUT LUNA\u003cbr\u003eProduttore esecutivo: Marco Lincetto\u003cbr\u003eIngegnere del suono in registrazione: Marco Lincetto\u003cbr\u003eMissaggio e masterizzazione: Marco Lincetto\u003cbr\u003eFotografia interno: Marco Lincetto\u003cbr\u003eImpostazione grafica: Maurizio Ciato per Studio L'Image\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cbr\u003eEra il primo di luglio del 2009.\u003cbr\u003eDecidemmo di muoverci da Memphis sul presto, otto, otto e mezza della mattina; perché da quelle parti, in quel periodo, il caldo ti uccide. Umido, tanto che come esci in strada sei già bagnato di sudore, anche se è mattina presto.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eLa prima tappa era relativamente vicina, Clarcksdale, la capitale morale del Delta del Mississippi, la capitale morale del Blues. Centoventicinque chilometri tutti lungo la leggendaria Highway 61: sì, quella che ha cantato anche Bob Dylan, anche se lui la intendeva in direzione inversa rispetto a noi, da sud a nord.\u003cbr\u003eSull’asfalto davanti al nostro pulmino Ford bianco, la strada, già arroventata dal sole, ci faceva apparire immagini immaginarie, miraggi di riflesso, all’orizzonte. E insieme a noi c’era il nulla, nessuno, solo campi arsi a destra e a sinistra.\u003cbr\u003eVerso le dieci e mezza vediamo finalmente la freccia che indica la deviazione per Clarcksdale, e la imbocchiamo.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eLa cittadina pare deserta, le strade si distendono desolate in mezzo a filari di casette di legno decisamente male in arnese, con il variegato popolo afro-americano già sfiancato all’ombra risicata di porticati fatiscenti che avevano certamente visto tempi migliori. E la mia sensazione è strana, imperscrutabile, ancorchè decisamente inquieta, forse anche per via di quegli sguardi non minacciosi, ma piuttosto stupiti, che guardavano quel corpo decisamente anomalo che eravamo io e i miei sei amici dentro a quel pulmino bianco Ford, troppo lindo, moderno e intonso, che decisamente stonava in quel contesto.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eDopo un po’ le casette finiscono e ci ritroviamo per così dire “in centro”: palazzine di quattro o cinque piani, pure queste un po’ decrepite, che si allungano all’interno di pochi blocks, squadrati. E senza un albero, così che il sole ha mano libera per far piazza pulita dei pochi sentimenti rimasti.\u003cbr\u003eGiriamo a destra, ancora a destra, poi a sinistra: ed appare la John Lee Hooker Lane: è la strada, breve, che porta al Delta Blues Museum, il tempio del Blues.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eOra, noi europei siamo abituati ad un concetto di “museo”, che prevede austeri palazzi monumentali, tirati a lucido, con controlli armati per l’accesso, telecamere e tutto il campionario del controllo…\u003cbr\u003eLì, niente di tutto questo.\u003cbr\u003eUna palazzina di mattoni rossi, bassa, discretamente manutenuta, costruita a fianco di una vecchia linea ferroviaria abbandonata, con i binari arruginiti, e con una tettoia con sotto la scritta “Delta Blues Museum”, pure lei arruginita.\u003cbr\u003eNei musi ti aspetti un tranquillo movimento di avventori, attenti e discreti, con magari la classica scolaresca gioiosa e un po’ rumorosa: lì, ancora, niente di tutto ciò. Deserto. Nessuno. Solo noi. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eL’esposizione era tutta articolata all’interno di un percorso dentro ad un unico grande salone, dal soffitto non così alto come ti aspetteresti. E quello che era esposto erano memorabilia comuni: qualche strumento “appartenuto a”, qualche ninnolo, tantissime fotografie, storiche e non, molto belle, devo dire.\u003cbr\u003eE poco altro.\u003cbr\u003eIl giro si conclude rapidamente, ma l’inquietudine di prima, anziché placarsi, aumenta. C’è QUALCOSA che non riesco a focalizzare. Ad un certo punto, sento il suono cadenzato di una batteria, tipo qualcuno che sta provando qualche passaggio. Viene dalla zona dell’ingresso, ma lontano, dal basso, forse da qualche oscura cantina. Non scoprirò mai chi e dove era.\u003cbr\u003eA quel punto però mi accorgo di un vecchio, ma proprio vecchio, afro-americano, seduto dietro al banco di quello che sembra un bar; sta leggendo, distrattamente, un giornale sgualcito, mentre assapora una mefitica sigaretta, dall’odore, il puzzo, decisamente forte per uno come me, che non fuma.\u003cbr\u003eMi viene immediato e naturale, dal profondo, la voglia, la necessità, di fargli una domanda, che mi ronza dentro da tanti anni, relativa ad una delle più famose leggende del blues, che racconta di come un bel giorno alla fine degli anni ’20 del ‘900, Robert Johnson, che era un povero raccoglitore di cotone senza arte né parte, nella campagna vicino a Clarcksdale incontrò il Diavolo – sì, proprio quello lì – che gli propose un patto: lui, il Diavolo, gli avrebbe garantito il successo in cambio della sua anima. E Johnson accettò. E il resto della storia è noto.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eBhè, ecco allora che mi viene la domanda e aprendo bocca con fare incerto, chiedo al vecchio: “Mi sai dire dov’è il Crocicchio del Diavolo e di Robert Johnson?”\u003cbr\u003eIl vecchio non batte ciglio… ma lo alza, impercettibilmente, mentre contemporaneamente abbassa il giornale, squadrandomi, in silenzio. Un silenzio durato qualche eterno secondo, in cui in realtà il tempo si era fermato. Poi, socchiudendo le labbra bagnate dal sudore e arse dal fumo, mi disse: \u003cstrong\u003e“Ehi guy… It’s Everywhere…!”\u003c\/strong\u003e\u003cbr\u003eE in quel momento, per la prima volta nella mia vita, compresi cosa significava la parola “Blues”.\u003cbr\u003eE il senso di inquietudine, scomparve nel pericoloso ghigno che comparve sul volto imperturbabile del vecchio.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eI musicisti ed io siamo persone fortunate, per aver ricevuto il privilegio di vivere queste emozioni difficilissime da raccontare a parole, ma che spero possano essere almeno un po' veicolate dalle tracce sonore rimaste nei solchi dei dischi. Per sempre.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eGrazie a Tutti,\u003cbr\u003eMarco Lincetto\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cstrong\u003eDedico questo progetto a quel vecchio Afro-American col giornale,\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eche mi ha fatto finalmente capire cos’è il BLUES.\u003c\/strong\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"LP 33 rpm","offer_id":50751696503131,"sku":"CVLD395LP","price":49.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz • 24bit","offer_id":50751696535899,"sku":"CVLD395","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/CVLD395-cover.jpg?v=1749210813"},{"product_id":"vinyl-collection-stockfisch-records","title":"Vinyl Collection - STOCKFISCH RECORDS","description":"\u003ch2\u003e\n\u003cstrong\u003eVinyl Collection - STOCKFISCH RECORDS \u003c\/strong\u003e(\u003cb\u003eSFR35780061\u003c\/b\u003e)\u003c\/h2\u003e\n\u003ch2\u003e\n\u003cspan\u003eStockfisch Records - \u003c\/span\u003eLP AUDIOPHILE PRESSING \u003cspan class=\"contentAndConfiguration\"\u003e180g\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1    No Sanctuary Here     -     Chris Jones\u003cbr\u003eA2    Stars     -     Sara K.\u003cbr\u003eA3    captain of the loving kind     -     Paul Stephenson\u003cbr\u003eA4    Caruso     -     Christian Willisohn\u003cbr\u003eA5    Song For You Far Away     -     David Roth\u003c\/p\u003e\n\u003cp\u003eB1    Closer     -     Steve Strauss\u003cbr\u003eB2    Paris     -     Ewen Carruthers\u003cbr\u003eB3    The Same Kind Words     -     Eugene Ruffolo\u003cbr\u003eB4    Heaven     -     Mike Silver\u003cbr\u003eB5    Au large du Gueveur     -     Louis Capart \u0026amp; Duo Balance\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNegli anni '80 esperti e professionisti assicuravano che il disco in vinile sarebbe stato presto surclassato dai nuovi media digitali. Oggi possiamo dire che si sbagliavano: giradischi e dischi in vinile stanno vivendo un vero e proprio boom di vendite! Stockfisch Records ed il suo studio di masterizzazione Pauler Acoustics si sono sempre dedicati con passione al vinile, proponendo registrazioni selezionate di grande qualità come \"Water Falls\" di Sara K. o \"Pearl Diver\" di David Roth. Per il primo volume della serie \"Vinyl Collection\" casa Stockfisch ha selezionato 10 brani straordinari dal suo prezioso repertorio degli ultimi 4 anni. Il risultato finale è un disco che offre una qualità senza compromessi data da un vinile 180 gr con stampa audiophile, taglio DMM e copertina ricca di foto e spiegazioni.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Stockfisch Records","offers":[{"title":"LP 33 rpm","offer_id":50767282307419,"sku":"SFR35780061","price":39.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/8006_VC1_1000shop_ml.jpg?v=1749555330"},{"product_id":"vinyl-collection-vol-2-stockfisch-records","title":"Vinyl Collection Vol.2 - STOCKFISCH RECORDS","description":"\u003ch2\u003e\n\u003cstrong\u003eVinyl Collection Vol.2 - STOCKFISCH RECORDS \u003c\/strong\u003e(\u003cb\u003eSFR35780091\u003c\/b\u003e)\u003c\/h2\u003e\n\u003ch2\u003e\n\u003cspan\u003eStockfisch Records - \u003c\/span\u003eLP AUDIOPHILE PRESSING \u003cspan class=\"contentAndConfiguration\"\u003e180g\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1    Tief im Innern     -     Katja Maria Werker\u003cbr\u003eA2    That Train     -     Ewen Carruthers\u003cbr\u003eA3    Frogs     -     Ralf Illenberger\u003cbr\u003eA4    He Can Dance     -     Paul O'Brien\u003cbr\u003eA5    Westwinds     -     Mckinley Black\u003c\/p\u003e\n\u003cp\u003eB1    Let The Music Flow     -     Allan Taylor\u003cbr\u003eB2    Into The Light     -     Carl Cleves \u0026amp; Parissa Bouas\u003cbr\u003eB3    Improvisation     -     Chris Jones\u003cbr\u003eB4    Carolina Song     -     David Munyon\u003cbr\u003eB5    Now So Far     -     Paul Stephenson\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eE' sorprendente che, nonostante download ed mp3, la richiesta di vinile da parte del mercato sia attualmente in costante crescita. Stockfisch ha deciso dunque di pubblicare \"Vinyl Collection vol. 2\", il secondo volume della serie Vinyl Collection contenente dieci tracce selezionate all'interno del repertorio dell'etichetta tedesca. In questo disco troviamo disponibile per la prima volta su vinile \"That Train\" di Ewen Carruthers, un sentito omaggio al cantautore inglese scomparso nel 2010, registrato da Allan Taylor nella famosa sessione Porsche\/Burmester. La tracklist prevede poi alcuni brani del malinconico cantautore irlandese residente in Canada Paul O'Brien, del duo folk australiano Carl \u0026amp; Parissa ed altri tratti dall'album di David Munyon \"Pretty Blue\". Si procede con l'inedito dal primo album su Stockfisch di Katja Maria Werker \"Mitten im Sturm\", un pezzo per chitarra suonato dal virtuoso Ralf Illenberger che aveva registrato con l'etichetta tedesca negli anni '70, una meravigliosa canzone dal terzo album di Paul Stephenson e anche un inedito dell'eccezionale chitarrista Chris Jones, purtroppo scomparso nel 2005.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Stockfisch Records","offers":[{"title":"LP 33 rpm","offer_id":50767606645083,"sku":"SFR35780091","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/8009_VC2_1000shop_ml.jpg?v=1749560603"},{"product_id":"vinyl-collection-vol-3-stockfisch-records","title":"Vinyl Collection Vol.3 - STOCKFISCH RECORDS","description":"\u003ch2\u003e\n\u003cstrong\u003eVinyl Collection Vol.3 - STOCKFISCH RECORDS \u003c\/strong\u003e(\u003cb\u003eSFR35780151\u003c\/b\u003e)\u003c\/h2\u003e\n\u003ch2\u003e\n\u003cspan\u003eStockfisch Records - \u003c\/span\u003eLP AUDIOPHILE PRESSING \u003cspan class=\"contentAndConfiguration\"\u003e180g\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1    Silvia's River     -     Paul O'Brien\u003cbr\u003eA2    Sea of Dreams     -     Steve Strauss\u003cbr\u003eA3    Haunted     -     Carrie Newcomer\u003cbr\u003eA4    I'll Be Here For You     -     David Roth\u003cbr\u003eA5    Nowhere Fast     -     The Greater Good\u003c\/p\u003e\n\u003cp\u003eB1    The Full Force Of The Wind     -     Carl \u0026amp; Parissa\u003cbr\u003eB2    Strange World     -     Ranagri\u003cbr\u003eB3    Song For Danko     -     David Munyon\u003cbr\u003eB4    The Ferryman     -     Kerstin Blodig\u003cbr\u003eB5    The Best I Can     -     Allan Taylor\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePer il terzo volume della serie Vinyl Collection, \"Vinyl Collection vol. 3\" casa Stockfisch ha selezionato brani del suo repertorio che, grazie al loro timbro profondo, morbido e trasparente, si adattano particolarmente bene dal punto di vista sonoro al disco in vinile. Nella tracklist troviamo canzoni tratte dagli ultimi lavori di Allan Taylor, Steve Strauss, David Muyon e Paul O'Brien. Poi ci sono anche pezzi di alcune scoperte più recenti di Guenter Pauler, il fondatore di Stockfisch, come Carrie Newcomer dall'Indiana, Kerstin Blodig dalla Norvegia e della band anglo-irlandese Ranagri. Carrie Newcomer è una bravissima cantante dalla voce vellutata e le sue canzoni sincere affascinano il pubblico di tutto il mondo. La cantante, cantautrice e chitarrista Kerstin Blodig propone brani tratti dal suo album di debutto per Stockfisch, pezzi registrati in una radura in una delle più grandi aree forestali della Germania, a Solling. L'ispirante atmosfera naturale che è entrata nel disco attraverso il canto degli uccelli ed i suoni della vegetazione, si adatta meravigliosamente alle canzoni norvegesi di Kerstin ed al suono profondo della chitarra acustica. Il quartetto Ranagri viene dal Regno Unito ed è formato da un musicista irlandese tradizionale, due di formazione classica ed un cantante e chitarrista blues, tutti con la passione per la musica folk.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Stockfisch Records","offers":[{"title":"LP 33 rpm","offer_id":50767635611995,"sku":"SFR35780151","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/VC3_8015_1000shop_ml.jpg?v=1749561264"},{"product_id":"vinyl-collection-vol-4-stockfisch-records","title":"Vinyl Collection Vol.4 - STOCKFISCH RECORDS","description":"\u003ch2\u003e\n\u003cstrong\u003eVinyl Collection Vol.4 - STOCKFISCH RECORDS \u003c\/strong\u003e(\u003cb\u003eSFR35780221\u003c\/b\u003e)\u003c\/h2\u003e\n\u003ch2\u003e\n\u003cspan\u003eStockfisch Records - \u003c\/span\u003eLP AUDIOPHILE PRESSING \u003cspan class=\"contentAndConfiguration\"\u003e180g\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003eA\u003c\/div\u003e\n\u003cdiv\u003e1  Rise We Will\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e     -     \u003c\/span\u003eDavid Roth                   \u003c\/div\u003e\n\u003cdiv\u003e2  Restless Heart\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e     -     \u003c\/span\u003eIan Smith                  \u003c\/div\u003e\n\u003cdiv\u003e3  England Green \u0026amp; England Grey\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e     -     \u003c\/span\u003eReg Meuross  \u003c\/div\u003e\n\u003cdiv\u003e4  Every Broken Glass\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e     -     \u003c\/span\u003eSteve Strauss          \u003c\/div\u003e\n\u003cdiv\u003e5  The Streets of Africa\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e     -     \u003c\/span\u003eKatja Werker   \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eB     \u003c\/div\u003e\n\u003cdiv\u003e6  Big River\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e     -     \u003c\/span\u003eSteve Folk                      \u003c\/div\u003e\n\u003cdiv\u003e7  Silence Is Deafening\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e     -     \u003c\/span\u003ePaul Stephenson      \u003c\/div\u003e\n\u003cdiv\u003e8  Devil's Need\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e     -     \u003c\/span\u003eRanagri                      \u003c\/div\u003e\n\u003cdiv\u003e9  The Painter\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e     -     \u003c\/span\u003eBrian Flanagan                \u003c\/div\u003e\n\u003cdiv\u003e10 How to Become Unbroken\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e     -     \u003c\/span\u003eAnne Clark\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eLe preziose \"Vinyl Collection\" sono fra gli album più apprezzati dagli amanti delle più pure sonorità audiofile: scrigni preziosi che racchiudono perle musicali che risplendono di sonorità davvero difficilmente ascoltabili in altri dischi. La perfezione del suono viene confermata dall'atteso \"Vinyl Collection Vol. 4\" che contiene 10 tra i brani più belli dell'intera produzione di casa Stockfisch degli ultimi anni. Tra i protagonisti di questo brillante percorso sonoro troviamo il compositore e cantante irlandese Brian Flanagan che canta \"The Painter\", brano ispirato alla bellezza del paesaggio del proprio paese. Simile a Flanagan per tono e modalità interpretativa, è la nuova scoperta dell'etichetta tedesca, il cantante londinese Steve Folk che in questa occasione presenta \"Big River\", un pezzo affascinante che unisce malinconia e seduzione. Sebbene attivo da decenni, anche Reg Meuross è una nuova scoperta per Stockfisch: si tratta di un eccellente cantante folk della scuola inglese che in \"Vinyl Collection Vol. 4\" interpreta \"England Green \u0026amp; England Grey\", interessante brano che contiene una profonda critica sociale. Tra i nuovi arrivati c'è anche l'rlandese Ian Smith, artista talentuoso che dimostra tutta la sua capacità di narratore. Non mancano inoltre alcune delle voci storiche dell'etichetta come Katja Werker, Steve Strauss, David Roth, Paul Stephenson e Ranagri. A impreziosire un cast già eccezionale ci pensa l'icona della musica elettronica e del movimento europeo new wave, Anne Clark che, approdata negli studi Stockfisch negli anni '80, ci è ritornata nel 2022 per la registrazione del suo ultimo disco \"Borderland\" da cui è tratto il suggestivo brano \"How to Become Unbroken\" che ciude il lato B di \"Vinyl Collection Vol. 4\". Da non perdere!\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Stockfisch Records","offers":[{"title":"LP 33 rpm","offer_id":50767688335707,"sku":"SFR35780221","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/8022_VinylColl4_1000shop_ml.jpg?v=1749562124"},{"product_id":"orchestra-30-anniversary","title":"ORCHESTRA - 30° ANNIVERSARY","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eORCHESTRA - 30° ANNIVERSARY \u003c\/strong\u003e(\u003cspan\u003eCVLD396\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003eAutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eAA.VV.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eEsecutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eAA.VV.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eDisponibile nei supporti: LP, File HD\u003c\/h3\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003eTracce:\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE A: 20:09\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e01 – Ouverture, from Le Nozze di Figaro 4:24\u003cbr\u003eWolfgang Amadeus Mozart I Solisti dell’Olimpico, Giovanni Battista Rigon, conductor\u003cbr\u003eLive Recording, Teatro Olimpico, Vicenza, June 2016\u003c\/li\u003e\n\u003cli\u003e02 – Symphony n. 4 in A Major, Op. 90 “Italiana”, Saltarello 5:32\u003cbr\u003eFelix Mendelsshon-Bartholdy\u003cbr\u003eOrchestra di Padova e del Veneto, Giancarlo Andretta, conductor\u003cbr\u003eStudio Recording, Auditorium Pollini, Padova, August 2000\u003c\/li\u003e\n\u003cli\u003e03 – Sinfonia in C Major “dei giocattoli” 3:16\u003cbr\u003eLeopold Mozart\u003cbr\u003eI Solisti dell’Olimpico, Giovanni Battista Rigon, conductor Live Recording, Teatro Olimpico, Vicenza, June 2004\u003c\/li\u003e\n\u003cli\u003e04 – Intermezzo, from Cavalleria Rusticana 3:20\u003cbr\u003ePietro Mascagni\u003cbr\u003eOrchestra Cesare Pollini del Conservatorio di Padova, Giuliano Medeossi, conductor\u003cbr\u003eStudio Recording, Auditorium Pollini, Padova, May 2015\u003c\/li\u003e\n\u003cli\u003e05 – Halleluja, from Messiah, HW 56 3:33\u003cbr\u003eGeorg Friedrich Händel\u003cbr\u003eSchola S.Rocco \u0026amp; Archicembalo Ensemble, Francesco Erle, conductor\u003cbr\u003eLive Recording, Basilica di San Felice, Vicenza, December 2009\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE B: 19:00\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e01 – Suite per Paer, Allegro con spirito 1:30\u003cbr\u003eAdriano Lincetto\u003cbr\u003eI Solisti di Venezia, Giovanni Guglielmo, conductor and first violin\u003cbr\u003eStudio Recording, Sala della Biblioteca, Abbazia di Carceri d’Este, April 2004\u003c\/li\u003e\n\u003cli\u003e02 – Concerto per violoncello, archi e pianoforte, Rondò 9:41\u003cbr\u003eSilvio Omizzolo Orchestra di Padova e del Veneto, Fabio Framba, conductor\u003cbr\u003eDamiano Scarpa, violoncello, Pierluigi Piran, piano\u003cbr\u003eStudio Recording, Auditorium Pollini, Padova, September 2009\u003c\/li\u003e\n\u003cli\u003e03 – Danse profane, pour harpe Chromatique avec accompagnaiment d’orchestre à cordes 5:07\u003cbr\u003eClaude Debussy\u003cbr\u003eDavide Burani, harp\u003cbr\u003eOrchestra da Camera di Ravenna, Paolo Mainetti, conductor\u003cbr\u003eStudio Recording, Teatro Incontro, Formigine, December 2012\u003c\/li\u003e\n\u003cli\u003e04 – Moto Velocetto Perpetuo 2:39\u003cbr\u003eGiorgio Gaslini\u003cbr\u003eOrchestra del Teatro Marrucino, Giorgio Gaslini, conductor\u003cbr\u003eLive Recording, Teatro Marrucino, Chieti, February 2007\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cbr\u003e38 cm\/sec, ¼” Analog Master made at VLS Studio, Naquera (Spain), on May 2025, starting from PCM wav 88.2kHz \/ 24bit original digital master recordings made at several different locations in Italy, from September 2000 to June 2016\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cbr\u003eProduction: Marco Lincetto for VELUT LUNA\u003cbr\u003eExecutive producer: Marco Lincetto\u003cbr\u003eRecording engineer: Marco Lincetto (Matteo Costa on tracks 1 \u0026amp; 3, Side A)\u003cbr\u003eMix and mastering engineer: Marco Lincetto\u003cbr\u003eInside photo: Marco Lincetto\u003cbr\u003eDesign and layout: Studio L'Image\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eSi fa presto a dire Musica Classica…\u003cbr\u003eOggi più che mai le persone hanno un’autentica ansia derivante dalla necessità di catalogare le cose, le azioni, i pensieri in modo chiaro e univoco. Una volta un celebre negoziante specializzato nella vendita dei dischi mi disse che lui deve sapere subito e senza esitazioni a che genere appartiene ogni disco che vende, perché banalmente deve sapere su che scaffale metterlo… perché il pubblico deve sapere cosa sta comprando.\u003cbr\u003eNon è un caso se ho sottolineato il verbo “deve”; e perdonatemi se scatta inevitabile la mia azione di pensiero critico, ma… perché “deve” sapere? Perché forse la facoltà di pensare con la propria testa, di creare autonomamente le categorie della conoscenza è ormai diventato un atto troppo rivoluzionario per una società occidentale moderna ormai schiava delle regole del controllo a tutti i costi, dell’indirizzamento moralistico del essere umano da parte di un potere vessatorio e sempre più teso al dominio dei sudditi, piuttosto che al servizio dei cittadini.\u003cbr\u003eE in questo contesto ecco che non si può lasciare nulla al caso, meno che meno la capacità di pensare in autonomia nell’ambito di contenuti “pericolosamente” culturali, come è appunto anche la Musica.\u003cbr\u003eLa definizione “musica classica” è stata quindi associata a tutta una serie di stilemi convenzionali, tipicamente referentisi alla musica del passato che ci è stata tramandata come “classica” dai soliti dotti e sapienti del tempio. Ma in realtà, ad esempio e dal mio punto di vista, “classica” si può intendere quella musica che trae ispirazione, non dimentica, da quelle pagine composte nel corso della storia dell’Umanità che hanno in sé il senso dell’assoluto, ovvero rientrano in categorie assolute di valore e bellezza, che sanno trascendere e superare il corso del tempo.\u003cbr\u003eEcco quindi che il percorso di questo disco vuole proporre un vero e proprio concept riassuntivo di questi concetti appena espressi. E quindi troverete un LATO A che presenta alcune delle pagine più celebri e celebrate di quella musica classica della tradizione che a buon diritto si è fissata come definitiva, superando ed esorcizzando il possibile oblio del tempo.\u003cbr\u003eMentre nel LATO B troverete una selezione significativa di musica scritta nel ‘900, ovvero il “secolo di mezzo”, che ha saputo cogliere la sintesi del passato, mescolandone le radici native con le influenze più differenti dai vari mondi culturali che appunto nel ventesimo secolo, forse per la prima volta, hanno saputo abbattere le barriere geografiche, senza dimenticare la lezione del passato.\u003cbr\u003eSenza dubbio quindi, un po’ provocatoriamente ma non troppo, non ho voluto intitolare con il termine “Classica” (dopo “Jazz” e “Blues”) questa terza raccolta del trentesimo anniversario di Velut Luna, ma più semplicemente “ORCHESTRA” una parola che va a specificare, volutamente, solo l’organico utilizzato per suonare questa musica.\u003cbr\u003eE così fu, così è e così sarà.\u003cbr\u003e\u003cstrong\u003eDedico questo disco a mio papà, Adriano Lincetto.\u003c\/strong\u003e\u003cbr\u003eMarco Lincetto\u003c\/em\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"LP 33 rpm","offer_id":50925490307419,"sku":"CVLD396LP","price":49.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz • 24bit","offer_id":50925490340187,"sku":"CVLD396","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_b42979ae-008a-4f58-bf2e-778025f15d29.jpg?v=1751544690"},{"product_id":"the-worlds-greatest-audiophile-vocal-recordings-volume-4-chesky-records","title":"THE WORLD'S GREATEST AUDIOPHILE VOCAL RECORDINGS - Volume 4 - Chesky Records","description":"\u003ch2\u003e\n\u003cstrong\u003eTHE WORLD'S GREATEST AUDIOPHILE VOCAL RECORDINGS - Volume 4 | Chesky Records \u003c\/strong\u003e(\u003cb\u003eEVLP90\u003c\/b\u003e)\u003c\/h2\u003e\n\u003ch2\u003e\n\u003cspan\u003eEvolution Music - \u003c\/span\u003eLP AUDIOPHILE PRESSING \u003cspan class=\"contentAndConfiguration\"\u003e180g\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eArtist: \u003c\/strong\u003eVarious Artists\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTitle: \u003c\/strong\u003eThe World's Greatest Audiophile Vocal Recordings Volume 4\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGenre: \u003c\/strong\u003eAudiophile, Vocal Jazz, Folk, Singer-songwriter\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConfiguration: \u003c\/strong\u003e180G BLACK VINYL LP\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eLa serie audiophile in vinile 180 gr. proposta da \u003cspan data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" data-markjs=\"true\"\u003eEvolution\u003c\/span\u003e Music, ma originariamente pubblicata da Chesky Records, si arricchisce di un inedito quarto volume da aggiungere alla nostra collezione: “The World’s Greatest Audiophile Vocal Recordings Vol. 4”. Registrato con tecniche e attrezzature innovative dai rinomati ingegneri del suono Nicholas Prout e Bob Katz, l’album propone una serie di imperdibili performances che vedono come protagonisti alcuni artisti come la cantante e attrice anglo-americana Rebecca Pidgeon, la cantautrice folk-pop statunitense Anna Nalick, l’icona r\u0026amp;b dell’Ohio Macy Gray, il cantante jazz-pop Casey Abrams e la pianista jazz-rock newyorkese Rachel Z.. “The World’s Greatest Audiophile Vocal Recordings Vol. 4” è proposto in un’accattivante edizione limitata e di altissima qualità, stampata in un unico passaggio, a 33 giri e su vinile verde da 180 gr.. Da non perdere!\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan lang=\"en-us\"\u003e\u003cstrong\u003eVolume 4\u003c\/strong\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003cbr\u003e1. HELPLESSLY HOPING – ANNA NALICK\u003cbr\u003e2. YOU HAVEN'T DONE NOTHIN – JEN CHAPIN\u003cbr\u003e3. GRANDMOTHER – REBECCA PIDGEON\u003cbr\u003e4. STILL I ADORE YOU – DAVE'S TRUE STORY\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003e1. STAND BY ME – MEIKO\u003cbr\u003e2. THIS WOMEN'S WORK – RACHEL Z\u003cbr\u003e3. HALLELUJAH – MELISSA MENAGO\u003cbr\u003e4. WHAT A WONDERFUL WORLD – CASEY ABRAMS\u003cbr\u003e5. REDEMPTION SONG – MACY GRAY\u003c\/p\u003e\n\u003c!----\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe width=\"100%\" src=\"https:\/\/cheskyrecords.lnk.to\/The-World-s-Greatest-Audiophile-Vocal-Recordings-Vol-4\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Chesky Records","offers":[{"title":"VOLUME 4 - LP 33 rpm ONE STEP","offer_id":51033193054555,"sku":"EVLP90 ","price":49.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/shopping.png?v=1753343021"},{"product_id":"riccardo-muti-mozart-sinfonie-n-25-n-35-haffner-n-39","title":"RICCARDO MUTI - MOZART: Sinfonie N.25 - N.35 \"Haffner\" - \u0026 N.39","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eRICCARDO MUTI - MOZART: Sinfonie N.25 - N.35 \"Haffner\" - \u0026amp; N.39 \u003c\/strong\u003e(\u003cspan\u003ePJLPB1002\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 lang=\"en-US\"\u003eWiener Philharmoniker \u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003e\u0026amp; Riccardo Muti\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003ch2 lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003eA Pro-Ject Records Exclusive-Release!\u003c\/span\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch3 lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003eSetting the Standard in Analogue Purity\u003c\/span\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eInsieme alla Filarmonica di Vienna, Riccardo Muti ha creato un vero capolavoro con le sinfonie n. 25, 35 e 39 di Mozart. Entrambi sono tra gli artisti più stimati della musica classica dell'era moderna e questo disco in vinile unisce un'interpretazione eccezionale a un'esperienza sonora senza pari, che conserva la calda e morbida atmosfera del Wiener Musikverein.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuesta rarissima registrazione audiofila è stata rimasterizzata con cura e amore da niente meno che Georg Burdicek, il cuore e l'anima di Tonzauber. I suoi riferimenti includono registrazioni con artisti di fama mondiale come Nikolaus Harnoncourt, Milan Horvat, Elina Garancia, Joe Zawinul e molti altri.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eL'inizio stesso della lenta introduzione al n. 39 rende abbondantemente chiaro che Muti non ha intenzione di lasciarsi influenzare dalle idee più recenti dell'esecuzione d'epoca. Non è possibile stabilire con precisione quanti archi stia usando, ma il risultato sul primo accordo è imponente, audace e corposo. Così le sorprendenti dissonanze nell'introduzione emergono nettamente e, nonostante la fluidità, le tessiture dei tutti nell'Allegro principale sono encomibilmente pulite. Nel n. 25, il \"piccolo\" Sol minore, Muti è veloce e impetuoso nel primo movimento, senza la sensazione che si tratti di un'opera giovanile, e nel secondo movimento, l'Andante, mantiene i violini senza sordina, evidenziando più nettamente i contrasti tonali con i legni nelle frasi alternate. I vari assoli di fiati, dall'ottavino alla tromba, sono caratterizzati con arguzia. Ma il pezzo forte qui è la Sinfonia \"Haffner\", un resoconto totalmente esuberante, cinematografico nella sua concentrazione e intensità, che corre verso un finale che è oltre ogni immaginazione.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eWolfgang Amadeus Mozart\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLP 1\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide A - Symphony No. 25 in G minor:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Allegro con brio\u003c\/p\u003e\n\u003cp\u003e2. Andante\u003c\/p\u003e\n\u003cp\u003e3. Menuetto\u003c\/p\u003e\n\u003cp\u003e4. Allegro\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B  - Symphony No. 35 „Haffner“ in D major:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Allegro con spirito\u003c\/p\u003e\n\u003cp\u003e2. Andante\u003c\/p\u003e\n\u003cp\u003e3. Menuetto\u003c\/p\u003e\n\u003cp\u003e4. Presto\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLP 2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide C - Symphony No. 39 in E flat major:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Adagio – Allegro\u003c\/p\u003e\n\u003cp\u003e2. Andante con moto\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide D\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e3. Menuetto\u003c\/p\u003e\n\u003cp\u003e4. Allegro\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOriginal label: Decca\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Pro-Ject Audio Systems LPs","offers":[{"title":"LP 33 rpm (double)","offer_id":51132243902811,"sku":"PJLPB1002","price":49.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/muti_-_mozart.webp?v=1754497317"},{"product_id":"herbert-von-karajan-strauss-also-sprach-zarathustra-don-juan-tod-und-verklarung","title":"HERBERT von KARAJAN - STRAUSS: Also sprach Zarathustra - Don Juan - Tod und Verklärung","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eHERBERT von KARAJAN - STRAUSS: Also sprach Zarathustra - Don Juan - Tod und Verklärung \u003c\/strong\u003e(\u003cspan\u003ePJLP3\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eThe Vienna Philharmonic \u0026amp; Herbert von Karajan\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003eA Pro-Ject Records Exclusive-Release!\u003c\/span\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch3 lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003eSetting the Standard in Analogue Purity\u003c\/span\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eRegistrazioni Hallmark della Filarmonica di Vienna ripubblicate da Pro-Ject Audio Systems: \"Solo analogico\" stabilisce lo standard della qualità del suono.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLa nuova edizione in vinile della Filarmonica di Vienna su Pro-Ject Audio Systems è stata trasferita direttamente dai nastri originali di Deutsche Grammophon e Decca, senza alcuna elaborazione digitale intermedia. Heinz Lichtenegger, proprietario e mente di Pro-Ject Audio Systems, non è solo un appassionato di musica nella vita privata. Nel corso degli anni si è affermato come uno dei più accesi sostenitori internazionali del mondo dell'audio analogico. Dalla sua ammirazione per la Filarmonica di Vienna, è nato il progetto di ripubblicare 12 leggendarie registrazioni dell'orchestra di fama mondiale risalenti all'era analogica.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLe registrazioni selezionate della Filarmonica di Vienna sono note soprattutto per la loro fedeltà sonora: dopotutto, Decca e poi Deutsche Grammophon hanno permesso solo ai migliori ingegneri del suono di lavorare con questa orchestra di altissimo livello. Con questa serie, Pro-Ject Audio Systems intende preservare le condizioni originali di queste registrazioni insostituibili, come parte del nostro patrimonio culturale per i posteri.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInsieme a un team di specialisti, Lichtenegger ha scelto Herbert von Karajan per questo LP della Filarmonica di Vienna. Tra concerti, opere, tournée e sessioni di registrazione, la Filarmonica di Vienna si è esibita circa 700 volte con Herbert von Karajan, a partire dal 1934 fino alla morte del direttore nel 1989.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuesti poemi sinfonici di Strauss costituiscono esempi straordinari della straordinaria maestria interpretativa di Karajan. Furono registrati nella Sofiensäle di Vienna tra la fine degli anni '50 e l'inizio degli anni '60 con l'Orchestra Filarmonica di Vienna e testimoniano niente meno che l'eccezionale sensibilità di Karajan per la sonorità, l'equilibrio e, soprattutto, la profondità espressiva.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCome afferma Lichtenegger: \"Produciamo la migliore qualità possibile per i nostri clienti e, mentre i nastri originali continuano a invecchiare, i dischi in vinile documentano le loro condizioni acustiche dal 2019\".\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRichard Strauss\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLP 1 - Don Juan, Tod und Verklärung, Also Sprach Zarathustra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eDon Juan, Op. 20 17:04\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eB\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eTod und Verklärung, Op. 24 23:55\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLP 2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eC\u003cspan\u003e  - Also sprach Zarathustra, Op. 30 [1-7]\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Prelude [Sonnenaufgang] 1:45\u003cbr\u003e2. Von den Hinterweltlern 3:35\u003cbr\u003e3. Von der großen Sehnsucht 1:56\u003cbr\u003e4. Von den Freuden und Leiden- schaften 1:55\u003cbr\u003e5. Das Grablied 2:24\u003cbr\u003e6. Von der Wissenschaft 4:18\u003cbr\u003e7. Der Genesende [Teil 1] 1:43\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e7. Der Genesende [Teil 2] 3:36\u003cbr\u003e8. Das Tanzlied 7:43\u003cbr\u003e9. Das Nachtwandlerlied 4:35\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOriginal label: Decca\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Pro-Ject Audio Systems LPs","offers":[{"title":"LP 33 rpm (double)","offer_id":51132521415003,"sku":"PJLP3","price":49.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/WienerPhilharmonikerKarajan-RichardStrauss-2.webp?v=1754499103"},{"product_id":"karl-bohm-beethoven-sinfonia-n-6-pastorale-overture-egmont","title":"KARL BOHM - BEETHOVEN: Sinfonia N.6 'Pastorale' - Overture Egmont","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eKARL BOHM - BEETHOVEN: Sinfonia N.6 'Pastorale' - Overture Egmont \u003c\/strong\u003e(\u003cspan\u003ePJLP1\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003eWiener Philharmoniker \u0026amp; Karl Böhm\u003c\/span\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch2 lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003eA Pro-Ject Records Exclusive-Release!\u003c\/span\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch3 lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003eSetting the Standard in Analogue Purity\u003c\/span\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003eRemastered with care and love from the original master tape by Georg Burdicek\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuesto disco è stato prodotto in collaborazione con Pro-Ject Audio Systems per riprodurre la musica originale e l'esperienza sonora di questo famoso concerto nella Golden Hall del Wiener Musikverein. Stampato su vinile di alta qualità da 180 g con la massima precisione da Pallas Germany.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNel 1803 Beethoven annotò sul suo taccuino: \"Ruscelli gorgoglianti, andante molt[o], quanto più largo è il ruscello, tanto più profondo è il tono\" e tracciò i primi schizzi per il ritmo di danza del terzo movimento. Cinque anni dopo etichettò i primi tre movimenti come scene: \"Scena: Arrivo in campagna [e] effetto sull'umore\", \"Scena presso il ruscello\" e \"Scena: Riunione festosa\", a cui aggiunse \"Anche senza descrizioni, il tutto sarà percepito più come espressione che come pittura sonora\". Infine, antepose alla sinfonia le parole \"Più espressione di sentimento che pittura\". Sebbene la sinfonia fosse ispirata da impressioni della natura (Beethoven la definì \"Sinfonia pastorale, o Ricordo della vita di campagna\"), questa composizione in Fa maggiore non ha l'intento di descrivere eventi naturali. Piuttosto, fu l'idea della natura stessa a riversarsi nella forma della sinfonia, assegnandole cinque movimenti invece dei consueti quattro. Dal punto di vista tematico, l'opera è fondamentalmente costruita su triadi. L'apertura del primo movimento anticipa già il materiale formativo del successivo Allegro, che deve il suo colore caratteristico non da ultimo alle altezze sostenute che ricordano cornamuse e ghironda. La \"Scena presso il ruscello\", con le sue allusioni onomatopeiche al canto degli uccelli, è concepita come un rondò espanso. Che il canto del cuculo abbia toccato o meno una corda particolare in Gustav Mahler, un canto simile si ritrova nell'apertura della sua Prima Sinfonia.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIl terzo movimento, che sostituisce uno scherzo, trae il suo carattere dalla danza tedesca nota come Deutscher. È un Allegro burbero e assertivo che conduce direttamente al culmine drammatico della sinfonia: un temporale musicale. Qui i tuoni sono raffigurati da quintetti di sedicesimi nei violoncelli e nei contrabbassi, e le gocce di pioggia da una sfavillante figura di quattro note nei violini. Il finale segue senza interruzione, riportando ancora una volta all'atmosfera tranquilla del primo movimento. Il ritorno di Beethoven all'idea di rondò di questo movimento nel suo tardo Quartetto per archi op. 132 è dovuto alla somiglianza dei soggetti: nel finale della \"Pastorale\" i pastori mostrano la loro gratitudine per la fine della tempesta, mentre nel quartetto per archi un uomo precedentemente afflitto da una grave malattia rende grazie a Dio per la sua guarigione.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKarl Böhm, nato a Graz nel 1894 e morto a Salisburgo nel 1981, occupa un posto speciale nella storia della Filarmonica di Vienna. Nel 1967, questo dottore in giurisprudenza divenne la prima persona a cui l'orchestra conferì il titolo di \"direttore onorario\", un riconoscimento che da allora è stato accordato solo un'altra volta nella storia dell'orchestra, ovvero a Herbert von Karajan nel 1980. Il calore che Böhm provava per l'orchestra è evidente nelle parole che pronunciò durante la sua ultima apparizione con la Filarmonica. Si trattava dell'ultima sessione di registrazione per la versione cinematografica di Elettra di Richard Strauss, che annoverava Böhm tra i suoi direttori preferiti: \"Ho amato l'orchestra come un essere umano fin da quando l'ho ascoltata per la prima volta, in fondo alla platea del Musikverein, e fin da quando ho diretto per la prima volta Tristano all'Opera di Stato\".\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFu il successo di questa esecuzione di Tristano e Isotta all'Opera di Vienna (di cui Böhm fu direttore nel 1943-45 e di nuovo nel 1954-56) a portare al suo concerto di debutto con la Filarmonica di Vienna nell'aprile del 1933. Il suo ultimo concerto si tenne in Giappone nel 1980. Se a questo aggiungiamo le sue 667 apparizioni all'Opera di Stato di Vienna, Karl Böhm, \"Direttore Musicale Generale dell'Austria\", fu alla guida della Filarmonica di Vienna 1430 volte. Questa cifra non include nemmeno le sessioni per le numerose registrazioni che realizzò con l'orchestra durante i 48 anni di collaborazione. Tra queste, la sua acclamatissima registrazione integrale delle sinfonie di Beethoven dei primi anni Settanta, insieme a diverse ouverture, tra cui Egmont, composta nel 1810 per un'esecuzione viennese dell'omonima tragedia di Goethe. Tutti questi brani sono una testimonianza eloquente di un ideale musicale caratterizzato da precisione e naturalezza espressiva e forniscono una prova documentale dell'impeccabile senso del tempo di Böhm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eLudwig Van Beethoven \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLP 1 - \u003cspan\u003eSinfonia n. 6 Fa-Dur op. 68 “Pastorale”\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. Erwachen heiterer Empfindungen bei Ankunft auf dem Lande \/ Allegro ma non troppo\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2. Szene am Bach \/ Andate molto mosso\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eLP 2\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSide C\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e3. Lustiges Zusammensein der Landleute \/ Allegro\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e4. Gewitter – Sturm\/Allegro\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm \/ Allegretto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSide D - \u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eOuverture \"Egmont\" op. 84\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e6. Musik zu Goethes Tragödie\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOriginal label: Deutsche Grammophon\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Pro-Ject Audio Systems LPs","offers":[{"title":"LP 33 rpm (double)","offer_id":51132579316059,"sku":"PJLP1","price":49.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/Beethoven-Symphonie6_Ouverture-1.webp?v=1754500584"},{"product_id":"zubin-metha-mahler-sinfonia-n-2-resurrezione","title":"ZUBIN METHA - MAHLER: Sinfonia N.2 \"Resurrezione\"","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cstrong\u003eZUBIN METHA - MAHLER: Sinfonia N.2 \"Resurrezione\" \u003c\/strong\u003e(\u003cspan\u003ePJLP1001\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e) (incl. download voucher)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003eWiener Philharmoniker \u0026amp; Zubin Mehta\u003c\/span\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan\u003eIleana Cotrubas\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e, soprano\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan\u003eChrista Ludwig\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e, mezzosoprano\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan\u003eWiener Staatsopernchor\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch2 lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003eA Pro-Ject Records Exclusive-Release!\u003c\/span\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch3 lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003eSetting the Standard in Analogue Purity\u003c\/span\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan\u003e\u003cstrong\u003eDoppio LP da 180 grammi in tiratura limitata a sole 2000 copie per tutto il mondo\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan\u003e\u003cstrong\u003eRimasterizzazione effettuata a partire dai nastri analogici originali della Decca presso i mitici studios di Abbey Road\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePer celebrare l'80° compleanno di Zubin Mehta, Decca (Universal Music) è orgogliosa di presentare gli iconici album di Zubin Mehta in collaborazione con la Vienna Philharmonic Orchestra e Pro-Ject Audio Systems. Un must per gli appassionati di musica dell'era analogica, riproposti su vinile di alta qualità. Presentata con la copertina originale, questa registrazione è stata accuratamente masterizzata dai nastri analogici originali Decca presso gli Abbey Road Studios.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuesto è probabilmente il miglior album di Mahler di Mehta in assoluto. Il primo movimento è molto drammatico. Mehta apre con un tempo molto teso e svelto. Mehta non si affretta mai, ma non si trascina mai. I timpani sono molto ben definiti, ma non prepotenti, in tutto il movimento, così come in tutto il disco. L'Andante è suonato molto bene. Il fraseggio è meraviglioso. Lo Scherzo inizia nel modo migliore che abbia mai sentito. Due colpi di timpano nitidi e cristallini. Poi i due successivi sono più morbidi, e poi i due ancora più morbidi, il che gli conferisce un effetto sorprendente.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePoi, l'Urlicht. Il tempo più lento di Mehta non fa che accrescere la straziante bellezza. Aggiungete a ciò la splendida voce di Ileana Contrubas e avrete una combinazione vincente. Fino al finale imponente, dove Mehta trionfa davvero. I tempi sono perfetti. Mehta costruisce i climax alla perfezione, senza mai trascinarsi. Gli ottoni suonano in modo superbo! Ho sentito alcuni degli ottoni gravi in questo movimento che non avevo mai sentito prima nelle mie altre registrazioni. Davvero impressionante. Quando entra il coro, ascoltate solo i cantanti bassi! Spettacolare. L'intero coro sembra un dono del cielo. Contrubas e Ludwig cantano in modo cristallino e meraviglioso. L'organo si sente in modo chiarissimo. La combinazione di tempi perfetti, magnifiche incisioni e un'esecuzione ultra-vituosa rendono il finale uno dei brani musicali più toccanti che ascolterete mai.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuesta registrazione ha tutto ciò che si possa desiderare. I tempi perfetti di Mehta, la splendida collaborazione di Contrubas, Ludwig e la Staatsopernchor di Vienna. La Filarmonica di Vienna, in particolare gli ottoni, suona proprio come l'ensemble virtuoso che è. Correte a procurarvela il prima possibile.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eGustav Mahler \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLP 1\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide A:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Allegro maestoso. Mit durchaus ernstem und feierlichem Aus-druck\u003c\/p\u003e\n\u003cp\u003e2. Andante moderato. Sehr gemachlich\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e3. Scherzo: In ruhig fliessender Bewegung\u003c\/p\u003e\n\u003cp\u003e4. O Roschen rot! Der Mensch liegt in grosster Not!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLP 2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide C:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5. Part 1: I’m Tempo Des Scherzo, Wild Herausfahrend\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide D:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5. Conclusion: Sehr Langsam Und Gedehnt\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOriginal label: Deutsche Grammophon\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Pro-Ject Audio Systems LPs","offers":[{"title":"LP 33 rpm (double)","offer_id":51132635119963,"sku":"PJLP1001","price":49.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/mahlerno2.webp?v=1754502450"},{"product_id":"project-two-a-genesis-rhapsody-marco-lo-muscio-steve-hackett-john-hackett-vinyl","title":"PROJECT TWO - A GENESIS RHAPSODY | Marco Lo Muscio, Steve Hackett, John Hackett (Vinyl)","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003ePROJECT TWO - A GENESIS RHAPSODY\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003e\u003cspan\u003eMarco Lo Muscio,\u003ci\u003e \u003c\/i\u003eSteve Hackett, John Hackett\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cb\u003eSupporti disponibili: \u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli lang=\"en-US\" class=\"western\"\u003e\n\u003cspan\u003e\u003cb\u003eCVLD387C - \u003c\/b\u003e\u003c\/span\u003e\u003cb\u003eDMM-\u003cspan\u003eONE STEP \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003eVINYL\u003c\/b\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003cb\u003eCVLD387A - CLASSIC VINYL \u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003eA SIDE \u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003e\u003cu\u003e19:55\u003c\/u\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eEntangled\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e4:47\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eS.Hackett, T.Banks\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003ePreludio in G Major BWV1007\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e2:27\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eJ.S.Bach \u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eHorizons\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e3:32\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eS.Hackett\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eMeditations On Horizons\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e4:10\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eM.Lo Muscio\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eAfter The Ordeal\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e4:59\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eS.Hackett, \u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003ewith Steve Hackett, guitar and John Hackett, flute\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003eB SIDE \u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003e\u003cu\u003e21:03\u003c\/u\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eWatcher Of The Skies\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e2:27\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eP.Collins, T.Banks, S.Hackett, M.Rutherford, P.Gabriel\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003ePreludio on Firth Of Fifth\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e1:13\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eM.Lo Muscio\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eFirth Of Fifth\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e4:15\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eP.Collins, T.Banks, S.Hackett, M.Rutherford, P.Gabriel\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eHairless Hearth\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e3:40\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eP.Collins, T.Banks, S.Hackett, M.Rutherford, P.Gabriel\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003ewith Steve Hackett, guitar and John Hackett, flute\u003c\/i\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eThe Cinema Show\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e9:28\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eP.Collins, T.Banks, S.Hackett, M.Rutherford, P.Gabriel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003eDirect Metal Mastering (DMM\u003cspan\u003eONE STEP\u003c\/span\u003e)\u003c\/h1\u003e\n\u003cp align=\"left\"\u003eIl \u003cb\u003eDirect Metal Mastering\u003c\/b\u003e (DMM\u003cspan\u003e-ONE STEP\u003c\/span\u003e) è una tecnica di masterizzazione audio analogica dei dischi in vinile sviluppata da due aziende tedesche: la Telefunken-Decca (Teldec) e la Georg Neumann GmbH, verso la fine del XX secolo.\u003cbr\u003eA differenza dei tradizionali processi di masterizzazione dei dischi, in cui il suono viene inciso meccanicamente su un disco di acetato, utilizzando tipicamente 5 passaggi di pre mastering (lacca vinilica \u003cspan style=\"font-family: Wingdings, serif;\"\u003e\u003c\/span\u003e Padre\/negativo \u003cspan style=\"font-family: Wingdings, serif;\"\u003e\u003c\/span\u003e Madre\/positivo \u003cspan style=\"font-family: Wingdings, serif;\"\u003e\u003c\/span\u003e Stamper galvanico\/negativo \u003cspan style=\"font-family: Wingdings, serif;\"\u003e\u003c\/span\u003e vinile finale), con il processo DMM l'audio viene inciso direttamente nel metallo (rame) utilizzando un sistema portante ad alta frequenza e delle particolari puntine in diamante, vibranti a più di 40kHz, per facilitare l'incisione (Padre\/positivo \u003cspan style=\"font-family: Wingdings, serif;\"\u003e\u003c\/span\u003e Stamper galvanico\/negativo \u003cspan style=\"font-family: Wingdings, serif;\"\u003e\u003c\/span\u003e Vinile finale) \u003cbr\u003eCiò consente un miglioramento della precisione nei solchi prodotti, con un conseguente miglioramento della resa sonora (in particolare con una riduzione del rumore di fondo e maggiore risposta alle alte frequenze).\u003c\/p\u003e\n\u003cp align=\"left\"\u003e\u003cb\u003eLe differenze tra PET e PVC. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp align=\"left\"\u003eIl PET, o polietilene tereftalato, sta sempre più sostituendo il PVC, o cloruro di polivinile, anche negli usi comuni delle plastiche nella vita quotidiana, per una serie di vantaggi, fra cui la possibilità di riciclo perfetto e integrale al 100%, utile soprattutto negli utilizzi come materiale di imballaggio. \u003cbr\u003eMa Vediamo le principali differenze e considerazioni di queste due materie plastiche:\u003c\/p\u003e\n\u003cp align=\"left\"\u003eIl PET è più costoso del PVC ma risulta decisamente più interessante nell’uso audio, considerando le sue qualità:\u003c\/p\u003e\n\u003cp align=\"left\"\u003e- Il PET è resistente alla abrasione e alla elettricità statica\u003c\/p\u003e\n\u003cp align=\"left\"\u003e- Il PET è resistente alla temperatura e quindi molto meno sensibile a problemi di deformazione, e quindi è anche più stabile nel tempo\u003c\/p\u003e\n\u003cp align=\"left\"\u003e- Il PET è molto meno tossico del normale PVC\u003c\/p\u003e\n\u003cp align=\"left\"\u003e \u003cb\u003eVantaggi effettivi dell’utilizzo del PET nella stampa dei vinili audio\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli align=\"left\"\u003eCentraggio perfetto (eccentricità) verticale e orizzontale, garantisce wow \u0026amp; flutter significativamente ridotti durante la riproduzione.\u003c\/li\u003e\n\u003cli align=\"left\"\u003eLa superficie scanalata risulta ultra liscia, da cui un rumore di fondo molto basso, che garantisce maggiore dinamica effettiva, con risposta ai transienti molto migliore.\u003c\/li\u003e\n\u003cli align=\"left\"\u003eCome abbiamo visto il PET garantisce minore deformazione della scanalatura durante il contatto con lo stilo, da che ne deriva maggiore durata nel tempo, e maggiore estensione e stabilità delle alte frequenze.\u003c\/li\u003e\n\u003cli align=\"left\"\u003eL’insensibilità alla elettricità statica, fa sì che sia molto meno sensibile all’accumulo di polvere ed a estemporanei rumori impulsivi (tic-toc)\u003c\/li\u003e\n\u003cli align=\"left\"\u003eLo stampaggio a iniezione, poi, è molto più preciso e quindi provoca una minore distorsione delle scanalature, da cui un’immagine stereofonica più stabile, ampia e profonda migliorate e profondità spaziale.\u003c\/li\u003e\n\u003cli align=\"left\"\u003eSempre in virtù delle caratteristiche del PET e nel nostro caso dello stampaggio a iniezione, consente un utilizzo di due passaggi di mastering in meno (One Step), garantendo così una stabilità e uniformità di resa dalla prima all’ultima copia stampata: iniezione su \u003cb\u003ePadre (positivo) \u003c\/b\u003e\u003cspan style=\"font-family: Wingdings, serif;\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e Stamper (negativo) \u003c\/b\u003e\u003cspan style=\"font-family: Wingdings, serif;\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e Vinile finale\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003eAll arrangements by Marco Lo Muscio, except for THE CINEMA SHOW, by David Myers, Eric Johnsen and Marco Lo Muscio\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003eMarco Lo Muscio\u003c\/strong\u003e, \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003egrandpiano\u003c\/i\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003e\u003cstrong\u003eJohn Hackett\u003c\/strong\u003e, \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003eflute\u003c\/i\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e and \u003cstrong\u003eSteve Hackett\u003c\/strong\u003e, \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003eacoustic and electric guitar\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003e88.2kHz\/24bit original live-in-studio recording made at Magister Recording Area, Preganziol (Italy), \u003cbr\u003eon December 2024. Analog mix and mastering made at VLS Studio, Naquera (Spain), on January 2025\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eProduction: \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eMARCO LINCETTO for VELUT LUNA\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eMusical producer: \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eMarco Lo Muscio and Marco Lincetto\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eRecording, mix and mastering engineer: \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eMarco Lincetto\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eDesign and layout: \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eL’Image\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eInside photos: \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eMarco lo Muscio\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003e\"Project Two\"\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e: il seguito ideale a “Project One”. \u003c\/span\u003eNel primo album avevamo quasi un concerto live registratato in chiesa e dedicato alla musica contemporanea e Prog in generale. In “Project Two” abbiamo invece un vero e proprio \u003ci\u003econcept\u003c\/i\u003e dedicato al mondo dei Genesis: “A Genesis Rhapsody”.\u003c\/p\u003e\n\u003cp\u003eIl progetto discografico \u003ci\u003eVelut Luna \u003c\/i\u003equesta volta è stato realizzato totalmente in studio e si avvale dello splendido Steynway \u0026amp; Sons D274 Concert Grand residente nello studio Magister Recording Area di Preganziol. In due brani John e Steve Hackett tornano a collaborare da protagonisti con il M° Lo Muscio.\u003c\/p\u003e\n\u003cp\u003eIl focus del disco consiste nella reinterpretazione in stile classico ed interamente acustico del mondo dei Genesis.\u003c\/p\u003e\n\u003cp\u003eIl disco si apre con \u003ci\u003eEntangled\u003c\/i\u003e una gemma dei Genesis post Gabriel e poi si prosegue con tre brani legati fra di loro da un sottile filo: il Preludio dalla Suite per violoncello di Bach (arrangiato per piano dal M° Lo Muscio) che sarà la base di Horizons; a seguire le \u003ci\u003eMeditations on Horizons\u003c\/i\u003e una composizione di Lo Muscio stesso che si basa su Horizons inserita però nel ritmo dell'Habanera spagnola molto amata da Hackett (Bay o Kings ad esempio) e finalmente la versione pianistica di Horizons. La prima parte si conclude con \u003ci\u003eAfter the Ordeal\u003c\/i\u003e in trio con i fratelli Hackett!\u003c\/p\u003e\n\u003cp\u003eIl lato B si apre con l'introduzione e la coda di \u003ci\u003eWatcher of the Skyes; \u003c\/i\u003esi prosegue con un Preludio fugato di Lo Muscio basato sulla parte melodica di \u003ci\u003eFirth of Fifth\u003c\/i\u003e che fa da introduzione vera e propria al capolavoro classico dei Genesis. Si prosegue con la versione in trio con i fratelli Hackett di \u003ci\u003eHairless Heart\u003c\/i\u003e per finire in maniera grandiosa con quel capolavoro sontuoso e raffinato di \u003ci\u003eCinema Show\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eInfine la grande qualità delle registrazioni \u003ci\u003eVelut Luna \u003c\/i\u003eoffriranno un'incredibile tavolozza sonora nell'ascolto di tutte le sfumature del grande pianoforte Steinway, ripreso con una nuovissima tecnica microfonica elaborata da Marco Lincetto che garantisce un suono del pianoforte realmente “sinfonico”: pieno, dettagliato, imperiale!\u003c\/p\u003e\n\u003cp lang=\"en-US\"\u003e---\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #0070c0;\"\u003e\u003cspan lang=\"en-US\"\u003e\"Project Two\": the ideal follow-up to \"Project One\". In the first album we had almost a live concert recorded in church and dedicated to contemporary music and Prog in general. In this \"Project Two\" we have a real concept dedicated to the world of Genesis: \"A Genesis Rhapsody\".\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #0070c0;\"\u003e\u003cspan lang=\"en-US\"\u003eThe Velut Luna recording project this time has been realized entirely in the studio and makes use of the splendid Steynway \u0026amp; Sons D274 Concert Grand resident in the Magister Recording Area of Preganziol. In two tracks \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #0070c0;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eJohn and Steve Hackett\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #0070c0;\"\u003e\u003cspan lang=\"en-US\"\u003e return to collaborate as protagonists with \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #0070c0;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eM° Lo Muscio\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #0070c0;\"\u003e\u003cspan lang=\"en-US\"\u003e. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #0070c0;\"\u003e\u003cspan lang=\"en-US\"\u003eThe focus of the album is on the classical and entirely acoustic reinterpretation of the world of Genesis. \u003cbr\u003eThe disc opens with Entangled a gem of Genesis post Gabriel and then continues with three pieces linked together by a thin thread: the Prelude from Bach’s Cello Suite (arranged for piano by M° Lo Muscio) that will be the basis of Horizons; to follow the Meditations on Horizons a composition by Lo Muscio itself that is based on Horizons but inserted in the rhythm of the Spanish Habanera much loved by Hackett (Bay or Kings for example) and finally the piano version of Horizons. The first part ends with After the Ordeal in trio with the Hackett brothers! \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #0070c0;\"\u003e\u003cspan lang=\"en-US\"\u003eThe B-side opens with the introduction and the tail of Watcher of the Skyes; it continues with a fuged Prelude by Lo Muscio based on the melodic part of Firth of Fifth that is the real introduction to the classic masterpiece of Genesis. We continue with the trio version with the Hackett brothers of Hairless Heart to finish in a grand way with that sumptuous and refined masterpiece of Cinema Show.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #0070c0;\"\u003e\u003cspan lang=\"en-US\"\u003eFinally, the great quality of the Velut Luna recordings will offer an incredible sound palette in listening to all the nuances of the grand piano Steinway, recorded with a brand new microphone technique elaborated by Marco Lincetto that guarantees a real piano \"symphonic sound\": full, detailed, imperial!\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"LP 33 DMM (crystal)","offer_id":51971909779803,"sku":"CVLD387C","price":59.0,"currency_code":"EUR","in_stock":true},{"title":"LP 33 rpm (black)","offer_id":51163416953179,"sku":"CVLD387A","price":49.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/CVLD387-COVERPETDMM.jpg?v=1773427050"},{"product_id":"atom-heart-mother-pink-floyd","title":"Atom Heart Mother - Pink Floyd","description":"\u003ch2\u003e\n\u003cstrong\u003eAtom Heart Mother - Pink Floyd \u003c\/strong\u003e(2016 Version)\u003c\/h2\u003e\n\u003ch2\u003eLP AUDIOPHILE PRESSING \u003cspan class=\"contentAndConfiguration\"\u003e180g\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003eSupporto: DISCHI 12\" LONGPLAY     Pezzi: 1\u003cbr\u003eData release: 27.06.2025\u003c\/p\u003e\n\u003ch3 class=\"card__title heading h3\"\u003eTracklist\u003c\/h3\u003e\n\u003cdiv class=\"liquid\"\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"4\"\u003eLato A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1)\u003c\/td\u003e\n\u003ctd\u003eAtom Heart Mother\u003c\/td\u003e\n\u003ctd\u003e(23:42)\u003c\/td\u003e\n\u003ctd\u003ePink Floyd\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e2)\u003c\/td\u003e\n\u003ctd\u003eIf\u003c\/td\u003e\n\u003ctd\u003e(4:30)\u003c\/td\u003e\n\u003ctd\u003ePink Floyd\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e3)\u003c\/td\u003e\n\u003ctd\u003eSummer '68\u003c\/td\u003e\n\u003ctd\u003e(5:28)\u003c\/td\u003e\n\u003ctd\u003ePink Floyd\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e4)\u003c\/td\u003e\n\u003ctd\u003eFat Old Sun\u003c\/td\u003e\n\u003ctd\u003e(5:23)\u003c\/td\u003e\n\u003ctd\u003ePink Floyd\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"4\"\u003eLato B\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1)\u003c\/td\u003e\n\u003ctd\u003eAlan's Psychedelic Breakfast\u003c\/td\u003e\n\u003ctd\u003e(13:01)\u003c\/td\u003e\n\u003ctd\u003ePink Floyd\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"card__header\"\u003e\n\u003ch3 class=\"card__title heading h3\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003ch3 class=\"card__title heading h3\"\u003eDescrizione\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"card__section\"\u003e\n\u003cdiv class=\"rte text--pull\"\u003e\n\u003cp\u003eAtom Heart Mother è il quinto album in studio della leggendaria band Pink Floyd, pubblicato originariamente nell'ottobre del 1970. Registrato presso gli iconici Abbey Road Studios di Londra, questo lavoro segna una svolta innovativa nel sound della band grazie all'inclusione di un'orchestra, un esperimento sonoro che ampliò notevolmente le loro possibilità musicali. L'album ha rappresentato una pietra miliare nella carriera dei Pink Floyd, diventando il primo a raggiungere la vetta della classifica nel Regno Unito. La sua struttura compositiva complessa e i suoi arrangiamenti orchestrali rendono Atom Heart Mother un lavoro fondamentale per comprendere l’evoluzione del rock progressivo e la sperimentazione musicale degli anni ’70.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"Pink Floyd Records","offers":[{"title":"LP 33 rpm","offer_id":51357762879835,"sku":"PF88875184221","price":32.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/AtomHeartMotherLP.webp?v=1758024536"},{"product_id":"pink-floyd-at-pompeii-mcmlxxii","title":"Pink Floyd at Pompeii - MCMLXXII","description":"\u003ch2\u003e\u003cstrong\u003ePink Floyd at Pompeii - MCMLXXII\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch2\u003e2LP AUDIOPHILE PRESSING \u003cspan class=\"contentAndConfiguration\"\u003e180g\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003eSupporto: DISCHI 12\" LONGPLAY     Pezzi: 2\u003cbr\u003eData release: 02.05.2025\u003c\/p\u003e\n\u003cp\u003eTracklist\u003c\/p\u003e\n\u003cdiv\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"4\"\u003e(1) Vinyl Longplay 33 1\/3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"4\"\u003eLato A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1)\u003c\/td\u003e\n\u003ctd\u003ePompeii Intro Live at Pompeii - MCMLXXII - 2025 Mix\u003c\/td\u003e\n\u003ctd\u003e(3:31)\u003c\/td\u003e\n\u003ctd\u003ePink Floyd\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e2)\u003c\/td\u003e\n\u003ctd\u003eEchoes - Part 1 Live at Pompeii - MCMLXXII - 2025 Mix\u003c\/td\u003e\n\u003ctd\u003e(12:00)\u003c\/td\u003e\n\u003ctd\u003ePink Floyd\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e3)\u003c\/td\u003e\n\u003ctd\u003eCareful with That Axe, Eugene Live at Pompeii - MCMLXXII - 2025 Mix\u003c\/td\u003e\n\u003ctd\u003e(6:37)\u003c\/td\u003e\n\u003ctd\u003ePink Floyd\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"4\"\u003eLato B\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1)\u003c\/td\u003e\n\u003ctd\u003eA Saucerful of Secrets Live at Pompeii - MCMLXXII - 2025 Mix\u003c\/td\u003e\n\u003ctd\u003e(10:15)\u003c\/td\u003e\n\u003ctd\u003ePink Floyd\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e2)\u003c\/td\u003e\n\u003ctd\u003eSet the Controls for the Heart of the Sun Live at Pompeii - MCMLXXII - 2025 Mix\u003c\/td\u003e\n\u003ctd\u003e(10:29)\u003c\/td\u003e\n\u003ctd\u003ePink Floyd\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"4\"\u003e(2) Vinyl Longplay 33 1\/3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"4\"\u003eLato A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1)\u003c\/td\u003e\n\u003ctd\u003eOne of These Days Live at Pompeii - MCMLXXII - 2025 Mix\u003c\/td\u003e\n\u003ctd\u003e(6:00)\u003c\/td\u003e\n\u003ctd\u003ePink Floyd\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e2)\u003c\/td\u003e\n\u003ctd\u003eMademoiselle Nobs Live at Pompeii - MCMLXXII - 2025 Mix\u003c\/td\u003e\n\u003ctd\u003e(1:55)\u003c\/td\u003e\n\u003ctd\u003ePink Floyd\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e3)\u003c\/td\u003e\n\u003ctd\u003eEchoes - Part 2 Live at Pompeii - MCMLXXII - 2025 Mix\u003c\/td\u003e\n\u003ctd\u003e(13:24)\u003c\/td\u003e\n\u003ctd\u003ePink Floyd\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"4\"\u003eLato B\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1)\u003c\/td\u003e\n\u003ctd\u003eCareful with That Axe, Eugene - Alternate Take Live at Pompeii - MCMLXXII - 2025 Mix\u003c\/td\u003e\n\u003ctd\u003e(6:08)\u003c\/td\u003e\n\u003ctd\u003ePink Floyd\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e2)\u003c\/td\u003e\n\u003ctd\u003eA Saucerful of Secrets - Unedited Live at Pompeii - MCMLXXII - 2025 Mix\u003c\/td\u003e\n\u003ctd\u003e(12:46)\u003c\/td\u003e\n\u003ctd\u003ePink Floyd\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"card__title heading h3\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003ch2\u003eDescrizione\u003c\/h2\u003e\n\u003cdiv class=\"card__section\"\u003e\n\u003cdiv class=\"rte text--pull\"\u003e\n\u003ch2\u003ePink Floyd at Pompeii - MCMLXXII è l’iconico film del 1972, diretto da Adrian Maben, ora riportato al massimo splendore con una rimasterizzazione digitale in 4K a partire dalle pellicole originali in 35 mm, accompagnata da un audio potenziato e ricco di dettagli. Ambientato nell’affascinante e solenne cornice dell’anfiteatro romano di Pompei, il film cattura la band durante un concerto intimo e privo di pubblico, offrendo un’esperienza sonora ed estetica senza precedenti. Tra i pezzi eseguiti, spiccano capolavori come “Echoes”, “A Saucerful of Secrets” e “One of These Days”, che risuonano con nuova intensità grazie al restauro. Le immagini, riprese sia al crepuscolo che nella luce del giorno, esaltano la bellezza struggente del luogo, esaltando l’atmosfera unica dell’evento. Il lavoro di Steven Wilson sulla traccia sonora, con un mix 5.1 e Dolby Atmos per ambienti teatrali e domestici, regala una chiarezza e profondità sorprendenti senza compromettere l’essenza originale. Questa edizione rimasterizzata non è solo una celebrazione del talento dei Pink Floyd, ma anche una testimonianza visiva e sonora dell’innovazione musicale e tecnica, trasformando un’opera preziosa in un’esperienza immersiva e indimenticabile per gli appassionati e i nuovi spettatori.\u003cspan\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"Pink Floyd Records","offers":[{"title":"2LP 33 rpm","offer_id":51358205509979,"sku":"PF19802876231","price":42.9,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/26349418_2007_Cover1500-mlib_1500x1500_300dpi_RGB_100Q.webp?v=1758029008"},{"product_id":"the-dark-side-of-the-moon-50th-anniversary-remaster","title":"The Dark Side of the Moon (50th Anniversary Remaster)","description":"\u003ch2\u003eThe Dark Side of the Moon (50th Anniversary Remaster)\u003c\/h2\u003e\n\u003ch2\u003eLP AUDIOPHILE PRESSING \u003cspan class=\"contentAndConfiguration\"\u003e180g\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cspan class=\"label-bold\"\u003eSupporto:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eDISCHI 12\" LONGPLAY     \u003c\/span\u003e\u003cspan class=\"label-bold\"\u003ePezzi:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e1\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"label-bold\"\u003eData release:\u003c\/span\u003e\u003cspan\u003e 28.03.2025\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3 class=\"card__title heading h3\"\u003eTracklist\u003c\/h3\u003e\n\u003cdiv class=\"liquid\"\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"4\"\u003eLato A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1)\u003c\/td\u003e\n\u003ctd\u003eSpeak to Me\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e2023 Remaster\u003c\/i\u003e\n\u003c\/td\u003e\n\u003ctd\u003e(1:04)\u003c\/td\u003e\n\u003ctd\u003ePink Floyd\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e2)\u003c\/td\u003e\n\u003ctd\u003eBreathe (In the Air)\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e2023 Remaster\u003c\/i\u003e\n\u003c\/td\u003e\n\u003ctd\u003e(2:49)\u003c\/td\u003e\n\u003ctd\u003ePink Floyd\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e3)\u003c\/td\u003e\n\u003ctd\u003eOn the Run\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e2023 Remaster\u003c\/i\u003e\n\u003c\/td\u003e\n\u003ctd\u003e(3:36)\u003c\/td\u003e\n\u003ctd\u003ePink Floyd\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e4)\u003c\/td\u003e\n\u003ctd\u003eTime\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e2023 Remaster\u003c\/i\u003e\n\u003c\/td\u003e\n\u003ctd\u003e(7:02)\u003c\/td\u003e\n\u003ctd\u003ePink Floyd\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e5)\u003c\/td\u003e\n\u003ctd\u003eThe Great Gig in the Sky\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e2023 Remaster\u003c\/i\u003e\n\u003c\/td\u003e\n\u003ctd\u003e(4:44)\u003c\/td\u003e\n\u003ctd\u003ePink Floyd\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"4\"\u003eLato B\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1)\u003c\/td\u003e\n\u003ctd\u003eMoney\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e2023 Remaster\u003c\/i\u003e\n\u003c\/td\u003e\n\u003ctd\u003e(6:22)\u003c\/td\u003e\n\u003ctd\u003ePink Floyd\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e2)\u003c\/td\u003e\n\u003ctd\u003eUs and Them\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e2023 Remaster\u003c\/i\u003e\n\u003c\/td\u003e\n\u003ctd\u003e(7:52)\u003c\/td\u003e\n\u003ctd\u003ePink Floyd\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e3)\u003c\/td\u003e\n\u003ctd\u003eAny Colour You Like\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e2023 Remaster\u003c\/i\u003e\n\u003c\/td\u003e\n\u003ctd\u003e(3:25)\u003c\/td\u003e\n\u003ctd\u003ePink Floyd\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e4)\u003c\/td\u003e\n\u003ctd\u003eBrain Damage\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e2023 Remaster\u003c\/i\u003e\n\u003c\/td\u003e\n\u003ctd\u003e(3:50)\u003c\/td\u003e\n\u003ctd\u003ePink Floyd\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e5)\u003c\/td\u003e\n\u003ctd\u003eEclipse\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e2023 Remaster\u003c\/i\u003e\n\u003c\/td\u003e\n\u003ctd\u003e(1:54)\u003c\/td\u003e\n\u003ctd\u003ePink Floyd\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"card__title heading h3\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003ch3 class=\"card__title heading h3\"\u003eDescrizione\u003c\/h3\u003e\n\u003cdiv class=\"card__section\"\u003e\n\u003cdiv class=\"rte text--pull\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eThe Dark Side of the Moon (50th Anniversary Remaster) celebra mezzo secolo di innovazione musicale e sperimentazione sonora dei Pink Floyd. L'album, sviluppato in parte durante le esibizioni dal vivo e presentato in anteprima al Rainbow Theatre di Londra, ha rivoluzionato il concetto di album rock con la sua suite continua e la perfetta fusione tra musica, testi e tecnologia di registrazione. Registrato negli storici EMI Studios di Londra tra il 1972 e il 1973, il disco si distingue per l'uso innovativo di sintetizzatori, effetti sonori e temi che esplorano l’alienazione e la condizione umana. La celebre copertina a prisma, realizzata da Storm Thorgerson e George Hardie, è diventata un’icona riconosciuta a livello mondiale. Con oltre 50 milioni di copie vendute, questo remaster offre un’esperienza sonora rinnovata per gli appassionati e i collezionisti, preservando l’essenza originale con una qualità audio migliorata che rende omaggio al capolavoro intramontabile dei Pink Floyd.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"Pink Floyd Records","offers":[{"title":"LP 33 rpm","offer_id":51358281171291,"sku":"PF19658720271","price":34.9,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/dark.webp?v=1758030052"},{"product_id":"ac-dc-highway-to-hell-50-anniversary","title":"AC\/DC - HIGHWAY TO HELL | 50° Anniversary","description":"\u003ch2\u003e\n\u003cstrong\u003eHIGHWAY TO HELL - 50° Anniversary \u003c\/strong\u003e(Lp Colore Oro)\u003c\/h2\u003e\n\u003ch2\u003e\u003cstrong\u003eAC\/DC\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch2\u003eLP AUDIOPHILE PRESSING \u003cspan class=\"contentAndConfiguration\"\u003e180g\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cspan class=\"label-bold\"\u003eSupporto:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eDISCHI 12\" LONGPLAY     \u003c\/span\u003e\u003cspan class=\"label-bold\"\u003ePezzi:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e1\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"label-bold\"\u003eData release:\u003c\/span\u003e\u003cspan\u003e 15.03.2024\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3 class=\"card__title heading h3\"\u003eTracklist\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"4\"\u003eLato A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1)\u003c\/td\u003e\n\u003ctd\u003eHighway to Hell\u003c\/td\u003e\n\u003ctd\u003e(3:26)\u003c\/td\u003e\n\u003ctd\u003eAC\/DC\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e2)\u003c\/td\u003e\n\u003ctd\u003eGirls Got Rhythm\u003c\/td\u003e\n\u003ctd\u003e(3:23)\u003c\/td\u003e\n\u003ctd\u003eAC\/DC\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e3)\u003c\/td\u003e\n\u003ctd\u003eWalk All Over You\u003c\/td\u003e\n\u003ctd\u003e(5:08)\u003c\/td\u003e\n\u003ctd\u003eAC\/DC\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e4)\u003c\/td\u003e\n\u003ctd\u003eTouch Too Much\u003c\/td\u003e\n\u003ctd\u003e(4:24)\u003c\/td\u003e\n\u003ctd\u003eAC\/DC\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e5)\u003c\/td\u003e\n\u003ctd\u003eBeating Around the Bush\u003c\/td\u003e\n\u003ctd\u003e(3:55)\u003c\/td\u003e\n\u003ctd\u003eAC\/DC\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"4\"\u003eLato B\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1)\u003c\/td\u003e\n\u003ctd\u003eShot Down in Flames\u003c\/td\u003e\n\u003ctd\u003e(3:21)\u003c\/td\u003e\n\u003ctd\u003eAC\/DC\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e2)\u003c\/td\u003e\n\u003ctd\u003eGet It Hot\u003c\/td\u003e\n\u003ctd\u003e(2:24)\u003c\/td\u003e\n\u003ctd\u003eAC\/DC\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e3)\u003c\/td\u003e\n\u003ctd\u003eIf You Want Blood (You've Got It)\u003c\/td\u003e\n\u003ctd\u003e(4:32)\u003c\/td\u003e\n\u003ctd\u003eAC\/DC\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e4)\u003c\/td\u003e\n\u003ctd\u003eLove Hungry Man\u003c\/td\u003e\n\u003ctd\u003e(4:14)\u003c\/td\u003e\n\u003ctd\u003eAC\/DC\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e5)\u003c\/td\u003e\n\u003ctd\u003eNight Prowler\u003c\/td\u003e\n\u003ctd\u003e(6:27)\u003c\/td\u003e\n\u003ctd\u003eAC\/DC\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3 class=\"card__title heading h3\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003ch3 class=\"card__title heading h3\"\u003eDescrizione\u003c\/h3\u003e\n\u003cdiv class=\"card__section\"\u003e\n\u003cdiv class=\"rte text--pull\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003eHIGHWAY TO HELL, pubblicato originariamente nel 1980, rappresenta il primo grande successo degli AC\/DC negli Stati Uniti, consacrando la band come icona del rock mondiale. Per celebrare il 50° anniversario di questa leggendaria band, Reference Music Store propone una edizione limitata in vinile color oro di questo storico album. Ogni LP è corredato da una stampa esclusiva 12\"x12\" con il nuovo artwork AC\/DC 50, progettata per essere incorniciata e valorizzare la tua collezione. Questa edizione speciale unisce qualità audio e estetica raffinata, ideale per veri appassionati e collezionisti.\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"Sony Music","offers":[{"title":"LP 33 rpm","offer_id":51358519558491,"sku":"ACDC19658834551","price":34.9,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/0196588345517_0_0_536_0_75.jpg?v=1758031460"},{"product_id":"atmosfere-marco-ferraguto-salvatore-fortunato","title":"Atmosfere - Marco Ferraguto | Salvatore Fortunato","description":"\u003ch1\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003eAtmosfere - Marco Ferraguto | Salvatore Fortunato\u003c\/span\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003cdiv class=\"QfrfFD cell\"\u003e\n\u003cdiv class=\"\" data-hook=\"slot-placeholder-TPAMultiSection_l322hsvn.product-page-details-1\" id=\"TPAMultiSection_l322hsvn.product-page-details-1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"w0gcbV QfrfFD cell\"\u003e\n\u003cdiv class=\"\" data-hook=\"slot-placeholder-TPAMultiSection_l322hsvn.product-page-details-slot-1\" id=\"TPAMultiSection_l322hsvn.product-page-details-slot-1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-hook=\"product-title\"\u003eDisponibile in: \u003cstrong\u003eLP 33 rpm 180 gr. Crystal Vinyl \u0026amp; DSD128\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-hook=\"product-title\"\u003eHi-End Limited Edition: \u003cstrong\u003e300 numbered copies\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-hook=\"product-title\"\u003eOriginal Recording Format: \u003cstrong\u003eDSD128\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-hook=\"product-title\"\u003e\u003cstrong\u003eFerraguto Fortunato Duo\u003c\/strong\u003e\u003cbr\u003eMarco Ferraguto, Flute\u003cbr\u003eSalvatore Fortunato, Guitar\u003c\/p\u003e\n\u003cdiv class=\"mb-32 mb-md-24 mb-sm-16\"\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSIDE A\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1. Morricone Medley: Nuovo Cinema Paradiso – Gabriel’s Oboe - La Leggenda del Pianista sull’Oceano | 09:40\u003c\/li\u003e\n\u003cli\u003e2. Bordel 1900 | 04:22\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e SIDE B\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e3. Café 1930 | 08:05\u003c\/li\u003e\n\u003cli\u003e4. Nightclub 1960 | 06:31\u003c\/li\u003e\n\u003cli\u003e5. Concert d'aujourd'hui | 03:16\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTotal time\u003c\/strong\u003e: 00:31:54\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePure DSD128 – Analog Mixed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan dir=\"auto\"\u003eAtmosfere\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cspan dir=\"auto\"\u003e\u003cspan\u003e \u003c\/span\u003eè l'album di debutto della\u003c\/span\u003e\u003cstrong\u003e\u003cspan dir=\"auto\"\u003e\u003cspan\u003e \u003c\/span\u003eDirect Sound Records\u003c\/span\u003e\u003c\/strong\u003e\u003cspan dir=\"auto\"\u003e\u003cspan\u003e \u003c\/span\u003e, un'etichetta che si dedica a presentare musica acustica con purezza, dimensionalità e impatto emotivo.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan dir=\"auto\"\u003eEseguito dal\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e\u003cspan dir=\"auto\"\u003eDuo Ferraguto Fortunato\u003c\/span\u003e\u003c\/strong\u003e\u003cspan dir=\"auto\"\u003e\u003cspan\u003e \u003c\/span\u003e—\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e\u003cspan dir=\"auto\"\u003eMarco Ferraguto\u003c\/span\u003e\u003c\/strong\u003e\u003cspan dir=\"auto\"\u003e\u003cspan\u003e \u003c\/span\u003e(flauto) e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e\u003cspan dir=\"auto\"\u003eSalvatore Fortunato\u003c\/span\u003e\u003c\/strong\u003e\u003cspan dir=\"auto\"\u003e\u003cspan\u003e \u003c\/span\u003e(chitarra) — l'album esplora i mondi lirici di\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e\u003cspan dir=\"auto\"\u003eAstor Piazzolla\u003c\/span\u003e\u003c\/strong\u003e\u003cspan dir=\"auto\"\u003e\u003cspan\u003e \u003c\/span\u003eed\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e\u003cspan dir=\"auto\"\u003eEnnio Morricone\u003c\/span\u003e\u003c\/strong\u003e\u003cspan dir=\"auto\"\u003e . Il programma include un medley dei temi più evocativi di Morricone (Cinema Paradiso, Gabriel's Oboe, La leggenda del pianista sull'oceano) \u003c\/span\u003e\u003cstrong\u003e\u003cspan dir=\"auto\"\u003eaccanto a Histoire\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan dir=\"auto\"\u003e\u003cspan class=\"extra-content\"\u003edu Tango e Concert d'aujourd'hui\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003edi Piazzolla .\u003c\/span\u003e\u003cspan class=\"extra-content\"\u003e\u003cspan dir=\"auto\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan dir=\"auto\"\u003eRegistrato nel marzo 2024 presso la Cappella Universitaria S. Tommaso d'Aquino a Roma, il brano è stato registrato in\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e\u003cspan dir=\"auto\"\u003ePure DSD128\u003c\/span\u003e\u003c\/strong\u003e\u003cspan dir=\"auto\"\u003e\u003cspan\u003e \u003c\/span\u003eper preservare l'intimità e le sfumature dell'esecuzione. L'ambiente acustico naturale offre un palcoscenico sonoro che respira, invitando gli ascoltatori in uno spazio di presenza e narrazione lirica.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan dir=\"auto\"\u003eAtmosfere\u003c\/span\u003e\u003c\/em\u003e\u003cspan dir=\"auto\"\u003e\u003cspan\u003e \u003c\/span\u003esegna l'inizio di un catalogo plasmato dalla chiarezza, dalla sensibilità musicale e dalla ricerca della bellezza non filtrata del suono.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan dir=\"auto\"\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/Atmosfere_Booklet.pdf?v=1771526772\" title=\"Atmosfere Booklet\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003eDownload booklet\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 class=\"mb-32 mb-md-24 mb-sm-16\"\u003eAdditional information\u003c\/h3\u003e\n\u003ctable class=\"woocommerce-product-attributes shop_attributes\" aria-label=\"Product Details\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"woocommerce-product-attributes-item woocommerce-product-attributes-item--attribute_pa_label\"\u003e\n\u003cth class=\"woocommerce-product-attributes-item__label\" scope=\"row\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eLabel\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/th\u003e\n\u003ctd class=\"woocommerce-product-attributes-item__value\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eDirect Sound Records\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"woocommerce-product-attributes-item woocommerce-product-attributes-item--attribute_pa_channel\"\u003e\n\u003cth class=\"woocommerce-product-attributes-item__label\" scope=\"row\" style=\"text-align: left;\"\u003eChannels\u003c\/th\u003e\n\u003ctd class=\"woocommerce-product-attributes-item__value\"\u003e\n\u003cp\u003e2ch Stereo\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"woocommerce-product-attributes-item woocommerce-product-attributes-item--attribute_pa_artist\"\u003e\n\u003cth class=\"woocommerce-product-attributes-item__label\" scope=\"row\" style=\"text-align: left;\"\u003eArtists\u003c\/th\u003e\n\u003ctd class=\"woocommerce-product-attributes-item__value\"\u003e\n\u003cp\u003eMarco Ferraguto,\u003cspan\u003e \u003c\/span\u003eSalvatore Fortunato\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"woocommerce-product-attributes-item woocommerce-product-attributes-item--attribute_pa_composer\"\u003e\n\u003cth class=\"woocommerce-product-attributes-item__label\" scope=\"row\" style=\"text-align: left;\"\u003eComposers\u003c\/th\u003e\n\u003ctd class=\"woocommerce-product-attributes-item__value\"\u003e\n\u003cp\u003eMorricone,\u003cspan\u003e \u003c\/span\u003ePiazzolla\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"woocommerce-product-attributes-item woocommerce-product-attributes-item--attribute_pa_genre\"\u003e\n\u003cth class=\"woocommerce-product-attributes-item__label\" scope=\"row\" style=\"text-align: left;\"\u003eGenres\u003c\/th\u003e\n\u003ctd class=\"woocommerce-product-attributes-item__value\"\u003e\n\u003cp\u003eClassical,\u003cspan\u003e \u003c\/span\u003eWorld, \u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"woocommerce-product-attributes-item woocommerce-product-attributes-item--attribute_pa_original-recording-format\"\u003e\n\u003cth class=\"woocommerce-product-attributes-item__label\" scope=\"row\" style=\"text-align: left;\"\u003eOriginal Recording Format\u003c\/th\u003e\n\u003ctd class=\"woocommerce-product-attributes-item__value\"\u003e\n\u003cp\u003eDSD 128\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"woocommerce-product-attributes-item woocommerce-product-attributes-item--attribute_pa_recording-engineer\"\u003e\n\u003cth class=\"woocommerce-product-attributes-item__label\" scope=\"row\" style=\"text-align: left;\"\u003eRecording Engineer\u003c\/th\u003e\n\u003ctd class=\"woocommerce-product-attributes-item__value\"\u003e\n\u003cp\u003eMichelangelo Canonico\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"woocommerce-product-attributes-item woocommerce-product-attributes-item--attribute_pa_recording-location\"\u003e\n\u003cth class=\"woocommerce-product-attributes-item__label\" scope=\"row\" style=\"text-align: left;\"\u003eRecording Location\u003c\/th\u003e\n\u003ctd class=\"woocommerce-product-attributes-item__value\"\u003e\n\u003cp\u003eCappella Universitaria S. Tommaso d'Aquino, Rome\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"woocommerce-product-attributes-item woocommerce-product-attributes-item--attribute_pa_a-d-converter\"\u003e\n\u003cth class=\"woocommerce-product-attributes-item__label\" scope=\"row\" style=\"text-align: left;\"\u003eAnalog to Digital Converter\u003c\/th\u003e\n\u003ctd class=\"woocommerce-product-attributes-item__value\"\u003e\n\u003cp\u003eTASCAM DA3000\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"woocommerce-product-attributes-item woocommerce-product-attributes-item--attribute_pa_instruments\"\u003e\n\u003cth class=\"woocommerce-product-attributes-item__label\" scope=\"row\" style=\"text-align: left;\"\u003eInstruments\u003c\/th\u003e\n\u003ctd class=\"woocommerce-product-attributes-item__value\"\u003e\n\u003cp\u003eFlute,\u003cspan\u003e \u003c\/span\u003eGuitar\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"woocommerce-product-attributes-item woocommerce-product-attributes-item--attribute_gear\"\u003e\n\u003cth class=\"woocommerce-product-attributes-item__label\" scope=\"row\" style=\"text-align: left;\"\u003eGear\u003c\/th\u003e\n\u003ctd class=\"woocommerce-product-attributes-item__value\"\u003e\n\u003cp\u003eMicrophones: AEA R88 mkII stereo ribbon microphone Schoeps MK41 (matched pair, hypercardioid)\u003c\/p\u003e\n\u003cp\u003ePreamps: Custom-modified AEA TRP3, Manley Force\u003c\/p\u003e\n\u003cp\u003eCabling: Cardas Audio interconnects\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"woocommerce-product-attributes-item woocommerce-product-attributes-item--release_date\"\u003e\n\u003cth class=\"woocommerce-product-attributes-item__label\" scope=\"row\" style=\"text-align: left;\"\u003eRelease Date\u003c\/th\u003e\n\u003ctd class=\"woocommerce-product-attributes-item__value\"\u003eJuly 11, 2025\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Direct Sound Records","offers":[{"title":"LP 33 rpm","offer_id":51765899624795,"sku":"DSRATM01LP","price":49.0,"currency_code":"EUR","in_stock":true},{"title":"FILE DSD128","offer_id":51845720015195,"sku":"DSRATM01DSD","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/DSRATM01-scaled.jpg?v=1763554477"},{"product_id":"livia-mazzanti-scarlatti-alla-scarlatti","title":"Livia Mazzanti | Scarlatti alla Scarlatti","description":"\u003ch1\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003eLivia Mazzanti - Scarlatti alla Scarlatti\u003c\/span\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003cdiv class=\"QfrfFD cell\"\u003e\n\u003cdiv id=\"TPAMultiSection_l322hsvn.product-page-details-1\" data-hook=\"slot-placeholder-TPAMultiSection_l322hsvn.product-page-details-1\" class=\"\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"w0gcbV QfrfFD cell\"\u003e\n\u003cdiv id=\"TPAMultiSection_l322hsvn.product-page-details-slot-1\" data-hook=\"slot-placeholder-TPAMultiSection_l322hsvn.product-page-details-slot-1\" class=\"\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-hook=\"product-title\" class=\"OXQzmM ImgXFz\"\u003eDisponibile in:\u003cstrong\u003e \u003c\/strong\u003eLP 33rpm GATEFOLD 180 gr. AAA Pure Analog\u003c\/p\u003e\n\u003cp data-hook=\"info-section-title\" aria-hidden=\"false\"\u003e\u003cstrong\u003eTrack list\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003eA1. Mi maggiore, K 380\u003c\/li\u003e\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003eA2. Si minore, K 377\u003c\/li\u003e\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003eA3. Si minore, K 27\u003c\/li\u003e\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003eA4. Re maggiore, K33\u003c\/li\u003e\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003eB1. Do maggiore (\"Pastorale\"), K 513\u003c\/li\u003e\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003eB2. Fa minore, K 481\u003c\/li\u003e\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003eB3. Do maggiore (\"La caccia\"), K 159\u003c\/li\u003e\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003eB4. Fa minore, K 466\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eAVVISO IMPORTANTE: La data di spedizione stimata è stata riprogrammata. \u003c\/span\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003ePer motivi non derivanti dalla nostra volontà e legati al delicato processo di produzione vinilica, le spedizioni previste subiranno dei ritardi a data da destinarsi. \u003c\/span\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eLa cura e l'artigianalità del processo richiedono pazienza: l'attesa del suono analogico autentico sarà ripagata con la massima qualità. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan style=\"color: rgb(255, 42, 0); text-decoration: underline;\"\u003eNuova data di spedizione stimata: 16 febbraio.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003eThe Definitive Analog Edition\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eFormato: Vinile 180 g, 33 giri, Gatefold.\u003c\/li\u003e\n\u003cli\u003eProcesso audio: AAA (Fully Analog Process) – Registrazione su nastro master originale in qualità studio.\u003c\/li\u003e\n\u003cli\u003eLibretto: Include un libretto di 16 pagine.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.birdboxrecords.com\/mazzanti-music-scarlatti-alla-scarlatti\" target=\"_blank\"\u003eAscolta ora la preview\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eIl nostro obiettivo era restituire con la massima chiarezza la lettura variopinta e articolata che fa di questa musica l'interprete, così come rendere un impatto sonoro veridico dell'organo Tamburini della Sala Scarlatti di Napoli, con le sue più di 4000 canne. Ci auguriamo che tale intento giunga alle vostre orecchie, trasportandovi in quell'istante autentico. \u003cspan\u003eQuesto album è un audace viaggio nel cuore della musica di Domenico Scarlatti, reinterpretata in chiave moderna. \u003c\/span\u003e\u003cspan\u003eLa poliedrica organista Livia Mazzanti si allontana da un approccio puramente filologico per \"trasmutare\" le Sonate, destinate al clavicembalo, tramite la voce potente e versatile dello strumento ideato negli anni '80 da Jean Guillou per il Conservatorio di Napoli. \u003c\/span\u003e\u003cspan\u003eIn un atto di profonda ammirazione e libertà interpretativa, Mazzanti esplora le sfumature più intime e quelle più grandiose di Scarlatti, creando un dialogo tra due virtuosi delle tastiere, altrettanto apolidi che sperimentatori. \u003c\/span\u003e\u003cspan\u003eLe imperfezioni dello strumento, oggi in attesa di restauro, conferiscono al suono un carattere poetico e affascinante, rendendo l'incisione una testimonianza irripetibile di questa straordinaria equidistanza tra passato e futuro, tra anima napoletana e genialità francese.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-hook=\"info-section-title\" aria-hidden=\"false\"\u003e\u003cstrong\u003eCredits\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003eProdotto da: Lorenzo Vella | BIRD BOX RECORDS\u003c\/li\u003e\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003eRecording Engineer: Matteo Spinazzè Savaris, Lorenzo Vella\u003c\/li\u003e\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003eMastering Engineer: Lorenzo Vella\u003c\/li\u003e\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003eMusical Supervisor: Peter Dimpflmeier\u003c\/li\u003e\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003eArtwork \u0026amp; Design: Lorenzo Vella - Nightingale Studios\u003c\/li\u003e\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003eGraphic Designer: Alessandro Bruno\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e\u003cstrong\u003eCaratteristiche\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp aria-hidden=\"false\" data-hook=\"info-section-title\"\u003eQuesta registrazione è stata masterfully mixed in tempo reale su una console EMT A400 e fissata direttamente su registratore a nastro Ampex ATR-102 da ½ pollice\u003c\/p\u003e\n\u003cp aria-hidden=\"false\" data-hook=\"info-section-title\"\u003eAlbum registrato il 26 ottobre 2024 nella Sala Scarlatti del Conservatorio di Musica San Pietro a Majella di Napoli. Il mastering è stato realizzato a maggio 2025 presso i Nightingale Studios di Palombara Sabina (Roma).\u003c\/p\u003e\n\u003cp aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e\u003cstrong\u003eGear used\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli aria-hidden=\"false\" data-hook=\"info-section-title\"\u003eANALOG CONSOLE\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv aria-hidden=\"false\" class=\"rah-static rah-static--height-auto\"\u003e\n\u003cdiv class=\"ulKuLk QfrfFD cell\"\u003e\n\u003cdiv data-hook=\"info-section-description\" class=\"zp8uy2\"\u003e\n\u003cp\u003e\u003cspan\u003eEMT-FRANZ MM40 A400 Multioutput Mixsystem 16ch. (recording)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMCI JH636 (mastering)\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eMICROPHONES\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eDecca Tree: Line Audio Design Omni1\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBinaural mode: Neumann KU100\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eClose-proximity mics: Neumann U47fet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpot mic: Line Audio design CM4\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eREEL TO REEL TAPE MACHINE\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eAmpex ATR-102 2-track ½-inch (recording-mastering)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStuder A80 2-track ¼-inch (master tape duplication)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTelefunken M15 2-track ¼-inch (master tape check)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStuder A807 2-track ¼-inch (master tape check)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSony MCI JH-110 2-track ¼-inch (master tape check)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSony APR-5003V 2-track ¼-inch (master tape check)\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eMASTERING OUTBOARDS\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eAmpex 350 (1955) - Two Matched Units\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eMONITORS\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eTannoy SRM 15X Super Red Monitor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eB\u0026amp;W 802 III series\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eB\u0026amp;W CDM1 Special Edition\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNeumann KH 120 A\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eMONITOR POWER AMPS\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eBGW 750 E (4x)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBGW 250 D\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eHEADPHONES\/AMPLIFIER\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eAudeze LCD-2C\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHifiman Sundara\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSennheiser HD600\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAudio-gd NFB-1AMP classe A\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eCABLES\/FINE TUNING\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eAudio Mass - E-Spikes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVYDA Laboratories - signal cable - speaker cable\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEurocables - Star Quad microphone cable\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMogami cables Platinum Studio microphone cable\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVan Den Hul - D-102 mk III signal cable\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSchumann Resonator Audio 2C by Claudio Checchi\u003c\/span\u003e\u003c\/p\u003e\n\u003cp aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e\u003cstrong\u003eSpecifiche organo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e\u003cspan\u003eSpecification of the Tamburini Organ\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e\u003cspan\u003eBuilder: Tamburini (on a project by Jean Guillou)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e\u003cspan\u003eYear: 1983\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e\u003cspan\u003eRestorations\/Modifications: Restoration by Zanin, 2000s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e\u003cspan\u003eStops: 49\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e\u003cspan\u003ePipes: approximately 4,000\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e\u003cspan\u003eAction: mixed (mechanical for manuals and pedals, electric for stops)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e\u003cspan\u003eConsole: attached, in the front wall of the case\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e\u003cspan\u003eKeyboards: 4 manuals, 61 notes (C1-C6)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e\u003cspan\u003ePedalboard: concave-radial, 32 notes (C1-G3)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e\u003cspan\u003ePlacement: a single, floor-standing unit against the rear wall\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e\u003cspan\u003e---\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGatefold Vinyl. Limited to 300 Numbered Copies. 180g Audiophile Pressing. AAA Fully Analog Process,, impreziosito da un elegante booklet grande formato 16 pag.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVivi un viaggio sonoro senza precedenti con questa registrazione, meticolosamente ricavata dal \u003cstrong\u003emaster su \u003c\/strong\u003e\u003cstrong\u003eAmpex ATR102 da ½ pollice\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eLettura da Telefunken M21, amplificazione di taglio Audio Research VT60 a tubi, pilotato da preamplificatore Neumann SAL74B e RIAA encoder. Stadio finale di potenza per il taglio: Amplificatore di potenza  valvolare Audio Research VT60.\u003cbr\u003eLaccatura su: tornio\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eNeumann VMS70\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eequipaggiato con teste di taglio \u003cstrong\u003eOrtofon DSS821\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003eElaborazione audio puramente analogica, per una versione in vinile autenticamente analogica.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"BirdBox Records","offers":[{"title":"LP 33 rpm (prevendita)","offer_id":51766510453083,"sku":"BBR2025LMZ01VYN","price":49.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/scarlatti.png?v=1773068442"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/collections\/supporto-lp.png?v=1772132444","url":"https:\/\/referencemusicstore.myshopify.com\/collections\/supporto-lp.oembed?page=4","provider":"Reference Music Store","version":"1.0","type":"link"}